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PERFORMANCE MIAMI ART WEEK 2021 PROGRAM

ANNOUNCING ALIVE AT SATELLITE MIAMI 2021
ANNOUNCING ALIVE AT SATELLITE MIAMI 2021

MIAMI ART WEEK 2021 PROGRAM

FOR IMMEDIATE RELEASE: Satellite Art Show triumphantly returns to Miami Art Basel and once again radically re-envisions what an art fair should be. This year, Satellite will focus on performance work, time-based media, and installation – singularly cornering the market on these unique platforms will give these cherished art forms a home during Miami Art Week. Expect over 30 live performance artists presenting fiercely challenging new works, installations, tech-forward projects, and even an interactive “Official Billy Joel Piano Man Karaoke bar”! Plus after hours musical and performative activations with nods to the art handler community and the NFT world. 

Curatorial Statement: “In the wake of the pandemic, this program represents the re-emergence and reclamation of the body. The selected artists recognize the revolutionary power of the body through actions that often serve as a release from the trauma inflicted through centuries of heteronormative and colonial conditioning. In addition, this year’s program seeks work that actively rejects the systems perpetuating injustice and serves as a safe space for historically marginalized communities. This is the liberation of the body.” –Quinn Dukes

Satellite Art Show will be conveniently located JUST THREE BLOCKS from Art Basel at the corner of Meridian and Lincoln Road! Leading the curatorial team will be artist Quinn Dukes of Performance is Alive and returning once again as founder and creative leader is artist Brian Andrew Whiteley.

Sylvain SOUKLAYE | Photo by Colin Delfosse at Ancien Musée de Bruxelles-Nord | FESTIVAL TROUBLE.
Sylvain SOUKLAYE | Photo by Colin Delfosse
Agua Dulce | Photo by Denis Sandalini

PERFORMERS

Thomas Albrecht (Kingston, NY, USA), Jocelyn Beausire (Princeton, NJ, USA), Ama BE (Washington D.C, USA/Ghana), Katina Bitsicas (Columbia, MO, USA), Jessica Elaine Blinkhorn (Atlanta, GA, USA), Caitlin Mary Margarett (Madison, WI, USA), Hope Esser (Chicago, IL, USA), Xxavier Edward Carter (Dallas, TX, USA/Mexico City, Mexico), IV (NYC, USA), Vivian Chinasa Ezugha (Hampshire, UK/Nigeria), Oya Damla (Brooklyn, NY, USA), Agua Dulce (Miami, FL, USA), Gabriela Fernandez (Miami, FL, USA), Alexandra Hammond (NYC, NY, USA) Amanda Kleinhans (Tallahassee, FL, USA), Miss Art World (Los Angeles, CA, USA), Arantxa Araujo (NYC/Mexico), Verónica Peña (NYC/Spain), and Yali Romagoza (NYC/Cuba), Neill Prewitt (Atlanta, GA, USA), Sylvain Souklaye (Brooklyn, NY, USA/France)

VIDEOS SCREENINGS

Ali Asgar Tara (Brooklyn, NY, USA/Bangladesh), Meghan Moe Beitiks (Gainesville, FL USA), gustaf broms (Sweden), Maureen Catbagan and IV Castellanos (Brooklyn, NY, USA), Ayça Ceylan (Istanbul, Turkey), Alex Côté (Montreal, Canada), Adán De La Garza (Denver, CO, USA), Victor de La Rocque (São Paulo, Brazil), Alma García Gil (Mexico City, Mexico), Rae Goodwin (Lexington, KY, USA) and Casey McGuire (Carrolton, GA, USA), Marta Lodola (Berlin, Germany/Italy), Stephanie McGovern (NYC, USA), Tuty Moreno Campos (Mexico City, Mexico), Barbara Rosenthal (NYC, USA), Sylvain Souklaye (Brooklyn, NY, USA/France), Kailas Sreekumar (Kerala, India), Natacha Voliakovsky (Buenos Aires, Argentina), Claire Zakiewicz (NYC, USA/ London, UK)

Milk and Honey | Cultivating Mass
Milk and Honey | Cultivating Mass
When each performance ends get ready for some Joel for your soul!

INSTALLATIONS AND DURATIONAL WORKS

Milk & Honey (Isla Gordon and Ashley Kaye) present Cultivating Mass, a lush and immersive installation inviting guests to re-arrange their own gender binaries.

NY FEM FACTORY: A two-person Oculus virtual exhibition by artist Jessica Yatrofsky

Official Billy Joel Piano Man Bar Installation: Just when you thought it was safe for you to wipe off your makeup and take a nap – we bring you the Billy Joel Piano Man Bar Installation. The music and merriment starts right up in-between performance art sessions. Expect flowing liquids, a microphone, disco lights and beer bongs.

Subtropical Affairs: The Center for Subtropical Affairs (Little Haiti) will be presenting “Subtropical Affairs”, an installation of indigenous plants at SATELLITE.

Grace Exhibition Space: Wild & Alive: a video capture of 15 Years of Performance Art in NYC (New York, NY, USA)

Light Baths: a photography booth/installation experience with projections by Brooklyn artist Jarid Blue

Maverick Exp presents GALLERY ROW (New York, NY, USA) A special curated selection of artworks from around the United States.

FEATURING: Jill Taffet (Sarasota, FL), Jennifer McDermott (New York, NY), Kelly Boehner (Savannah, GA), Nancy Gifford (Scottsdale, AZ), Anita Arliss (Atlanta, GA), Rafael Fuchs (Brooklyn, NY), Michael Wyshock (Sarasota, FL), Jason Isolini (Brooklyn, NY), Edie Beaucage (Los Angeles, CA), Glenyse Thompson (St. Petersburg, FL), Emily Roynesbal (Denver, CO), Jacki Davis (New York, NY), Sean Naftel (Brooklyn, NY), Roxanne Faber Savage(Fairfield, CT), Janet Mueller (Miami, FL), Royal Uban (Los Angeles, CA), Spencer Young(New York, NY), Tom Hooper Seaman (New York, NY), Alfredo Travieso (Miami, FL)


Contact Us

Performance Curator
Quinn Dukes
[email protected]

General Inquiries
[email protected]

Creative Director & Curator
Brian Whiteley
[email protected]


Tuesday, November 30

Xxavier Edward Carter

LIVE PERFORMANCES

3:00PM Miss Art World (Los Angeles, CA, USA), Guillotine 

4:00PM Xxavier Edward Carter (Dallas, TX, USA/Mexico), Sisyphus & The Myth of The New World

5:00PM  Jessica Elaine Blinkhorn (Atlanta, GA, USA), REVERENCE: WE 3 (Miami)

6:00PM  Jocelyn Beausire (Princeton, NJ, USA), very hot : very sweet

9:00PM-11:00 PM Opening Night Party

Wednesday, December 1

Gabriela Fernandez, La Ceremonia De La Doncella
Barbara Rosenthal

PANEL DISCUSSION

2:00PM  15 Years of presenting performance art in NYC with Jill McDermid-Hokanson (Grace Exhibition Space)

LIVE PERFORMANCES

3:00PM  Jessica Elaine Blinkhorn (Atlanta, GA, USA), REVERENCE: WE 3 (Miami)

6:00PM  Gabriela Fernandez (Miami, FL, USA/Cuba) and Khánh Nguyên H. Vũ (Miami, FL, USA/ Vietnam), Untitled (A Keepsake to Movement)

SCREENING & DISCUSSION

7:30PM Barbara Rosenthal (NYC, USA), Hot And Cold Shakeup

AFTER-HOURS

9:00-11:00PM Hajime Kinoko (Tokyo, JP) Shibari Performance presented in partnership with Playground Detroit.

Thursday, December 2

LIVE PERFORMANCES

2:00PM Alexandra Hammond (NYC, NY USA), Flag Repair: Rebuilding Relationship with Symbolic Self and Community

3:00PM  Jessica Elaine Blinkhorn (Atlanta, GA, USA), REVERENCE: WE 3 (Miami)

6:30PM  Katina Bitsicas (Columbia, MO, USA), In Memoriam

7:00PM  Hope Esser (Chicago, IL, USA), Chatter

8:00PM Vivian Chinasa Ezugha (Hampshire, UK/Nigeria), Tongues 

8:30PM Oya Damla (Brooklyn, NY, USA), The Weight of Pleasure

AFTER-HOURS

9:30-11:00PM Art Handlers Ball an evening honoring all those working the Art Fairs. Featuring LIVE performances from: Mildred Hurtful & Wrongo Starr (Glasgow), John Pizza (NYC), Hweeqo (NYC), Rompers (NYC); DJs: J. Stroke (NYC), Breakfast Spaghetti (Zurich), Phase Pattern (London)

Friday, December 3

Agua Dulce
Sirreras Fem_Arantxa Araujo_Verónica Peña_Yali Romagoza_2021_Still

LIVE PERFORMANCES

2:00PM Agua Dulce (Miami, FL, USA), CareGiving

4:00PM Ama BE (Washington D.C, USA/Ghana), bête noir

7:00PM Amanda Kleinhans (Tallahassee, FL, USA), I’m Ready for My Close-Up

8:00PM Arantxa Araujo (NYC/Mexico), Verónica Peña (NYC/Spain), and Yali Romagoza (NYC/Cuba), SIRRERAS FEM II

9:00PM Neill Prewitt (Atlanta, GA, USA), Our Heart Beats

AFTER-HOURS

9:30PM-12AM Superchief x Satellite Party

Saturday, December 4

Credit: Sylvain SOUKLAYE | Photography by Colin Image: Delfosse at Ancien Musée de Bruxelles-Nord during FESTIVAL TROUBLE.

LIVE PERFORMANCES

2:00PM Caitlin Mary Margarett (Madison, WI, USA), for the love of god

3:00PM Thomas Albrecht (Kingston, NY, USA), Dirt 

PANEL DISCUSSION

4:00PM Conversation with FIAP International Performance Art Festival Curators (Fort de France, Martinique)

LIVE PERFORMANCES

6:00PM Ama BE (Washington D.C, USA/Ghana), bête noir

8:00PM Sylvain Souklaye (Brooklyn, NY, USA/France), UNDERYOURSKINS [.UNFOLDED.]

AFTER-HOURS

9:00-11:00PM Closing Party!

Pinecrest Gardens Blooms at Night

Longwood - Copyright © 2012 Bruce Munro. All rights reserved. Photography by Mark Pickthall #1
Longwood - Copyright © 2012 Bruce Munro. All rights reserved. Photography by Mark Pickthall #1

Pinecrest Gardens Blooms at Night with ‘Bruce Munro: Forest and Field of Light’ 

Experience this otherworldly, immersive light exhibition from Dec. 4, 2021 – June 26, 2022 

PINECREST, FL (November 4, 2021) – Village of Pinecrest and Pinecrest Gardens treats visitors to Bruce Munro: Forest and Field of Light, an extraordinary large-scale, site-specific light installation by acclaimed British artist Bruce Munro from Dec. 4, 2021 – June 26, 2022. The exhibitionis scheduled to open during Art Basel Miami and will be included in its event programming. Tickets are on sale now and can be purchased online at pinecrestgardens.org.

Bruce Munro: Forest and Field of Light features more than 6,000 fiber-optic illuminated stemmed glass spheres that cascade across nearly two acres of Pinecrest Gardens and are inspired by the venue’s unique landscape and vegetation. “The beauty of this exhibit set on a botanical stage, will bring our intimate gardens to life at night, as well as provide a breathtaking and otherworldly experience for anyone who attends,” said Alana Perez, Pinecrest Gardens’ executive director. “This is the first time we are opening up our Lower Garden, with its tropical, jungle-like winding paths, for visitors to experience an exhibit unlike any other in South Florida.” 

Uluru - Copyright © 2016 Bruce Munro. All rights reserved. Photography by Mark Pickthall #1
Uluru – Copyright © 2016 Bruce Munro. All rights reserved. Photography by Mark Pickthall #1

Installation highlights include Field of Light,which will greet visitors as they walk along a garden path around a banyan tree up to Lakeview Terrace. This most iconic vista at Pinecrest Gardens will be enhanced by gently-changing colored waves of light. Deep in the Lower Garden, guests will further find a winding, exotic tropical Forest of LightVisitors can stroll through a serene and enchanting pathway surrounded by illuminated stems, adding a new dimension to the Gardens’ Cypress Slough, Hardwood Hammock and natural rainforest. Immersed in tropical splendor, the illumination will be reflected in streams that surround Turtle Island.

Bruce Munro has worked in the medium of light since the 1980s and was one of the earliest adherents to isolate light and its qualities as a main focus for expression. Field of Light is Munro’s most iconic expression of this idea. The artwork began as a simple sketchbook notation, made during a life-affirming 1992 travel experience the artist shared with his then fiancée, now wife in Australia, at its sacred center Uluru (Ayer’s Rock) monolith. The artist dreamed of a field of lights that would bloom under night skies, like the desert after a rain. Life and family then intervened and he was unable to execute the artwork until 2004, when it was immediately recognized as emotionally significant, not only for Munro but for others. Subsequent iterations began to be commissioned in places and spaces across the world: England, Scotland, Denmark, Mexico,  Korea, Australia itself and in multiple locations across the United States.

Longwood - Copyright © 2012 Bruce Munro. All rights reserved. Photography by Mark Pickthall #4
Longwood – Copyright © 2012 Bruce Munro. All rights reserved. Photography by Mark Pickthall #4

Pinecrest Gardens will be the artist’s first opportunity to create outdoor artwork for a tropical forest setting. And, because of the diversity of Pinecrest’s landscape and plant collections, Munro thought to create a second iteration for the field surrounding Swan Lake, creating a second vista of the artwork and its reflected image in the water.

“Every exhibition venue is unique and I am delighted to be invited to exhibit my work at Pinecrest Gardens,” Munro said. “For me, light is a medium of expression and conduit to share thoughts, feelings and life experiences with others. I hope this exhibition will inspire a little bit of hope and joy to everyone who visits these beautiful gardens. 

According to Forbes, which describes Field of Light as “the future of public wellness,” Munro’s work ‘is famous for creating deep emotional responses from the viewer.” The Los Angeles Times has called Munro’s work “mesmerizing,” while The Guardian noted, “This is art you feel, rather than art you view.” The Huffington Post said, “It can be hard to describe in words the gifts that Munro bestows on the landscape as his work escapes description in either written or photographic form, it is something to be experienced.”  Theoretical physicist/Nobel Laureate Frank Wilczek noted in The Wall Street Journal, “I had the uncanny sense that I was walking through my own mind…in the ever-changing landscape of possibilities, I felt I’d gotten an inkling of what thought looks like.”   

Albany-Copyright-©-2018-Bruce-Munro.-All-rights-reserved.-Photography-by-Mark-Pickthall-1
Albany-Copyright-©-2018-Bruce-Munro.-All-rights-reserved.-Photography-by-Mark-Pickthall-1

WHAT:       Bruce Munro: Forest and Field of Light 

WHEN:       Exhibit runs from Dec. 4, 2021 – June 26, 2022: 

TIMES: 

6 p.m. – 9 p.m. from Dec. 4. – Mar. 12

7 p.m. – 10 p.m. from Mar. 13 – Jun 26 

*Closed to public for private receptions on Dec. 8 & 18

WHERE:     Pinecrest Gardens, 11000 Red Road

                    Pinecrest, FL 33156 

TICKETS:   $20 per person. Purchase tickets online atpinecrestgardens.org. 

ABOUT THE ARTIST

Bruce Munro is best known for producing large immersive light-based installations, which often employ a massing of components by the thousands. Born in London in 1959, he completed a B.A. in Fine Arts at Bristol in 1982. Shortly after he moved to Sydney where he worked in design and lighting, inspired by Australia’s natural light and landscape. Returning to England in 1992, he settled in Wiltshire, where together with his wife, Serena, raised four children. Following his father’s death in 1999, Munro felt compelled to resume art making on a personal level.  His work has been shown at the Victoria & Albert Museum, London; Waddesdon Manor, the Rothschild Collection, Buckinghamshire; and the Solomon R. Guggenheim Museum, New York. Munro’s work is held in museum collections internationally including the Ashmolean Museum, Oxford. www.brucemunro.co.uk.  

ABOUT PINECREST GARDENS

Pinecrest Gardens, South Florida’s Cultural Arts Park, attracts over 160,000 visitors each year. Formerly Parrot Jungle, one of America’s most beloved tourist attractions, the Village of Pinecrest purchased this property in 2002, and in October 2011, it was listed on the National Register of Historic Places.  Pinecrest Gardens is a premier venue for the arts, education and environmental conservation and preservation. On any given day, one can experience a live performance in its 500-seat amphitheater, tour the 14 acres of botanical beauty that includes native forested wetland, tropical hardwood hammock and cypress slough or participate in a horticulture or conservation workshop. For more information, visit www.pinecrestgardens.org or follow @PinecrestGardens on social media.  

PINTA CONCEPT – MIAMI ART FAIR 2021 

New Location! 

225 NE 34th Street Miami, FL 33137

PINTA CONCEPT – MIAMI ART FAIR 2021 

This year, in its 15th anniversary and after highly transformative events, Pinta ventures into a new concept. New formats, new location and many other exciting ingredients will make up Pinta 2021.

In a blend format which combines premier technology with the glamor of gathering in-person, Pinta 2021 will provide an experience unlike no other. Artists, curators, gallery owners, collectors and art lovers will reunite for the best of what Latin American and Spanish creators have been working on; passionately and relentlessly in the face of a global crisis and its aftermath.

In line with Pinta’s commitment as an international platform to energize and disseminate Ibero American modern and contemporary art, and with a stronger-than-ever bond to its Latin American roots, this year’s edition brings forth an artistic program which includes diverse and interdisciplinary expositions and carefully articulated sections.

While the Main Section will host established galleries, this year’s edition of Pinta will provide a stronger emphasis to Solo and Special Projects. Working with esteemed curators Félix Suazo, Oscar Roldán and Luis Fumero, these two sections will highlight the individual voices of artists who inspire courage and originality. Last but not least, the Editions section will distinguish itself with graphic pieces. All of Pinta’s sections will, of course, be complemented by Pinta Live: where the global public will not only gain access to the fair, but much more too.

As part of Pinta’s online affair, and transcending borders of all kinds, Pinta hosts Media Point, a digital section with unique audiovisual content: talks with experts (LiveTalks), insights on the artists’ work (OpenFile) and custom Live Virtual Tours.

Pinta Concept thus becomes an exceptional showcase which not only highlights the outstanding quality of Latin American art, but also combines exclusivity and long-standing acclaim to enhance the voice of artists and their social, cultural and ecological concerns. It blends the physical with the online, and connects art lovers with art makers; Pinta is more than a fair, it’s a concept.

Extending our commitment to the visibility of Latin American art, and having presented Pinta New York and Pinta Miami, we now expand our platform for its new edition Pinta Basel in June 2022.

HEADQUARTERS
848 Brickell Ave, Suite 1130 A
Miami, FL 33131

____________________________________________________

Diego Costa Peuser

Diego Costa Peuser

Diego Costa Peuser is a cultural manager specialized in Latin American art. In this field, he has led various initiatives that allowed the greater and better understanding of artistic creation in the region.

Diego Costa Peuser is the director of the Arte al Día International magazine, founded 41 years ago by Jorge Costa Peuser and considered a leader among the media specialized in Ibero-American art. In this way, he has contributed to the recognition of movements and developments of artistic modernity. Arte al Día International has built a unique archive of reviews, interviews, profiles and news that show the exponential growth of the artistic ecosystem in the region and the world.

As co-creator and director of influential art fairs in Buenos Aires, Lima, Miami, New York, London and, soon, Basel, Diego Costa Peuser has promoted a change in the outlook of these metropolises, epicenters of cultural activity, on the nature and historical incidence of American artists. Whether in relation to the avant-garde, as well as to current contemporary creation, the projects directed by Costa Peuser open a dialogue between different practices from the North and the South. In this sense, he has promoted re-readings of art history that have turned the recognition of transcendental works and figures.

Committed to the present, Diego Costa Peuser faces challenges with social conscience and responsibility. In 2010 he was distinguished as one of the 100 most influential Hispanics in Florida and from 2011 to 2015 he served on the Miami Board of the TECHO Foundation. For this foundation, and within the framework of Art Basel Miami Beach, he organized the ‘Art Techos’ event that brought together prominent artists in order to raise funds for the construction of houses in less favored sectors of the continent. During the Covid-19 pandemic, Diego’s projects provided uninterrupted support and dissemination through innovative virtual platforms. Forward thinking and faithful to progress, the PINTA fairs will be developed in a hybrid format (virtual and in-person) to facilitate access and maximize their reach.

His work as projects and media director has been one of the factors in the growing attraction of the Ibero-American artistic language. It has crossed borders and energized the market, providing unique opportunities for all sectors and art agents.

CATALOGUE

The official PINTA catalogue presents, in detail, the exhibiting galleries and original works commissioned exclusively for PINTA.

Access the complete archive of PINTA catalogues.

To request copies by mail, call +1 (305) 373-8110 or email us at [email protected]

Pinta Experience is a new alternative focused on the development and maintenance of a new way of collecting art. A program developed by PINTA Art that seeks to generate a gathering space to bring the PINTA experience to everyday life with activities specially designed for people who want to get into contemporary art as well as for major collectors who wish to share our exclusive agenda. 

PINTA Collectors Circle

PINTA Collectors Circle

PINTA Collectors Circle is a closed group for art collectors who are already accustomed to acquiring works and are looking for more focused experiences. The PINTA Collectors Circle will bring together small groups of collectors to which we will give access to a selected group of curators and directors of institutions providing them with unparalleled insight into the scene. Through cocktail parties, happenings in restaurants, private talks, closed tours to museums and institutions.Read more

New Collectors Club

New Collectors Club

This initiative, under the umbrella of PINTA Art, seeks to generate new collecting and bring together art enthusiasts who are looking for exclusive events to continue their immersion in contemporary art in a fun way. PINTA Art’s New Collectors Club is the best option for those who are just starting to collect art and also find the desire to enter the fascinating world of contemporary art through innovative happenings.New Collectors Club will bring together a select group of young inter-penetrators, regardless of their background, united by a passion and interest in discovering more about contemporary art. Members of the New Collectors Club belong to an age group between 25 and 40 years old.Read more

FELIX SUAZO

Félix Suazo curador en Miami
Félix Suazo curador en Miami

Félix Suazo, art critic & curator

Félix Suazo (Havana, Cuba, 1966) is a professor, art critic, researcher and curator. He graduated from the Higher Institute of Art of Havana, with special mention in Sculpture, in 1990. and in 2003 he received a Master in Museology from the University of Valladolid, Spain. He has developed as a teacher, art critic, researcher and exhibition curator in Venezuela. He has served as a researcher at the National Art Gallery (1997-2003) and the Museum of Contemporary Art in Caracas (2004-2008). From 2008 to 2013 he was Coordinator of Exhibitions and Curator of Periférico Caracas / Arte Contemporáneo. He is currently the Manager of the Sala TAC, member of the curatorial team of El Anexo / Arte Contemporáneo and professor at the Universidad Nacional Experimental de las Artes. He is the author of the books A diestra y siniestra. Comentarios sobre arte y política (Right and Left. Comments on Art and Politics) (2005), Umbrales. Museo, Curaduría, Investigación (Thresholds. Museum, Curatorship, Research) (2013) and Panorámica. Arte Emergente en Venezuela, 2000-2012 (Panoramic. Emerging Art in Venezuela, 2000-2012) (2014). In 2018 he was appointed Pedagogical Curator of the XIV Biennial of Cuenca, Ecuador and in 2021. He was in charge of the curatorship of the Special Projects section in the 15th 2021 and 16th 2022 edition of Pinta Miami, Florida.

Félix Suazo (Havana, 1966) graduated from the Higher Institute of Art of Havana, with special mention in Sculpture, in 1990. Between October 2002 and February 2003 he completed a Master’s Degree in Museology at the University of Valladolid, Spain, as a fellow of the Caroline Foundation. Residing in Venezuela, he has developed as a teacher, art critic, researcher and exhibition curator. 

Suazo currently lives in Miami, Florida, where he works as a curator and advisor for art projects. He is also co-editor of the About Images newsletter, an initiative of ArtMedia Gallery, and Curator of IDArtLab.

In addition, he is the author of the books “A diestra y siniestra. Comentarios sobre arte y política” (Fundación de Arte Emergente, 2005), “Umbrales de la museología” (El Anexo / Arte Contemporáneo, Caracas, 2013) and “Panorámica. Arte Emergente en Venezuela. 2000-2012” (Fundación Telefónica, Caracas, 2014).

Art Basel Miami Beach

Art Basel announces further highlights of its upcoming show in Miami Beach

• Meridians, curated by Magalí Arriola, Director of Museo Tamayo, Mexico City, returns for the second time to the Miami Beach Convention Center (MBCC) with 16 large-scale projects on display by renowned and emerging artists.
• 25 Galleries from the main sector will present carefully curated exhibitions within their booth as part of the Kabinett sector.
• Edward Winkelman will program Art Basel’s renowned Conversations series, comprising 10 panels.
• Art Basel, whose Lead Partner is UBS, will take place from December 2 to December 4, 2021 at the MBCC.

The 2021 edition of Art Basel Miami Beach – Art Basel’s first in-person fair in Miami Beach since 2019 – will feature 253 leading galleries from around the globe presenting the highest quality of works across all media, from rare and historical masterpieces to new pieces by today’s emerging artistic voices. In addition to showcasing exceptional art within its Galleries, Positions, Nova, Survey and Edition sectors, the fair will also present 16 large-scale artworks in Meridians; 25 carefully curated exhibitions as part of the Kabinett sector; as well as 10 panels as part of the fair’s renowned Conversations series. ‘There’s enormous excitement within the artworld on both sides of the Atlantic about Art Basel Miami Beach 2021,’ says Marc Spiegler, Global Director of Art Basel. ‘Not only because it’s our first fair in two years in the Americas, but also because the show has never before featured such a diverse range of voices.’

‘There’s enormous excitement within the artworld on both sides of the Atlantic about Art Basel Miami Beach 2021,’ says Marc Spiegler, Global Director of Art Basel. ‘Not only because it’s our first fair in two years in the Americas, but also because the show has never before featured such a diverse range of voices.’ 

Meridians

Meridians, Art Basel in Miami Beach’s unique platform for large-scale projects, provides galleries the opportunity to showcase monumental works that push the boundaries of a traditional art fair layout, including large-scale sculptures and paintings, installations, video projections, and live performances. The sector, which will newly be staged in a dedicated space on the main show floor, will once again be curated by Mexico City-based Magalí Arriola, Director of Museo Tamayo. 

Meridians highlights include:
• A new work by Maxwell Alexandre as part of the artist’s ‘Pardo é Papel’ series presented by A Gentil Carioca.
• A site-specific installation and a performance-based activation of six body devices by Brendan Fernandes titled ‘Contract and Release’ (2019–2021)
presented by moniquemeloche.
• Todd Gray’s ‘Sumptuous Memories of Plundering Kings’ (2021) presented by David Lewis, a 14-part work exceeding 30 feet in length, exploring the history and enduring impact of European colonialism, slavery, and the African diaspora.
• A monumental double-sided painting by Jacqueline de Jong titled ‘De achterkant van het bestaan’ (The backside of existence), (1992) presented by Pippy Houldsworth Gallery. • Howardena Pindell’s iconic ‘Sweatshop’ (1998–1999), an expansive canvas presenting advertising cutouts of quotidian objects: combs, scissors, glasses, and other items, presented by Garth Greenan Gallery.
• ‘Moving Up’ (2021) by Yinka Shonibare, CBE, an installation presented by James Cohan Gallery capturing the vertical move of six million African Americans from rural Southern states to the cities of the North, Midwest, and West from 1916 to 1970, known today as the Great Migration.

• Howardena Pindell’s iconic ‘Sweatshop’ (1998–1999), an expansive canvas presenting advertising cutouts of quotidian objects: combs, scissors, glasses, and other items, presented by Garth Greenan Gallery.
• ‘Moving Up’ (2021) by Yinka Shonibare, CBE, an installation presented by James Cohan Gallery capturing the vertical move of six million African Americans from rural Southern states to the cities of the North, Midwest, and West from 1916 to 1970, known today as the Great Migration.

Magalí Arriola, curator of Meridians, says: ‘Many of the works included in Meridians question the traditional representations of class, race and power to resist social conventions, and to bridge the physical and cultural boundaries that surfaced in our society in recent times.’

For the full list of artists and galleries represented in Meridians please visit artbasel.com/miami-beach/meridians.

Kabinett Providing galleries with an opportunity to present curated exhibitions in separately delineated spaces within their booths, this year’s Kabinett sector will include 25 presentations by established and emerging artists.

Kabinett highlights include:
• Jorge Mara – La Ruche’s presentation of Ellen Auerbach, Grete Stern and Horacio Coppola, three influential figures of Avant Garde photography who established themselves as visionary modernists in Europe and South America
during the 1930s.
• Sies + Höke’s presentation of rare early drawings by Sigmar Polke and Gerhard Richter, which trace the differences as well as the common ground in their artistic approaches.
• Mayoral’s presentation of works by Manolo Millares, one of the most important Spanish artists of the post-war European Informalist movement.
• Roberts Projects’ presentation of community-based portraits by Ghanian artist Otis Kwame Kye Quaicoe, a series of new paintings exploring the relationships between identity, materiality, and race, that mark a critical evolution for the artist.

For the full list of artists and galleries represented in Kabinett, please visit artbasel.com/miami-beach/kabinett.

Conversations

Art Basel’s renowned Conversations series offers a platform for the exchange of ideas on topics concerning the global contemporary art scene. This year’s program features 10 panels bringing together leading artists, gallerists, collectors, art historians, curators, museum directors and critics from across the world discussing diverse issues from the rise of the NFT art market, to questions of resilience post-pandemic and the need to reinvent the museum. Conversations will be curated for the second time by Art Basel and private art dealer and author Edward Winkleman. The program will be free to the public, running from Wednesday, December 1 to Saturday, December 4 in the Auditorium (Grand Ballroom). All panel discussions will be live-streamed on Facebook and recorded. For further information please visit artbasel.com/miami-beach/conversations.

The health and safety of Art Basel’s guests, exhibitors, and staff is our utmost priority. We will therefore be deploying comprehensive measures to create a safe fair environment. Visitors will be required to provide proof of a negative COVID-19 test in order to gain access to the halls. Alternatively, visitors may opt to voluntarily provide proof of vaccination or recent recovery from COVID-19 to gain entry. The use of masks will be mandatory inside the venue and all visitors will be required to complete a self-reported symptom screening prior to entering the fair. In addition, a system of timed entry will be in place to control crowding inside the halls. Further details on the health and safety precautions for the fair are available at artbasel.com/covid-19.

About Magalí

Arriola Magalí Arriola, Director of Museo Tamayo, lives and works in Mexico City. Arriola joined Art Basel with recent institutional experience at KADIST, where she was Lead Curator for Latin America; and Museo Jumex, where she was Curator between 2011 and 2014. She was the curator of Mexico’s participation at the 58th Venice Biennale in 2019, showing artist Pablo Vargas Lugo with a project entitled ‘Acts of God’. Her other recent independent curatorial projects include ‘What do you dream of? The Mohole Flower and other Tales’, Galeria Luisa Strina, Sao Paulo, August-October 2018; ‘A Place out of History’, a film screened at documenta14 and FIDMarseille (2018), produced by Destello Films; and Sunset Décor, Marian Goodman Gallery, New York City, June-August, 2017.

About Edward Winkleman

Ed Winkleman is a private art dealer in New York City and co-author of ‘How to Start and Run a Commercial Art Gallery’, as well as author of ‘Selling Contemporary Art: How to Navigate the Evolving Market’. He was a founding member and the first president of the Williamsburg Gallery Association and an early member of the New Art Dealers Alliance. With Murat Orozobekov, he co-founded Moving Image, the video and film art fair that has taken place in New York, London, and Istanbul.

About Art Basel

Founded in 1970 by gallerists from Basel, Art Basel today stages the world’s premier art shows for Modern and contemporary art, sited in Basel, Miami Beach, and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition. Art Basel’s engagement has expanded beyond art fairs through new digital platforms and a number of new initiatives such as the Art Basel and UBS Global Art Market Report and the BMW Art Journey. Art Basel’s Global Media Partner is The Financial Times. For further information, please visit artbasel.com.

Partners

UBS & Contemporary Art Global Lead Partner of Art Basel, UBS has a long history of supporting contemporary art and artists. The firm has one of the world’s most important corporate art collections and seeks to advance the international conversation about the art market through its global lead partnership with Art Basel and as co-publisher of the Art Basel and UBS Global Art Market Report. UBS also has partnerships with fine art institutions including the Fondation Beyeler in Switzerland, the Garage Museum of Contemporary Art in Russia, and the Art Gallery of New South Wales in Australia. UBS provides its clients with insight into the art market, collecting, and legacy planning through its Collectors Circle and UBS Art Advisory. For more information about UBS’s commitment to contemporary art, visit ubs.com/art.

Art Basel’s Associate Partners are Audemars Piguet, whose program in contemporary art: ‘Audemars Piguet Contemporary’ commissions international artists to create contemporary artworks; and NetJets – the world leader in private aviation. Art Basel is also supported globally by BMW, who has co-developed with Art Basel the BMW Art Journey, and La Prairie, Ruinart, Sanlorenzo, and On.

Art Basel’s show in Miami Beach is also supported by Tezos, Douglas Elliman Development Marketing, Nespresso, and Chubb, as well as Casa Dragones, Château d’Esclans, Perrier, Kannoa, Saint Laurent and Quintessentially. Hotel Partners include Grand Beach Hotel Miami Beach and W South Beach. Art Basel’s Global Media Partner is The Financial Times. For further information about partnerships, please visit artbasel.com/partners.

Important Dates for Media
Media Reception
Tuesday, November 30, 2021, 9am to 10am
Private View (by invitation only)
Tuesday, November 30, 2021, 11am to 8pm
Wednesday, December 1, 2021, 11am to 8pm
Public days
Thursday, December 2, 2021, 11am to 7pm
Friday, December 3, 2021, 11am to 7pm
Saturday, December 4, 2021, 11am to 6pm

Press accreditation

Online registration for press accreditation is now open. Please note that press accreditation for our show in Miami Beach will take place online only. Therefore, it is important to register and apply online before coming to the fair. For further information and to apply, please visit artbasel.com/press/accreditation.

Upcoming Art Basel shows
Miami Beach, December 2-4, 2021
Hong Kong, March 24-26, 2022
Basel, June 17-19, 202

Media information online

Media information and images can be downloaded directly from artbasel.com/press. Journalists can subscribe to our media mailings to receive information on Art Basel.

For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at facebook.com/artbasel, or follow @artbasel on Instagram, Twitter, Weibo, and WeChat.

Press Contacts
Art Basel, Sarah Degen
Tel. +41 58 206 27 06, [email protected]
PR Representatives for North and South America, the Middle East, and Africa
FITZ & CO, Yun Lee
Tel. +1 646 589 0920, [email protected]
PR Representatives for Europe
SUTTON, Joseph Lamb
Tel. +44 7715 666 041, [email protected]
PR Representatives for Asia
SUTTON, Carol Lo
Tel. +852 2528 0792, [email protected]

Art Basel en Miami Beach

Art Basel anuncia aspectos destacados de su próxima exposición en Miami Beach

MIAMI BEACH | 4 DE NOVIEMBRE | 2021

• Meridians, comisariada por Magalí Arriola, directora del Museo Tamayo de
Ciudad de México, vuelve por segunda vez al Miami Beach Convention
Center (MBCC) con 16 proyectos a gran escala expuestos por artistas
reconocidos y emergentes.
• 25 galerías del sector principal presentarán exposiciones cuidadosamente
comisariadas dentro de su stand como parte del sector Kabinett.
• Edward Winkelman programará la renombrada serie de Conversaciones de
Art Basel, compuesta por 10 paneles.
• Art Basel, cuyo socio principal es UBS, tendrá lugar del 2 al 4 de diciembre
de 2021 en el MBCC.

La edición 2021 de Art Basel Miami Beach – la primera feria presencial de Art Basel en
Miami Beach desde 2019 – contará con 253 galerías líderes de todo el mundo que
presentarán obras de la más alta calidad en todos los medios, desde obras maestras
raras e históricas hasta nuevas piezas de las voces artísticas emergentes de hoy.
Además de mostrar arte excepcional dentro de sus sectores Galleries, Positions, Nova,
Survey y Edition, la feria también presentará 16 obras de arte a gran escala en
Meridians; 25 exposiciones cuidadosamente comisariadas como parte del sector
Kabinett; así como 10 paneles como parte de la reconocida serie Conversations de la
feria.
‘El mundo del arte a ambos lados del Atlántico está muy entusiasmado con Art Basel
Miami Beach 2021’, afirma Marc Spiegler, Director Global de Art Basel. ‘No sólo porque
es nuestra primera feria en dos años en las Américas, sino también porque la feria nunca
ha presentado una gama tan diversa de voces.’
Meridians
Meridians, la plataforma única de Art Basel en Miami Beach para proyectos a gran
escala, ofrece a las galerías la oportunidad de mostrar obras monumentales que
traspasan los límites de una feria de arte tradicional, incluyendo esculturas y pinturas a
gran escala, instalaciones, proyecciones de vídeo y actuaciones en directo. Este sector,
que tendrá un nuevo espacio dedicado en la planta principal de la feria, estará de nuevo
comisariado por Magalí Arriola, directora del Museo Tamayo, que reside en Ciudad de
México.


Los aspectos más destacados de Meridians son:
• Una nueva obra de Maxwell Alexandre como parte de la serie “Pardo é Papel”
del artista, presentada por A Gentil Carioca.
• Una instalación site-specific y una activación basada en la performance de seis
dispositivos corporales de Brendan Fernandes titulada ‘Contract and Release’
(2019-2021) presentada por moniquemeloche.
• ‘Sumptuous Memories of Plundering Kings’ (2021) de Todd Gray, presentada
por David Lewis, una obra de 14 partes de más de 9 metros de longitud que
explora la historia y el impacto duradero del colonialismo europeo, la esclavitud y
la diáspora africana.
• Una monumental pintura de doble cara de Jacqueline de Jong titulada ‘De
achterkant van het bestaan’ (El reverso de la existencia) (1992), presentada por
la Galería Pippy Houldsworth.
• La icónica obra de Howardena Pindell “Sweatshop” (1998-1999), un amplio
lienzo que presenta recortes publicitarios de objetos cotidianos: peines, tijeras,
gafas y otros artículos, presentada por la galería Garth Greenan.
• ‘Moving Up’ (2021) de Yinka Shonibare, CBE, una instalación presentada por la
Galería James Cohan que recoge el desplazamiento vertical de seis millones de
afroamericanos desde los estados rurales del Sur a las ciudades del Norte, el
Medio Oeste y el Oeste entre 1916 y 1970, lo que hoy se conoce como la Gran
Migración.
Magalí Arriola, comisaria de Meridians, afirma: ‘Muchas de las obras incluidas en
Meridians cuestionan las representaciones tradicionales de clase, raza y poder para
resistirse a las convenciones sociales y salvar las fronteras físicas y culturales que han
surgido en nuestra sociedad en los últimos tiempos.’
Para consultar la lista completa de artistas y galerías representados en Meridians, visite
artbasel.com/miami-beach/meridians.
Kabinett
El sector Kabinett de este año, que ofrece a las galerías la oportunidad de presentar
exposiciones comisariadas en espacios separados dentro de sus stands, incluirá 25
presentaciones de artistas establecidos y emergentes.
Los aspectos más destacados de Kabinett son:
• Jorge Mara – La Ruche presenta a Ellen Auerbach, Grete Stern y Horacio
Coppola, tres influyentes figuras de la fotografía de vanguardia que se
establecieron como modernistas visionarios en Europa y Sudamérica durante la
década de 1930.
• La presentación de Sies + Höke de raros dibujos tempranos de Sigmar Polke y
Gerhard Richter, que trazan las diferencias y los puntos en común de sus
enfoques artísticos.
• Presentación por parte de Mayoral de obras de Manolo Millares, uno de los
artistas españoles más importantes del movimiento informalista europeo de
posguerra.
• La presentación de Roberts Projects de los retratos basados en la comunidad del
artista ghanés Otis Kwame Kye Quaicoe, una serie de nuevas pinturas que
exploran las relaciones entre la identidad, la materialidad y la raza, y que marcan
una evolución crítica para el artista.
Para consultar la lista completa de artistas y galerías representados en Kabinett, visite
artbasel.com/miami-beach/kabinett.
Conversations
La célebre serie Conversations de Art Basel ofrece una plataforma para el intercambio
de ideas sobre temas relacionados con el panorama del arte contemporáneo mundial. El
programa de este año cuenta con 10 paneles que reúnen a destacados artistas,
galeristas, coleccionistas, historiadoras del arte, comisarios, directoras de museos y
críticos de todo el mundo, que debatirán sobre diversos temas, desde el auge del
mercado del arte NFT hasta cuestiones de resiliencia tras la pandemia y la necesidad de
reinventar el museo. Las conversaciones estarán comisariadas por segunda vez por Art
Basel y el marchante de arte privado y autor Edward Winkleman. El programa será
gratuito para el público y se desarrollará del miércoles 1 al sábado 4 de diciembre en el
Auditorio (Grand Ballroom). Todas las mesas redondas se transmitirán en directo por
Facebook y se grabarán. Para más información, visite artbasel.com/miamibeach/conversations.
La salud y la seguridad de los invitados, los expositores y el personal de Art Basel es
nuestra máxima prioridad. Por lo tanto, desplegaremos amplias medidas para crear un
entorno ferial seguro. Para acceder a los pabellones, los visitantes deberán presentar
una prueba de COVID-19 negativa. Como alternativa, los visitantes podrán optar por
presentar voluntariamente una prueba de vacunación o de recuperación reciente de
COVID-19 para poder entrar. El uso de mascarillas será obligatorio en el interior del
recinto y todos los visitantes deberán completar un examen de síntomas autodeclarado
antes de entrar en la feria. Además, se establecerá un sistema de entrada cronometrada
para controlar la aglomeración en el interior de los pabellones. Para más información
sobre las precauciones sanitarias y de seguridad de la feria, consulte artbasel.com/covid19.
NOTAS PARA LOS EDITORES Y LAS EDITORAS
Acerca de Magalí Arriola
Magalí Arriola, directora del Museo Tamayo, vive y trabaja en Ciudad de México. Arriola
se unió a Art Basel con experiencia institucional reciente en KADIST, donde fue curadora
principal para América Latina; y el Museo Jumex, donde fue curadora entre 2011 y 2014.
Fue la curadora de la participación de México en la 58ª Bienal de Venecia en 2019,
mostrando al artista Pablo Vargas Lugo con un proyecto titulado ‘Actos de Dios’. Sus
otros proyectos recientes de curaduría independiente incluyen ‘¿Qué sueñas? The
Mohole Flower and other Tales’, Galería Luisa Strina, Sao Paulo, agosto-octubre 2018; ‘A
Place out of History’, película proyectada en documenta14 y FIDMarseille (2018),
producida por Destello Films; y Sunset Décor, Marian Goodman Gallery, Nueva York,
junio-agosto, 2017.
Acerca de Edward Winkleman
Ed Winkleman es un marchante de arte privado de Nueva York y coautor de ‘How to
Start and Run a Commercial Art Gallery’, así como autor de ‘Selling Contemporary Art:
How to Navigate the Evolving Market’. Fue miembro fundador y primer presidente de la
Williamsburg Gallery Association y uno de los primeros miembros de la New Art Dealers
Alliance. Con Murat Orozobekov, cofundó Moving Image, la feria de arte de vídeo y cine
que se ha celebrado en Nueva York, Londres y Estambul.
Acerca de Art Basel
Fundada en 1970 por galeristas de Basilea, Art Basel organiza actualmente las
principales exposiciones de arte del mundo para arte moderno y contemporáneo,
situadas en Basilea, Miami Beach y Hong Kong. Definida por la región y ciudad
anfitriona, cada exposición es única, lo que se refleja en las galerías participantes, las
obras de arte presentadas y el contenido de la programación paralela producida en
cooperación con instituciones locales para cada edición. El compromiso de Art Basel se
ha expandido más allá de las ferias de arte a través de nuevas plataformas digitales y
una serie de nuevas iniciativas como Art Basel and UBS Global Art Market Report y
BMW Art Journey. El Socio Mediático Global de Art Basel es The Financial Times. Para
obtener información adicional, visite artbasel.com.
Socios
UBS y el arte arte contemporáneo global
UBS, Socio Principal de Art Basel, tiene una larga historia de apoyo al arte y los artistas
contemporáneos. La firma posee una de las colecciones corporativas de arte más
importantes del mundo y busca fomentar la conversación internacional sobre el mercado
del arte a través de su destacada asociación global con Art Basel y como coeditor de Art
Basel and UBS Global Art Market Report (Informe del mercado global del arte de Art
Basel y UBS). UBS también posee asociaciones con instituciones de bellas artes lo que
incluye Fondation Beyeler en Suiza, Garage Museum of Contemporary Art en Rusia y
Galería de Arte de Nueva Gales del Sur en Australia. UBS brinda a sus clientes
conocimientos sobre el mercado del arte, sobre cómo coleccionar y sobre planificación
de legado a través de su Collectors Circle y UBS Art Advisory. Para obtener más
información sobre el compromiso de UBS con el arte contemporáneo, visite ubs.com/art.
Los Socios Colaboradores de Art Basel son Audemars Piguet, cuyo programa de arte
contemporáneo: “Audemars Piguet Contemporary” encarga a artistas internacionales la
creación de obras de arte contemporáneas; y NetJets, el líder mundial en aviación
privada. Art Basel también cuenta con el apoyo global de BMW, que ha desarrollado
junto a Art Basel la iniciativa BMW Art Journey, y La Prairie, Ruinart, Sanlorenzo y On.
La exposición de Art Basel en Miami Beach también cuenta con el apoyo de Tezos,
Douglas Elliman Development Marketing, Nespresso y Chubb, al igual que Casa
Dragones, Château d’Esclans, Perrier, Kannoa y Quintessentially. Algunos Socios de
Hotelería son Grand Beach Hotel Miami Beach y W South Beach. El Socio Mediático
Global de Art Basel es The Financial Times. Para obtener información adicional sobre las
asociaciones, visite artbasel.com/partners.
Fechas importantes para los medios de comunicación
Recepción para los medios de comunicación
Martes, 30 de noviembre de 2021, de 9 a.m. a 10a.m.
Private View (Vista privada) (solo por invitación)
Martes, 30 de noviembre de 2021, de 11 a. m. a 8 p. m.
Miércoles, 1 de diciembre de 2021, de 11 a. m. a 8 p. m.
Días de apertura al público
Jueves, 2 de diciembre de 2021, de 11 a. m. a 7 p. m.
Viernes, 3 de diciembre de 2021, de 11 a. m. a 7 p. m.
Sábado, 4 de diciembre de 2021, de 11 a. m. a 6 p. m.
Acreditación de prensa
El registro en línea para la acreditación de prensa se abrirá a mediados de octubre.
Tenga presente que la acreditación de prensa para nuestra exposición en Miami Beach
se llevará a cabo en línea. Por ello, es importante inscribirse y solicitarla en línea antes
de acudir a la feria. Para obtener información adicional y realizar la solicitud, visite
artbasel.com/press/accreditation.
Próximas exposiciones de Art Basel
Miami Beach, del 2 al 4 de diciembre de 2021
Hong Kong, del 24 al 26 de marzo de 2022
Basilea, del 17 al 19 de junio de 2022
Información en línea para los medios de comunicación
La información y las imágenes para los medios de comunicación pueden descargarse
directamente desde artbasel.com/press. Los periodistas pueden suscribirse a nuestros
correos para los medios de comunicación, a fin de recibir información sobre Art Basel.
Para conocer las noticias más recientes sobre Art Basel, visite artbasel.com,
encuéntrenos a través de Facebook en facebook.com/artbasel o siga @artbasel en
Instagram, Twitter, Weibo y WeChat.
Contactos para la prensa
Art Basel, Sarah Degen
Tel. +41 58 206 27 06, [email protected]
Encargados y encargadas de comunicados de prensa para América del Norte y del Sur, el
Medio Oriente y África
FITZ & CO, Yun Lee
Tel. +1 646 589 0920, [email protected]
Encargados y encargadas de comunicados de prensa para Europa
SUTTON, Joseph Lamb
Tel. +44 7715 666 041, [email protected]
Encargados y encargadas de comunicados de prensa para Asia
SUTTON, Carol Lo
Tel. +852 2528 0792, [email protected]

Art Basel, upcoming show in Miami Beach

Art Basel announces further highlights of its upcoming show in Miami Beach
Art Basel announces further highlights of its upcoming show in Miami Beach

Art Basel announces further highlights of its upcoming show in Miami Beach

MIAMI BEACH | NOVEMBER 4 | 2021


• Meridians, curated by Magalí Arriola, Director of Museo Tamayo, Mexico
City, returns for the second time to the Miami Beach Convention Center
(MBCC) with 16 large-scale projects on display by renowned and emerging
artists.
• 25 Galleries from the main sector will present carefully curated exhibitions
within their booth as part of the Kabinett sector.
• Edward Winkelman will program Art Basel’s renowned Conversations
series, comprising 10 panels.
• Art Basel, whose Lead Partner is UBS, will take place from December 2 to
December 4, 2021 at the MBCC.


The 2021 edition of Art Basel Miami Beach – Art Basel’s first in-person fair in Miami
Beach since 2019 – will feature 253 leading galleries from around the globe presenting
the highest quality of works across all media, from rare and historical masterpieces to
new pieces by today’s emerging artistic voices. In addition to showcasing exceptional art
within its Galleries, Positions, Nova, Survey and Edition sectors, the fair will also present
16 large-scale artworks in Meridians; 25 carefully curated exhibitions as part of the
Kabinett sector; as well as 10 panels as part of the fair’s renowned Conversations series.
‘There’s enormous excitement within the artworld on both sides of the Atlantic about Art
Basel Miami Beach 2021,’ says Marc Spiegler, Global Director of Art Basel. ‘Not only
because it’s our first fair in two years in the Americas, but also because the show has
never before featured such a diverse range of voices.’
Meridians
Meridians, Art Basel in Miami Beach’s unique platform for large-scale projects, provides
galleries the opportunity to showcase monumental works that push the boundaries of a
traditional art fair layout, including large-scale sculptures and paintings, installations,
video projections, and live performances. The sector, which will newly be staged in a
dedicated space on the main show floor, will once again be curated by Mexico City-based
Magalí Arriola, Director of Museo Tamayo.
Meridians highlights include:
• A new work by Maxwell Alexandre as part of the artist’s ‘Pardo é Papel’ series
presented by A Gentil Carioca.
• A site-specific installation and a performance-based activation of six body
devices by Brendan Fernandes titled ‘Contract and Release’ (2019–2021)
presented by moniquemeloche.
• Todd Gray’s ‘Sumptuous Memories of Plundering Kings’ (2021) presented by
David Lewis, a 14-part work exceeding 30 feet in length, exploring the history and
enduring impact of European colonialism, slavery, and the African diaspora.
• A monumental double-sided painting by Jacqueline de Jong titled ‘De
achterkant van het bestaan’ (The backside of existence), (1992) presented by
Pippy Houldsworth Gallery.
• Howardena Pindell’s iconic ‘Sweatshop’ (1998–1999), an expansive canvas
presenting advertising cutouts of quotidian objects: combs, scissors, glasses, and
other items, presented by Garth Greenan Gallery.
• ‘Moving Up’ (2021) by Yinka Shonibare, CBE, an installation presented by
James Cohan Gallery capturing the vertical move of six million African Americans
from rural Southern states to the cities of the North, Midwest, and West from
1916 to 1970, known today as the Great Migration.
Magalí Arriola, curator of Meridians, says: ‘Many of the works included in Meridians
question the traditional representations of class, race and power to resist social
conventions, and to bridge the physical and cultural boundaries that surfaced in our
society in recent times.’
For the full list of artists and galleries represented in Meridians please visit
artbasel.com/miami-beach/meridians.
Kabinett
Providing galleries with an opportunity to present curated exhibitions in separately
delineated spaces within their booths, this year’s Kabinett sector will include 25
presentations by established and emerging artists.
Kabinett highlights include:
• Jorge Mara – La Ruche’s presentation of Ellen Auerbach, Grete Stern and
Horacio Coppola, three influential figures of Avant Garde photography who
established themselves as visionary modernists in Europe and South America
during the 1930s.
• Sies + Höke’s presentation of rare early drawings by Sigmar Polke and Gerhard
Richter, which trace the differences as well as the common ground in their
artistic approaches.
• Mayoral’s presentation of works by Manolo Millares, one of the most important
Spanish artists of the post-war European Informalist movement.
• Roberts Projects’ presentation of community-based portraits by Ghanian artist
Otis Kwame Kye Quaicoe, a series of new paintings exploring the relationships
between identity, materiality, and race, that mark a critical evolution for the artist.
For the full list of artists and galleries represented in Kabinett, please visit
artbasel.com/miami-beach/kabinett.
Conversations
Art Basel’s renowned Conversations series offers a platform for the exchange of ideas on
topics concerning the global contemporary art scene. This year’s program features 10
panels bringing together leading artists, gallerists, collectors, art historians, curators,
museum directors and critics from across the world discussing diverse issues from the
rise of the NFT art market, to questions of resilience post-pandemic and the need to reinvent the museum. Conversations will be curated for the second time by Art Basel and
private art dealer and author Edward Winkleman. The program will be free to the public,
running from Wednesday, December 1 to Saturday, December 4 in the Auditorium
(Grand Ballroom). All panel discussions will be live-streamed on Facebook and recorded.
For further information please visit artbasel.com/miami-beach/conversations.
The health and safety of Art Basel’s guests, exhibitors, and staff is our utmost priority. We
will therefore be deploying comprehensive measures to create a safe fair environment.
Visitors will be required to provide proof of a negative COVID-19 test in order to gain
access to the halls. Alternatively, visitors may opt to voluntarily provide proof of
vaccination or recent recovery from COVID-19 to gain entry. The use of masks will be
mandatory inside the venue and all visitors will be required to complete a self-reported
symptom screening prior to entering the fair. In addition, a system of timed entry will be
in place to control crowding inside the halls. Further details on the health and safety
precautions for the fair are available at artbasel.com/covid-19.
NOTES TO EDITORS
About Magalí Arriola
Magalí Arriola, Director of Museo Tamayo, lives and works in Mexico City. Arriola joined
Art Basel with recent institutional experience at KADIST, where she was Lead Curator for
Latin America; and Museo Jumex, where she was Curator between 2011 and 2014. She
was the curator of Mexico’s participation at the 58th Venice Biennale in 2019, showing
artist Pablo Vargas Lugo with a project entitled ‘Acts of God’. Her other recent
independent curatorial projects include ‘What do you dream of? The Mohole Flower and
other Tales’, Galeria Luisa Strina, Sao Paulo, August-October 2018; ‘A Place out of
History’, a film screened at documenta14 and FIDMarseille (2018), produced by Destello
Films; and Sunset Décor, Marian Goodman Gallery, New York City, June-August, 2017.
About Edward Winkleman
Ed Winkleman is a private art dealer in New York City and co-author of ‘How to Start and
Run a Commercial Art Gallery’, as well as author of ‘Selling Contemporary Art: How to
Navigate the Evolving Market’. He was a founding member and the first president of the
Williamsburg Gallery Association and an early member of the New Art Dealers Alliance.
With Murat Orozobekov, he co-founded Moving Image, the video and film art fair that has
taken place in New York, London, and Istanbul.
About Art Basel
Founded in 1970 by gallerists from Basel, Art Basel today stages the world’s premier art
shows for Modern and contemporary art, sited in Basel, Miami Beach, and Hong Kong.
Defined by its host city and region, each show is unique, which is reflected in its
participating galleries, artworks presented, and the content of parallel programming
produced in collaboration with local institutions for each edition. Art Basel’s engagement
has expanded beyond art fairs through new digital platforms and a number of new
initiatives such as the Art Basel and UBS Global Art Market Report and the BMW Art
Journey. Art Basel’s Global Media Partner is The Financial Times. For further information,
please visit artbasel.com.
Partners
UBS & Contemporary Art Global
Lead Partner of Art Basel, UBS has a long history of supporting contemporary art and
artists. The firm has one of the world’s most important corporate art collections and seeks
to advance the international conversation about the art market through its global lead
partnership with Art Basel and as co-publisher of the Art Basel and UBS Global Art
Market Report. UBS also has partnerships with fine art institutions including the
Fondation Beyeler in Switzerland, the Garage Museum of Contemporary Art in Russia,
and the Art Gallery of New South Wales in Australia. UBS provides its clients with insight
into the art market, collecting, and legacy planning through its Collectors Circle and UBS
Art Advisory. For more information about UBS’s commitment to contemporary art, visit
ubs.com/art.
Art Basel’s Associate Partners are Audemars Piguet, whose program in contemporary
art: ‘Audemars Piguet Contemporary’ commissions international artists to create
contemporary artworks; and NetJets – the world leader in private aviation. Art Basel is
also supported globally by BMW, who has co-developed with Art Basel the BMW Art
Journey, and La Prairie, Ruinart, Sanlorenzo, and On.
Art Basel’s show in Miami Beach is also supported by Tezos, Douglas Elliman
Development Marketing, Nespresso, and Chubb, as well as Casa Dragones, Château
d’Esclans, Perrier, Kannoa, Saint Laurent and Quintessentially. Hotel Partners include
Grand Beach Hotel Miami Beach and W South Beach. Art Basel’s Global Media Partner
is The Financial Times. For further information about partnerships, please visit
artbasel.com/partners.
Important Dates for Media
Media Reception
Tuesday, November 30, 2021, 9am to 10am
Private View (by invitation only)
Tuesday, November 30, 2021, 11am to 8pm
Wednesday, December 1, 2021, 11am to 8pm
Public days
Thursday, December 2, 2021, 11am to 7pm
Friday, December 3, 2021, 11am to 7pm
Saturday, December 4, 2021, 11am to 6pm
Press accreditation
Online registration for press accreditation is now open. Please note that press
accreditation for our show in Miami Beach will take place online only. Therefore, it is
important to register and apply online before coming to the fair. For further information
and to apply, please visit artbasel.com/press/accreditation.
Upcoming Art Basel shows
Miami Beach, December 2-4, 2021
Hong Kong, March 24-26, 2022
Basel, June 17-19, 202
Media information online
Media information and images can be downloaded directly from artbasel.com/press.
Journalists can subscribe to our media mailings to receive information on Art Basel.
For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at
facebook.com/artbasel, or follow @artbasel on Instagram, Twitter, Weibo, and WeChat.
Press Contacts
Art Basel, Sarah Degen
Tel. +41 58 206 27 06, [email protected]
PR Representatives for North and South America, the Middle East, and Africa
FITZ & CO, Yun Lee
Tel. +1 646 589 0920, [email protected]
PR Representatives for Europe
SUTTON, Joseph Lamb
Tel. +44 7715 666 041, [email protected]
PR Representatives for Asia
SUTTON, Carol Lo
Tel. +852 2528 0792, [email protected]

Jared McGriff, first solo museum exhibition of Miami artist.

Artist Jared McGriff stands for a portrait at the Spinello Projects gallery in Miami, Fla. on Tuesday, Nov. 24, 2020. McGriff’s paintings are inspired by visual distortions, memory fragments and ephemera. Capturing the cultural cues and transitory familiarity of his surroundings, McGriff’s work is an accessible depiction of the human condition. (Photo by Scott McIntyre for The New York Times)

NSU Art Museum Fort Lauderdale Presents First Solo Museum Exhibition of Miami Artist Jared McGriff 

Jared McGriff: Where We Are You will be on display from November 20, 2021 – February 13, 2022 

His exhibition, Jared McGriff: Where We Are You, showcases his well-known dreamlike narratives and portraitures that remain timeless even as he integrates his family’s background into the realities of the present. His family’s history in the South during the enslavement period frame his current works and help him to understand his own place in the country today.

More on Jared McGriff: Through his work, Jared’s intent is to inspire people to take a journey away from their current reality and walk through a memory, or be reminded of an experience, conversation, or a wish. Jared is encouraging viewers of his work to submit to a unique experience of their own unconscious mind, calling back their own distant emotions or memories. 

There are no significant reference points for Jared while creating his work, nor models or photos. It is derived from the imagination alone. It is an encapsulation of a moment in time. 

This exhibition contrasts paintings that suggest contemporary snapshots of the artist’s present with paintings that conjure the real and imagined experiences of his family’s migration from the rural south to the rural west of Oklahoma and California. The exhibition’s title Where We Are You encapsulates notions of African Ubuntu philosophy where the individual becomes whole through the experience of the group. 

Fort Lauderdale, Fla. — November 20, 2021 — NSU Art Museum Fort Lauderdale will present the first solo museum exhibition of Miami artist Jared McGriff from November 20 through February 13, 2022. Titled Jared McGriff: Where We Are You, this exhibition showcases McGriff’s dreamlike narratives that remain timeless even as he integrates his family’s history into the realities of the present. 

This exhibition contrasts paintings that suggest contemporary snapshots of the artist’s present with paintings that conjure the real and imagined experiences of his family’s migration from the rural south to the rural west of Oklahoma and California. This juxtaposition of past and present reflects how contemporary times are shaped by the historical. 

The exhibition’s title Where We Are You encapsulates notions of African Ubuntu philosophy where the individual becomes whole through the experience of the group. McGriff’s composition of single and grouped figures embodies the guiding principle for many early cultures that each individual’s actions impact others and society. 

Jared McGriffWhere We Are You is curated by Bonnie Clearwater, NSU Art Museum Director and Chief Curator. 

NSU Art Museum Fort Lauderdale is located at One East Las Olas Blvd., Fort Lauderdale, FL 33301. NSU Covid-19 guidelines will be strictly enforced. Face coverings are required. For more information, please visit nsuartmuseum.org or call 954-525-5500. Follow the Museum on social media @nsuartmuseum. 

### 

About NSU Art Museum 

Founded in 1958, NSU Art Museum Fort Lauderdale is a premier destination for exhibitions and programs encompassing many facets of civilization’s visual history. Located midway between Miami and Palm Beach in downtown Fort Lauderdale’s arts and entertainment district, the Museum’s 83,000 square – foot building, which opened in 1986, was designed by architect Edward Larrabee Barnes and contains over 25,000 square feet of exhibition space, the 256 -seat Horvitz auditorium, a museum store and café. In 2008, the Museum became part of Nova Southeastern University (NSU), one of the largest private research universities in the United States. NSU Art Museum is known for its significant collection of Latin American art, contemporary art with an emphasis on art by Black, Latinx and women artists, African art that spans the 19th to the 21st-century, as well as works by American artist William Glackens, and the European Cobra group of artists. Two scholarly research centers complement the collections: The Dr. Stanley and Pearl Goodman Latin American Art Study Center and the William J. Glackens Study Center. 

Exhibitions and programs at NSU Art Museum Fort Lauderdale are made possible in part by a challenge grant from the David and Francie Horvitz Family Foundation. Funding is also provided by the City of Fort Lauderdale, AutoNation, Community Foundation of Broward, the Broward County Board of County Commissioners as recommended by the Broward Cultural Council and Greater Fort Lauderdale Convention & Visitors Bureau, the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. NSU Art Museum Fort Lauderdale is accredited by the American Association of Museums. 

ANNOUNCING ALIVE AT SATELLITE MIAMI 2021

ANNOUNCING ALIVE AT SATELLITE MIAMI 2021
ANNOUNCING ALIVE AT SATELLITE MIAMI 2021

ANNOUNCING ALIVE AT SATELLITE MIAMI 2021 – SELECTED ARTISTS

Satellite Art Show
November 30 – December 4, 2021
Announcing Alive at Satellite Performance and Video Programming
Location: 1655 Meridian Avenue, Miami (South Beach), FL 33139
Curated by Quinn Dukes | Press Contact: [email protected]

Satellite Art Show and Performance Is Alive offer fair goers a rare opportunity to experience bold, unapologetic and socially engaged projects through the boundless manifestations of performance art. Unlike any other fair, Satellite exclusively spotlights contemporary performance and time-based media. Giving these cherished art forms a unique home during Miami Art Week.

We are absolutely thrilled to be back in Miami for Art Week and have elected to focus on an art form that was dramatically impacted by the pandemic. Performance artists return to live actions, some choosing to engage virtually and some at an interactive distance. We will present different artists and live performances daily. Visitors are encouraged to purchase a week pass to experience the ever changing activations within the fair.

Satellite Art Show will be located just three blocks from Art Basel at the corner of Meridian and Lincoln Road. Returning to the curatorial team will be Quinn Dukes of Performance is Alive and Satellite founder, Brian Andrew Whiteley.

PERFORMANCES [Schedule forthcoming]
Thomas Albrecht (​​Kingston, NY, USA), Jocelyn Beausire (​​Princeton, NJ, USA), Ama BE (Washington D.C, USA/Ghana), Katina Bitsicas (Columbia, MO, USA), Jessica Elaine Blinkhorn (Atlanta, GA, USA), Caitlin Mary Margarett (​​Madison, WI, USA), Hope Esser (Chicago, IL, USA), Xxavier Edward Carter (Dallas, TX, USA/Mexico City, Mexico), IV (NYC, USA),Vivian Chinasa Ezugha (Hampshire, UK/Nigeria), Oya Damla (Brooklyn, NY, USA), Agua Dulce (​​Miami, FL, USA), Gabriela Fernandez (Miami, FL, USA), Alexandra Hammond (New York, NYC, USA), Amanda Kleinhans (FL, USA), Miss Art World (Los Angeles, CA, USA), Arantxa Araujo (NYC/Mexico), Verónica Peña (NYC/Spain), and Yali Romagoza (NYC/Cuba), Neill Prewitt (Atlanta, GA, USA), Sylvain Souklaye (​​Brooklyn, NY, USA/France)
VIDEO INSTALLATION
Milk & Honey (PA, USA)

VIDEO
Ali Asgar Tara (​​Brooklyn, NY, USA/Bangladesh), Meghan Moe Beitiks (​​Gainesville, FL USA), gustaf broms (Sweden), Maureen Catbagan (Brooklyn, NYC, USA), Ayça Ceylan (​​Istanbul, Turkey), Alex Côté (Montreal, Canada), Adán De La Garza (Denver, CO, USA), Victor de La Rocque (São Paulo, Brazil),  Alma García Gil (Mexico City, Mexico), Rae Goodwin and Casey McGuire (Lexington, KY, USA), Marta Lodola (Berlin, Germany/Italy), Stephanie McGovern (NYC, USA), Tuty Moreno Campos (Mexico City, Mexico), Barbara Rosenthal (NYC, USA), Sylvain Souklaye (​​Brooklyn, NY, USA/France), Kailas Sreekumar (​​Kerala, India), Natacha Voliakovsky (Buenos Aires, Argentina), Claire Zakiewicz (NYC, USA/ London, UK)
FAIR DATES 
PRESS PREVIEW + OPENING RECEPTION (VIP NIGHT): 
Tuesday, November 30th: 3pm – 10pm

2021 PUBLIC HOURS: 
Wednesday, December 1 , 2pm – 1am
Thursday, December 2 , 2pm – 1am
Friday, December 3 , 2pm – 1am
Saturday, December 4 , 2pm – 1am

Curated by Quinn Dukes. Quinn Dukes is a multimedia performance artist, activist and curator based in Brooklyn, NY. Her work addresses social injustice and ritual. Dukes holds an MFA in Art Practice from the School of Visual Arts and a BFA in Fine Art from Watkins College of Art & Design.

Geometric Abstraction 2022

NFT Art
NFT Art

Geometric Abstraction 2022

Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times.” Wikipedia.org

The pictorial language of geometric abstraction, based on the use of simple geometric forms placed in nonillusionistic space and combined into nonobjective compositions, evolved as the logical conclusion of the Cubist destruction and reformulation of the established conventions of form and space. Initiated by Pablo Picasso and Georges Braque in 1907–8, Cubism subverted the traditional depiction relying upon the imitation of forms of the surrounding visual world in the illusionistic—post-Renaissance—perspectival space. The Analytic Cubist phase, which reached its peak in mid-1910, made available to artists the planarity of overlapping frontal surfaces held together by a linear grid. The next phase—Synthetic Cubism, 1912–14—introduced the flatly painted synthesized shapes, abstract space, and “constructional” elements of the composition. These three aspects became the fundamental characteristics of abstract geometric art. The freedom of experimentation with different materials and spatial relationships between various compositional parts, which evolved from the Cubist practice of collage and papiers collés (1912), also emphasized the flatness of the picture surface—as the carrier of applied elements—as well as the physical “reality” of the explored forms and materials. Geometric abstraction, through the Cubist process of purifying art of the vestiges of visual reality, focused on the inherent two-dimensional features of painting.

This process of evolving a purely pictorial reality built of elemental geometric forms assumed different stylistic expressions in various European countries and in Russia. In Holland, the main creator and the most important proponent of geometric abstract language was Piet Mondrian (1872–1944). Along with other members of the De Stijl group—Theo van Doesburg (1883–1931), Bart van der Leck (1876–1958), and Vilmos Huszár (1884–1960)—Mondrian’s work was intended to convey “absolute reality,” construed as the world of pure geometric forms underlying all existence and related according to the vertical-horizontal principle of straight lines and pure spectral colors. Mondrian’s geometric style, which he termed “Neoplasticism,” developed between 1915 and 1920. In that year, he published his manifesto “Le Néoplasticisme” and for the next two-and-a-half decades continued to work in his characteristic geometric style, expunged of all references to the real world, and posited on the geometric division of the canvas through black vertical and horizontal lines of varied thickness, complemented by blocks of primary colors, particularly blue, red, and yellow. Similar compositional principles underlie the work of the De Stijl artists, who applied them with slight formal modifications to achieve their independent, personal expression.

In Russia, the language of geometric abstraction first appeared in 1915 in the work of the avant-garde artist Kazimir Malevich (1879–1935) (Museum of Modern Art, New York), in the style he termed Suprematism. Creating nonobjective compositions of elemental forms floating in white unstructured space, Malevich strove to achieve “the absolute,” the higher spiritual reality that he called the “fourth dimension.” Simultaneously, his compatriot Vladimir Tatlin (1885–1953) originated a new geometric abstract idiom in an innovative three-dimensional form, which he first dubbed “painterly reliefs” and subsequently “counter-reliefs” (1915–17). These were assemblages of randomly found industrial materials whose geometric form was dictated by their inherent properties, such as wood, metal, or glass. That principle, which Tatlin called “the culture of materials,” spurred the rise of the Russian avant-garde movement Constructivism (1918–21), which explored geometric form in two and three dimensions. The main practitioners of Constructivism included Liubov Popova (1889–1924), Aleksandr Rodchenko (1891–1956) (Museum of Modern Art, New York), Varvara Stepanova (1894–1958), and El Lissitzky (1890–1941). It was Lissitzky who became the transmitter of Constructivism to Germany, where its principles were later embodied in the teachings of the Bauhaus. Founded by the architect Walter Gropius in Weimar in 1919, it became during the 1920s (and until its dismantling by the Nazis in 1933) the vital proponent of geometric abstraction and experimental modern architecture. As a teaching institution, the Bauhaus encompassed different disciplines: painting, graphic arts, stage design, theater, and architecture. The art faculty was recruited from among the most distinguished painters of the time: Vasily Kandinsky, Paul Klee, Johannes Itten, Oskar Schlemmer, László Moholy-Nagy, Josef Albers, all of whom were devoted to the ideal of the purity of geometric form as the most appropriate expression of the modernist canon.

In France, during the 1920s, geometric abstraction manifested itself as the underlying principle of the Art Deco style, which propagated broad use of geometric form for ornamental purposes in the decorative and applied arts as well as in architecture. In the 1930s, Paris became the center of a geometric abstraction that arose out of its Synthetic Cubist sources and focused around the group Cercle et Carré (1930), and later Abstraction-Création (1932). With the outbreak of World War II, the focus of geometric abstraction shifted to New York, where the tradition was continued by the American Abstract Artists group (formed in 1937), including Burgoyne Diller and Ilya Bolotowsky. With the arrival of the Europeans Josef Albers (1933) and Piet Mondrian (1940), and such major events as the exhibition Cubism and Abstract Art (1936), organized by the Museum of Modern Art, and the creation of the Museum of Non-Objective Art (1939, now the Guggenheim), the geometric tradition acquired a new resonance, but it was essentially past its creative phase. Its influences, however, reached younger generations of artists, most directly affecting the Minimalist art of the 1960s, which used pure geometric form, stripped to its austere essentials, as the primary language of expression. Artists such as Donald Judd, Dan Flavin, and Dorothea Rockburne studied the geometric tradition and transformed it into their own artistic vocabulary.

Citation

Dabrowski, Magdalena. “Geometric Abstraction.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/geab/hd_geab.htm (October 2004)

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