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Allegories of the Real and the Supernatural

Allegories of the Real and the Supernatural
Allegories of the Real and the Supernatural

Allegories of the Real and the Supernatural

An exploration of the boundaries between the tangible and the intangible, the everyday and the mystical

MoCAA presents “Allegories of the Real and the Supernatural,” featuring Caridad, Morón, & Cañas. Sept 20-Oct 31. Explore the boundaries between the tangible & intangible through powerful artworks.

Exhibition Highlights:

  • Venue: Museum of Contemporary Art of the Americas (MoCAA)
  • Dates: September 20 – October 31, 2024
  • Featured Artists: Marco Caridad, Milixa Morón, and Elkin Cañas
  • Curator: Jorge Rodriguez Diez (R10)
  • Theme: The intersection between the real and the supernatural, inviting viewers to contemplate the liminal space where these realms intertwine.

Exhibition Overview:

“Allegories of the Real and the Supernatural” is a thought-provoking exhibition that delves into the complex relationship between the tangible and the intangible. Through a diverse range of artistic expressions, the show explores the boundaries between the everyday and the mystical, inviting viewers to question their own perceptions of reality. The featured artists, Marco Caridad, Milixa Morón, and Elkin Cañas, each bring their unique perspectives to the theme, creating a rich and multi-layered experience for the audience.

Key Themes and Concepts:

  • Liminal Spaces: The exhibition explores the in-between spaces where the real and the supernatural coexist, blurring the lines between the known and the unknown.
  • Symbolism and Visual Narratives: The artworks utilize a complex interplay of symbols and visual storytelling to create immersive experiences that invite viewers to explore their own interpretations.
  • The Power of Myth and Mysticism: The show delves into the enduring power of myth and mysticism, highlighting their continued relevance in contemporary society.
  • The Human Experience: The exhibition ultimately reflects on the human experience, exploring our innate desire to make sense of the world around us and our place within it.

Don’t Miss This Captivating Exhibition!

“Allegories of the Real and the Supernatural” promises to be a captivating and thought-provoking exhibition that will challenge your perceptions and invite you to explore the mysteries that lie beyond the everyday. Mark your calendars and prepare to be transported to a world where the real and the supernatural intertwine.

‘Allegories of the Real and the Supernatural’ invites a deep philosophical reflection, as it is situated at the threshold of two fundamental dimensions of human experience: the tangible, what we perceive through the senses, and the intangible, that which transcends empirical logic and enters the realm of the spiritual, the mystical, or the metaphysical. ‘Allegories’ suggests that art, in a case like this, proposes symbolic representations that are not limited to the literalness of things, but transcends them to offer deeper meanings. Allegories are vehicles through which hidden truths, complex realities, and invisible connections between different planes of existence are communicated.

‘Allegories of the Real and the Supernatural’ invites a deep philosophical reflection, as it is situated at the threshold of two fundamental dimensions of human experience: the tangible, what we perceive through the senses, and the intangible, that which transcends empirical logic and enters the realm of the spiritual, the mystical, or the metaphysical. ‘Allegories’ suggests that art, in a case like this, proposes symbolic representations that are not limited to the literalness of things, but transcends them to offer deeper meanings. Allegories are vehicles through which hidden truths, complex realities, and invisible connections between different planes of existence are communicated.In the framework of philosophy, the real is often associated with the concrete, the immediate, and the verifiable. Philosophical traditions such as empiricism hold that the real is what we can know through the senses and experience. However, philosophers like Kant have argued that reality is also mediated by the structures of our mind and perception. Thus, art can reinterpret the real, revealing hidden or ignored aspects of the everyday.

The supernatural, on the other hand, challenges the limitations of the real and moves into the realm of the ineffable, the inexplicable. From Plato to the Neoplatonists, philosophy has explored the idea that there is a ‘beyond’ the sensible world: a realm of pure ideas, spirits, or transcendental forces that shape the material world. In this sense, the supernatural is not simply ‘that which cannot be explained,’ but what, at least in theory, lies beyond the reach of direct experience yet is essential to understanding reality in its entirety.’

The Dancing Spirit, 2022. Oil on Linen | 40 x 28 Inches. By Milixa Morón

In Milixa’s community, there is a tradition of dressing up like monsters and performing a ritual dance to ward off evil. Her painting portrays “The dancing spirits” participating in this tradition, and through it, Milixa expresses her beliefs and identity. Milixa’s artwork captures the essence of the phrase “Holy water!” which highlights the significance of something when it is scarce, particularly something as fundamental as water. The struggle for access to clean water in Latin America is a daily reality, and people can truly appreciate its value when it becomes available. In her piece, Milixa portrays her father taking a bath using the water he was able to collect, demonstrating his optimistic outlook on life despite limited resources. Milixa’s artwork “Yara,” portrays the goddess of nature, also known as Maria Lionza, who is a mythological figure with roots in reality as the daughter of a Cacique, or native Indian chief. This piece is part of Milixa’s self-portrait series and serves as an allegory for her connection to nature and the spiritual world.

MILIXA MORON

Milixa Morón is best known for her mystical, allegorical and symbolic pieces, where depicts characters or symbols of different eras, centuries and believes. She is a Venezuelan born but ItalianAmerican too. She is figurative realist artist with residence in USA, born in 1977 and her interest in drawing and painting began early in childhood. In 1997 graduate in Graphic Design at the Design Institute of Valencia. In 2000, enrolled to the Giovanni Battista Scalabrini Academy of Art, where received the basics knowledge in the great traditions of western art and also had the opportunity to work for few months at the studio of the director, the artist Francesco Santoro. In the summer of 2006 went to the Academy of Realist Art (ARA) in Toronto-Canada where did few workshops as well as the first level of the program. At the beginning of 2007 began at the Angel Academy of Art in Florence-Italy where finished her studies in December 2009. In August 2013 they moved to Miami-USA and founded an academy called Chiaroscuro Atelier, 5 years later it evolved to a bigger project, that is today MIFA. Today they paint and teach there. During all these years she has participated in various salons, competitions and exhibitions in different countries, like the ARC salon competition in USA and Figurativas in Barcelona-Spain; and won some prizes and honorable mentions. Also has some pieces in public places like the Museum Dibujo y la Estampa de Valencia- Venezuela.

(Work by Elkin Cañas)

Elkin Cañas’ installation delves into the rituals of energetic cleansing through objects and sensory interaction. STAND 1 showcases traditional cleansing tools, with graphite drawings on the walls symbolizing the purging of negative energy. STAND 2 incorporates incense and palo santo, appealing to the sense of smell. The drawings depict figures covering their noses, avoiding the purifying aromas. STAND 3 features a Tibetan bell, focusing on sound. Here, the figures cover their ears, symbolizing a retreat from external noise into inner silence. STAND 4 presents a rosary, evoking spirituality. The figures shield their eyes, alluding to blind faith and the tension between belief and perception. The installation reflects how our senses shape the experience of the invisible, highlighting the connection between physical objects and spiritual practices.

In an ambivalent manner, Cañas invites us to engage with cosmic energy and the multiple existences that, according to him, coexist within the vast fabric of the universe. His work offers a sensory experience that challenges our perception of reality. The installation unfolds a series of ritual altars, each associated with the purification of energies, while the graphite drawings on the walls evoke the expulsion of negative energies. Through these symbolic objects—incense and palo santo, a Tibetan bell, and a rosary—Cañas leads us to reflect on the intersection of the physical and the metaphysical. Each piece challenges a sense: the smell of incense urges us to cover our noses; the sound of the Tibetan bell prompts us to block our ears; and the rosary, in an act of spiritual blindness, suggests closing our eyes—thus addressing the limitations of sensory perception in the quest for the sacred.

ELKIN CAÑAS

Elkin Cañas, a Colombian-born, Venezuelan-raised artist based in Miami, has been recognized and celebrated for his exceptional contributions to the arts. In 2019, he received a prestigious Certificate of Recognition for “outstanding contribution to the arts in the United States of America” from Urbe University in Miami, Florida. In 2020, he was honored as the Portrait Society of America P.S.O.A. Ambassador for Miami and Latin America, highlighting his expertise and influence in portraiture. His talent as an artist also led to him being invited as a Speaker at the Figurative Art Convention (FACE) in 2018, where he engaged in a conversation with Peter Trippi, the Editor of Fine Art Connoisseur Magazine. His international acclaim includes being a Portrait and Still Life Category finalist in the 2011-12 ARC Salon competition and a Drawing Finalist in the 2010-11 ARC Salon competition. He also received an Honorable Mention at the Faber Castle Salon in Caracas, Venezuela, demonstrating his dedication and talent. Elkin Cañas holds an Arts degree in graphic design from the Caracas Institute of Design and is a former Arturo Michelena School of Art student. As the executive director of Miami International Fine Arts, Elkin Cañas continues to inspire the art community with his exceptional skills, impressive awards, and significant contributions to the world of art.

Reflections of the Impossible, 2024. Video Performance by Marco Caridad

Meanwhile, Marco Caridad expands his artistic practice in “Reflections of the Impossible,” a video performance that, along with his installation of assemblages of electrocuted books and candles on an altar, questions the boundaries between the possible and the impossible. Here, the mirror becomes a device of introspection and confrontation, while the interaction with books and candles deepens the tension between knowledge, faith, and desire. The lights and shadows projected in his work symbolize the eternal ebb and flow between the visible and the invisible, suggesting that in each reflection, new realities emerge that challenge established certainties. Ultimately, Caridad invites the viewer to reconsider the notion of belonging and the inherent foreignness of our existence, as we are all, in essence, foreigners within our own reflections.

MARCO CARIDAD

Marco Caridad was born in Maracaibo, Venezuela, and lives and works in Miami, Florida. Caridad received a Master’s in Arts from The Art Institutes, Miami International University of Art & Design (2016), a Bachelor’s in Arts from the University of Zulia (2008), and an Associate in Fine Arts from the School of Fine Arts Neptalí Rincón (2003). He celebrates the complexity and diversity of human identities and feelings by exploring the intricate nuances of his experiences as an immigrant, queer, and a descendant of indigenous peoples. Selected solo exhibitions include “A Particularly Vicious Tongue” (2024), Mundo Arte Gallery, Miami, Florida; “Sin Estereotipos” (2022), Centro de Bellas Artes de Maracaibo, Venezuela; and “Sans Stereotypes” (2022), Miami International Fine Arts, Miami, Florida. Selected group exhibitions include the Hartvest Project at Pinecrest Gardens, “Art in the Gardens” (2023); Doral Contemporary Art Museum’s “Take This. Take Me” (2022); and Miramar Cultural Center’s “Roots of an Identity” (2019). Caridad received the Knight Foundation Art + Research Center Fellowship (2022-2023), the Loop Art Critique Fellowship (2023), the Fort Lauderdale Art & Design Week Artist-In-Residency Fellowship (2021), and the Miami-Dade Arts Support Program award (2020).

This exhibition is made possible thanks to the support of the Miami-Dade County Department of Cultural Affairs, the Cultural Affairs Council, the Mayor, and the Miami-Dade County Board of County Commissioners.

Laundromat Art Space: Washing Away Boundaries in Miami’s Art Scene

Laundromat Art Space
Laundromat Art Space

Laundromat Art Space: Washing Away Boundaries in Miami’s Art Scene

Laundromat Art Space 185 NE 59th Street Miami, FL 33137
Free and open to the public

Email
[email protected]

Hours
Wednesday: 12—4PM
Thursday: 12—4PM
Friday:      12—4PM
Saturday:  12—4PM
Sunday—Tuesday: By appointment only

Laundromat Art Space isn’t your typical gallery; it’s a testament to the transformative power of art and community. Housed in a repurposed laundromat in the heart of Little Haiti, this artist-led organization has been a vibrant hub of creativity since 2015.

Founded by a group of artists seeking to create their own unique platform for artistic expression, Laundromat Art Space is a testament to the power of collaboration and self-determination. The expansive 4,500 square foot venue boasts 11 studios and a captivating gallery space, offering a haven for multidisciplinary artists to connect, create, and showcase their work.

Laundromat’s commitment to fostering local talent is evident in its dynamic programming, which features a diverse mix of local, national, and international artists. Their contemporary art exhibitions push boundaries and challenge conventions, while the residency program provides emerging artists with invaluable support and resources.

Under the leadership of Executive Director and Co-founder Ronald Sánchez, Laundromat has cultivated a thriving community of artists, including past residents like Susan Kim Alvarez, Jay Bellicchi, Geraldine Bello, and many more. These artists, representing a wide array of disciplines, have found inspiration and camaraderie within Laundromat’s walls.

Laundromat Art Space is more than just a gallery or a collection of studios; it’s a living testament to the power of art to transform lives and communities. By breaking down barriers between disciplines and fostering a spirit of collaboration, Laundromat is washing away the traditional confines of the art world, creating a space where creativity can truly flourish. In the heart of Little Haiti, Laundromat Art Space is a beacon of artistic innovation, reminding us that even the most mundane spaces can be transformed into something extraordinary.

Staff:

Ronald Sánchez, Executive Director/Co-founder

Past Resident Artists:

Susan Kim Alvarez

Jay Bellicchi

Geraldine Bello

Jorge Chirinos

Paul Fentress

Jose Luis Garcia

Marina Gonella*

Anna Goraczko

Gabi Gutwirth

Jean Paul Mallozzi*

Dre Martinez*

David McCauley*

Cici McMonigle

Christin Paige Minnotte*

Rosa Naday Garmendia

Lily Noches

David Olivera

Reginald O’Neal

Luna Palazzolo

Barbara Percorelli

Erin Parish

Bianca Pratorius*

Sarah Rifkin

Fereshteh Toosi

Laura Villarreal

Michael Williams*

Diana Lowenstein Gallery

DIRK SALZ - THE WORLD IS DEEP
DIRK SALZ - THE WORLD IS DEEP

Diana Lowenstein Gallery: A Legacy of Passion and Contemporary Art in Miami’s Magic City

326 NE 61st Street

Miami, FL 33137

Phone 305.576.1804

Email: [email protected]

Located in the heart of Magic City District

Tuesday to Friday 10 – 5 pm
Saturday 10 – 3 pm

Nestled in the heart of Miami’s Magic City district, Diana Lowenstein Gallery stands as a testament to the unwavering passion and discerning eye of its founder, Diana Lowenstein. Since 1989, Lowenstein has been a driving force in the international art scene, first under the name Der Brücke and later with Diana Lowenstein Fine Arts. Her journey from an avid art collector in Argentina to a renowned gallerist in Miami is a story of dedication, expertise, and a deep love for contemporary art.

Lowenstein’s early years in Buenos Aires saw her championing young local talent while also showcasing works by internationally acclaimed artists like Wifredo Lam, Roberto Matta, and Antoni Tapies. Her keen understanding of the art world, coupled with her strong relationships with European galleries, allowed her to bring these masters to an eager audience in Argentina.

For over two decades, Lowenstein has been an ardent advocate for Argentine art, both at home and abroad. Her gallery has been a consistent presence at prestigious art fairs like FIAC in Paris, ARCO in Madrid, and Art Basel, showcasing the vibrancy and diversity of Argentine contemporary art to the world.

In 2000, Diana Lowenstein Fine Arts found its new home in Miami, a move that solidified Lowenstein’s commitment to the burgeoning South Florida art scene. The spacious warehouse-turned-gallery, located just south of Coral Gables, provides a fitting backdrop for the eclectic mix of paintings, sculptures, photography, and installations that Lowenstein carefully curates.

Her personal touch is evident in every exhibition, reflecting her unwavering commitment to showcasing the most exciting and thought-provoking contemporary art. Lowenstein is not only dedicated to introducing new and vibrant artists to the Miami community but also to making their work accessible to a global audience through her participation in major art shows and publications.

Diana Lowenstein Gallery is more than just a showcase for established and emerging artists; it’s a cultural cornerstone in Miami’s art scene, fostering dialogue, inspiring creativity, and expanding horizons. Lowenstein’s unwavering dedication to contemporary art and her passion for sharing it with the world make her gallery a must-visit destination for any art enthusiast.

Hispanic Heritage Celebrated Through Vibrant “Colour Senses” Art Exhibition

Hispanic Heritage Celebrated Through Vibrant "Colour Senses" Art Exhibition
Hispanic Heritage Celebrated Through Vibrant "Colour Senses" Art Exhibition

Hispanic Heritage Celebrated Through Vibrant “Colour Senses” Art Exhibition

Colour Senses Project is proud to present “Colour Senses”, a captivating group art show celebrating Hispanic Heritage Month. The exhibition will open its doors on Saturday, September 21st, from 6 PM to 10 PM, featuring a diverse collection of works by talented Hispanic artists.

This vibrant showcase will spotlight the unique perspectives and artistic expressions of artists hailing from various Hispanic countries, including Venezuela, Puerto Rico, Ecuador, Colombia, the Dominican Republic, and Argentina. Participating artists include:

  • Carlos Ayube (Venezuela)
  • Jose Diaz (Puerto Rico)
  • Susana Falconi (Ecuador)
  • Jamir Guiza (Colombia)
  • Marggie Haza (Dominican Republic)
  • Ezequiel Hernandez (Argentina)
  • Miguel Angel Jimenez (Venezuela)
  • Juank Valencia (Colombia)
  • Andres Zorrilla (Colombia)

“Colour Senses” promises to be an immersive experience, inviting visitors to explore the rich tapestry of Hispanic culture through the lens of contemporary art. The exhibition will feature a variety of mediums and styles, offering a dynamic and thought-provoking exploration of color, form, and cultural identity.

The opening night reception will offer guests complimentary wine and prosecco while they mingle with the artists and fellow art enthusiasts. Entry to the exhibition and parking in the back are free.

Event Details:

  • Date: Saturday, September 21, 2024
  • Time: 6 PM – 10 PM
  • Location: Colour Senses Project, 3414 NW 7th Ave, Miami, FL 33127
  • Entry: Free
  • Parking: Free in the back

About Colour Senses Project:

Colour Senses Project is a dynamic art space dedicated to showcasing the work of emerging and established artists from around the world. With a focus on promoting cultural diversity and artistic expression, Colour Senses Project provides a platform for artists to connect with audiences and share their unique visions.

Contact:

For further information or media inquiries, please contact:

  • Email: [email address removed]
  • Phone: +1 (754) 422-5942
Hispanic Heritage Celebrated Through Vibrant "Colour Senses" Art Exhibition
Hispanic Heritage Celebrated Through Vibrant “Colour Senses” Art Exhibition

Miami’s Art Scene Buzzed on Saturday, September 14th, with a Plethora of Openings and Events

Miami’s Art Scene Buzzed on Saturday, September 14th, with a Plethora of Openings and Events

Miami’s vibrant art scene kicked into high gear on Saturday, September 14th, 2024, with a diverse range of openings and events that showcased both established and emerging talents. Art enthusiasts and collectors flocked to various galleries across the city to experience a night filled with creativity and inspiration.

Highlights of the evening included:

  • Diana Lowenstein Gallery: The “tableaux” group exhibition featured an eclectic mix of works by Elba Bairos, Loris Cecchini, Hernán Dompé, Clemencia Labin, Gye Hoon Park, Alex Trimino, and Xawery Wolski, drawing a large crowd to the gallery’s opening reception.
  • The Private Gallery [Museo of Graffiti]: Curated by Joan “Entes” Jiménez, “Urban Latino” presented a dynamic group exhibition that celebrated the vibrant energy of Latinx street art and its impact on contemporary art.
  • Laundromat Art Space: “The Silence of Forms” offered a curated selection of works by Linet Sánchez, curated by Daniela Oliverio. The exhibition explored the power of subtle forms and minimalist aesthetics.
  • Imago Art Gallery: “Geométricas” showcased the geometric explorations of Mariana Copello & Luisa Duarte, curated by Katherine Chacón, offering a visual feast of precise lines and harmonious shapes.
  • Miami Fine Art Gallery: The joint exhibition of Daniel De Roes & Ale Baranini captivated visitors with their distinctive artistic styles and thought-provoking works.

These events underscored Miami’s position as a thriving hub for contemporary art, providing a platform for artists from diverse backgrounds to showcase their creativity and engage with a passionate audience.

tableauX

Elba Bairon. Taos (7), 1997 | Xawery Wolsky. Puzzle, 2005-6.
Elba Bairon. Untitled (vitrina), 1996 | Mesa con granas, 2000.

tableauX

OPENING RECEPTION
SATURDAY,  SEPTEMBER 14th – 6 TO 9 PM


EXHIBITION ON VIEW FROM SEPTEMBER 14 to NOVEMBER 9, 2024

The concept of the fourth wall provides an edge, separation, or threshold of the theatrical from the real by an implied frontal and sequestered orientation. It serves to divide a performance from the audience – spectator vs. spectacle. The device of the tableau evolved from this orientation. It is a performative intensification frozen in time, literally framed by the design of the fourth wall itself. Thus, during the scene of a play there might be an historical event that is reenacted. For example, a result of war crescendos during the heat of a battle, or perhaps a family secret is divulged, or an unplanned civic protest erupts. Think of bodies in motion. Within the most controversial or poignant moment –  there is no movement. The audience feels tension…
 
Yet the tableau also can also be found in another artform – painting. In painting there is an idealized composition that borrows cues from an important event “setting the stage” for a viewer’s empathy, passion, or contemplation. In turn, the tableau in performance brings them to life by “finding that right moment” during a sequence. Between these historical genres, one hand washes the other, both injecting the melodramatic within the real.*
 
However, in the present time of immersive entertainment and social media, one would assume the sensibilities of the tableau, or plural tableaux, are outdated and structurally not applicable. Or are they?
 
If the tableau put quotations around the real through the introduction of the framed and frozen – what then is today’s smart phone? The most framed genre today is the selfie. There are many dramas, (real and imaginary) that have been, and continue to be captured in that square, 1080 x 1080 – 1:1 aspect ratio of Instagram’s original frame. We frame ourselves to “find that right moment.” Art production today similarly feeds off these moments. In some ways one hand still washes the other. Most artists consider the smart phone as a tool to effectively reveal something in their work – framing a detail, a context, or a body to allow for a different kind of mediation that one might not have in person.
 
The group exhibition tableauX is conceptually positioned between the original and the new. Consisting entirely of analog sculpture, “scenes” are preferred to “installations.” The scenes utilize pairings of artists and works chosen. The symmetrical layout of each scene invites the viewers to break the fourth wall without compromising the distinctions of each. Finally, selfies and other recordings are encouraged…


* Williams, Carolyn (2019). Tableaux and Melodramatic Realism. English Literature, 6, 101-124.

Participating Artists:

Elba Bairon  
Loris Cecchini
Hernán Dompé
Clemencia Labin
Gye Hoon Park
Alex Trimino
Xawery Wolski

OUR 35TH YEAR ANNIVERSARY SEASON

This September inaugurates our 35th Anniversary year!  We are excited about our upcoming exhibitions and programming, and hope you will join us for our debut exhibition to kick off the occasion!

For more information 
call us at 305.576.1804 or email us at [email protected]

326 NE 61st street
Miami, FL – 33138

We are open Tuesday to Friday 10 to 5 PM
Saturdays 10 to 3 pm.

Public Art Archive

Art in public places in Miami, FL
Art in public places in Miami, FL

PAA Database

The Public Art Archive™ (PAA) is a free, continually growing, online and mobile database of completed public artworks throughout the U.S. and abroad. By uniting records from public art organizations and artists into one comprehensive resource, PAA aims to provide universal access to the complex stories that characterize public artworks not as static objects, but as dynamic, interconnected keepers of history, context and meaning. PAA’s mission “to make public art more public” has guided the program’s growth into one of the largest active databases of public art. Since the Archive’s inception in 2010, public art organizations and artists have submitted informational text, images, and additional multimedia files describing completed public artworks at no cost. 

  • Document and support best practices in cataloging public artworks across the globe;
  • Provide free access to information about public artworks in one central repository;
  • Raise awareness about the significance of public art;
  • Develop resources to inform diverse audiences about the breadth and depth of what constitutes public art;
  • Encourage sustained engagement with public art to support discovery and education;
  • Preserve the transforming history of public spaces to continue to learn from public art practice.

Products & Services

Developed with the mission of making public art more public, the Public Art Archive provides free and low-cost resources for the public art field. Built for artists, administrators, consultants, planners, educators, and researchers, audiences of all ages can engage with public art through our suite of services and offerings. Click the links below to learn more about how PAA can support your needs.

Public Art in Private Development Database

The Public Art Archive is proud to announce it will now house the Public Art in Private Development (PAPD) Database, originally built and maintained by art lawyer and subject expert Sarah Conley Odenkirk.

About the PAPD Database

The PAPD Database represents years of work by Sarah Conley Odenkirk and her team to gather documents, analyze information from communities around the United States, and compile it into an accessible database. When the project began in 2013, it focused on finding out how many communities across the country have some sort of ordinance or policy that relates to public art for private development. As it turns out, the answer is quite a few.

Since 2013, Odenkirk and her team have added more than 90 communities, and the numbers will continue to grow as the PAA team begins its stewardship of the database.

What’s in the PAPD Database?

All public art requirements, including those in private development, are defined and specified in ordinances, policies, and other supporting documentation like master plans and development guidelines. These requirements evolve in different ways and for a variety of reasons, often involving complex strategic planning and policy implementation processes. Numerous parties contribute to this process, including municipal administrators and city attorneys, who work in coordination to ensure the resulting policy facilitates constructive community involvement. The resources in this database allow users to understand the nature and scope of existing PAPD programs and can help municipalities and developers define and implement best practices for their circumstances and communities.

The database contains all underlying documentation, including publicly-available and online material. Wherever possible, all citations to reference information are included, as well as the specific people to contact for each program. Where applicable and feasible, you will also find the actual legal text.

Odenkirk and her team made efforts to contact every public art administrator for each community to verify that the information is up to date and complete. As part of the migration of this database to the Public Art Archive, the PAA team reviewed each policy link to update the documentation as needed. Nevertheless, we will continue to update this database from time to time with new information and communities. If you discover that any of the material needs to be updated or revised or that we missed your community altogether.

Sarah Conley Odenkirk continues to be a resource and represents artists and communities around the country. She is the founder of ArtConverge, a law firm providing legal strategies and thought leadership for the arts. Reach out to Sarah via.

Email Us: [email protected]
Call Us: (303) 629-1166

Arte vs. Artesanía, Diseño e Ilustración

Luis Cruz Azaceta "Poetic Incongruities"
Luis Cruz Azaceta "Poetic Incongruities"

Arte vs. Artesanía, Diseño e Ilustración: Desdibujando las Fronteras de la Creatividad

En el vasto universo de la expresión humana, el arte, la artesanía, el diseño y la ilustración convergen y divergen en una danza constante de creatividad. A menudo se entrelazan, se inspiran mutuamente y, en ocasiones, se confunden. Sin embargo, cada disciplina posee características distintivas que la hacen única y valiosa en su propio derecho.

Arte: La Búsqueda de la Expresión Personal

El arte, en su sentido más puro, es una manifestación de la individualidad del artista, una exploración de ideas, emociones y experiencias a través de diversos medios. Su propósito principal es la expresión personal y la comunicación de una visión única del mundo. El arte trasciende la funcionalidad y se valora por su capacidad de provocar, conmover e inspirar.

Artesanía: La Maestría de la Técnica y la Tradición

La artesanía se centra en la creación de objetos útiles y bellos, elaborados con habilidad y destreza manual. Los artesanos dominan técnicas tradicionales transmitidas de generación en generación, y su trabajo se caracteriza por la precisión, la calidad y la atención al detalle. La artesanía valora la funcionalidad y la durabilidad, al tiempo que incorpora elementos estéticos que reflejan la identidad cultural y la tradición.

Diseño: La Solución Creativa a Problemas Concretos

El diseño es un proceso de resolución de problemas que combina funcionalidad y estética para crear productos, sistemas o experiencias que satisfagan necesidades específicas. Los diseñadores utilizan su creatividad y conocimientos técnicos para desarrollar soluciones innovadoras y eficientes, teniendo en cuenta factores como la ergonomía, la usabilidad y la sostenibilidad. El diseño busca mejorar la calidad de vida y facilitar la interacción entre las personas y su entorno.

Ilustración: La Narrativa Visual

La ilustración es una forma de comunicación visual que utiliza imágenes para contar historias, transmitir ideas o complementar textos. Los ilustradores emplean diversas técnicas y estilos para crear imágenes que capturen la esencia de un concepto o narrativa, ya sea en libros, revistas, publicidad o medios digitales. La ilustración combina creatividad y habilidad técnica para transmitir mensajes de manera clara y atractiva.

Desdibujando las Fronteras

Aunque cada disciplina tiene sus particularidades, las fronteras entre arte, artesanía, diseño e ilustración son cada vez más difusas. Los artistas contemporáneos a menudo incorporan elementos de diseño y artesanía en sus obras, mientras que los diseñadores y artesanos buscan trascender la funcionalidad y explorar la expresión personal. La ilustración, por su parte, se ha convertido en una forma de arte reconocida, con exposiciones y publicaciones dedicadas a este género.

En última instancia, todas estas disciplinas comparten un denominador común: la creatividad humana. Ya sea a través de la expresión personal, la maestría técnica, la resolución de problemas o la narrativa visual, cada una de ellas enriquece nuestra experiencia del mundo y nos invita a apreciar la belleza y la complejidad de la creación humana.

Erwin Panofsky y la Iconología en el Arte

Erwin Panofsky
Erwin Panofsky

Erwin Panofsky y la Iconología en el Arte: Descifrando las Capas de Significado

Erwin Panofsky, un erudito alemán-estadounidense del siglo XX, revolucionó el campo de la historia del arte con su desarrollo de la iconología, un método de interpretación que busca desentrañar las capas de significado ocultas en las obras de arte.

Más allá de lo evidente

Panofsky sostenía que una obra de arte es mucho más que una simple representación visual. Es un texto complejo, cargado de simbolismos y referencias culturales que requieren una lectura atenta y profunda para ser plenamente comprendidos. La iconología, en su esencia, es el arte de leer estas capas de significado, de descifrar el lenguaje visual del arte para revelar sus mensajes ocultos.

Los tres niveles de interpretación

Panofsky propuso un sistema de tres niveles de interpretación para desentrañar el significado de una obra de arte:

  1. Nivel preiconográfico: Se centra en la identificación de los elementos básicos de la obra, como las formas, los colores y las figuras representadas. Es una lectura descriptiva, basada en la percepción sensorial.
  2. Nivel iconográfico: Se adentra en el significado convencional de los motivos y temas representados en la obra, basándose en el conocimiento de la historia, la mitología y la religión.
  3. Nivel iconológico: El nivel más profundo de interpretación, busca desvelar el significado intrínseco o contenido de la obra, considerando el contexto cultural, histórico y filosófico en el que fue creada.

El legado de Panofsky

La iconología de Panofsky ha tenido un impacto duradero en la forma en que entendemos y apreciamos el arte. Su método nos invita a mirar más allá de la superficie de una obra y a explorar las complejas redes de significado que se esconden debajo. Nos recuerda que el arte es un producto de su tiempo y lugar, y que su interpretación requiere una comprensión profunda del contexto cultural en el que fue creado.

La iconología de Panofsky ha sido aplicada a una amplia gama de obras de arte, desde pinturas y esculturas renacentistas hasta películas y publicidad contemporáneas. Su enfoque interdisciplinario, que combina la historia del arte con la literatura, la filosofía y la antropología, ha enriquecido nuestra comprensión del arte como un reflejo de la cultura humana y sus valores.

Erwin Panofsky y su método iconológico nos brindan una herramienta invaluable para desentrañar las capas de significado que yacen ocultas en las obras de arte. Su legado perdura en la forma en que abordamos la interpretación del arte, recordándonos que cada obra es un universo de símbolos y significados esperando ser descubiertos.

“Unraveling Surrealism: Women’s Narratives through Contemporary Fiber Art”

Unraveling Surrealism: Celebrating Women’s Narratives through Contemporary Fiber Art
Unraveling Surrealism: Celebrating Women’s Narratives through Contemporary Fiber Art

Pinecrest Gardens, in collaboration with the Hartvest Project, the Fiber Artists Miami Association (FAMA), and Threading the City, is proud to present “Unraveling Surrealism: Celebrating Women’s Narratives through Contemporary Fiber Art”. This groundbreaking exhibition opens on Sunday, September 8, 2024, from 11:30 am to 1:30 pm in the Chandelier and Hibiscus Galleries, and will remain on view until October 25, 2024.

Marking the centennial of the Surrealist movement, this exhibition honors the often-overlooked contributions of women to this influential artistic genre. Through the lens of contemporary textile art, “Unraveling Surrealism” reimagines and celebrates women’s narratives, inviting artists to explore the magic and strangeness of beauty in the unconventional medium of fiber.

By merging diverse fiber techniques and pushing the boundaries of the medium, the exhibition aims to amplify and reclaim the voices of women in art, highlighting their lasting impact on the artistic landscape. It seeks to foster a dialogue between the past and present, tradition and innovation, creating new connections and understandings.

“Unraveling Surrealism” is a testament to the power of art to transform, inspire, and challenge. Through the intricate and evocative works on display, visitors will be invited to delve into the rich tapestry of women’s experiences, reimagined through the vibrant language of fiber art.

About the collaborators:

  • The Hartvest Project is dedicated to supporting and promoting contemporary art and artists.
  • The Fiber Artists Miami Association (FAMA) is a non-profit organization committed to fostering the growth and recognition of fiber art in Miami.
  • Threading the City is an initiative that explores the intersections of fiber art and urban environments.
  • Pinecrest Gardens provides a unique and inspiring setting for cultural and artistic events in the heart of Miami.

Exhibition details:

  • Opening Reception: Sunday, September 8, 2024, 11:30 am – 1:30 pm
  • Location: Chandelier and Hibiscus Galleries, Pinecrest Gardens
  • On view: September 8 – October 25, 2024

Join us for the opening reception and immerse yourself in the captivating world of “Unraveling Surrealism”!

Artists:
Aida Tejada

Aleli Egues

Alexis Oliva

Alina Rodriguez-Rojo

Ana Biondo

Aurora Molina

Bella Cardim

Blanca Caraballo

Carola Bravo

Cynthia Passavanti

Debora Rosental

Emily Peters

Eumelia Castro

Evelyn Politzer

Fernanda Froes

Ivonne Ferrer

Janet Mueller

Kari Hovaghimian

Laura Villarreal

Mabelin Castellanos

Macarena Zilvetti

Marcia Marconi

Marine Fonteyne

Marlene Kohn

Marylin Valiente

Michelle Drummond

Mila Hajjar

Mirele Volkart

Mirena Suarez

Monica Avayou

Nancy Billings

Paola Mondolfi

Paula Gaetan

Rosario Salazar

Shelly Mc Coy

Silvana Soriano

Silvia Castro Yapur

Suzanne Byrne

Taylor Cavazos

Yanira Lopez

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