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Constructivist Showcase

Camille Graeser
Camille Graeser

Constructivist Showcase

Max Bill and Zurich Concrete Art

Beim Stadthaus

«concrete art is when taken to its logical conclusion the pure expression of harmonious measure and rule. It orders systems and with artistic means breathes life into these orders.» The standard that Max Bill (1908 – 1994) set out in his Manifesto for Concrete Art in 1949 is clearly absolute: Harmony and order become the guidelines for an artistic stance preempted decades earlier by pioneers such as Theo van Doesberg and Piet Mondrian. Max Bill raised them to the status of a programmatic agenda. Painting (and sculpture, too) was not supposed to arise for its own sake, but was to be produced in the service of a modern utopia, whereby following in the footsteps of Bauhaus the arts were meant to combine with architecture and the applied arts to form a modern gesamtkunstwerk. In line with this ideal, Max Bill took the stage not only in the field of fine art, but likewise as an architect, designer and university lecturer.

Born in 1908 in Winterthur, Bill first completed an apprenticeship as a silversmith and then studied at the Bauhaus from 1927-8 before returning to Switzerland in 1929, where he initially worked as an architect, and then later as a sculptor, graphic artist and painter. From the 1930s onwards this native of Winterthur emerged as one of the main champions and representatives of Zurich Concrete Art. As the founding director of the Ulm College of Design, he successfully ensured the renaissance of Bauhaus ideas in post-War Germany.

Kunst Museum Winterthur owns a major group of Max Bill works, and they are ideally complemented by paintings and drawings by his contemporaries Camille Graeser, Verena Loewensberg and Richard Paul Lohse. They show that Concrete Art is far more than a set of rules and order, forever breaking its own dogmas asunder with surprising images and colors that strongly appeal to the senses. The exhibition is rounded out with pieces by artists who in subsequent generations took up the traditions of Constructivist Art and reflected on it.

Curators: Konrad Bitterli and David Schmidhauser

Perez Art Museum PAMM
Pérez Art Museum Miami

Visual artists

Marina Adams
Donald Baechler
Lee Bontecou
Joe Bradley
Cecily Brown
Mary Callery
Enrique Chagoya
Chuck Close
Sarah Crowner
Amy Cutler
N. Dash
Jim Dine
Carroll Dunham
Marisol
Mark Fox
Sam Francis
Helen Frankenthaler
R. Buckminster Fuller
Ellen Gallagher
Orly Genger
Fritz Glarner
Robert Goodnough
Maurice Grosman
Jane Hammond
Grace Hartigan
Carmen Herrera
Charline von Heyl
Jim Isermann
Bill Jensen
Jasper Johns
Jennie C. Jones
Wyatt Kahn
Joey Kotting
Julian Lethbridge
Alexander Liberman
Jacques Lipchitz
Rosa Loy
Eddie Martinez
Suzanne McClelland
Jason Middlebrook
Robert Motherwell
Sam Moyer
Elizabeth Murray
Barnett Newman
Amy O’Neill
Ryan and Trevor Oakes
Claes Oldenburg
Nathlie Provosty
Martin Puryear
Robert Rauschenberg
Larry Rivers
Julia Rommel
James Rosenquist
Susan Rothenberg
Ed Ruscha
Edwin Schlossberg
Joel Shapiro
James Siena
Kiki Smith
Saul Steinberg
Sarah Sze
Martha Tuttle
Richard Tuttle
Cy Twombly
Tam Van Tran
Andrei Voznesensky
Kelley Walker
Max Weber
Michael Williams
Terry Winters
Zachary Wollard
Christopher Wool
Lisa Yuskavage

Perez Art Museum PAMM
Pérez Art Museum Miami

AMERICA WEAVES

AMERICA WEAVES

June 7th, 7:00-10pm: Aluna Art Foundation cordially invites you to the opening reception of AMERICA WEAVES, an exhibition curated by Adriana Herrera, PhD, at the Coral Gables Museum (285 Aragon Avenue, Coral Gables, FL 33134). With invited artists (in alphabetic order): Miguel Aguirre, Luis Arroyo, Andrés Bedoya, Stella Bernal de Parra, Tatiana Blass, Liene Bosque, Pip Brant, Chiachio & Giannone, Ana Isabel Diez, Jorge Eduardo Eielson, Sonia Falcone, Gego, Alvaro Gómez Campuzano, Guerra de la Paz, Basil Kincaid, Magali Lara, Marcela Marcuzzi, María Angélica Medina, Aurora Molina, Juan José Olavarría, Raquel Schwartz, Carrie Sieh, Diana de Solares, Alex Trimino, Frances Trombly, and Guido Yianitto.

AMERICA WEAVES
One hundred years after the founding of the Bauhaus, which considered the artist “an exalted artisan” and called for erasing the boundaries between art and crafts, America Weaves gathers a group of artists that expand the borders and possibilities of the action of weaving, embroidery, and interlacing throughout the entire Americas, from Argentina to the United States. Some works are formal inquiries into the possibilities of the medium; others merge different epochs, resorting to the technique of palimpsest; yet others pose critical and conceptual appropriations of different sorts. Making art with textile materials is, ultimately, a possibility that is as playful as it is culturally vital.
Curated by Adriana Herrera, America Weaves shows how, since the times of prehispanic art, our continent has woven times, history, visions, and worlds.

THE CORAL GABLES MUSEUM (Fewell Gallery)
America Weaves
June 7th – Nov. 10th, 2019 
285 Aragon Avenue, Coral Gables, FL 33134
(305) 603-8067
Hours of Operation
Museum Hours:
Tuesday-Thursday 12:00 – 6:00
Friday 12:00 – 6:00 (Later on Gallery Nights)
Saturday 11:00 – 5:00
Sunday 12:00 – 5:00
Monday closed
Business Hours:
Monday-Friday 9:00 – 5:00

Aluna Art Foundation

Aluna Art Foundation is a non-profit organization created to promote a wide range of dialogues among artistic practices.

Aluna Art Foundation is a non-profit organization created to promote a wide range of dialogues among artistic practices through a continuous and open invitation for artists to engage in its projects. As an alternative space, Aluna Art Foundation offers Miami’s artists the possibility of participating, together with those from other regions or countries, in curatorial projects whose aim is the production of creative visions of the context we live in.

Considering that Miami is an epicenter of Latin American art in the world, Aluna Art Foundation strengthens our understanding of the past and the present of this art through formative and sensitizing strategies of knowledge and participation. Forming institutional and organizational alliances serves as a platform for artists that are not represented, promotes exchanges between established and emerging artists, and offers a space for those projects that can’t find a place within the mainstream.

Aluna Art Foundation’s vision is to provide the community of Miami with curatorial projects that involve a dialogue between the local and international art scene, conducting its mostly collective inquiries around the connection between art and society. The foundation will continue to serve as an ever-expanding platform for the introduction of Miami artists in galleries, organizations, and institutions in a changing and mobile context.

Our vision includes the possibility of crossing the abysm that has been separating the general public from contemporary art. Through our curatorial practice, and our diverse strategies of interaction, we will construct awareness of contemporary art in general, and of Latin American art in particular. These efforts will not only strengthen our vision of art history, but our outlook on the present. The processes of dialogues will allow the people to experience the artworks, and to participate in their practices in a transformative way, living an experience capable of mobilizing ideas and social imagination.

Aluna was founded in April 18th, 2011 under the laws of the State of Florida (501-C-3 application in process).

1393 SW 1st. Street, Miami Fl 33135, is an alternative and provisional art space.

Aluna Curatorial Collective (Adriana Herrera and Willy Castellanos) is the curatorial instance of Aluna Art Foundation.


Perez Art Museum PAMM
Pérez Art Museum Miami

The Power of Print

"The Power of Print: Iconic Images of the American Landscape"

First Saturday Reception

Hosted by LnS GALLERY

2610 SW 28th Lane, Miami, Florida 33133

Saturday at 6 PM – 9 PM

Join us on June 1st for a First Saturday Reception and view: “The Power of Print: Iconic Images of the American Landscape” by Jennifer Basile and “Ongoing Highlights,” featuring works by Carlos Alfonzo, Anish Kapoor, John Bailly, T. Elliot Mansa, Mario Bencomo, Tim Buwalda, Copper Inch, Jessie Laino, Gabriela Noelle, César Trasobares, Reynier Ferrer, Dayron Gonzalez, Jake Fernández, Arturo Rodríguez, Trek6, Sinuhe Vega Negrin, William Osorio, Natalia García Lee, Yomarie Silva-O’Neal, Tony Vázquez-Figueroa, and more.

Perez Art Museum PAMM
Pérez Art Museum Miami

La geometría sagrada de Rafael Montilla

Rafael-Montilla-en-la-exposición-_The-Big-Bang_-CORTESÍA

Un trabajo que tomó más de seis años de estudio, hasta que el artista, Rafael Montilla, pudo sentir que finalmente había logrado llenar sus expectativas sobre cierta figura geométrica

A propósito de la exposición “Kubes in Action – Personalidad”

Por Juan Antonio González.

Thewynwoodtimes.com

En un tiempo –el actual– donde todo parece vaciarse de contenido, donde la inmediatez de las redes sociales deja a un lado el reconocimiento de la interioridad propia y ajena, donde la mentira y el encubrimiento obscurecen cualquier camino hacia la verdad, conforta toparse con la obra de Rafael Montilla, fotógrafo y artista visual caraqueño que comenzó su andadura creativa a mediados de los años setenta y que, desde la tradición de la abstracción geométrica, ha concebido obras con una poderosa carga de espiritualidad.

Una espiritualidad que Montilla ha expresado desde que era un niño de siete años, cuando en las portadas de sus libros escolares dibujaba y pintaba el símbolo de la “cruz swastika”, no la que utilizaron como emblema los nazis, sino la que la proviene de las imprecisas tinieblas de la prehistoria, la que en la cultura hinduista se asocia al dios Ganesha, la que para el Budismo simboliza la eternidad…

Rafael Montilla en la exposición The Big Bang

Kubes in action – Personalidad

Para Montilla aquella cruz con sus brazos doblados en ángulo recto era un mandala cuadrado. Esa fue la dimensión que el artista le aportó luego de vivir algunos años en la India. Una dimensión filosófica y religiosa que se sumó al estudio que el artista hizo de El Árbol de la Vida y del metatrón, cuerpo geométrico compuesto por trece círculos directamente obtenido de la Fruta de la Vida. Hablamos, entonces, de una geometría sagrada.

En el video Kubos in Action. Secrete geometry, publicado por el artista en la plataforma de YouTube, se resume de manera precisa y clara el proceso por el cual ese mandala cuadrado se transformó en “kubo”. Una investigación que le tomó más de seis años de estudio y que el artista hizo pública una vez que pudo darle “una perspectiva que movía mi interior. Sentí que finalmente había logrado llenar mis expectativas sobre esta figura geométrica”, confiesa Montilla.

En el video mencionado, el artista aporta una definición de mandala cónsona con sus necesidades expresivas: “Mandalas es donde todas las religiones, filósofos, científicos, sabios, buscadores de sabiduría y buscadores espirituales se encuentran”. El auto reconocimiento y el conocimiento del Otro.

La obra de Rafael Montilla no puede, así, ser cabalmente entendida si se le despoja de su componente introspectivo, existencialista, del alma que él vuelca en ella, más allá de sus características formales. Su obra trasciende de lo que el espectador puede ver físicamente para mostrar lo que hay dentro de él y, por añadidura, dentro de nosotros mismos. “Los mandalas son una llave a nuestro subconsciente, tal como lo dice Carl Gustav Jung: ‘La mente no está en el mundo, el mundo está en la mente’. El ‘kubo’ representa nuestro subconsciente”, asegura el artista.

En su más reciente propuesta expositiva, Kubes in Action – Personalidad, que se presenta en la DATG Concept Gallery, de Miami, Rafael Montilla va más allá en su exploración de los “kubos”, pues integra a su trabajo parte de los postulados teóricos del artista Josef Albers acerca del color o, más bien de la interacción del color, según la cual “un mismo color permite innumerables lecturas”.

La idea del artista es que partiendo de la figura que ha desarrollado en los últimos años, cada color represente una personalidad definida. Así, y como bien lo explica la investigadora y curadora Anny Bello, Montilla “elabora convenciones para catalogar las personalidades, en este caso, basadas en el anaranjado, el rojo, el amarillo, el púrpura, el azul y el verde”. Y agrega el artista: “Todo lo externo fue eliminado”.

Todo lo externo ha sido eliminado. Quiere decir esto que las obras recientes de Rafael Montilla apelan a la introspección, a lo no verificable en el mundo material. Al contenido más que a la forma. A los sentimientos, sin más. Y también exigen de quien las observa, completar esos “kubos” de bordes blancos, invisibles, rodeados de colores que armonizan hasta establecer un perfecto equilibrio entre las caras de esas figuras geométricas en las que su creador vierte su “yo”.

 Rafael Montilla

Kubes in action – Personalidad

Un “yo” que insiste en aparecer, en revelarse, en un mundo desprovisto de contenidos significativos, sobresaturado de superficialidad. Cada uno de los “kubos” que se exponen en DATG Concept Gallery muestra la parte interna de su autor y su preocupación por una sociedad en la que toda aspiración se limita a lo externo. “Nos olvidamos de crecer internamente”, dice Rafael Montilla. “Nadie sabe qué hacer con su vida. Jóvenes, adultos y mayores sufren de soledad. Necesitan de algo o de alguien para ser supuestamente felices y buscan un intermediario para llegar a Dios, ignorando que pueden conectare con él directamente”.

En definitiva, Rafael Montilla crea para sí mismo, en el sentido de que su obra es una clara proyección de su espiritualidad, una permanente exploración de sí mismo. “Los ‘kubos’ pueden mostrar que yo soy mi mejor amigo y que el Paraíso está donde yo vivo. Mi paz interna es lo más importante”, concluye el artista.

Juan Antonio González

Editor de Arte y Entretenimiento
Diario El Universal
Caracas – Venezuela
Octubre 2018

Perez Art Museum PAMM
Pérez Art Museum Miami

“What I really want to tell you..”

The55project

The55project | Art Exhibition: “What I really want to tell you..”

Public · Hosted by The 55 Project

Friday, May 10, 2019 at 6 PM – 9 PM

Atchugarry Art Center 5520 Northeast 4th Avenue, Miami, Florida 33137

The55project is thrilled to invite you to the exhibition “What I really want to tell you…” presented at Fundación Pablo Atchugarry in Miami.

Save the date: May 10, 6-9pm

⠀⠀⠀⠀⠀⠀⠀⠀⠀Curated by Jennifer Inacio with Flávia Macuco this exhibition explores the cultural, social and political histories of Brazil. The participating artists question these issues and externalize their examinations through art that impact, inspire and engage, becoming their own manifestos of exploration, interrogation, and change. While responding to our contemporary moment, the exhibition highlights ways in which art stimulates and inform new ideas in times of divergent realities.

⠀⠀⠀⠀⠀⠀⠀⠀⠀The exhibition features 14 Brazilian artists:

Almandrade • Jonathas de Andrade • Liene Bosquê • Paulo Bruscky • Anna Bella Geiger • Rubens Gerchman • Ivan Grilo • Randolpho Lamonier • Vanderlei Lopes • Gabriela Mutti • Paulo Nazareth • Regina Parra • Rosana Paulino • Mano Penalva

⠀⠀⠀⠀⠀⠀⠀⠀⠀

Hosted by: Fundación Pablo Atchugarry

Produced by: The55project

Sponsored by Fedex

Supported by Consulate of Brazil in Miami, FedEx Express, Leblon Cachaça, Piero Atchugarry Gallery and Fundación Pablo Atchugarry.

www.the55project.com

Perez Art Museum PAMM
Pérez Art Museum Miami

FIU Exhibition Opening

The Patricia & Phillip Frost Art Museum FIU‎

Public · Hosted by The Patricia & Phillip Frost Art Museum FIU

Saturday, June 8, 2019 at 3 PM – 7 PM

The Patricia & Phillip Frost Art Museum FIU (Miami)10975 SW 17th St, Miami, Florida 33199

Art Museum (305) 348-2890


Join us for an Artist Conversation and Exhibition Opening for two new exhibitions, Cut: Abstraction in the United States from the 1970s to the Present and Spheres of Meaning: An Exhibition of Artists’ Books.

Artist Conversation (3-4pm)

Join Chief Curator, Amy Galpin Ph.D., for a conversation with Miami-based artists Loriel Beltran and Carol Todaro. In anticipation of the opening celebrations, Beltran and Todaro sit down with Galpin to discuss their rigorous practices. A new large-scale painting by Beltran will be featured in Cut: Abstraction in the United States from the 1970s to the Present. Todaro completed a new installation for Spheres of Meaning: An Exhibition of Artists’ Books. Beltran and Todaro are long-time Miami residents with distinctly different practices. Both artists contributed critical ideas to the formulation of these exhibitions.

Seating is limited. Please arrive on time to secure your seat.

Exhibition Opening (4-7pm)

The exhibition opening is free and open to the public. Members of the museum gain exclusive access to our Members’ Reception with refreshments and drinks. Not a member? Click here to join today and gain access to this exclusive perk or purchase a $15 reception ticket at the door.

Metered parking is available in the Blue and Gold Garages.

Image Caption: Sam Gilliam, b.1933, Tupelo, Mississippi, Of Yellow and Gingers [detail], 1979, Acrylic on Canvas, 80 x 300 inches, Courtesy of the artist and N’Nmandi Contemporary, Miami, Florida

Perez Art Museum PAMM
Pérez Art Museum Miami

The Ellies: Info Session #2

Oolite Arts‎

Public · Hosted by Oolite Arts

Wednesday, May 15, 2019 at 6 PM – 7 PM

Simply Good, 212 Northwest 73rd Street, Miami, FL 33150

Join us to learn more about Miami’s visual arts awards, which will offer up to $500,000 to the city’s visual artists!

This is our second year offering The Ellies, and we’re excited to see what ideas Miami’s artists are ready to create with the proper support

Bring all your questions this evening and our Oolite Art staff will answer them. Lock in your perfect application to submit ahead of the 6 p.m. May 20th deadline for the Creator Award and the Teacher Travel grants.

For more, including a list of FAQ’s, visit TheEllies.org.

Perez Art Museum PAMM
Pérez Art Museum Miami

Visual Arts Conference

Gisela Gueiros

Visual Arts Conference by The55project + Focus Brasil Presents

Hosted by The 55 Project

Wednesday at 12:30 PM – 3:30 PM

Broward Center for the Performing Arts201 Southwest 5th Avenue, Fort Lauderdale, Florida 33312


# Panel 1 | 1pm

Multiplicities in Feminist Art & Artists: Dilemmas, Contradictions and New Visions

Adriana Herrera, PhD | Independent Curator (Moderator)
Speakers:
Silvana Soriano (Visual Artist, Illustrator and art teacher)
Karla Caprali (Visual Artist, Illustrator and art teacher)
Ibett Yanez (Curator, Former Dir. De La Cruz Collection, Ground Control Mia )
Leslie Gabaldon (Visual Artist, Wynwood Edtions)

# Panel 2 | 2:15pm

Gisela Gueiros | Independent Curator, NYC correspondent for both Vogue and GQ Brasil, as well as a collaborator at NaturaBrasil blog.

“Current state of the arts”
After NYC and São Paulo, the seminar arrives in Miami + Fort Laudardale.

Information:
[email protected] | www.the55project.com
Spaces are limited. Registration is mandatory.

Focus Brasil and The55project | Visual Arts Panel: “Current state of the arts” By Gisela Gueiros.

Gisela is art historian, art advisor and educator, NYC correspondent for both GQ and Vogue Brasil, as well as a collaborator at NaturaBrasil blog.

The55project’s mission is to promote Brazilian visual artists and cultural projects in the united states through art events.

Perez Art Museum PAMM
Pérez Art Museum Miami

¿Qué es y cómo surge el videoarte?

video art
video art

Rafael López Borrego


En este vídeo tratamos de conocer un poco mejor el nacimiento del videoarte y cuales fueron los primeros artistas que practicaron este estilo. Nombres como Nam June Paik o Wolf Vostell son esenciales para conocer el desarrollo de esta disciplina artística. Al mismo tiempo tratamos de dar a conocer algunos de los principales artistas contemporáneos de vídeo que pueden ser de interés para el público y que quizás son más desconocidos que otros que practican disciplinas más populares como la pintura o la escultura.

Perez Art Museum PAMM
Pérez Art Museum Miami

Artists

A · Georges Adéagbo · Etel Adnan · Vincenzo Agnetti · Gilles Aillaud · Kelly Akashi · Pierre Alechinsky · Alex Anderson · Claudia Andujar · Karel Appel · Diane Arbus · John M Armleder · Richard Artschwager · Kader Attia · Cristian Avram · B · Glen Baldridge · Giacomo Balla · Massimo Bartolini · Georg Baselitz · Jean-Michel Basquiat · Erica Baum · Aubrey Beardsley · Michael Biberstein · Ashley Bickerton · Barbara Bloom · Armin Boehm · Isabelle Borges · Peppi Bottrop · Louise Bourgeois · Marc Brandenburg · Berlinde De Bruyckere · Heidi Bucher · Carlos Bunga · Michael Buthe · C · Miriam Cahn · Merlin Carpenter · Laura Carralero Morales · Linda Carrara · Jordan Casteel · Jacobo Castellano · Vija Celmins · Tseng Kwong Chi · Giorgio de Chirico · Christo · Leidy Churchman · George Condo · Antonio Cosentino · James Coupe · Siro Cugusi · Sophie Cundale · D · Salvador Dalí · Mira Dancy · Nicolas Daubanes · Stine Deja · Jérémy Demester · Reza Derakshani · Jim Dine · Anju Dodiya · Alex Dordoy · Frances Drayson · E · Roger Eberhard · Ida Ekblad · Peles Empire · Hannah Epstein · Andreas Eriksson · Sérvulo Esmeraldo · Roe Ethridge · F · Harun Farocki · Cao Fei · Eric Fischl · Gina Fischli · Peter Fischli · Fischli/Weiss · Barry Flanagan · Sylvie Fleury · Prudence Flint · Günther Förg · Edo Fouilloux · Michel François · Katharina Fritsch · G · Cyprien Gaillard · Gangao Lang · Hope Gangloff · Isa Genzken · Luigi Ghirri · Liam Gillick · Louise Giovanelli · Henry Glavin · Tomoo Gokita · Rochelle Goldberg · Antony Gormley · Daiga Grantina · John Beasley Greene · Nedda Guidi · Guido Guidi · Jennifer Guidi · Guo Fengyi · Elisabetta Gut · Kristján Guðmundsson · H · Marcia Hafif · Alex Hamilton · Tom Hammick · Andy Harper · Rachel Harrison · Hugh Hayden · T’ang Haywen · Gregor Hildebrandt · Hiro · Thomas Hirschhorn · David Hockney · Hans Hofmann · A.P. Hoshivar · Dom Sylvester Houédard · Donna Huanca · Chris Huen Sin Kan · Peter Hujar · Luchita Hurtado · J · Jessica Jackson Hutchins · Ann Veronica Janssens · Jingze Du · Joan Jonas · Allen Jones · Jr · Donald Judd · K · Kiyoshi Kaneshiro · Jacob Kassay · Tatsuo Kawaguchi · John Keane · Rita Keegan · Sanam Khatibi · Bharti Kher · Per Kirkeby · Konrad Klapheck · Jutta Koether · Aline Kominsky-Crumb · Ella Kruglyanskaya · Shigeko Kubota · L · Martin Laforêt · Lucia Laguna · Maria Lai · Alexandre Lenoir · Tony Lewis · Richard Long · Sarah Lucas · Vera Lutter · M · Tsuyoshi Maekawa · Robert Mapplethorpe · John Marin · Suchitra Mattai · Nick Mauss · Franco Mazzucchelli · Don McCullin · Ryan McGinley · France-Lise McGurn · Bruce McLean · Kevin McNamee-Tweed · Steve McQueen · Josephine Meckseper · Claire Milbrath · Tyler Mitchell · Yoshinori Mizutani · Philipp Modersohn · Franz Mon · Sebastian Diaz Morales · Giorgio Morandi · Rebecca Morris · Richard Mosse · Olivier Mosset · Melodie Mousset · Wangechi Mutu · N · Cassi Namoda · Yoshitomo Nara · Elizabeth Neel · Anna Nero · Shirin Neshat · Reima Nevalainen · Gladys Nilsson · Serge Alain Nitegeka · Kenneth Noland · Gareth Nyandoro · O · Makoto Ofune · Duro Olowu · Catherine Opie · Anna Oppermann · Frida Orupabo · Reinoud Oudshoorn · Giovanni Ozzola · P · Paul P. · Giulio Paolini · Hilary Pecis · Agnes Pelton · Nathan Peter · Susan Philipsz · Bernard Piffaretti · Rachel Pimm · Pino Pinelli · Michelangelo Pistoletto · Lari Pittman · Sigmar Polke · Joanna Pousette-Dart · Richard Prince · Marine Provost · Rob Pruitt · Otto Prutscher · Q · Alice Quaresma · Jean-Charles de Quillacq · R · Fiona Rae · Marge Rector · Richard Rezac · Robin Rhode · Gerhard Richter · Kristina Riska · Clément Rodzielski · Mimmo Rotella · Kevin Rouillard · Thomas Rouxeville · Cristian Rusu · S · Niki de Saint Phalle · Cinga Samson · Chung Sang-Hwa · Bojan Šarčević · Peter Saul · Salvatore Scarpitta · Hans Schabus · William Scharf · Julian Schnabel · Jean-Frédéric Schnyder · Paul Mpagi Sepuya · Richard Serra · Julie Shafer · Hassan Sharif · Jeremy Shaw · Arlene Shechet · Shozo Shimamoto · Antonia Showering · Amy Sillman · Marina Perez Simão · Kiki Smith · Josh Smith · Bosco Sodi · Susana Solano · Annegret Soltau · Franca Sonnino · Marta Spagnoli · Nancy Spero · Jansson Stegner · Hito Steyerl · Lily Stockman · Tim Stoner · Studio Formafantasma · Pamela Phatsimo Sunstrum · Jan Svoboda · Alina Szapocznikow · Sarah Sze · T · Emilio Tadini · Dorothea Tanning · Antoni Tàpies · Adrienne Elise Tarver · Giorgio Tentolini · Dominique Teufen · Paul Thek · Salman Toor · Genesis Tramaine · Francisco Tropa · Tu Hongtao · William Tucker · James Turrell · U · Naohiro Utagawa · V · Leo Valledor · Justine Varga · Angel Vergara · Maria Helena Vieira da Silva · Not Vital · Jorinde Voigt · Ulla von Brandenburg · W · Kara Walker · Wang Yuyang · Nari Ward · Andy Warhol · Timothy Washington · Faye Wei Wei · Lawrence Weiner · David Weiss · Jasmin Werner · John Wesley · Stanley Whitney · wiedemann/mettler · Kehinde Wiley · Michael Williams · Lucy Williams · Jackie Winsor · Karl Wirsum · Johannes Wohnseifer · Alan Wolfson · Clare Woods · Christopher Wool · Erwin Wurm · X · Guanyu Xu · Y · Yuan Jai · Z · Abbas Zahedi · Gianfranco Zappettini · Miranda Fengyuan Zhang

Perez Art Museum PAMM
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Roberto Aizenberg

Roberto Aizenberg
Roberto Aizenberg
Roberto Aizenberg
Roberto Aizenberg
Pintura
1971
Óleo sobre tela sobre tabla
90 x 72 cm
© 2012 Roberto Aizenberg/ ARS, NY / SAVA, Buenos Aires

1928-1996 – Argentina

Roberto Aizenberg Nació en Federal, provincia de Entre Ríos, en 1928. Cuando tenía 8 años, su familia se mudó a Buenos Aires, y una vez egresado del Colegio Nacional Buenos Aires, ingresó a la carrera de arquitectura, aunque la abandonó ara dedicarse de lleno a la pintura. Antonio Berni fue su primer maestro, al que le siguió Juan Batlle Planas, quien lo introdujo en el surrealismo. A Aizenberg se lo suele considerar con mucha justeza como uno de los grandes maestros de la pintura surrealista argentina, pero catalogarlo solamente como surrealista sería limitar la apreciación de una de las obras más importantes del arte argentino. Exiliado en París durante la última dictadura militar, regresó a Buenos Aires en 1984, donde falleció en 1996.

Princpiales exposiciones individuales 2001. Centro Cultural Recoleta, Buenos Aires, Argentina. 1995. Galería Klemm, Buenos Aires, Argentina. 1992. Galería Palatina, Buenos Aires, Argentina. 1972. Hanover Gallery, Londres, Inglaterra. 1971. Museo de Artes Visuales, Santa Fe, Argentina. 1969. Instituto Torcuato Di Tella, Buenos Aires, Argentina. 1958. Galería Galatea, Buenos Aires, Argentina.

Principales exposiciones colectivas 2003. Malba, Buenos Aires, Argentina. 1995. ArteBA, Buenos Aires, Argentina. 1994. Feria ARCO, Madrid, España. 1988. Museo Nacional Centro de Arte Reina Sofía, Madrid, España. 1985. Fondo Nacional de las Artes, Buenos Aires, Argentina. 1978. Centre d’Art Plastique Contemporain, París, Francia. 1972. Centro de Arte y Comunicación, Buenos Aires, Argentina. 1970. Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, Santa Fe, Argentina. 1965. Museo de Arte Contemporáneo Latinoamericano, La Plata, Argentina. 1963. Bienal Internacional de San Pablo, San Pablo, Brasil. 1961. Museo Nacional de Bellas Artes, Buenos Aires, Argentina. 1960. Museo de Arte Moderno, Buenos Aires, Argentina. Principales premios y distinciones 1992. Premio Konex, Fundación Konex, Buenos Aires, Argentina. 1982. Diploma al Mérito, Fundación Konex, Buenos Aires, Argentina. 1962. Primer Premio Adquisición, Salón Anual de Pintura del Automóvil Club Argentino, Buenos Aires, Argentina. Principales museos y colecciones Museo Nacional de Bellas Artes, Buenos Aires, Argentina. Museo de Arte Moderno, Buenos Aires, Argentina. Malba, Buenos Aires, Argentina. Fondo Nacional de las Artes, Buenos Aires, Argentina. MOMA, Nueva York, Estados Unidos. Museo de Bellas Artes, Caracas, Venezuela.

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Edoer Agostini

Edoer Agostini
Agostini, Edoer,
Agostini, Edoer

macba.com.ar

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Juliana Barrios, nominada al Grammy Latino

Juliana Barrios
Juliana Barrios

Juliana Barrios, graduada de Berklee College of Music y nominada al Grammy Latino, presenta la canción “Quiéreme”

Una gran embajadora de la música colombiana da a conocer su nuevo material Juliana Barrios, graduada de Berklee College of Music y nominada al Grammy Latino, presenta la canción “Quiéreme” “Es una bachata influenciada por el cantautor que más admiro, Juan Luis Guerra, pero a mi estilo”, apunta la artista, una de las voces más hermosas del mundo hispano “Quiéreme” formará parte del nuevo disco de Juliana, que estará disponible a partir de mayo Durante su carrera la intérprete ha mostrado un talento y una personalidad que la han llevado, además de cantar, a ser coach del reality “Popstars”; actriz en teatro y TV; y a componer para colegas como Carolina Laó, Sasha o Manny Manuel
*** Hacer click para ver “Quiéreme” en Youtube:https://www.youtube.com/watch?v=J3w8Jcza7QU

Biografía de Juliana Barrios

Juliana Barrios es una cantautora nacida en Cali, Colombia.Su música es una combinación de Pop mezclado con variedad de ritmos latinoamericanos.  Al terminar su colegio viajó a Boston donde obtuvo el grado de Música profesional en Berklee College of Music 1989.  Al volver a Colombia se unió a un proyecto de un trío de Sony Colombia llamado Propiedad Pública. Lanzaron su primer disco producido por Yasmil Marrufo teniendo reconocimientos por su primer sencillo “Varita Mágica”.  Luego recibió la invitación para ser parte del elenco del Musical de Teatro “Sorprendidas II”, dirigido por Ruben Cuello; así y tuvo su primera experiencia en la actuación. Pronto llegaron más propuestas como la comedia de TV “Las Marías”; la novela “Perro Amor”, donde actuó, cantó y escribió uno de los temas musicales, que más tarde se incluyó en un disco que produjo Nicolás Uribe y publicó Polygram.  Juliana también hizo parte del reality show “Popstars” como instructora vocal y más tarde trabajó en la producción vocal del disco “Escarcha”, que grabaron las ganadoras del reality.  En el año 2000 se trasladó a Miami donde vive actualmente. Alli forma el duo Bachá con el cantautor venezolano Jorge Luis Chacín, con quien escribe e interpreta el tema de la novela de Telemundo “Anita, no te rajes”. Lanzan el disco “Bachá”, producido por Julio Bagué y Ramón Arias, con el cual consiguen la nominación al Mejor Album Tropical Contemporáneo en los Grammy Latino 2005.  En el 2009 Juliana lanza su primer trabajo musical como solista “La Vida Se Vá”. “El disco es una mezcla exuberante de alegrías y nostalgias condimentadas con funk y ritmos de su nativa Colombia”, escribió Leila Cobo, de Billboard Magazine. El álbum fue producido por Ahmed Barroso bajo el sello independiente Mangabiche Music.  Durante unos años Juliana participó como cantante en las giras de la orquesta de Nueva York Folklore Urbano dirigida por el compositor y pianista colombiano Pablo Mayor.  Algunas de las canciones de esta autora han sido grabadas por artistas como Carolina La O, Manny Manuel, Sasha y su versión en español de “I Don’t Need a Man” (“No Hace Falta Un Hombre”), interpretada por Jaci Velasquez, hizo parte de la película “Chasing Papi”, en la que actuó Sofía Vergara.  En 2020 Juliana lanza su primer album de música para niños “La Vaquita Martina y sus Amigos”, diez cuentos infantiles convertidos en canciones de su propia autoría y producidos por ella, en compañía de Gonzalo de Sagarmínaga y Fredy Camelo.
Haga click aquí para ver el website de Juliana
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ACRYLIC & ARTWORK

ACRYLIC & ARTWORK
ACRYLIC & ARTWORK

ALL ABOUT ACRYLIC FOR YOUR ARTWORK

Acrylic plastic is highly prized for its easy workability and its clarity. In fact, clear acrylic plastic transmits light better than regular glass.

Q: What is acrylic made of?
Acrylic is a transparent thermoplastic known as polyacrylate and is derived from natural-gas. It is a composition of Methyl Methacrylate (MMA) and Poly Methyl Methacrylate (PMMA) resin. In short, it’s a petroleum-based product, so petroleum solvents and chemicals should always be avoided to prevent marking the surface.

Q: What is the difference between acrylic, Plexiglas, Lucite, Perspex, and Lexan or clear plastic?

A: Acrylic (polyacrylate) is marketed under many trade names including Plexiglas, Lucite, Perspex, Policril, Gavrieli, Vitroflex, Limacryl, R-Cast, Per-Clax, Plazcryl, Acrylex, Acrylite, Acrylplast, Altuglas, Polycast, Oroglass, Optix.

These differ from Lexan which is polycarbonate, and is sometimes used as bullet-proof glass. Although it is more shatter-resistant, it is more expensive than acrylic, yellows with prolonged exposure to sunlight, and is much more easily scratched. Therefore acrylic is more ideal for most interior and exterior design purposes.

Clear plastic can refer to a wide range of synthetic compounds, with varying strengths, melting points, and other properties.

Q: How do I clean acrylic?
A: While acrylic softens at higher temperatures, it does not actually melt until it reaches 320 °F (160 °C). Therefore, normal household use does not risk melting acrylic. Hot stovetop items should only be placed on an acrylic tabletop surface using a protective trivet or other padding, preferably with rubber cushions. As a safety precaution, never place acrylic directly on or next to an open flame or hot surface.

Q: Can I bend or reshape acrylic myself?
A: This is not recommended. Acrylic must be heated in order to mold its shape, otherwise it will crack and break into pieces. However, it is flammable at certain temperatures so heating by open flame is not recommended, and other methods of heating may cause it to adhere to the heating device itself. Only professional technicians with the proper tools and safety equipment should attempt to heat and reshape acrylic items. 

Q: Is acrylic the same as “bullet-proof” glass?
A: No, bullet-resistant glass is made from polycarbonate. Trade names for the base material include Armormax, Makroclear, Cyrolon, Lexan and Tuffak. Although it is more shatter-resistant, polycarbonate is more expensive than acrylic, yellows with prolonged exposure to sunlight, and is much more easily scratched. Therefore acrylic is the far better material for most interior and exterior design purposes.

Q: Does acrylic ‘outgas’? Is it toxicologically harmful?
No. When used as directed and in ambient temperatures, acrylic does not pose hazardous nor toxicological effects to health. This material has been classified as non-hazardous under OSHA regulations.

HOW TO ORDER

Q: Do you work with Designers, Architects and other trade professionals?
Yes. We offer exclusive discounts for design professionals, including PDF tear-sheets for clients, online trade accounts with access to wholesale pricing and more. Reach out to discover all that we offer.

Q: Do you do custom work?
A: Yes, custom is our specialty! We will work with you taking into consideration your needs, functional requirements and the interior of your home, office, hotel, command space or any individual area.

Q: How does pricing work?
A: We provide custom quotes based on your product selection dimension and thickness. Call us to request your custom quote!

Q: What is your usual turnaround time?
Our products are typically ready from 4 to 8 weeks from date of order. We will provide an estimated completion date at the time of order.

Q: How do I receive my order?
We offer a few options, including FedEx Ground, White Glove, and NYC Metro Delivery. Call us to inquire about your preferred method.

CARING FOR YOUR CUSTOM PLEXI:

Q: How do I clean acrylic?
Acrylic care consists of no more than normal wipe-cleaning to keep it looking new. Chemicals should never be used, and care should be taken to avoid scratches. See our Product Care page for complete recommendations.

Q: How can I remove scratches from acrylic?
A: Removing acrylic scratches (ones that you can see or feel by passing a fingernail over them) can be accomplished by using Novus2 or Novus3 cleaner, depending on the severity of the scratch. These are available on our Product Care page. If your acrylic piece is scored or gouged deeply, contact us for more detailed options that include sanding and refinishing.

Q: Should I keep acrylic out of the sun?
A: Sunlight will not affect your acrylic items. Acrylic is derived from natural gas and is completely inert in its solid form and will NOT yellow in the sunlight. Sunlight, especially ultraviolet radiation, has a negative effect on most plastics, but not acrylic.

Q: Can acrylic be painted?
A: Yes, you can paint acrylic using acrylic paint.

What kind of paint do you use on acrylic plastic?

Spray paint works especially well for plastic, but you can use acrylic or enamel/model paint as well.

Does acrylic paint stay on plastic?

Acrylic paint can be used on plastic, but it is not specifically designed for this use. Acrylics don’t always hold up as well to repeated handling as other paints, and they work better on surfaces that allow air through, like wood and paper, than they do on plastic.

How do you seal acrylic paint on plastic?

A clear acrylic sealer gives your freshly painted plastic surface an extra layer of protection. You don’t have to use the sealer, but it can help the results be more permanent, especially if you’re painting an outdoor item. You can get a spray sealer to make the job easier.

What paint is best to use on plastic?

  • Krylon K08974007 SUPERMAXX Spray Paint. …
  • Rust-Oleum 249079 Painter’s Touch 2X. …
  • Krylon K02422007 Fusion for Plastic. …
  • Krylon K04293007 Camouflage With Fusion. …
  • Dupli-Color CP199 Clear Adhesion Promoter. …
  • Rust-Oleum 211338 Paint For Plastic Spray. …
  • SEM Paints SEM15243 Satin.

What paint will adhere to plastic?

Use paints that are specifically formulated to adhere to plastics. There are several available on the market such as Krylon Fusion for Plastic® , Valspar® Plastic Spray Paint , and Rust-Oleum Specialty Paint For Plastic Spray . If using regular spray paint then your item will need to be primed.

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