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NFT and Art

NFT and Art
NFT and Art

What You Need To Know About Non-Fungible Tokens (NFTs)

Robyn Conti,  John Schmidt

Contributor,  Editor

Non-fungible tokens (NFTs) seem to have exploded out of the ether this year. From art and music to tacos and toilet paper, these digital assets are selling like 17th-century exotic Dutch tulips—some for millions of dollars.

But are NFTs worth the money—or the hype? Some experts say they’re a bubble poised to pop, like the dotcom craze or Beanie Babies. Others believe NFTs are here to stay, and that they will change investing forever.

What Is an NFT?

An NFT is a digital asset that represents real-world objects like art, music, in-game items and videos. They are bought and sold online, frequently with cryptocurrency, and they are generally encoded with the same underlying software as many cryptos.

Although they’ve been around since 2014, NFTs are gaining notoriety now because they are becoming an increasingly popular way to buy and sell digital artwork. A staggering $174 million has been spent on NFTs since November 2017.

NFTs are also generally one of a kind, or at least one of a very limited run, and have unique identifying codes. “Essentially, NFTs create digital scarcity,” says Arry Yu, chair of the Washington Technology Industry Association Cascadia Blockchain Council and managing director of Yellow Umbrella Ventures.

This stands in stark contrast to most digital creations, which are almost always infinite in supply. Hypothetically, cutting off the supply should raise the value of a given asset, assuming it’s in demand.

But many NFTs, at least in these early days, have been digital creations that already exist in some form elsewhere, like iconic video clips from NBA games or securitized versions of digital art that’s already floating around on Instagram.

For instance, famous digital artist Mike Winklemann, better known as “Beeple” crafted a composite of 5,000 daily drawings to create perhaps the most famous NFT of the moment, “EVERYDAYS: The First 5000 Days,” which sold at Christie’s for a record-breaking $69.3 million.

Anyone can view the individual images—or even the entire collage of images online for free. So why are people willing to spend millions on something they could easily screenshot or download?

Because an NFT allows the buyer to own the original item. Not only that, it contains built-in authentication, which serves as proof of ownership. Collectors value those “digital bragging rights” almost more than the item itself.

How Is an NFT Different from Cryptocurrency?

NFT stands for non-fungible token. It’s generally built using the same kind of programming as cryptocurrency, like Bitcoin or Ethereum, but that’s where the similarity ends.

Physical money and cryptocurrencies are “fungible,” meaning they can be traded or exchanged for one another. They’re also equal in value—one dollar is always worth another dollar; one Bitcoin is always equal to another Bitcoin. Crypto’s fungibility makes it a trusted means of conducting transactions on the blockchain.

NFTs are different. Each has a digital signature that makes it impossible for NFTs to be exchanged for or equal to one another (hence, non-fungible). One NBA Top Shot clip, for example, is not equal to EVERYDAYS simply because they’re both NFTs. (One NBA Top Shot clip isn’t even necessarily equal to another NBA Top Shot clip, for that matter.)

Best Crypto Exchanges 2021

How Does an NFT Work?

NFTs exist on a blockchain, which is a distributed public ledger that records transactions. You’re probably most familiar with blockchain as the underlying process that makes cryptocurrencies possible.

Specifically, NFTs are typically held on the Ethereum blockchain, although other blockchains support them as well.

An NFT is created, or “minted” from digital objects that represent both tangible and intangible items, including:

•  Art

•  GIFs

•  Videos and sports highlights

•  Collectibles

•  Virtual avatars and video game skins

•  Designer sneakers

•  Music

Even tweets count. Twitter co-founder Jack Dorsey sold his first ever tweet as an NFT for more than $2.9 million.

Essentially, NFTs are like physical collector’s items, only digital. So instead of getting an actual oil painting to hang on the wall, the buyer gets a digital file instead.

They also get exclusive ownership rights. That’s right: NFTs can have only one owner at a time. NFTs’ unique data makes it easy to verify their ownership and transfer tokens between owners. The owner or creator can also store specific information inside them. For instance, artists can sign their artwork by including their signature in an NFT’s metadata.

What Are NFTs Used For?

Blockchain technology and NFTs afford artists and content creators a unique opportunity to monetize their wares. For example, artists no longer have to rely on galleries or auction houses to sell their art. Instead, the artist can sell it directly to the consumer as an NFT, which also lets them keep more of the profits. In addition, artists can program in royalties so they’ll receive a percentage of sales whenever their art is sold to a new owner. This is an attractive feature as artists generally do not receive future proceeds after their art is first sold.

Art isn’t the only way to make money with NFTs. Brands like Charmin and Taco Bell have auctioned off themed NFT art to raise funds for charity. Charmin dubbed its offering “NFTP” (non-fungible toilet paper), and Taco Bell’s NFT art sold out in minutes, with the highest bids coming in at 1.5 wrapped ether (WETH)—equal to $3,723.83 at time of writing.

Nyan Cat, a 2011-era GIF of a cat with a pop-tart body, sold for nearly $600,000 in February. And NBA Top Shot generated more than $500 million in sales as of late March. A single LeBron James highlight NFT fetched more than $200,000.

Even celebrities like Snoop Dogg and Lindsay Lohan are jumping on the NFT bandwagon, releasing unique memories, artwork and moments as securitized NFTs.

How to Buy NFTs

If you’re keen to start your own NFT collection, you’ll need to acquire some key items:

First, you’ll need to get a digital wallet that allows you to store NFTs and cryptocurrencies. You’ll likely need to purchase some cryptocurrency, like Ether, depending on what currencies your NFT provider accepts. You can buy crypto using a credit card on platforms like Coinbase, Kraken, eToro and even PayPal and Robinhood now. You’ll then be able to move it from the exchange to your wallet of choice.

You’ll want to keep fees in mind as you research options. Most exchanges charge at least a percentage of your transaction when you buy crypto.

Best Crypto Exchanges 2021

Popular NFT Marketplaces

Once you’ve got your wallet set up and funded, there’s no shortage of NFT sites to shop. Currently, the largest NFT marketplaces are:

•  OpenSea.io: This peer-to-peer platform bills itself a purveyor of “rare digital items and collectibles.” To get started, all you need to do is create an account to browse NFT collections. You can also sort pieces by sales volume to discover new artists.

•  Rarible: Similar to OpenSea, Rarible is a democratic, open marketplace that allows artists and creators to issue and sell NFTs. RARI tokens issued on the platform enable holders to weigh in on features like fees and community rules.

•  Foundation: Here, artists must receive “upvotes” or an invitation from fellow creators to post their art. The community’s exclusivity and cost of entry—artists must also purchase “gas” to mint NFTs—means it may boast higher-caliber artwork. For instance, Nyan Cat creator Chris Torres sold the NFT on the Foundation platform. It may also mean higher prices — not necessarily a bad thing for artists and collectors seeking to capitalize, assuming the demand for NFTs remains at current levels, or even increases over time.

Although these platforms and others are host to thousands of NFT creators and collectors, be sure you do your research carefully before buying. Some artists have fallen victim to impersonators who have listed and sold their work without their permission.

In addition, the verification processes for creators and NFT listings aren’t consistent across platforms — some are more stringent than others. OpenSea and Rarible, for example, do not require owner verification for NFT listings. Buyer protections appear to be sparse at best, so when shopping for NFTs, it may be best to keep the old adage “caveat emptor” (let the buyer beware) in mind.

Should You Buy NFTs?

Just because you can buy NFTs, does that mean you should? It depends, Yu says.

“NFTs are risky because their future is uncertain, and we don’t yet have a lot of history to judge their performance,” she notes. “Since NFTs are so new, it may be worth investing small amounts to try it out for now.”

In other words, investing in NFTs is a largely personal decision. If you have money to spare, it may be worth considering, especially if a piece holds meaning for you.

But keep in mind, an NFT’s value is based entirely on what someone else is willing to pay for it. Therefore, demand will drive the price rather than fundamental, technical or economic indicators, which typically influence stock prices and at least generally form the basis for investor demand.

All this means, an NFT may resale for less than you paid for it. Or you may not be able to resell it at all if no one wants it.

NFTs are also subject to capital gains taxes—just like when you sell stocks at a profit. Since they’re considered collectibles, however, they may not receive the preferential long-term capital gains rates stocks do and may even be taxed at a higher collectibles tax rate, though the IRS has not yet ruled what NFTs are considered for tax purposes. Bear in mind, the cryptocurrencies used to purchase the NFT may also be taxed if they’ve increased in value since you bought them, meaning you may want to check in with a tax professional when considering adding NFTs to your portfolio.

Martha/Mary Concerts Announces

Martha Mary Concerts Season Announcement
Martha Mary Concerts Season Announcement

Martha/Mary Concerts Announces 2021-2022 Season Lineup

Miami, FL – September 1, 2021 – Martha/Mary Concerts is pleased to announce their new season with five
upcoming performances.
Sunday, September 12 • 4pm

Clarice & Sergio Assad with Sammy Figueroa & Brian Potts
Experience Brazilian jazz, samba, choró, bossa nova, classics, and original compositions. Clarice Assad
dazzles as an award-winning composer, pianist and multilingual singer exploring the voice as an
instrument. Her father, Latin Grammy winner Sergio Assad, is one of the most important classical guitarists
of our age. Multi Latin Grammy nominee Sammy Figueroa is recognized as today’s leading Latin jazz
percussionist. Joined by Brian Potts, a versatile performer and educator with a passion for Brazilian
percussion and the pandeiro.


Sunday, November 7 • 4pm
The Frost Chorale with Amanda Quist, Conductor

The internationally recognized Frost Chorale performs a new holiday program especially designed for the
historic Corpus Christi’s updated acoustics and the Martha/Mary Concerts community.


Sunday, February 13 • 4pm
Dena DeRose: The Best of Classic Jazz

Currently based in Graz, Austria and Siena, Italy, Dena brings her trio to Miami for an unforgettable
Valentine’s Weekend. Come share the love embodied in the loveliness of great classic jazz.


Sunday, April 24 • 4pm
The Queen’s Six: From Windsor Castle to Miami

Majestic music by six lay clerks of the Chapel Choir of St. George’s at Windsor Castle where they perform
for the Queen and the royal family. With their signature a cappella they perform an extended repertoire –
from early chant, Renaissance polyphony, madrigals, and folk songs, to upbeat jazz and pop arrangements.
General admission tickets for all concerts are $15, and special Blue Circle seating is $25. Purchase tickets at
www.marthamaryconcerts.org or at the parish office.
Continuing the customs established with MMC’s successful 2020-2021 season, Covid-related procedures
will be observed as appropriate, and all events will be simultaneously broadcast on YouTube and Facebook.


About Martha/Mary Concerts
Now in its 18th year, the nonprofit Martha/Mary Concerts continues to bring world-class music at movie
ticket prices to a diverse South Florida population. Speaking the universal language of beautiful music,
artists and audiences find the spirit of community with friends old and newly discovered, and with persons
of all ages, cultural, social and economic backgrounds. Beginning a 4th year of residency at the historic
Corpus Christi Church in Allapattah, performances take place in the main church, La Merced Chapel, and its
outdoor plaza. Ever resilient, MMC has made changes to adapt to the current health crisis but still keeps
live music alive because…nothing stops the music!

Art on BRiC Walls

Big Bang Rafael Montilla Kubes in Action Street Art
Big Bang Rafael Montilla Kubes in Action Street Art

Art onBRiC Walls:A Boca Raton Museum of Art Juried Exhibition in Association with CP Group

November 10, 2021 – February 15, 2022Application Dates: July 1 – September 19, 2021Application Fee: $30.00 for 1 – 3 artworks Open only to artists living in Broward and Palm Beach counties.

Art on BRiC Walls: A Boca Raton Museum of Art Juried Exhibition in Association with CP Group

November 10, 2021 to February 15, 2022

Boca Raton, Florida

Exhibition Dates: November 10, 2021 – February 15, 2022
Opening Reception: November 10, 2021
Application Dates: July 1 – September 19, 2021
Application Fee: $30.00 for 1 – 3 artworks

Open only to artists living in Broward and Palm Beach counties.

  • $1,500 for the first prize
  • Three $500 merit awards 

Representing a dynamic cross-section of talent from Broward and Palm Beach Counties, this juried exhibition organized by the Boca Raton Museum of Art in association with CP Group reinforces the Boca Museum’s commitment to local residents, provides professional exhibition opportunities for emerging artists, and reveals a provocative glimpse of the state of art today.

What began as an outpost for IBM’s Research and Development and the birthplace of the first IBM personal computer is now a state-of-the-art, accessible 1.7 million square foot office park that is a magnet for forward thinkers. Designed by iconic Brutalist architect Marcel Breuer, Boca Raton Innovation Campus (BRiC) is the largest single facility office building in Florida and has been repositioned as a community destination in the heart of Boca Raton. The campus was acquired by CP Group, formerly Crocker Partners, in 2018 with the vision of transforming BRiC into the technology and life sciences hub for the Southeastern United States with unparalleled amenities. BRiC’s partnership with the Boca Raton Museum of Art is part of BRiC’s long-term vision of creating a walking art museum with exhibits throughout the miles of corridors that make up the campus in an effort to integrate art and technology into the ecosystem of the campus. Application ›


  • First Prize: $1500.00
  • Three merit awards: $500.00 each

Juror Biography

Edouard Duval Carrié is a contemporary artist and curator based in Miami, Florida. Born and raised in Haiti, Duval Carrié fled the regime of “Papa Doc” Duvalier as a teen ager and subsequently resided in locales as diverse as Puerto Rico, New York, Montreal, Paris and Miami. Parallels thus emerge between the artist’s cosmopolitan lifestyle and his artistic sensitivity toward the multifaceted identities that form his native Haiti. At heart, Duval Carrié is an educator: he challenges the viewer to make meaning of dense iconography derived from Caribbean history, politics, and religion. His works have been exhibited in major museums, art institutions and galleries in Africa, Europe and the Americas.  Duval-Carrié creates works that speak to the complexities of the Caribbean and its diaspora.

As a curator, Edouard Duval-Carrié has been a fervent advocate of the Caribbean region. Duval-Carrié started programs to highlight and present contemporary visual production of the region called the Global Caribbean in the Miami area and elsewhere.  Initially staged to benefit from the presence of international art fairs in Miami such as Art Basel, Global Carribean focuses the visual production of artists from the Caribbean region and places them in a “commercial” context at these art fairs. Recently the project has garnered and secured the collaboration of major scholars and institutions such as Duke University, New York University, Brown University to name a few and created a forum where artists were involved in a dialogue with scholars such as Dr. Anthony Bogues of Brown University, Dr. Ada Ferrer of NYU and Dr. Laurent Dubois of Duke University. This has created much needed discussions at the academic level to further promote and understand the visual production of the Caribbean.  Current curated exhibitions by Duval-Carrié are Visionary Aponte: Art & Black Freedom, co-curated with Ada Ferrer and Laurent Dubois and PÒTOPRENS: The Urban Artists of Port-au-Prince co-curated with Leah Gordon at Pioneer Works in New York.

4 cuartos / 5 experiencias

Robert Montilla: Anatomía del vacío
Robert Montilla: Anatomía del vacío

4 cuartos / 5 experiencias
Humberto Valdivieso

Y como dice el beduino: “incluso el humo es bueno para algo”
F. Nietzsche

Al reflexionar sobre la experiencia humana del arte nos preguntamos, de inmediato, por aquello que se activa ahí donde aparece una obra. Esa pregunta usualmente cuestiona a la cultura, al espectador y al artista. Sin embargo, el hacer de un objeto estético -aquello que justifica su existencia y lugar en el mundo- no debe buscarse fuera de él. Las cosas, las ideas, lo hábitos y en general la vida son quienes ingresan al espacio de la obra y son tejidos de forma particular. Esto inicia un proceso, activa una energía, donde suelen aparecer sensibilidades antes ocultas y límites inexplorados.

Si bien toda obra es un signo o representación de algo exterior a ella -puede ser un cuerpo, un fenómeno natural o un concepto-, lo es “en algún aspecto o carácter” como afirma el filósofo Ch.S. Peirce. Esto quiere decir que el mundo al interior de la obra es siempre una interpretación en forma de imagen. Por lo tanto, es una crisis de lo conocido, un nuevo comienzo para la experiencia humana, un objeto cotidiano deformado por una idea o una sensación, una ley que cambia y una expansión inconmensurable.

La muestra que nos ocupa -en la Galería Cerquone en Caracas, Venezuela- está hecha de espacios donde el arte elude la explicación y estimula la vivencia de lo inmediatamente presente. De ahí su guiño a la instalación, a formar ambientes. Estos cuatro cuartos -que son cinco- no exponen objetos colgados para “ser vistos”. En ellos la materia plástica e intelectual incita intercambios íntimos con las obras, experimentos con la memoria personal e histórica, y juegos con la estructura de la realidad aparente. Todo esto sin apelar al hecho concreto, la información o las leyes de lo “adecuadamente elaborado”. Por eso, en todas las salas predomina cierta atmósfera de sospecha y
ambigüedad alrededor de los trabajos.

Víctor Hugo Irazábal, Vasco Szinetar, Samuel Baroni, Ricardo Arispe y Robert Montilla son aquí hacedores de procesos interminables. Han utilizado la fotografía, la apropiación, el collage, la impresión digital 2D y 3D, la escultura y la pintura. Han intervenido materiales, reciclado desechos y tejido telas. Todo esto con la finalidad de expandir el hecho creativo al infinito, obviando conclusiones y fronteras. Por eso, cada espacio de esta muestra debe ser vivido como una variación de la experiencia del presente, un ejercicio de toda la belleza que es posible en un primer instante.

5 Diálogos

Víctor Hugo Irazábal: Victoria amazónica
Víctor Hugo Irazábal: Victoria amazónica
Víctor Hugo Irazábal: Victoria amazónica
Víctor Hugo Irazábal: Victoria amazónica
  1. Víctor Hugo Irazábal: Victoria amazónica
  • Curador: dentro y fuera de nosotros el universo es infinito, la naturaleza es una. Estas obras están hechas de la materialidad misma de esa infinitud. Al transitar entre ellas experimentamos una plasticidad, que si bien no es ajena al pensamiento, está libre de deudas racionales y medidas exactas.
  • Artista: conceptualmente asumo la obra como una posibilidad que se da en un instante, nunca la considero una afirmación cerrada. De esta forma, al ser una posibilidad, se convierte en una energía abierta. La selección se ubica en dos grandes bloques de signos plásticos e icónicos, tomados de mis libretas y obras. Todos hablan sobre mi experiencia con la naturaleza en mayúscula de la Amazonia.

En cada ciclo mundos infinitos se generan y perecen en lo infinito

Diógenes de Apolonia

Vasco Szinetar: Gestos
Vasco Szinetar: Gestos

2. Vasco Szinetar: Gestos

  • Curador: en los laberintos de sus contradicciones íntimas, en los pequeños conflictos expresivos y en los prodigios inesperados conviven las tensiones de los gestos. Una imagen nunca se funde en otra. La verdadera acción consiste en morar por el espacio ajeno y esquivar la certeza. Esa es la labor de una práctica creativa, su alma profunda.
  • Artista: el verdadero arte es finalmente inaprensible.

El hoy fugaz es tenue y es eterno;
Otro cielo no esperes, ni otro infierno
J. L. Borges

Vasco Szinetar: Gestos
Vasco Szinetar: Gestos
Ricardo Arispe: Post-eternidad
Ricardo Arispe: Post-eternidad

3. Ricardo Arispe: Post-eternidad

  • Curador: la obra no es un testimonio del mundo sino de su deformación, de la experiencia donde ya no distinguimos entre lo real y lo virtual. Esta sala es un “anti- ambiente” hecho de espacios que transitan a través de espacios, de fragmentos desprendidos de una sospechosa realidad.
  • Artista: el cuerpo de trabajo está formado por 5 conjuntos con vínculos hacia las otras salas y las ideas del curador: collages, madera y vetas, siluetas, hojalata y la semiótica de los objetos. Además, las puertas y la realidad aumentada abren el espacio a otras realidades.

Aquí estaremos eternamente -aunque mañana nos vayamos-

Adolfo Bioy Casares

Aquí estaremos eternamente -aunque mañana nos vayamos- Adolfo Bioy Casares
Aquí estaremos eternamente -aunque mañana nos vayamos- Adolfo Bioy Casares
Samuel Baroni: Entramados
Samuel Baroni: Entramados

4. Samuel Baroni: Entramados

  • Curador: la interpretación es algo inherente a los signos y, por lo tanto, a las obras de arte. Este trabajo está hecho de trayectos y energía vital. Bosque, navegación y caligrafía están ahí para ofrecernos lecturas provisionales del acontecer e indicios de la fragilidad humana.
  • Artista: la firma tiene mucho que ver con mis tránsitos. Es un producto esencial del entramado de la obra, por eso ella aparece con unas variables tremendas dentro de esta conjugación de elementos. Ella se desborda entre todas las cosas que se entremezclan de una manera muy fuerte.

Yazgo la vida. Nada de mí interrumpe nada
Fernando Pessoa

Samuel Baroni: Entramados
Samuel Baroni: Entramados
Robert Montilla: Anatomía del vacío
Robert Montilla: Anatomía del vacío

5. Robert Montilla: Anatomía del vacío

  • Curador: un espacio no adquiere significado únicamente por las palabras, las imágenes, las distancias o los materiales. La experiencia humana también supone la interacción con lo ausente y lo presente, lo visible y lo invisible. El arte hace de la existencia algo extraordinario cuando muestra lo lleno que está el vacío.
  • Artista: quiero mostrarle a las personas lo intangible, lo qué hay ahí: cómo un vacío se genera entre la materia y el espacio. Mi intención es mostrar lo que no se ve y demostrar que siempre hay una ausencia de contenido que no es la materia y eso es lo que uno habita.

La obra es el camino y nada más
Octavio Paz

Robert Montilla: Anatomía del vacío
Robert Montilla: Anatomía del vacío

Hanan Arts Offers Social Justice Dialogue.

Hanan Arts Offers Social Justice Dialogue Through an Arts Lens Second Season of Shimmy Shift Pivot Begins September 1
Hanan Arts Offers Social Justice Dialogue Through an Arts Lens Second Season of Shimmy Shift Pivot Begins September 1

Hanan Arts Offers Social Justice Dialogue Through an Arts Lens
Second Season of Shimmy Shift Pivot Begins September 1

Miami, Florida: Hanan Arts and Live Arts Miami announce the second season of Shimmy Shift Pivot, the thought-provoking webinar and workshop series that engages leaders in the arts and academia to tackle divisive issues such as race, colonization, identity, and gender violence as they are experienced through the lens of dance.  

Turbulent times have widened the chasms between people, creating misunderstandings and resulting in collective reactions such as cancel culture. This fall, Hanan Arts aims to remind us of our commonalities and the importance of keeping the dialogue open.


On the series, Tiffany Madera, founder of Hanan Arts says, “These challenging conversations are the antidote to cancel-culture by reminding us of our commonalities and the importance of keeping the dialogue open. It is an interactive, safe space for uncensored honest dialogue that builds community through deeper understanding”.

Each Wednesday in September, from 1:00-2:00 PM EST, audiences can participate via Livestream hosted byLive Arts Miami and Hanan Arts.  Participation in the talks is free with registration at liveartsmiami.org.  

The schedule is as follows:

Wednesday, September 1, 2021
Moving Borders: Transforming Cultural Violence
As traditional dances are practiced and performed globally across cultures, we explore the line between identity, artistic exploration, and cultural appropriation.

Speakers: Helene Eriksen, Dancer, Ethnologist; Roxxanne Shelaby, dancer; Tiffany Madera, moderator

Wednesday, September 8, 2021
Traveling Steps: Folklore and Technology
Looking at the legacy of colonization, we’ll discuss who gets to tell stories and the impact  of technology in framing and disseminating stories.

Speakers: Rachelle Salnave, filmmaker; Kaeshi Chai, dancer; Tiffany Madera, moderator

Wednesday, September 15, 2021
Dance on and Off the Political Stage
This potent discussion looks at the works of these two artists and how their hybrid identity influences their creative and cultural output.  

Speakers: Rosie Herrera, dancer and choreographer; Tiffany Madera, dancer, producer, filmmaker;  Gina Margillo, Moderator.

Wednesday, September 22, 2021
Legacy of Maya Deren Representation and Innovation
In celebration of the dance for camera pioneer Maya Deren, we will discuss her contribution as an innovator and her example as a European woman representing Global South themes.

Speakers: Dinorah de Jesus Rodriguez, filmmaker; Nejla Yatkin, dancer, filmmaker; Tiffany Madera, dancer; Gina Margillo, Moderator

Wednesday, September 29, 2021
The Gaze: Authenticity, Resistance, and Performance
Join us in a discussion about the power of presence of our bodies in public spaces, telling our story through symbols, and how race and ethnicity are negotiated in the dance world.

Speakers: Jillian Hernandez, author The Aesthetics of Excess; Michelle Murray, dancer, choreographer, Professor Miami Dade College.; Tiffany Madera, moderator

A community Baladi dance workshop will be held to engage participants’ minds and bodies to support healing and to create community.

Miami Dade College
Koubek Center 2705 SW 3rd Street
Date September 18, 11:00 a.m. to 3:00 p.m.

For more information, interviews, or photos, please contact:
Jean Blackwell Font  305-890-9627 / [email protected]

About Hanan Arts
Hanan Arts is a Miami based non-profit organization that innovates the dance genre of Raks Baladi as an instrument for social justice and connection through workshops, film, interdisciplinary performance and academic investigation.

About Live Arts Miami
Live Arts Miami is one of the city’s oldest and boldest performing arts series: an action-driven, people-centered platform for powerful performances, impactful community programs, and learning experiences that spark dialogue, raise awareness around pressing issues, and open minds and hearts in all who take part. For more information, please visit liveartsmiami.org and follow @liveartsmiami on Facebook, Instagram, and Twitter for the latest updates.

BLACK HOLE AND SYMBOLIC KALI.

maa kali and the black hole
maa kali and the black hole

Black holes are ultra modern concept of physics developed very recently.They are black color giants in space who has extremely high gravitational force( its the force with which one body can attract another) and hence can absorb everything.It can actually absorb even light under effect of its gravity and for this reason its black .Its formed by a star which is extremely big in size and eventually as this big stars grows further big ( as stars continue to increase in mass) the gravity of it continues to increase to a point when the star is sucked under its own high gravitational force forming BLACK HOLE. These BLACK HOLES were initially thought as a source of universal destruction but soon it was realized BLACK HOLES are present in every galaxy at its center, and is surely destroying the stars and planets of that galaxy but its also responsible for organizing that galaxy.We know that all stars and planet systems in a galaxy is revolving around its center which is important for the existence of the galaxy itself , but now we know that such revolution of stars are only possible for the extremely high gravitational hence the very organization of galaxy was for the black holes.Interestingly what is universal destroyer has also a positive role.The way it destroys or sucks in stars and planet is also very interesting.These stars and planet attracted by the black hole first revolve around it in super speed as if they are like garlands around it and than it ultimately falls into it .Another interesting thing about them is featured by Albert Einstein’s theory of relativity.We see that theory of relativity states that time gets slow under the effect of gravity so with gravity being super strong in black hole ,time stops in black hole completely.Its one of the few agents known in universe that defeats time and controls the flow of time completely.However quiet recently something new has been understood about the black hole, theory suggest that while the black holes sucks in every thing,deep inside the black hole lies a white hole which very interestingly gives out all the matter sucked up by black hole may be in different time or at different place.Hence to sum up above facts we can say the following

   1.Black holes are formed by stars
   2.Black holes sucks in everything due to
      Infinite gravity.
   3.Black holes though are destroyers but yet
      They organize the universe.
   4.Black holes are place where time stops.
   5.Black holes have a white on the other side
      Which behaves opposite to black holes.

Now comes the amazing part , its strange that some of the new concept of modern physics comes so close to believes of ancient Hinduism.In SANATAN DHARMA lies existence of a devi called SHAKTI who happens to be the wife of the lord SHIVA, now Shakti exist in many forms , out of which one is KALI , Now Kali exhibit some features that we will be discussing now, lets first observe that KALI is a form of feminine energy (DEVI) which consumes everything which comes into or in front of her way no matter how strong it be , and please note the way of her destruction is once again suction or consumption , very similar to Black holes which also consumes to destroy,Needless to say the color given to Kali is an exact match to black holes as both are black.But things would get more interesting if we study a bit more deep, WE know that Black holes are nothing but stars converted into them , hence every black hole is derived of a star or was a star sometime in there life, whereas Kali’s one of the most famous form is called as TARA strangely meaning a star.But wait things are more to come if we observe Kali we will find her neck to surrounded by heads of Demons forming a garland , and if we observe black hole in space we will find that all planet and star before being added to it gravitational pull moves around it with such great speed as if the form a ring or a garland.Kali by her name not only means black but also mean the feminine term for KAL meaning time and in many mythological representation she has been perceived as GODDESS OF TIME  or someone who can control time or owns time , miraculously the fact comes so parallel to THEORY OF RELATIVITY  by EINSTEIN which amazingly says that Black holes have enough gravity to cease the flow of time or in other words time comes in complete hold of black hole.Now I give you an ultimate one ,as mentioned above a very recent theory related to Black hole has realized that on other side of black hole exist  a white hole , whose behavior is just opposite to black hole hence its creative and gives out matter instead of consuming them, to our amazement Kali HAPPENS to be the angry form of devi shakti Who in her calm state is very popularly know as GOURI , in other words OTHER SIDE OF KALI IS GOURI ( MEANING WHITE)  OR IF I TRANSLATE IT OTHER SIDE OF BLACK HOLE IS WHITE HOLE. Though I fail to understand the reason behind such miraculous coherence between our religion and our science , but without doubt I enjoy its realization the most.

BLACK HOLE AND SYMBOLIC KALI.

BLACK HOLE AND SYMBOLIC KALI
BLACK HOLE AND SYMBOLIC KALI
I'm Kali. I'm a black hole by  lizard-mantidae
I’m Kali. I’m a black hole by lizard-mantidae

Black holes are ultra modern concept of physics developed very recently.They are black color giants in space who has extremely high gravitational force( its the force with which one body can attract another) and hence can absorb everything.It can actually absorb even light under effect of its gravity and for this reason its black .Its formed by a star which is extremely big in size and eventually as this big stars grows further big ( as stars continue to increase in mass) the gravity of it continues to increase to a point when the star is sucked under its own high gravitational force forming BLACK HOLE. These BLACK HOLES were initially thought as a source of universal destruction but soon it was realized BLACK HOLES are present in every galaxy at its center, and is surely destroying the stars and planets of that galaxy but its also responsible for organizing that galaxy.We know that all stars and planet systems in a galaxy is revolving around its center which is important for the existence of the galaxy itself , but now we know that such revolution of stars are only possible for the extremely high gravitational hence the very organization of galaxy was for the black holes.Interestingly what is universal destroyer has also a positive role.The way it destroys or sucks in stars and planet is also very interesting.These stars and planet attracted by the black hole first revolve around it in super speed as if they are like garlands around it and than it ultimately falls into it .Another interesting thing about them is featured by Albert Einstein’s theory of relativity.We see that theory of relativity states that time gets slow under the effect of gravity so with gravity being super strong in black hole ,time stops in black hole completely.Its one of the few agents known in universe that defeats time and controls the flow of time completely.However quiet recently something new has been understood about the black hole, theory suggest that while the black holes sucks in every thing,deep inside the black hole lies a white hole which very interestingly gives out all the matter sucked up by black hole may be in different time or at different place.Hence to sum up above facts we can say the following 1.Black holes are formed by stars 2.Black holes sucks in everything due to Infinite gravity. 3.Black holes though are destroyers but yet They organize the universe. 4.Black holes are place where time stops. 5.Black holes have a white on the other side Which behaves opposite to black holes.Now comes the amazing part , its strange that some of the new concept of modern physics comes so close to believes of ancient Hinduism.In SANATAN DHARMA lies existence of a devi called SHAKTI who happens to be the wife of the lord SHIVA, now Shakti exist in many forms , out of which one is KALI , Now Kali exhibit some features that we will be discussing now, lets first observe that KALI is a form of feminine energy (DEVI) which consumes everything which comes into or in front of her way no matter how strong it be , and please note the way of her destruction is once again suction or consumption , very similar to Black holes which also consumes to destroy,Needless to say the color given to Kali is an exact match to black holes as both are black.But things would get more interesting if we study a bit more deep, WE know that Black holes are nothing but stars converted into them , hence every black hole is derived of a star or was a star sometime in there life, whereas Kali’s one of the most famous form is called as TARA strangely meaning a star.But wait things are more to come if we observe Kali we will find her neck to surrounded by heads of Demons forming a garland , and if we observe black hole in space we will find that all planet and star before being added to it gravitational pull moves around it with such great speed as if the form a ring or a garland.Kali by her name not only means black but also mean the feminine term for KAL meaning time and in many mythological representation she has been perceived as GODDESS OF TIME or someone who can control time or owns time , miraculously the fact comes so parallel to THEORY OF RELATIVITY by EINSTEIN which amazingly says that Black holes have enough gravity to cease the flow of time or in other words time comes in complete hold of black hole.Now I give you an ultimate one ,as mentioned above a very recent theory related to Black hole has realized that on other side of black hole exist a white hole , whose behavior is just opposite to black hole hence its creative and gives out matter instead of consuming them, to our amazement Kali HAPPENS to be the angry form of devi shakti Who in her calm state is very popularly know as GOURI , in other words OTHER SIDE OF KALI IS GOURI ( MEANING WHITE) OR IF I TRANSLATE IT OTHER SIDE OF BLACK HOLE IS WHITE HOLE. Though I fail to understand the reason behind such miraculous coherence between our religion and our science , but without doubt I enjoy its realization the most.

by Dr Anuraag Jaiswal

www.dranuraag.blogspot.com

Adapted by Arun Dorasamy

El escritor Hernán Vera Alvarez

escritor Hernán Vera Alvarez imparte un taller literario
escritor Hernán Vera Alvarez imparte un taller literario

El escritor Hernán Vera Alvarez imparte un taller literario

El periodista y escritor argentino, residente en Miami, Hernán Vera Alvarez ofrecerá un curso de “Escritura creativa”, titulado “Cómo desbloquear el iPhone”. “Un coordinador no te da talento”, asegura el profesor, “el talento lo tiene el que viene al taller, pero sí a través de ejercicios, técnicas narrativas y análisis de textos logra que la persona saque aquellas historias que hace tiempo quería escribir”. El escritor agrega:”En estos años muchos de los escritores que concurren a mis talleres han ganado premios y publicado en editoriales, lo cual me hace feliz”. “Cómo desbloquear el iPhone” se impartirá todos los jueves, a partir del 2 de septiembre, vía Zoom. El cupo es limitado. Más información, escribiendo a [email protected]

Hernán Vera Álvarez nació en Buenos Aires en 1977. Es escritor, dibujante y editor. Realizó estudios de literatura en FIU (Florida International University) donde actualmente trabaja como profesor. Desde hace años imparte talleres de escritura creativa en distintas instituciones, entre ellas, el Koubek Center del Miami Dade College. Ha publicado el libro de poemas Los románticos eléctricos (2020), la novela La librería del mal salvaje (2018) —Florida Book Awards—, dos de relatos, Grand Nocturno (2016) y Una extraña felicidad (llamada América) (2012), y el de comics ¡La gente no puede vivir sin problemas! (2000). Es editor de las antologías Don´t cry for me, América (2020) —Latino International Book Awards—, Escritorxs Salvajes (2019), Miami (Un)plugged (2016) y Viaje One Way (2014). Vivió ocho años como un ilegal en los Estados Unidos donde trabajó en un astillero, en la cocina de un cabaret, en algunas discotecas y en la construcción.

Rafael Montilla, Editor

FIND AN ARTIST

Constructivism art Rafael Montilla
Constructivism art Rafael Montilla

FIND AN ARTIST

ABOUT THE GALLERY

The Galerie Le Minotaure, created in 2002, is situated Rue des Beaux-Arts, at the former address of the famous bookshop from whom it preserved its name. His founder, Benoit Sapiro, is fascinated by Russian and Central Europe artists of the first half of the 20th century. Benoit Sapiro dedicated himself to helping rediscover the first half of the 20th Century Russian and Central Europe artists for more than twenty years, with a constant and passionated action.


ACKERMAN, SAMUEL
ADLEN, MICHEL
AHRLÉ, RENÉ
AIZENBERG, NINA
ALTMAN, NATAN
ANDREENKO, MIKHAIL
ANGIBOULT, FRANÇOIS
ANISFELD, BORIS
ARONSON, BORIS
ARP, JEAN
BARANOFF-ROSSINÉ, VLADIMIR
BASQUIAT, JEAN-MICHEL
BECHER, BERND ET HILLA
BEOTHY, ETIENNE
BERLEWI, HENRYK
BING, ILSE
BLUMENFELD, ERWIN
BORES, FRANCISCO
BOURGEOIS, LOUISE
BRAUNER, THEODORE
BRAUNER, VICTOR
BRUSILOVSKY, ANATOL
DEXEL, WALTER
HÉLION, JEAN
CARDENAS, AUGUSTIN
CASEBERE, JAMES
CÉSAR DOMELA
CHAGALL, MARC
CHAPOVAL, YOULA
CHARCHOUNE, SERGE
CHILLIDA, EDUARDO
COMERINER, ERICH
DADOUNE, JOSEPH
DELAUNAY, SONIA
DMITRIENKO, PIERRE
ELKIN, VASSILY
EXTER, ALEXANDRA
FAUQUET, JEAN-MICHEL
FÉRAT, SERGE
GALADZHEV, PIOTR
GAUDIER-BREZSKA, HENRI
GONTCHAROVA, NATALIA
GRINBERG, JACQUES
GROBMAN, MICHAIL
GROSZ, GEORGES
GUTFREUND, OTTO
HERBIN, AUGUSTE
HEROLD, JACQUES
HERVÉ, LUCIEN
HOFFMEISTER, ADOLF
HORVAT, FRANK
HUSZÀR, VILMOS
INGER, GERSH, B.
KIMURA, CHUTA
LÉGER, FERNAND
KADAR, BÉLA
KALLOS, PAUL
KALTER, ISAAC
KASSÁK, LAJOS
KESTING, EDMUND
KIRSZENBAUM, JEZEKIEL
KLUCIS, GUSTAV
KOLÁŘ, JIŘÍ
KOMAR & MELAMID
KORETZKY, VICTOR
KREMEGNE, PINCHUS
KUPER, YURI
KUPKA, FRANTIŠEK
LANSKOY, ANDRÉ
LARIONOV, MICHEL
LISSITZKY, EL
LITVINOVSKY, PINCHAS
MAN RAY
MATTIS TEUTSCH, JÁNOS
MERCIER, MATHIEU
MESSAGER, ANNETTE
MICHONZE, GRÉGOIRE
MOHOLY-NAGY, LASZLO
MOLINIER, PIERRE
MUSHINSKY, NINA
REIGL, JUDIT
PAGAVA, VÉRA
PASCIN, JULES
POUGNY, JEAN
PRINNER, ANTON
RAINIER LERICOLAIS
REIP, HUGUES
RETH, ALFRED
RICHTER, GERHARD
RUFF, THOMAS
RYBACK, BER ISSACHAR
SALZMANN, AUGUSTE
SCHEIBER, HUGO
SEDELNIKOV, NICOLA
SENKIN, SERGEI
SOUTINE, CHAÏM
STARITSKY, ANNA
STEINBERG, EDOUARD
STEPANOVA, VARVARA
STRÜWE, CARL
SURVAGE, LÉOPOLD
TAL-COAT, PIERRE
TCHACHNIK, ILIA
TCHAIKOV, JOSEPH
TCHERNIAK, SOPHIA
TEIGE, KAREL
TELINGATER, SALOMON
TORRES GARSIA, JOAQUIN
TSELKOV, OLEG
TUTUNDJIAN, LÉON
TYSCHLER, ALEXANDRE
VALENSI, HENRY
VALMIER, GEORGES
VASSILIEFF, MARIE
VOROBIEFF (MAREVNA), MARIE
VOROBIEV, VALENTIN
VOROSHILOV, IGOR
YAKOVLEV, VLADIMIR
YANKILEVSKY, VLADIMIR
ZDANEVICH, KIRILL
ZVEREV, ANTON

Víctor Rodríguez hace joyas Tajia Diamonds

El Alfa con joyas Tajia Diamond

Víctor Rodríguez hace joyas Tajia Diamonds que usan El Alfa, Farruko y otros famosos

Muchas personas buscan joyas para brillar más y en ese aspecto Víctor Rodríguez es un número uno ya que es uno de los principales empresarios joyeros hispanos de Estados Unidos. Víctor, nacido en New Jersey, hijo de puertorriqueños, ha sabido levantarse de pesares financieros y del alma -su hija mayor, Tajia, sufre de una enfermedad neurológica- para triunfar en los negocios. Las prendas de su compañía, Tajia Diamonds, son requeridas por estrellas de la música y el deporte. “He podido salir adelante gracias al esfuerzo, la perseverancia y el apoyo de mi familia”, asegura este hombre, casado desde hace 25 años, padre de tres hijos. Tajia Diamonds se estableció oficialmente el 13 de abril de 2015 y tiene su sede en un área de Manhattan, Nueva York, conocida como “distrito de los diamantes”. Allí Víctor lidera a una veintena de empleados que producen y venden cadenas, relojes, pulseras, sortijas y anillos de diamantes, platino y oro. Más detalles de los productos se pueden hallar en www.tajiadiamonds.com “Tenemos joyas creativas, con diseños personalizados”, afirma Víctor. Entre sus clientes célebres se encuentran cantantes como El Alfa, Farruko y Bryant Myers, y boxeadores como Danny García. Pese al éxito empresarial, el mayor orgullo de Víctor es su familia, basada en su esposa, Marisol, y sus hijos: Tajia de 22 años; Víctor, de 16; y Matthew, de 12. Tajia nació con parálisis cerebral (Palsey) y se moviliza en silla de ruedas, pero no se ha replegado ante las dificultades. Con el empuje heredado de sus padres, Tajia se ha graduado del colegio secundario con honores e, inclusive, ha escrito un libro, “Rodando hacia el kindergarten”.

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