Biografías de lxs curadorxs
11ª Bienal de Arte Contemporáneo de Berlín, 2020
(* 1961 Kinshasa) A researcher, art critic, and independent curator interested in strategies for collaborating with sociologists and architects in public space. As a young child she never understood why people lived on the streets and spent her time speaking with them. She was chief curator of the 27th Bienal de São Paulo How to Live Together (2006) and curated Drifts and Derivations: Experiences, journeys and morphologies together with María Berríos (Museo Nacional Centro de Arte Reina Sofía, Madrid, 2010).
Recent projects of her include Rivane Neuenschwander: The Name of Fear | Rio de Janeiro (Museu de Arte do Rio (MAR), Rio de Janeiro, 2017) and León Ferrari, For a World with No Hell (Galeria Nara Roesler, São Paulo and New York, 2018). In 2014 Lagnado became director and Curator of Public Programs of the Escola de Artes Visuais do Parque Lage in Rio de Janeiro, a position held until 2017.
Lagnado was coeditor of the magazines Arte em São Paulo (1981–89) and Trópico (2001–11) and contributed to exhibition catalogues on Arthur Bispo do Rosario, Dominique Gonzalez-Foerster, Laura Lima, Gordon Matta-Clark, Virginia de Medeiros, Cildo Meireles, Ahlam Shibli, Tunga, and Bárbara Wagner & Benjamin de Burca, among others. In 1993, together with friends and family of the artist José Leonilson, she established the São Paulo-based Projeto Leonilson, which oversees his estate; she also curated his first retrospective Leonilson: são tantas as verdades (Galeria de Arte do SESI, São Paulo, 1995). Lagnado coordinated the Programa Hélio Oiticica, an online archive of Hélio Oiticica’s writings (Instituto Itaú Cultural, 1999–2002). Lagnado is currently a member of the Associação Cultural Videobrasil, São Paulo.