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Alexandre Cabanel

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Alexandre Cabanel
Alexandre Cabanel

Alexandre Cabanel (1823-1889)

Movimiento Impresionista

El legado de Alexandre Cabanel es el de un maestro de la pintura académica y un pilar del “viejo mundo” del arte. Como el artista de mayor éxito de su generación en Francia, su influencia se extendió por todo el Salón de París, los círculos oficiales y las escuelas de arte. A diferencia de los impresionistas, quienes lo veían como una figura a derrocar, Cabanel representaba el epíteto del gusto burgués y la tradición.

Su contribución más importante al arte fue su dominio técnico del Neoclasicismo y el Romanticismo, que combinó para crear obras de gran sensualidad y pulcritud. Cabanel era un virtuoso en la representación de figuras mitológicas e históricas, y sus lienzos se distinguen por una superficie lisa, un dibujo impecable y una idealización de la forma humana. Su obra más famosa, “El nacimiento de Venus”, es un ejemplo perfecto de su estilo. La figura, con su piel de porcelana y una pose sensual, fue un éxito rotundo en el Salón de 1863 y un favorito de Napoleón III. Esta obra personifica los ideales de belleza, orden y perfección que la élite de la época admiraba.

El legado de Cabanel es el de un fuerte contraste con el Impresionismo. Su éxito y el apoyo que recibió de las instituciones de arte demostraron exactamente contra qué se rebelaban los artistas de la nueva generación. Mientras Cabanel ofrecía una visión idealizada y pulida del mundo, los impresionistas buscaban la cruda realidad de la luz y la vida cotidiana. Aunque su estilo finalmente cayó en desuso con el advenimiento del arte moderno, la obra de Cabanel es un documento histórico invaluable. Nos muestra, de manera brillante, el tipo de arte que era considerado la cima de la excelencia en la época, y lo hace una figura esencial para entender la revolución que vino después.

Alexandre Cabanel
Alexandre Cabanel
Alexandre Cabanel
Alexandre Cabanel
Alexandre Cabanel

Cómo encontrar tu propio estilo

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Cómo encontrar tu propio estilo
Cómo encontrar tu propio estilo

Cómo encontrar tu propio estilo

Claves para pintores de arte concreto, abstracción geométrica y minimalismo

Esta guía teórica presenta un marco claro para pensar el estilo dentro de las prácticas no figurativas, especialmente en los lenguajes de la abstracción geométrica, el minimalismo y el arte concreto. No se trata de fórmulas ni modas visuales, sino de entender la construcción de un lenguaje visual coherente a través del tiempo.

El objetivo es ayudarte a identificar las decisiones formales y conceptuales que configuran tu obra —composición, ritmo, color, materialidad, escala, repetición, orden— y cómo éstas dialogan con una tradición estética que, aunque aparentemente fría o racional, también está profundamente conectada con lo humano, lo espiritual y lo sensorial.

Este documento es breve, atemporal y útil en cualquier etapa del desarrollo artístico.

1. Introducción

Hablar de “estilo propio” en arte no figurativo es abordar una cuestión esencial pero a menudo mal entendida. En un campo visual donde predominan los lenguajes abstractos, encontrar una voz personal no depende de representar un objeto o una figura reconocible, sino de definir con precisión una serie de decisiones formales: relaciones espaciales, geometría, uso del color, ritmo, escala, superficie, materialidad.

El estilo no se reduce a una “firma visual” ni a una estética de moda. Es una consecuencia orgánica de la coherencia entre pensamiento, proceso y resultado. En el arte concreto y minimalista, donde cada elemento visual debe tener una función específica, el estilo emerge de la economía de medios, de la lógica interna del sistema compositivo y del modo en que una obra se relaciona con el espacio que la rodea.

No es algo que se fuerza ni se imposta: es algo que se construye, se descubre y se afina con el tiempo.

2. Factores que configuran tu estilo en lenguajes no figurativos

1. Formación visual y referentes conceptuales
Aunque no se represente lo visible, ningún artista trabaja en el vacío. Tus influencias —desde el arte constructivo latinoamericano hasta el minimalismo estadounidense, pasando por Bauhaus o el suprematismo ruso— moldean tu mirada. Entender cómo tus obras se insertan (o se distancian) de estas corrientes es clave para desarrollar un lenguaje propio.

2. Materiales, soporte y técnicas específicas
La elección del soporte, la forma de aplicar el color, el uso de la línea, la textura del material, la precisión o la irregularidad en la ejecución… Todo eso define el carácter de una obra no figurativa. El estilo se consolida en esos detalles formales, no en el tema.

3. Sistema visual y lógica interna
En la abstracción geométrica o el minimalismo, muchas veces el estilo radica en la coherencia del sistema que organiza la obra: proporciones, simetrías, repetición, variación controlada, orden serial. Esas decisiones —cómo estructuras el plano, cómo administras la tensión visual— son tan reconocibles como un rostro.

4. Intención y mirada conceptual
Incluso en el arte más depurado, hay una mirada detrás. ¿Qué buscas activar en el espectador? ¿Una experiencia contemplativa? ¿Una reflexión sobre el espacio? ¿Una conexión sensorial con el color o el ritmo? Esa intención guía tus decisiones y le da a tu obra una dimensión que trasciende lo formal.

3. Errores comunes al buscar un estilo en arte no figurativo

1. Confundir estilo con fórmula estética
No todo lenguaje visual repetido es estilo. Puede ser solo hábito o fórmula. Un estilo auténtico en arte abstracto no se basa en repetir patrones decorativos, sino en mantener un sistema conceptual y formal claro que permita variaciones sin perder coherencia.

2. Seguir tendencias superficiales
El arte concreto y minimalista han sido absorbidos por el mercado decorativo, lo que genera confusión. No todo lo que “parece” minimalista o geométrico tiene sustancia conceptual. Seguir modas sin pensamiento crítico lleva a un lenguaje vacío.

3. Forzar una “marca” desde el inicio
Es normal querer destacar, pero imponer una firma visual prematura puede limitar la evolución natural del trabajo. La claridad viene con la práctica, no con la obsesión por diferenciarse de forma artificial.

4. Resistirse al cambio por miedo a perder identidad
Un estilo fuerte puede mutar sin perder su esencia. Cambiar de paleta, variar el formato, introducir nuevos materiales no es perder el estilo, sino enriquecerlo. La identidad visual se sostiene en la lógica interna, no en la repetición literal.

4. Claves curatoriales para encontrar tu propio estilo

1. El estilo es consecuencia, no punto de partida
Los grandes artistas del arte concreto y el minimalismo no nacieron con un estilo cerrado. Lo fueron descubriendo mientras resolvían problemas formales específicos. Tu estilo se revelará a medida que trabajes con rigor y consistencia.

2. La tradición no figurativa también se dialoga
Aunque no trabajes con imágenes reconocibles, estás dialogando con una historia visual concreta. Desde Mondrian hasta Cruz-Diez, desde Agnes Martin hasta Carmen Herrera, hay una conversación que continúa en tu obra.

3. Coherencia ≠ rigidez
Tu estilo puede sostenerse en una lógica estructural sin convertirse en una cárcel formal. Hay lugar para la sorpresa, el error, el desvío, siempre que se sostenga en una investigación genuina.

4. Lo mínimo también es profundo
La reducción visual no implica superficialidad. Lo mínimo exige una atención máxima a cada elemento. En ese nivel de exigencia, la identidad aparece con más claridad.

Conclusión

Hablar de estilo en arte abstracto, concreto o minimalista es hablar de una construcción rigurosa y paciente. No se trata de encontrar una firma visual para destacarse, sino de desarrollar una gramática propia que permita expresar ideas, percepciones y tensiones sin necesidad de representación figurativa.

El estilo no es una meta, sino el resultado de una trayectoria comprometida. Es una forma de pensamiento hecha forma, color, ritmo y espacio. Lo importante no es diferenciarse, sino construir un lenguaje que tenga sentido —para ti y para quienes lo experimentan— y que pueda evolucionar con honestidad en el tiempo.

What Is Contemporary Art? Understanding the Art of Our Time

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What Is Contemporary Art? Understanding the Art of Our Time
What Is Contemporary Art? Understanding the Art of Our Time

What Is Contemporary Art? Understanding the Art of Our Time

Contemporary art can be one of the most fascinating—and challenging—genres to define. But at its core, contemporary art refers to the art of the present day, created by living artists who are responding to the world around them.

It generally includes works produced after the modern art movement, starting roughly in the late 1960s or early 1970s, continuing up to the present moment. However, it’s not just defined by its time period—contemporary art is a mindset, a reflection, and often a disruption of norms.

A Mirror of the Modern World

Contemporary art reflects the complexities of our global, interconnected, and fast-evolving world. Unlike previous art movements with distinct styles or manifestos, contemporary art is:

  • Diverse in medium: Includes traditional painting and sculpture, as well as video art, installation, performance, and digital media.
  • Flexible in form: Often experimental and open-ended rather than following classical structure.
  • Concept-driven: Many contemporary works prioritize ideas over aesthetics.

These works often explore:

  • Cultural or personal identity
  • Politics and social justice
  • Technology and the digital age
  • Environmental and existential issues

It’s art that makes you think, question, feel, and even argue.

Why Is It Hard to Define?

Because it encompasses such a broad range of styles, techniques, and perspectives, contemporary art resists strict definition. There’s no single way contemporary artists create or communicate.

However, what unites many contemporary artists is their commitment to innovation and pushing boundaries. Their art is often abstract, conceptual, and process-based, and it may challenge traditional values and artistic conventions.

Notable Contemporary Artists You Should Know

Let’s look at a few key figures in contemporary art to deepen your understanding of this genre:

1. Yayoi Kusama

Japanese artist known for her immersive installations, polka dots, and infinity mirror rooms.
Her work blends conceptual art, feminism, minimalism, surrealism, and pop art.
Her themes often reflect psychological and autobiographical content.

2. Jeff Koons

An American artist known for his Neo-Pop aesthetic and sculptures of balloon animals, toys, and consumer products.
His art playfully comments on mass culture, consumerism, and the role of kitsch in society.

3. Ai Weiwei

A Chinese artist and activist whose conceptual art explores themes of freedom, censorship, and cultural identity.
His work often combines traditional Chinese symbols with modern political commentary, making him one of the most influential contemporary artists globally.

4. Damien Hirst

A British artist and key figure in the Young British Artists movement.
Famous for using dead animals, medical instruments, and ready-made objects to explore themes like death, beauty, and the nature of art itself.

Why Contemporary Art Matters

Contemporary art isn’t just about what’s “new”—it’s about how we understand the world now.

It offers:

  • Reflection of current events and social issues
  • Engagement with cutting-edge technology and media
  • Platforms for underrepresented voices and global dialogue
  • Freedom from traditional constraints and definitions

Most importantly, it invites you—the viewer—to participate, interpret, and question.

In Summary

Contemporary art is the art of today—fluid, diverse, and boundary-breaking. It captures the tension, beauty, and complexity of our times in ways no other form can. Whether through powerful political statements or deeply personal explorations, contemporary art helps us better understand not only the world—but ourselves.

So, the next time you’re in a gallery or scrolling through digital installations, ask yourself not just “What is this?” but “What is this saying about now?”

If you’re curious to explore more, consider diving into the work of the artists above or visiting contemporary art spaces in your city. The world of contemporary art is vast—and there’s something in it waiting to speak directly to you.

Little Haiti/Little River Art Day Guided Trolly Tour

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Little Haiti/Little River Art Day Guided Trolly Tour

Saturday, September 13 · 12 – 5pm EDT. Doors at 12pm

By Erin Parish

Various locations in Little Haiti/Little River

97 Northeast 67th Street Miami, FL 33138

12:00 PM – 5:00 AM (+1 day)

Meet outside Locust Projects at noon

You will visit Locust Projects, Dimensions Variable, Dot Fiftyone, Homework, Art x 360, Diana Lowenstein Gallery, Joyce Billet Studio and Project Space, Galbut Institute, Collective 62, Laundromat Art Space, N’Namdi Contemporary, Stanek Gallery, Pan American Projects. Full participation is NOT REQUIRED. The trolley will return to the cars at 5PM

Visit Studios • Galleries • Residencies

All open to you and your friends on September 13, 12 – 5 PM — FREE
Free trolley service provided by the City of Miami
Information and conversation led by art guide Erin Parish

We meet at Locust Projects at noon for the first three gallery visits. The trolley departs sharply at 1:00 PM for the next destinations. Tour concludes at 5:00 PM back at Locust Projects, where you can collect your car. Feel free to drop in for part or all of the tour.

Participating Locations & Addresses

  • Locust Projects – 297 NE 67th St, Miami, FL 33138
  • Dimensions Variable – 100 NE 11th St, Miami, FL 33132
  • Dot Fiftyone Gallery – 7275 NE 4th Ave, Unit 101, Miami, FL 33138
  • Homework Experimental Art Space – 7338 NW Miami Ct, Miami, FL 33150
  • Art x 360
  • Diana Lowenstein Gallery – 326 NE 61st St, Miami, FL 33137
  • Joyce Billet Studio and Project Space – (Address not found)
  • Galbut Institute – 255 NE 69th St, Unit D, Miami, FL 33138
  • Collective 62 – (Address not found)
  • Laundromat Art Space – 185 NE 59th St, Miami, FL 33137
  • N’Namdi Contemporary – 6505 NE 2nd Ave, Miami, FL 33138
  • Stanek Gallery – 8375 NE 2nd Ave, Miami, FL 33138
  • Pan American Art Projects – 6300 NW 2nd Ave, Miami, FL 33150

Event Flow Overview

  1. 12:00 PM – Gather at Locust Projects
  2. Explore Dimensions Variable and Dot Fiftyone Gallery
  3. 1:00 PM – Trolley departs to tour the next venues
  4. Continue visits to other galleries and studios listed above
  5. 5:00 PM – Return to Locust Projects and conclude the tour
  6. After-party at Lakou Miami, 207 N.E. 59th Street

For more details on exhibitions and a full list of artist studios, visit LHLRArtDays.com.

Join us for a lively day of connection, creativity, and exploration of Miami’s vibrant art scene!

City of Doral Presents: 2025 Hispanic Heritage Art Exhibit

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2025 Hispanic Heritage Doral Art Exhibit
2025 Hispanic Heritage Doral Art Exhibit

City of Doral | Doral Cultural Arts Center
[email protected]
(305) 593-6725
www.cityofdoral.com

City of Doral Presents: 2025 Hispanic Heritage Art Exhibit

Curated by Félix Suazo
Opening Reception: Thursday, September 11, 2025 | 6:30 – 8:30 PM
Location: Doral Cultural Arts Center | 8363 NW 53rd Street, Doral, FL 33166

DORAL, FL – The City of Doral is proud to announce the 2025 Hispanic Heritage Art Exhibit, curated by renowned curator and art critic Félix Suazo. This dynamic exhibition opens with a public reception on Thursday, September 11, from 6:30 to 8:30 PM at the Doral Cultural Arts Center. The exhibition will be on view from September 11 through October 9, 2025.

In honor of Hispanic Heritage Month, the exhibit showcases a vibrant and thoughtful collection of works by 31 local artists, offering powerful reflections on memory, migration, tradition, and identity. Through painting, sculpture, photography, video, installation, and sound, the exhibition underscores the richness and diversity of Hispanic culture and its deep-rooted presence in the United States.

GUEST ARTISTS INCLUDE:

  • Uaio Antor
  • Néstor Arenas
  • Richard Garet
  • Luis Gómez
  • Andrés Michelena
  • Vero Murphy
  • Charo Oquet
  • Marisa Tellería
  • Lisu Vega
  • Julia Zurilla

These 10 guest artists delve into themes such as the semiotics of materials and objects, the poetic dimensions of language, the emotional terrain of migration, and Miami’s cultural landscape.

In addition, an open call brought forth the creative voices of 21 additional local artists, whose works explore ancestral memory, cultural rituals, and daily life through a heritage lens—from traditional garments and indigenous symbology to culinary traditions and folkloric celebrations.

EVENT DETAILS:

📍 Doral Cultural Arts Center
8363 NW 53rd Street, Doral, FL 33166
📅 Opening Reception: Thursday, September 11, 2025
🕡 Time: 6:30 PM – 8:30 PM
🖼️ Exhibition Dates: September 11 – October 9, 2025

The 2025 Hispanic Heritage Art Exhibit is more than an art show—it’s a celebration of cultural coexistence and a space for connection, where contemporary art meets ancestral memory. Don’t miss this opportunity to experience how art can reflect the multifaceted identity of Hispanic communities today.

Heritage and Legacy: Solo Exhibition by Elizabeth Stainberg

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Elizabeth Stainberg
Elizabeth Stainberg

Heritage and Legacy: Solo Exhibition by Elizabeth Stainberg

Thursday, September 11 · 6 – 7:30pm EDT

Kimpton EPIC Hotel 270 Biscayne Boulevard Way Miami, FL 33131

Experience Heritage and Legacy, the Debut Solo Exhibition by Elizabeth Stainberg, exploring migration and memory through art.

Heritage and Legacy

A Solo Exhibition by Elizabeth Stainberg

You’re invited to the Debut Solo Exhibition of Elizabeth Stainberg, a multidisciplinary artist whose new series, Heritage and Legacy, explores migration, memory, and the enduring power of human movement.

🗓 Date: Thursday, September 11th, 2025🕕 Time: 6:00 PM – 7:30 PM📍 Kimpton EPIC Hotel270 Biscayne Blvd Way, Miami, FL 33131

✨ Complimentary appetizers will be served

Exhibition Statement: Heritage and Legacy

“I explore the deep and timeless human experience of movement — across lands, across waters, across boundaries both visible and invisible.

The central visual language of the series is circular. Surrounding these are other pieces representing oceans and seas, not merely as geographic features but as vast, emotional spaces that connect and divide. The circles speak of continuity, but also of isolation.

The silent travelers cross from one continent to another, suspended in mid-journey. These humble figures symbolize the personal and collective stories of migration — stories of hope, struggle, displacement, and resilience.

My intent is to create a quiet, contemplative space where viewers are invited to reflect on their own histories of movement, whether ancestral, recent, or imagined — in a time when borders are being redefined and the meaning of belonging is constantly shifting.”— Elizabeth Stainberg

About the Artist

Elizabeth Stainberg is an Argentinian-American multidisciplinary artist exploring various techniques including watercolors, inks, photography, sculpture, pencil, acrylic paint, and oil. Her work is a reflection of curiosity and experimentation, with a focus on life as a central theme — animals, landscapes, flowers, and people — often inspired by moments of peace found in nature, particularly sunsets.

Since 2001, Elizabeth has lived and worked in Miami. She holds an associate degree in Child Development from Miami Dade College, and has trained under renowned mentors and institutions including the Miami International Fine Arts (MIFA), where she has served as Artist in Residence since 2023.

She has exhibited her work at Barry University, the Miami Watercolor Society, and the InterContinental Hotel, and contributed to public art through commissions for the City of Hallandale and Pembroke Gardens Shops. As an art educator, she has inspired children and adults alike through her work with the Miramar Cultural Center, the Conservatory of Music and Art Kalos, and independent instruction.

Please join us in celebrating this powerful moment in her artistic journey.Admission is free | RSVP required

We look forward to seeing you there.

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONSFOR ART WEEK MIAMI BEACH 2025

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Oscar Esteban Martinez's "La Herencia Viva"
Oscar Esteban Martinez's "La Herencia Viva"

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONS
FOR ART WEEK MIAMI BEACH 2025

Miami Beach’s Cultural District Features Philippe Katerine’s “Mr. Pink Takes Flight,” Works by Gillie and Marc, the Inaugural Call to Artists Winner Oscar Esteban Martinez’s “La Herencia Viva” and Rubem Robierb’s Sculptures 

  • Philippe Katerine’s “Mr. Pink Takes Flight” – five monumental bubblegum-pink inflatables and one sculpture (ranging from 12 to 20 feet tall) bringing Katerine’s playful philosophy of Mignonisme (“Cuteism”) to life, turning rooftops and sidewalks into whimsical, interactive art experiences.
  • Oscar Esteban Martinez’s “La Herencia Viva”  – the winning sculpture from the Lincoln Road BID’s inaugural Call to Artists program, featuring a fragmented mirrored human face that invites viewers to see themselves reflected while exploring themes of identity, coexistence and belonging along the promenade.
  • Rubem Robierb’s “Dream Machine” and “Empower Flower” –interactive public sculptures encouraging visitors to reflect and participate, symbolizing resilience, hope, transformation and the power of dreams fulfilled.
  • Gillie and Marc’s “The Wild Couch Party,” “Watch Out for Paparazzi Dog”, “Watch Out for Paparazzi Rabbit” and more – new large-scale bronze sculptures joining their existing works along Lincoln Road, continuing the duo’s mission of raising awareness for endangered wildlife while engaging visitors through playful, interactive public art.

 Lincoln Road, Miami Beach’s iconic open-air pedestrian promenade, cultural hub, public art park and sculpture garden, will once again come alive for Art Week Miami Beach 2025 with a strong lineup of free public art with 14 installations. Headlining the program are: French artist Philippe Katerine’s monumental “Mr. Pink Takes Flight” inflatables, Rubem Robierb’s “Dream Machine” and “Empower Flower”, Oscar Esteban Martinez’s “La Herencia Viva”—the winning sculpture from Lincoln Road’s inaugural Call to Artists—and expanded works by internationally celebrated duo Gillie and Marc.

At the forefront of Lincoln Road’s Art Week 2025 installations is “Mr. Pink Takes Flight” (“Monsieur Rose s’envole”), a series of six cartoon-like bubblegum-pink pieces (five inflatables perched on buildings, one sculpture at street level) towering between 12 and 20 feet tall. Katerine, who lives in Paris, is a celebrated singer-songwriter, actor and visual artist who consistently blends humor with reflection on everyday life, challenging audiences to see the world through fresh and unexpected perspectives. The artworks embody Katerine’s philosophy of Mignonisme (“Cuteism”), a movement celebrating the aesthetics of cuteness. They were produced by EXMURO, a public art organization based in Quebec City, Canada and rentingART, an art agency based in Paris, France. The installations will be on view from November 2025 through April 2026.

“Mr. Pink was created to bring humor, tenderness and joy into everyday life,” said Katerine. “He embodies my vision of Mignonisme, which celebrates the power of cuteness to transform ordinary spaces into places of wonder. Seeing him arrive on Lincoln Road during Art Week Miami Beach is especially meaningful: The street is not only a cultural landmark but also a true open-air gallery where art and daily life meet. It feels like the perfect home for Mr. Pink, who was born to surprise, delight and spark moments of playfulness. My hope is that he adds another layer to this dialogue—turning rooftops and sidewalks into spaces of poetry, color and imagination.”

Adding to the lineup is “La Herencia Viva” (“The Living Heritage”) by Miami-based Colombian artist Oscar Esteban Martinez, the winner of the Lincoln Road Business Improvement District’s (LRBID) first-ever Call to Artists. Selected from over 75 international submissions, the installation features a fragmented human face crafted from puzzle-like segments and mirrored panels, exploring themes of identity, coexistence and belonging. Positioned along the promenade, the work invites visitors to see themselves reflected within it and contemplate the connections that unite communities. The piece will remain on view through June 2026.

Lincoln Road will also be showcasing two sculptures by internationally recognized visual artist Rubem Robierb, who has previously presented works along the promenade and had his design chosen as Miami’s Official Host City Poster for the FIFA World Cup 2026. “Dream Machine” represents the materialization of human wishes and the timeless longing to see dreams fulfilled, with its wings symbolizing resilience and hope while inviting visitors to stand between them, close their eyes and imagine a place where dreams come true. “Empower Flower”, inspired by the White Lotus, extends Robierb’s exploration of universal symbols of transformation and strength, translating the emblem of rebirth and feminine power into a contemporary icon through sweeping and fluid lines. Known for creating interactive works that invite personal reflection and participation, Robierb has exhibited widely with public sculptures in New York, Miami and beyond, further underscoring his ability to capture the spirit of resilience and cultural identity through art.

Further enriching the Art Week Miami Beach program is Lincoln Road’s partnership with Gillie and Marc, internationally acclaimed artists described by The New York Times as “the most successful and prolific creators of public art in New York’s history.” Their works on display include “The Wild Couch Party,” a 40-foot-long bronze sculpture featuring 12 endangered animals gathered alongside the duo’s signature characters Dogman and Rabbitwoman, as well as “Watch Out for Paparazzi Dog” and “Watch Out for Paparazzi Rabbit.” These new installations, on view until July 2026, join the artists’ earlier pieces already on view along the promenade, “The Giraffe and Chimpanzee Were on a Wild Ride to a Safer Place with Rabbitwoman and Dogman” and “The White Rhino Bench of Friendship,” continuing their mission to raise awareness for wildlife conservation through accessible public art.  

“Lincoln Road has long been a destination where culture, commerce and creativity intersect,” said Lyle Stern, president of the Lincoln Road Business Improvement District. “Our commitment to public art is at the heart of that vision. From supporting world-renowned artists like Philippe Katerine and Gillie and Marc, to launching our inaugural Call to Artists program, the BID works to make Lincoln Road a public art park and sculpture garden where everyone can experience innovative, thought-provoking installations. Art Week Miami Beach is the perfect opportunity to showcase how public art transforms the promenade, encourages conversation and connects our community and visitors through shared experiences.”

From gallery experiences to interactive activations along the promenade, Lincoln Road offers a full spectrum of artistic engagement. Beyond large-scale installations, it features more than nine boutique art galleries with rotating art, showcasing everything from photography and contemporary paintings to sculptures and mixed-media works. Visitors can discover pieces by emerging local talent as well as established international artists, attracting over 10 million people annually and reinforcing Lincoln Road as a year-round cultural destination. Visitors can explore exhibits across the district, including special programming during the Lincoln Road Art Walk, held every third Thursday of the month. In addition to visual art, Lincoln Road is also a hub for the performing arts, including the New World Center, home of the New World Symphony, and the Colony Theatre, home to Miami New Drama. 

To stay updated on Lincoln Road’s Art Week Miami Beach activations and upcoming public art installations, visit lincolnroad.com or follow on Instagram @lincolnrd.

About the Lincoln Road District

Lincoln Road is Miami Beach’s vibrant, open-air promenade where the city’s energy and creativity come to life. Stretching across eight dynamic blocks, it’s South Florida’s largest pedestrian-only district, offering an unbeatable blend of world-class shopping, diverse dining and rich cultural experiences. With over 200 shops and restaurants, from renowned global brands to beloved local favorites, Lincoln Road is the ultimate destination for entertainment, inspiration and connection. Visitors can explore galleries, savor culinary delights and immerse themselves in a calendar brimming with community events and live performances. At its core are cultural landmarks like the historic Colony Theatre, the innovative New World Symphony and the iconic Fillmore Miami Beach, complemented by ever-changing public art displays. Whether strolling through the district’s palm-lined streets or discovering its cultural treasures, the road offers an experience that captures the essence of Miami Beach’s coastal vibrancy. Come see why Lincoln Road draws over 10.8 million visitors annually and be part of the energy that keeps this district thriving. Discover more at lincolnroad.com or follow on Instagram @lincolnrd.

Dorothy F. Schmidt COLLEGE OF ARTS AND LETTERS

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Fall 2025 Exhibitions
Fall 2025 Exhibitions

Fall 2025 Exhibitions: 

 Sarah Paul, Self Stitched: Electric Care

SCHMIDT CENTER GALLERY 
On View: August 28, 2025 – October 10, 2025 

Celebration Reception: September 11, 2025, from 4:30 pm – 8:30 pm

This solo exhibition on healing, power and the fabric of self surveys the immersive, interdisciplinary practice of artist Sarah Paul, whose work transforms trauma into tactile, participatory environments. Using fiber, video, sound, and light, Paul crafts spaces that hold both pain and possibility, inviting viewers to engage with the body as a site of vulnerability and resilience. Rooted in feminist, punk, and queer traditions, her work explores themes of mental health, power, and the physical and psychological labor of healing. From the enveloping architecture of Fiber Chamber to the performative journeys of Little Miss Cleveland, Paul’s installations challenge societal norms while offering space for reflection, reclamation, and radical self-definition. 

A Global Lens: Capturing Culture Through Summer Study  

SCHMIDT CENTER PUBLIC SPACE 
On View: August 28, 2025 – September 21, 2025 

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

A Global Lens showcases projects and photographs created by students and faculty during FAU’s College of Arts and Letters summer programs on campus and abroad, notably in Ecuador and Italy. Through hands-on learning and cultural immersion, participants earn course credits while engaging with local traditions, landscapes, and artistic heritage. This exhibition highlights their summer experiences, offering a glimpse into the transformative power of global education. Featuring images provided by students and faculty supervisors, A Global Lens celebrates the intersection of travel, learning, and creative exploration. 

Unearthed Futures: The Archaeology of Tomorrow 

RITTER ART GALLERY 
On View: August 28, 2025 – November 9, 2025

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

Unearthed Futures: The Archaeology of Tomorrow invites viewers into three chambers where imagined relics of the future offer a poetic critique of the past. In chamber one, Angelo Caruso constructs tactile, tech-infused works destabilizing sensory expectations of “visual art.” Second, Mariana Monteagudo excavates layered narratives, blending organic textures with digital aesthetics to evoke artifacts from yet-to-exist civilizations. In the final chamber, AI-generated texts reimagine the contested histories of early 20th-century African and Oceanian objects—created for the tourist export market and now held in FAU’s collections—using speculative history and sly humor to question collecting ethics and the fictions we tell about provenance. Together, these works suggest that the futures we unearth are never neutral—they are constructed, contested, and strangely familiar. With a cameo by renowned artist Matthew Angelo Harrison, whose sculptural practice interrogates cultural ownership and labor through the lens of post-industrial preservation, this is archaeology turned inside out. 

 

Art Amidst Darkness: Holocaust Testimonies from the Yad Vashem Collection 

SCHMIDT CENTER PUBLIC SPACE
On View: October 16, 2025 – November 27, 2025 

Opening Reception: October 16, 2025, 6:15pm

Virtual Presentation: October 16, 2025, 7:15pm

Collaboration between the Arthur and Emalie Gutterman Family Center for Holocaust and Human Rights Education and the University Galleries between 1939 and 1945, artists created these artworks from the Yad Vashem Collection, representing a living testimony from the Holocaust and a declaration of the indomitable human spirit that refuses to surrender. The exhibition provides a glimpse into art created during the Holocaust in ghettos, camps, forests, and while in hiding.  
 
CLICK HERE for Zoom Registration 


A Century of Jews in Boca Raton: History, Community, Legacy 

SCHMIDT CENTER GALLERY
On View: October 27, 2025 – December 14, 2025 

Opening Reception: October 27, 2025, from 4:30pm – 8:30pm

This interdisciplinary cultural celebration traces the rich history and enduring contributions of the Jewish community in Boca Raton over the past 100 years. Through photographs, performances, historical documents, and personal narratives, A Century of Jews in Boca Raton explores the cultural, social, and economic impact of Jewish residents, from early settlers to the thriving community of today. Highlighting stories of resilience, activism, and tradition, the exhibition reflects on the evolving identity of Jewish life in South Florida and its lasting influence on the region’s history. 

Fall Bachelor of Fine Arts Exhibition  

RITTER ART GALLERY
On View: December 4, 2025 – December 17, 2025 

Opening Reception: December 4, 2025, from 4:30pm – 8:30pm

The Bachelor of Fine Art (BFA) exhibition is the culminating project for students earning this degree in the Department of Visual Arts and Art History. This semester, the graduating class led by Associate Professor Corey Lamb presents works in a variety of studio media. 

The NAMES Project AIDS Memorial Quilt

SCHMIDT CENTER PUBLIC SPACE
On View: December 9, 2025 – December 16, 2025 

In recognition of World AIDS Day, the University Galleries is honored to partner for the third year with Compass Community Center and its collaborators to display six panels from the AIDS Memorial Quilt—the largest community art project in history. Now over 35 years old, the quilt is composed of more than 50,000 hand-sewn panels, each one commemorating an individual lost to HIV/AIDS. 
The project began in 1985, when activist Cleve Jones invited participants in a candlelight march in San Francisco to honor those who had died by writing their names on placards. Arranged like a patchwork quilt, these placards became the inspiration for what would become the NAMES Project, first exhibited at the National Mall in Washington, D.C., in 1987. 

 

 

Gallery Hours
Academic Year Hours 
Tuesday – Friday:  1 – 4 pm
Saturday: 1 – 5 pm
Closed on Sundays and Mondays

Admissions: FREE

Durban Segnini Gallery Presents: Light for the Amazon

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Editorial
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light for the amazon
light for the amazon

Contact:
Durban Segnini Gallery
[email protected]
+1 (305) 774-7740
www.durbansegnini.com

Durban Segnini Gallery Presents: Light for the Amazon

Curated by Omar López-Chahoud
Opening Reception & Benefit Event: Thursday, September 11, 2025 | 6:00 – 10:00 PM

Miami, FL – Durban Segnini Gallery is pleased to announce Light for the Amazon, a powerful exhibition curated by Omar López-Chahoud, featuring a dynamic selection of works from the gallery’s collection. The exhibition opens with a special benefit event and reception on Thursday, September 11, 2025, from 6:00 to 10:00 PM, at the gallery’s space in Coral Gables.

Participating artists: Harry Abend, Carmelo Arden Quin, Mario Abreu, Ricardo Alcaide, Antonio Asis, José Luis Cuevas, Elsa Gramko, Sol LeWitt, Roberto Matta, Julio Le Parc, Mercedes Pardo, Richard Prince, Mira Schendel, Manolo Vellojín, and many others.

Bringing together iconic figures of 20th-century Latin American modernism alongside contemporary artists from diverse generations and cultural backgrounds, Light for the Amazon creates a compelling visual dialogue across time. The exhibition explores the intersections of geometric abstraction, loose figuration, and references to pre-Hispanic visual languages, shedding light on the enduring influence of Latin American artistic heritage in today’s global conversation.

The curatorial approach weaves a narrative that not only honors the depth of Latin American art history but also reflects on pressing contemporary themes, including the environmental and cultural significance of the Amazon.

Event Details:
Opening Reception & Benefit Event
Date: Thursday, September 11, 2025
Time: 6:00 PM – 10:00 PM
Location: Durban Segnini Gallery
3072 SW 38th Ave, Miami, FL 33146

Join us for an evening of art, dialogue, and support for the Amazon, as we celebrate a rich artistic legacy and the voices shaping its future.

For more information, please visit Durbansegnini.com for contact the gallery directly at [email protected].

About Durban Segnini Gallery:
Established in 1970, Durban Segnini Gallery specializes in modern and contemporary Latin American art. The gallery is internationally recognized for its commitment to abstraction and its role in promoting cross-generational dialogue between artists rooted in Latin America and those working globally.

Untitled Art, Miami Beach 2025

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Editorial
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Untitled Art, Miami Beach Announces Exhibitors for 2025 Edition
Untitled Art, Miami Beach Announces Exhibitors for 2025 Edition

Untitled Art, Miami Beach Announces Exhibitors for 2025 Edition

Leading contemporary art fair Untitled Art, Miami Beach announces exhibitors and a new Guest Curators program, ushering in a more collaborative and dynamic curatorial approach for its 14th edition. This year also marks the launch of the fair’s inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, establishing a new cultural destination for contemporary art in the region.

For its 2025 Miami Beach edition, the fair welcomes Guest Curators Petra Cortright, Allison Glenn, and Jonny Tanna with Harlesden High Street, each bringing distinct expertise to shape this year’s sectors and reinforce Untitled Art’s role as a curatorial platform for discovery and emerging talent.

This year, Untitled Art, Miami Beach will feature 157 exhibitors. Comprised of This year, Untitled Art, Miami Beach will feature 157 exhibitors. Comprised of galleries and non-profit organizations from 29 countries and territories, the 2025 edition spans participants from over 70 cities worldwide. The 2025 edition will welcome many new participants, including Harper’s (East Hampton / New York, NY), Meliksetian | Briggs (Dallas, TX), Spencer Brownstone (New York, NY), Gene Gallery (Shanghai, CN), PALMA (Guadalajara, MX), HAIR+NAILS (Minneapolis, MN / New York, NY), Soho Revue (London, UK), and Swivel Gallery (New York, NY) to its Main sector, while reaffirming its commitment to its Nest sector, featuring first-time participants such as A-Lounge Contemporary (Seoul, KR), Cierra Britton Gallery (New York, NY), Hidrante (San Juan, PR), Bolanle Contemporary (London, UK), Post Times (New York, NY), Long Story Short (New York, NY / Paris, FR), Sorondo Projects (Barcelona, ES), and John Doe Gallery (Los Angeles, CA).

Returning exhibitors to the fair’s main and Nest sectors will include Carl Freedman Gallery (Margate, UK), Miro Presents (London, UK), TERN (Nassau, BS), Superposition (Nomadic), CURRO (Guadalajara, MX), Stems Gallery (Brussels, BE), WHATIFTHEWORLD (Cape Town, ZA), CARVALHO (Brooklyn, NY), IRL Gallery (New York, NY), homework (Miami, FL), and Rajiv Menon Contemporary (Los Angeles, CA), reaffirming the fair’s longstanding partnerships and dedication to galleries from across the globe.

“We are continually reimagining what an art fair can be and the vital role that they play in the contemporary art landscape. This year’s exhibitors embody our commitment to discovery through new sectors alongside an expanded Guest Curators program. By championing emerging talent and supporting both new and established galleries, we aim to strengthen our community and also show the possibilities of what an art fair can achieve,” says Clara Andrade Pereira, Executive Director of Untitled Art.

The 2025 Nest sector is curated by Jonny Tanna, founder and director of Harlesden High Street and co-founder of Minor Attractions in London. Tanna’s curatorial approach, grounded in experimentation, seeks to bridge social and cultural divides within contemporary art. “I’m proud to spotlight POC-run spaces that are often excluded from mainstream fairs and to provide them with a platform to reach a broader audience,” notes Tanna. This year, Nest returns in a reimagined format as a continuous section within the fair and has expanded to welcome 36 galleries, embracing the spirit of community at the core of experimental art fair concepts.

As part of a new initiative aligned with Untitled Art’s mission to support broader diversity in its programming, the fair introduces a dedicated section to non-profit organizations as a branch of its Nest sector. Featuring longstanding partners such as LeRoy Neiman Center for Print Studies, Columbia University (New York, NY), Aperture (New York, NY), The55Project Art Foundation (Miami, FL), and Dimensions Variable (Miami, FL), the sector will also include newcomers to the roster such as NYC Culture Club (New York, NY) and New World School of Arts (Miami, FL).

Untitled Art will debut a new sector, ‘Artist Spotlight,’ dedicated to solo presentations and curated by interdisciplinary artist Petra Cortright. This initiative provides galleries a platform to showcase emerging and established artists, focusing on specific bodies of work and providing deeper insights into their practices. Cortright aims to amplify artistic practices that are often underrepresented in art fairs, focusing on digital culture and outsider art. “I was interested in incorporating digital culture, screens, and outsider art — even the concept of the outsider itself — into the fair as much as possible,” she explained. Exhibitors in this sector include Sho Shibuya with Bienvenu Steinberg & C (New York, NY), Jack Butcher with SOLOS (London, UK), Kelvin Haizel with Gallery 1957 (Accra, GH), Lyndon Barrois Jr. with Alma Pearl (London, UK), Eetu Sihvonen with Marc Bibiloni (Madrid, ES), and Joji Nakamura with The Fridge (New York, NY). This sector is generously supported by Shipping Partner, Cadogan Tate.

Allison Glenn, Artistic Director-at-Large of The Shepherd (Detroit, MI) and Curator of the 2026 Toronto Biennial of Art, will lead the fair’s Special Projects, featuring site-specific installations and ambitious projects from artists across North and Central America, distributed throughout the fair. Glenn’s curatorial focus for this year’s sector takes inspiration from Untitled Art, Miami Beach’s unique location. “South Beach is part of a long chain of barrier islands surrounded by many intersecting bodies of water,” notes Glenn, “and this year’s Special Projects sector will consider how artists engage with its many manifestations, including water as a connector, material, methodology, and conceptual link.” Participants under the sector will be announced in due course.

Both fairs in Houston and Miami Beach will continue to offer robust critical and educational programming, including a dynamic on-site podcast series featuring leading industry experts and artists, live performances, and the Untitled Edit platform—a series of commissioned essays that advance art criticism and nurture the next generation of art writers.

Continuing its commitment to sustainability, Untitled Art is a proud member of the Gallery Climate Coalition and collaborates closely with the City of Miami Beach to ensure a zero-impact presentation. The 2025 fair will also adapt its original Nautilus-inspired pavilion, custom-designed by Keenen/Riley for Untitled Art’s inaugural edition in 2012.

Visitors from around the world will be able to experience Untitled Art, Miami Beach through digital platforms and returning partnerships, enhancing the fair’s accessibility and global reach. Details on partners, prizes, and programming will be announced later this Autumn.

The complete list of exhibitors for the 14th edition of Untitled Art, Miami Beach is as follows:

Main Galleries

193 Gallery (Paris / Saint Tropez, FR / Venice, IT)

ABC-ARTE (Genova / Milan, IT)

ADA Gallery (Richmond, VA)

ADRIAN SUTTON GALLERY (Paris, FR)

albertz benda (New York, NY / Los Angeles, CA)

Anna Erickson Presents (Nashville, TN)

ANNA ZORINA GALLERY (New York, NY)

ARDEN + WHITE GALLERY (New Canaan, CT)

Aura (São Paulo, BR)

B R I N T Z + C O U N T Y (Palm Beach, FL)

Bienvenu Steinberg & C (New York, NY)

bitforms gallery (New York, NY)

Blouin Division (Montréal / Toronto, CA)

Brandt Gallery (Amsterdam, NL)

Camille Pouyfaucon Gallery (Paris, FR)

Carl Freedman Gallery (Margate, UK)

CARVALHO (Brooklyn, NY)

CURRO (Guadalajara, MX)

DAM Project (Buenos Aires, AR)

Danziger Gallery (New York, NY)

Galería Fermay (Palma, ES)

GALERIE FORSBLOM (Helsinki, FI)

Galerie Isabelle Lesmeister (Regensburg, DE)

Galerie Nicolas Robert (Montréal / Toronto, CA)

Galleri Urbane (Dallas, TX)

GALLERIA STUDIO G7 (Bologna, IT)

Gillian Jason Gallery (London, UK)

GVCC (Casablanca, MA / Paris, FR)

HAIR+NAILS (Minneapolis, MN / New York, NY)

Harper’s (East Hampton / New York, NY)

HEFT (New York, NY)

Hollis Taggart Downtown (New York, NY)

Homecoming Gallery (Amsterdam, NL)

Huxley-Parlour (London, UK)

Il Chiostro Arte & Archivi (Saronno, IT)

JECZA (Timisoara / Bucharest, RO)

JO-HS (New York, NY)

Kalashnikovv Gallery (Johannesburg, ZA)

KATES-FERRI PROJECTS (New York, NY)

Kavi Gupta (Chicago, IL)

Kravets Wehby Gallery (New York, NY)

La Bibi + Reus (Palma, ES)

La Balsa Arte (Bogotá / Medellín, CO)

Latchkey Gallery / Selenas Mountain (New York, NY)

Lazy Mike (Seoul, KR)

Library Street Collective (Detroit, MI)

Louis Buhl & Co. (Detroit, MI)

Luce Gallery (Torino, IT)

LUPO – Lorenzelli Projects (Milan, IT)

Marc Straus (New York, NY)

Miro Presents (London, UK)

MKG127 (Toronto, CA)

Morgan Lehman Gallery (New York, NY)

Negrón Pizarro (NP01) (San Juan, PR)

NINO MIER GALLERY (New York, NY / Brussels, BE)

Pablo’s Birthday / Patrick Heide Contemporary Art (New York, NY / London, UK)

PALMA (Guadalajara, MX)

Palo Gallery (New York, NY)

PIBI GALLERY (Seoul, KR)

PIERMARQ* (Sydney, AU)

Plan X (Milan / Capri, IT)

RHODES (London, UK)

Richard Heller Gallery (Santa Monica, CA)

Ronchini (London, UK)

SAENGER Galería / COHJU (Mexico City, MX / Kyoto, JP)

SARAHCROWN (New York, NY / Seoul, KR)

SARAI Gallery (Los Angeles, CA / Tehran / Mahshahr, IR)

Sears-Peyton Gallery (New York, NY)

SECCI (Milan / Pietrasanta, IT)

[SN] + Henrique Faria (Bogota, CO / New York, NY)

Soho Revue (London, UK)

Spencer Brownstone Gallery (New York, NY)

Stems Gallery (Brussels, BE)

Sundaram Tagore Gallery (New York, NY / Singapore, SG / London, UK)

Swivel Gallery (New York, NY)

TERN Gallery (Nassau, BS)

The Ant Project (Miami, FL / Mexico City, MX)

The Hole (New York, NY / Los Angeles, CA)

Vigo Gallery (London, UK)

WHATIFTHEWORLD (Cape Town, ZA)

Wishbone Gallery (Montréal, CA)

WIZARD GALLERY (Milan, IT)

Yancey Richardson (New York, NY)

Yiwei Gallery (Los Angeles, CA / Wuhan, CN)

Yossi Milo (New York, NY)

Zidoun-Bossuyt Gallery (Luxembourg, LU / Paris, FR / Dubai, UAE)


Nest Galleries

A-Lounge Contemporary (Seoul, KR)

ArteFASAM Gallery (São Paulo / Belo Horizonte, BR)

Bahnhof (Brooklyn, NY)

BIANCA BOECKEL (São Paulo, BR)

Bolanle Contemporary (London, UK)

Camille Obering Fine Art / Guesthouse (Wilson, WY)

Chilli (London, UK)

Cierra Britton Gallery (Brooklyn, NY)

Cub_ism_ Artspace (Shanghai, CN)

El Mirador (Buenos Aires, AR)

Enari Gallery (Amsterdam, NL)

Espacio Cabeza (Guadalajara, MX)

Hidrante (San Juan, PR)

homework (Miami, FL)

IRL GALLERY (New York, NY)

John Doe Gallery (Los Angeles, CA)

LATITUDE Gallery New York (New York, NY)

LBF Contemporary (London, UK)

Long Story Short (New York, NY / Paris, FR)

NORITO (London, UK)

PARISA Projects (San Diego, CA)

Pipeline (London, UK)

Post Times (New York, NY)

Project Loop (London, UK)

Rajiv Menon Contemporary (Los Angeles, CA)

Rulay Magazine (Santo Domingo, DO)

s t a r c h (Singapore, SG)

Sherbet Green (London, UK)

SKETCH (Bogotá, CO)

Sorondo Projects (Barcelona, ES)

Souvenir 154 (San Juan, PR)

Studio/Chapple (London, UK)

Tappeto Volante Projects (Brooklyn, NY)

Vangar (Valencia, ES)

VODA Gallery (Seoul, KR)

Wilder Gallery (London, UK)


Artist Spotlight Galleries

Alma Pearl (London, UK) – Lyndon Barrois Jr.

Berntson Bhattacharjee (London, UK) – Jessie Stevenson

Bienvenu Steinberg & C (New York, NY) – Sho Shibuya

Galeria Lume (São Paulo, BR) – Eduardo Coimbra

Gallery 1957 (Accra, GH / London, UK) – Kelvin Haizel

gallery rosenfeld (London, UK) – Natalia Ocerin

Gene Gallery (Shanghai, CN) – Zhang Haoyan

HEFT (New York, NY) – Auriea Harvey

Hexton Gallery (Aspen, CO) – Carlos Rolon

K Contemporary (Denver, CO) – Mychaelyn Michalec

KALINER (New York, NY) – Dana Nechmad

Keijsers Koning (Dallas, TX) – Jack Early

La Balsa Arte (Bogotá / Medellín, CO) – Gregorio Cuartas

La Cometa (Bogotá/ Medellín, CO / Madrid, ES / Miami, FL) – Camilo Restrepo

LaiSun Keane (Boston, MA) – Raina Lee

LATINOU (Mexico City, MX) – Chavis Marmol

Marc Bibiloni (Madrid, ES) – Eetu Sihvonen

Marshall Gallery (Los Angeles, CA) – Albarrán Cabrera

Meliksetian | Briggs (Dallas, TX) – Meg Cranson

Neon Parc (Brunswick, AU) – Dale Frank

NIL GALLERY (Paris, FR) – Malik Thomas

Peninsula (New York, NY) – Mike Olin

SANATORIUM (Istanbul, TR) – Christiane Peschek

SGR Galería (Bogotá, CO) – Lorena Torres

SOLOS (London, UK) – Jack Butcher

Superposition (Nomadic) – John Rivas

The Fridge (New York, NY) – Joji Nakamura

Wishbone Gallery (Montréal, CA) – Florencia Rothschild


Non-Profit Organizations

Aperture (New York, NY)

Dimensions Variable (Miami, FL)

LeRoy Neiman Center for Print Studies, Columbia University (New York, NY)

New World School of the Arts (Miami, FL)

NYC Culture Club (New York, NY)

The55Project Art Foundation (Miami, FL / São Paulo, BR)

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