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Canvaslot.com

ABSTRACCIÓN GEOMÉTRICA
ABSTRACCIÓN GEOMÉTRICA

Canvaslot.com

All Products Made Right Here In The USA

At CanvasLot.com, every canvas is custom-built and hand-stretched to perfection. Get any size you need from a 6 inch mini canvas up to a huge 8ft large blank canvas and have it delivery to your door step. Focus on your art and let us do the rest.

Our Product Lines

Whether you’re a professional artist looking for an extra large canvas with a custom frame or a beginning art student looking for a simple blank canvas, we have just the right product for you. We offer everything from a plain stretched canvas, to custom sized canvas with custom frame, to a custom frame for an artwork you already have, to just the stretcher bars for your un-stretched canvas art. Get started now and if you have any questions, please contact us here.

Buying From The Source

CanvasLot is a proud owner of a manufacturing company that creates jobs for Americans by making products in the United States. We are the manufacturer, the wholesaler, & the retailer for all the canvases & frames that we sell. Everything is done in-house in our 23,000 square feet facility in Houston, TX. We cut the frames, assemble, & package everything that we ship. Even the special boxes we use to ship your frames & canvas were designed by our engineers & tested with our shipping partners to protect the product during shipping. Buying directly from the source allows you to have true quality at the best price.

Over 30 Years of Experience

What started as a one-man framing shop in a Houston, TX flea market 30 years ago have became a prominent local and online provider of custom canvases, custom frames, and custom mirrors for hotels, resorts, business offices, professional artists, and art students all over the country. CanvasLot today focuses on innovation and efficiency by using the latest methods and technologies to bring artists and businesses the highest quality custom sized framing products.

Quality and Craftsmanship

Every product we ship undergoes a rigorous inspection process prior to leaving our facility. CanvasLot takes great pride in the quality and craftsmanship of our products. Our attention to detail in design, materials, and packaging is always at the forefront. This is evident in every item that you receive from CanvasLot.

When will I receive my order?

Production for small size items takes 4 to 7 business days. Shipping and transit take another 5 to 7 business days. If you place the order today, Jan 15th, you should receive it around Feb 9th.

Production for large size items (60 inch or larger) takes 5 to 10 business days. Freight shipping and transit for these large items take about 10 to 18 business days.

If you have a tight deadline to meet or buying 5 or more items, please contact us for lead time and expediting options.

Can you expedite my order?

Depending on our production schedule, we can expedite an order for an additional fee. The fee is calculated based on the additional resources and shipping fee required to build and expedite your order.

Is there a tracking number for my package?

Yes, when your order is shipped, we will send you an email with the tracking number to track the status of your package.

What is the price and shipping fee for a canvas size …..?

For pricing, please go to the product ordering page and select the size or frame you need. Prices will change base on the size and/or frame you selected. Currently, there is a free shipping promotion so the price you see is the final price with shipping and delivery.

What is the texture and weight of the canvas?

We use the medium texture, heavy duty, professional grade canvas made from 100% cotton canvas and doubled primed with acid-free acrylic gesso. Canvas weight is 11.5 oz.

Will the final dimension be exactly as specified in the order?

We can come close, between 0.25 inch to 0.5 inch of accuracy, but NOT the EXACT dimension. If you need the item to fit into a particular space, please measure 0.5 inch to 1 inch smaller to avoid fitting issue. We will not be issuing credits/refund/return when an item is within 0.25 inch to 0.5 inch of accuracy.

Can I use your canvas for oil painting or acrylic painting?

Our canvases can be used for both oil painting and acrylic painting as well as pastels and watercolor.

How thick is the frame on the canvas? or what is the depth of the canvas?

We have many sizes to choose from in the stretcher bar selection. When you selecting the stretcher bar size, that is the thickness/depth of the canvas you are getting.

Do the canvases and frames come with hanging wire?

All small size canvases and frames come with metal hanging wire attached to the back. For larger canvases or frames (42×42 or 60×32 or larger) we will pre-installed D-Ring hanging hardwares since hanging wires are not ideal for larger canvases or frames in term of leveling and stability on the wall.

Can I pick up my canvas order from your location if I live in Texas or nearby?

At this time, we do not have dedicated staff to support pick-up orders or walk-in customers. All of our orders have to be placed on the website and get shipped out.

What is your payment method?

We accept all major credit cards and debit cards: Visa, MasterCard, American Express, JCB, Discover, and Diners Club. We also have financing option available. See next question below.

How do I apply for financing service for a purchase?

Buy now and pay later in monthly installments. This option is available for any purchase total of $99 or more. We partnered with Paypal Credit to offer this service for our products. You can go here to get pre-approved and then contact us to place the order with our customer service team using your approved credit.

What is your return and exchange policy?

* Shipment Damages: Please inspect the product immediately upon delivery. In the event that damages occurred in transit YOU MUST CONTACT US WITHIN 2 DAYS OF DELIVERY. If you or your client will be out of town or going on a vacation, let us know within 12 hours of the order confirmation and we can hold the order until you are back in town. We cannot file a damage claim or issue a replacement if you notify us after the 2 day period has expired (no exceptions). We also need photos of the damaged item, box, and packing material as proof to file a claim.

* Return/Exchange/Refund: All return/exchange/refund must be pre-approved before shipping any item back to us. Returned item(s) need to be repacked in its original packaging including interior packing. A 25% restock fee will apply. Customer pays return freight. If you received upgraded service delivery or free shipping special, the actual cost of shipping will be deducted. Upon return, all item(s) will be inspected. Appropriate exchanges, credits and refunds will be issued for the purchase price of the item(s). Orders eligible for refund will be refunded in the original form of tender. Please call our Customer Service Dept. at 1-877-978-1109 with any return/exchange/refund questions.

Perez Art Museum PAMM
Pérez Art Museum Miami

Paintingz.com

¿Qué es la abstracción geométrica? ¿Qué es la abstracción geométrica?
¿Qué es la abstracción geométrica? ¿Qué es la abstracción geométrica?

Paintingz.com

MUSEUM QUALITY HANDMADE OIL PAINTING REPRODUCTION

100% hand-painted on empty canvas. Photo preview in 10 – 15 days. 100% satisfaction. Museum quality reproductions with mindfulness to colors, details, styles and techniques.

CUSTOMIZE ART WITH EASE

PaintingZ is the largest online art platform for global art lovers to customize top quality handmade oil paintings on canvas with frame options, whether they are reproductions of old and modern masters such as Da Vinci, Van Gogh, Monet and Klimt, or any paintings requested and based on your photos and ideas.  You may browse a curated collection of over 5,000 artists and their artworks perfectly in the public domain, request a reproduction of your favorite artwork, or simply submit to us any painting with your demands for a quote.

100% HANDMADE ART FROM STUDIO

All our talented artists have been working on art for over 20 years. Your ordered art will be 100% handmade in studio by one of our professional artists from an empty canvas, being made perfect brush by brush. Our artist can sign the original artist’s name or his or her own name.

ZERO RISK GUARANTEE

Each artwork order with PaintingZ is guaranteed with photo preview, unlimited revisions, and 30-day money back. See our Zero Risk Guarantee.

What’s PaintingZ?

Started in 2012, PaintingZ is the leading online platform for global customers to order custom handmade art. 

Global Artists

PaintingZ works with global talented artists. All our artists have been creating art for at least 20 years. Together, our artists can meet with a variety of custom subjects, mediums, and styles. 

Top Quality, Affordable Price

Instead of art factories or art suppliers, we work directly with artists, who make art in their studios. It’s our philosophy to build a supportive platform for our artists to survive while pursuing their dreams, and for our customers to buy high quality handmade art instead of commercial quality art. 

What can I order?

You can order any artwork in the public domain by browsing on PaintingZ more than 5,000 famous artists and masters and their artworks already curated by PaintingZ. You can also submit to us any painting, or any image with your ideas, such as a portrait based on your family photo, for a quote. For any artwork you order with us, you may specify the size, the frame, and your other needs as detailed as you want and our artists would love to hear about them.

PaintingZ also offers 100% handcrafted wooden carving frames. You may order Monet’s Impression, Sunrise or Vermeer’s Girl with A Pearl Earring including both the painting and the frame as you see in the museum. 

Order with Confidence

PaintingZ offers world’s best service of ordering handmade artwork online. You are guaranteed with photo preview and unlimited revisions as well as our 30-day money back policy upon receipt.

Usually customers ask our artists to duplicate a Van Gogh, a Monet, a Klimt or any painting that already exists, or turn an existing photo or image saved in a device to a handmade painting that will hang on the wall. The space and the medium are changed. But there’re more. 

Usually our artists don’t see the paintings to be duplicated in real life. Instead, they see pictures.

So how do PaintingZ artists handle art reproduction without seeing a real artwork?

Artist First

To not fall to the trap of mechanic copy or reproducing art for reproducing art’s sake, our artists see themselves as creatives. They see what’s depicted in a picture. They also see what’s not obviously depicted but is equally important due to the limit of a digital picture. At PaintingZ, artists must put themselves first with confidence in certain ways. That’s why we work with only experienced studio artists, some having been working for more than 30 years. 

Deep Copy

Deep copying goes beyond working to make a reproduced art look like the original. Artists have to answer questions before embarking on a project like why the original artist used this technique, why the colors are like this and how they relate to the theme of the art, how people in the painting are connected, in what directions do the look, and so forth. PaintingZ never boasts the likeness of our painting to the original or a photo. If there’s something to say, we respect art. 

Recreation

We believe all reproduced artworks, whether based on a painting or a photograph, are recreated artworks themselves. Beneath the coherent brushstroke surface of a reproduced item is how artists understand and align their elements to represent their thoughts. This is what PaintingZ artists do.  

Perez Art Museum PAMM
Pérez Art Museum Miami

Zatista.com

NFT Art
NFT Art

Zatista.com

Zatista is the leading online curated original art gallery, representing the most talented established and emerging artists from around the world. Our platform allows collectors and new buyers to easily browse an ever-evolving collection of curated fine and contemporary art, photography and sculpture. Featured in ‘’Architectural Digest’’, ‘’In Style’’, ‘’Elle Decor, ‘’, ‘’The New York Times’’ and many more, Zatista is quickly changing the way people all over the world discover and purchase original art. Trusted by collectors, top interior designers, architects and corporate buyers alike, it is the premier destination for finding that perfect piece, commissioning a work and building your collection.

We provide the opportunity for experienced collectors, trade professionals, as well as new art buyers, to easily browse an ever-evolving collection of curated fine and contemporary art, photography and sculpture.

Featured in “Architectural Digest”, “In Style”, “Elle Decor”, “The New York Times”, and many more, Zatista is quickly changing the way people all over the world discover and purchase original art. Trusted by collectors, top interior designers, architects and corporate buyers alike, it is the premier destination for finding that perfect piece, commissioning a work and building your collection.

WHAT WE BELIEVE

ART IS IMPORTANT

Art is a conduit for the human condition and is a pillar of culture. It has a profound impact; stirring emotion, sharing a story, advocating a cause and impacting a space.

OWNING THE ORIGINAL IS SPECIAL

Every piece on Zatista is a one-of-a-kind original and comes signed with a certificate of authenticity. A timeless piece of original artwork, hand crafted with a story behind it all it’s own. Brighten your home, express your personal style, build your collection with a true original.

THE FINEST COLLECTION CAN BE AT YOUR FINGERTIPS

Our team of experts work tirelessly to bring you a carefully curated collection of the best original art from around the world, ready to be discovered at the click of a button.

DISCOVERING THE PERFECT PIECE SHOULD BE FUN

Easily filter our collection by color, size, style, medium, price and orientation, use our ‘’Art Explorer’’ to search by taste, browse serendipitously or get guidance from one of our personal art advisors.

YOU SHOULD LOVE YOUR NEW ARTWORK

You know the feeling when you can’t take your eyes off something, or just thinking about it makes you smile? We want you to have that. Your new artwork should be perfect, period. If you’re not happy with it simply return it, no questions asked.*

TREAT OTHERS AS YOU WOULD LIKE TO BE TREATED

Every single day we work hard at building a company that provides the best purchasing experience for our buyers and the best selling experience for our artists. Along the way, every interaction (big and small) we do our best to treat others how we would like to be treated.

COMPLIMENTARY ART ADVISORY

Zatista provides Art Advisory services to our valued customers for free. Yes, we love you that much.

Work one on one with a Zatista Expert Curator to find the perfect piece, outfit your space or build your collection. Have an idea of what you’re looking for, need help deciding, or not sure where to begin? We can help.

Drop us a line, or send us a photo of your space.

Our experienced team will help you navigate our curated collection of 15,000+ original works, or even commission a custom piece just for you.

Contact us today:

[email protected]

Or call:

877-282-7566

HOW IT WORKS

1: Submit Your Request

Include any information you have to help us get started.  This could just be a hint of inspiration or a simple thought, or you might know exactly what you need, but just want some help finding it.

2: We Review Your Request and Contact You

After reviewing your request, we’ll quickly get back to you with suggestions or ideas. We may ask a few more questions, but rest assured we’ve got the experience to help you find the perfect work for any space.

3: Review our selections and go from there!

Once you have some selections from us, it’s all up to you.  If you want to purchase one of the works, it’s as easy as checking out, but you are under no obligation.  Maybe it spurred a new idea and you want some more help. You’re in the drivers seat, we’re just here to help you get where you want to go.

COMMISSION A ZATISTA ARTIST TODAY!

Found an artist you love, but want something a little different? Have a subject personal to you that you want an artist to explore? Discovered a great piece but it was already sold? Looking for a particular size to fit your wall?

Whatever the reason, Zatista makes commissioning a custom piece of art easy. Artwork created specifically for you is even more meaningful and can fit your exact specifications.

Zatista has helped happy collectors and trade professionals all over the world commission fantastic custom pieces.

From large scale impact pieces for commercial projects, to personal custom works for individuals and private residences, we have the experience you need. We are here to help every step of the way and make the process smooth and enjoyable.

HOW IT WORKS

1: Submit Your No-Obligation Commission Request

Provide your contact information, the artist you are interested in commissioning (or if you would like help selecting one), and a few details about what type of commission you are looking for.

2: We Review Your Request and Provide a Quote

We contact you within 24-48 hours to review your request. Next, we help you and the artist define the project criteria with a detailed quote including cost and timeframe.

3: The Artist Starts Your Commission!

If you decide to move forward with the request, the artist begins your commission, and we help monitor the work as it is being completed. Upon completion, you a receive a fantastic, one-of-a-kind, custom work of art!

ZATISTA FOR THE TRADE

Trusted by top interior designers, architects, corporate buyers and other trade professionals, Zatista is the leading source for high quality original and limited edition artwork.

From individual homes to boutique hotels and large scale residential, commercial and hospitality projects, we’ve got you covered.

Zatista offers an ever-evolving collection of original fine and contemporary art and photography from more than 500 of our carefully selected high profile and emerging artists. A quick look around the site will reveal a unique array of styles and mediums, at prices designed to meet the needs of any client.

HELPING YOU SUCCEED

Our goal is to be a true partner and provide all the help you need to impress your clients.
Working with Zatista, it’s easy to:

  • Impress your clients with incredible, impactful, original artwork.        
  • Meet tight deadlines with our personal service, project management, and smooth delivery.
  • Get great value with your exclusive trade discount.

Sell Your Artwork to Buyers, Collectors and Designers All Over the World

Zatista is the leading curated online original art gallery. We represent a curated collection of the top emerging and established artists from over 20 countries.

We love our artists, our collection, and feel fortunate to be able to share beautiful artwork with our network of buyers. Our artists are the core of our gallery. We strive for not only sales but also positive relationships with each and every artist that we work with.

COMPLETE OUR ONLINE APPLICATION

Tell us your story and what makes you unique in the form of an artist biography and statement.

CREATE YOUR PROFILE & SHARE YOUR ART

Once you have told us a bit about yourself, we invite you to list 3-5 works that best represent the art you’ll be listing on Zatista.

SUBMIT FOR REVIEW

Contact us at [email protected] to let us know your account is ready for review. Our art review board meets every 3 months and we respond with a decision to every artist who applies.

WE’RE LOOKING FOR EXCEPTIONAL ORIGINAL ARTWORK IN THE FOLLOWING CATEGORIES:

  • Paintings: Oil, Acrylic, WaterColour, Pastels, Gouache
  • Mixed Media
  • Drawings: Charcoal, Pen & Ink, Pastels
  • Sculpture
  • Limited Edition Photography (Must be signed and numbered with a print run of less than 100)
  • Hand pulled prints (Must be signed and numbered with a print run of less than 100)

WE MARKET YOUR ART GLOBALLY

We run a sophisticated marketing program that includes:

  • A unique platform that helps buyers easily discover your work and connect with you
  • Multiple paid marketing campaigns across several different channels and publishers
  • Personalized marketing programs that help buyers find the perfect piece
  • SEO strategy
  • A custom e-mail marketing program
  • Partnerships with select top retailers such as Amazon Fine Art and Houzz to give you even greater exposure
  • Direct relationships with our network of buyers, collectors and designers
  • Recommendations from our art advisors to top clients  
  • The opportunity for our artists to do commissioned work for our buyers

OUR PLEDGE TO YOU

  • Treat you the same way we would like to be treated
  • Market your work to the best of our abilities
  • Fair and transparent in our dealings
  • Receive 55% of all sales
  • No membership or listing fees

YOUR SIDE OF THE BARGAIN

  • Keep your account and artwork up to date
  • Fulfill orders promptly, packing and shipping your art with care and pride
  • Respond to inquiries from collectors or Zatista promptly
  • Ensure art listed on Zatista has price parity with any other channels (online or offline)
Perez Art Museum PAMM
Pérez Art Museum Miami

Arte

arte
arte
arte contemporaneo
En la actualidad se crearon y desarrollaron nuevas formas de arte.

¿Qué es el arte?

El arte es toda forma de expresión de carácter creativo que poseen los seres humanos. Es la capacidad que tiene el hombre para representar sus sentimientos, emociones y percepciones acerca de sus vivencias y el entorno que lo rodea.

A través de las diferentes disciplinas artísticas, un individuo puede expresar lo que es y lo que siente mediante una infinidad de formas y técnicas entre las que se destacan el uso de recursos lingüísticos, plásticos y sonoros. En muchos países, el arte es uno de los componentes más importantes de la cultura.

A lo largo de la historia, la palabra “arte” se ha ido expandiendo por todo el mundo en todas sus formas. Antiguamente, solo se consideraba arte a algunas disciplinas, como la pintura, el dibujo, el canto, la literatura y la danza. Hoy el concepto de arte abarca muchas más técnicas y formas.

El avance de la tecnología es uno de los pilares fundamentales que permitieron la creación y el desarrollo de nuevas formas de arte. Sin embargo, no todos los historiadores y filósofos están de acuerdo con la definición de arte actual.

Comúnmente, el término “arte” es confundido con el de «artesano». Un artesano es aquel que reproduce múltiples obras y las comercializa, mientras que, tradicionalmente, se considera que el arte se basa en obras únicas e irrepetibles.

Origen del arte

arte origen prehistoria parietal
El hombre prehistórico pintaba escenas de su vida cotidiana y de lo que lo rodeaba.

Las primeras representaciones artísticas de las que se tiene registro datan de la prehistoria: la Edad de Piedra (Paleolítico, Mesolítico y Neolítico) y la Edad de los Metales. Durante este período (que se extendió desde el inicio de la evolución humana hasta el 3000 a. C.) surgieron las primeras obras de arte.

Una de las manifestaciones artísticas de las que se tiene mayor cantidad y calidad de registro es la pintura rupestre. Los seres humanos que habitaron en la prehistoria se caracterizaron por tener un estilo de vida nómade y habitar en cuevas.

Se utilizaban pigmentos naturales, como la arcilla y el óxido, para realizar dibujos sobre la piedra de las cuevas; en ellos representaron su estilo de vida y lo que observaban en el medio que los rodeaba. Pintaron animales (leones, hienas, caballos y rinocerontes) y escenas de caza.

La mayoría de las pinturas rupestres de esta época están en cuevas dentro de los actuales territorios de Francia y España. Estas primeras representaciones artísticas constituyeron lo que se denomina el arte prehistórico y, en muchos casos, se caracterizaron por su sentido figurativo y su carácter espiritual o religioso.

Sin embargo, el hallazgo de pinturas anteriores a la aparición del homo sapiens sugiere que el arte rupestre posee una larga tradición cultural y que fue iniciado por el hombre de Neandertal que habitó hace más de 40.000 años.

Otro registro artístico prehistórico fueron las llamadas “venus paleolíticas”, pequeñas estatuas de figuras femeninas talladas en piedra, madera, hueso o barro que eran utilizadas en ritos de fecundación.

Las primeras civilizaciones también elaboraron herramientas y utensilios de piedra, madera y hueso, aunque se cree que estos tenían un fin más utilitario que artístico.

La invención de la escritura puso fin a la era prehistórica y dio comienzo al auge de las grandes civilizaciones en Egipto y Mesopotamia que desarrollaron una vasta identidad artística.

Características del arte

arte caracteristicas
El arte es producido en todas las culturas y sociedades.
  • Es dinámico. El arte está en constante transformación. Las representaciones artísticas varían con el tiempo y según las diferentes sociedades o culturas.
  • Es subjetivo. El arte está formado por representaciones artísticas originales y únicas que no pueden ser replicadas. Cada artista traduce, interpreta y representa el mundo según su propio punto de vista.
  • Es universal. El arte y la capacidad de producirlo es inherente al ser humano. Las expresiones artísticas son realizadas por individuos y grupos sin distinción de cultura, raza o género.
  • Es un medio de expresión. El arte se erige como el medio de expresión por excelencia para el ser humano. A lo largo de la historia, el hombre creó y encontró diversas maneras de transmitir y expresar emociones, opiniones, pensamientos y valores a través de los diferentes lenguajes artísticos.
  • Es contemplativo. El arte no tiene un fin utilitario. Su fin es estético y es considerado una forma de expresión que busca la belleza.
  • Es una actividad creativa. El arte es la actividad creativa por excelencia. A través de las diferentes disciplinas artísticas, el ser humano utiliza su potencial y capacidades para crear.
  • Es multidisciplinario. El arte se vale de multiplicidad de herramientas y métodos para ser representado. El sonido, la escritura, la pintura son algunos de los recursos más utilizados en el arte.

Importancia del arte

El arte posee una serie de funciones clave para el desarrollo del ser humano y de las sociedades.

En primer lugar, contribuye a la documentación y registro de la historia de las civilizaciones. Los registros artísticos que existen de las diferentes sociedades y culturas han permitido conocer las costumbres e identidad de tribus y comunidades. Las expresiones artísticas funcionan como un medio para la trasmisión de valores, cultura y modos de ver el mundo. Brindan testimonio tanto grupal como individual.

El arte es un medio para el desarrollo creativo y el canal de expresión por excelencia del ser humano. A través de las diferentes disciplinas artísticas, el individuo transmite emociones y sentimientos, y da a conocer su visión del mundo. Es una herramienta clave dentro de la educación.

Además, es un canal para que el individuo pueda comunicarse consigo mismo y con los demás; funciona como una herramienta terapéutica y de autoconocimiento.

¿Cuáles son las disciplinas artísticas?

Arte - Fotografía
La fotografía se basa en la captura de imágenes que se encuentren o no en movimiento.

El arte suele ser representado a través de diferentes disciplinas artísticas. Todos estos tipos de arte han ido avanzando con el tiempo. Entre los más importantes se destacan:

Artes visuales

  • Arquitectura. Conjunto de técnicas que se utiliza para proyectar y concretar la construcción de casas y edificios. Es un proceso que abarca el diseño de estructuras para un uso futuro, como las escuelas, instituciones u hospitales. Siglos atrás, la arquitectura se realizaba mediante procesos muy diferentes a los actuales, con otros materiales y métodos de construcción.
  • Arte corporal. Disciplina artística que utiliza al cuerpo humano como soporte. Dentro de este tipo de arte se encuentra el maquillaje, el vestuario, los piercings y los tatuajes.
  • Arte digital. Disciplina artística que utiliza medios digitales y tecnológicos para la confección de piezas. Es uno de los recursos artísticos más utilizados en los últimos años.
  • Cinematografía. Técnica artística mediante la cual se reproducen secuencias de imágenes lo que crea una sensación de movimiento. La cinematografía surgió en 1895.
  • Dibujo. Técnica artística que se basa en la representación gráfica de cualquier tipo de elemento. Es el tipo de arte más conocido y uno de los recursos que funciona como base para otros tipos de arte.
  • Escultura. Técnica artística que se basa en la creación de obras modeladas con las manos con varios tipos de materiales como el barro, la arcilla, la madera o el metal.
  • Fotografía. Técnica basada en la captura de cualquier tipo de imagen que se encuentre o no en movimiento. Durante los últimos años esta técnica ha ido avanzando con rapidez.
  • Historieta. Disciplina artística que combina relatos cortos con imágenes y dibujos que se plasman en recuadros o viñetas.
  • Pintura. Disciplina artística en la que se crean imágenes por medio de pigmentos de color. Es realizada sobre una gran cantidad de superficies como la madera, el papel, el metal.

Artes escénicas

  • Danza. Disciplina artística en la que se utiliza el movimiento del cuerpo humano acompañado, generalmente, de música. La mayoría de las culturas posen un tipo de danza característico.
  • Teatro. Disciplina artística en la cual un grupo de personas (actores y actrices), realizan una representación de un drama literario sobre un escenario.

Artes musicales

  • Canto. Técnica artística que se realiza haciendo uso de la voz.
  • Música. Disciplina artística en la cual se utiliza cualquier tipo de instrumento musical o sonidos para generar un ritmo. La música también incluye al canto.

Artes literarias

  • Poesía. Composición literaria escrita en verso o prosa que se utiliza para expresar ideas, sentimientos y emociones.
  • Narrativa. Composición literaria escrita en prosa que cuenta una historia a través de un narrador. Entre las formas más comunes están los cuentos y las novelas.
  • Drama. Composición literaria basada en el diálogo entre dos o más personas. A través del diálogo se presenta una historia en la que se desarrollan las acciones de los personajes.

Arte y cultura

A menudo se encuentra el concepto de arte asociado al de cultura. El concepto de cultura es un término amplio que abarca todas las manifestaciones individuales y colectivas de una determinada sociedad. Es decir que la cultura incluye tanto el arte como las creencias, tradiciones, valores y costumbres de una comunidad.

La cultura está formada por conocimientos, bienes materiales e inmateriales que transmiten la identidad, la historia y la forma de ver el mundo de un grupo de individuos e incluye la lengua, la religión, la vestimenta, la gastronomía, las artes visuales, los sitios históricos.

Existen diversos tipos de culturas que varían según los elementos que las componen y construyen su identidad. La cultura es trasmitida de generación en generación y el arte es un componente fundamental de toda cultura.

Referencias:

  • “First artists” en National Geographic.
  • “Así es la primera pintura de animales hecha por el hombre, descubierta en una cueva” en BBC.
  • “Venus paleolíticas” en Wikipedia.
  • “Cave paintings change ideas about the origin of art” en BBC.
  • “Narrativa” en RAE.

Última edición: 18 de junio de 2020. Cómo citar: “Arte”. Autor: María Estela Raffino. De: Argentina. Para: Concepto.de. Disponible en: https://concepto.de/arte/. Consultado: 13 de julio de 2020.

Fuente: https://concepto.de/arte/#ixzz6S83OmIUN

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Pérez Art Museum Miami

ARMANDO REVERÓN’PHOTOS

ARMANDO REVERÓN
ARMANDO REVERÓN
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Pérez Art Museum Miami

Armando Reverón Art

ARMANDO REVERÓN
ARMANDO REVERÓN
Perez Art Museum PAMM
Pérez Art Museum Miami

ARTE MADÍ

Constructivismo, concrete art
Constructivismo, concrete art

Arte Madí was an artistic group formed in Buenos Aires in 1944 devoted to pure geometric abstraction

Founded by the artists Gyula Kosice, Rhod Rothfuss and Carmelo Arden Quin, Arte Madí had a commitment to expressing the reality of modern life through non-figurative concrete art. In 1946 they published a manifesto in which they declared the importance of ‘the true constructive spirit which has spread though all countries and cultures’.

They were one of two artistic groups formed around the same time in Buenos Aires who pursued geometric abstraction – the other being the Asociación Arte Concreto-Invención. The style of Arte Madí was more playful and inventive than that of the Asociación Arte Concreto-Invención. They painted on irregular shaped canvases and experimented with three-dimensional objects.

They also published a journal, Arte Madí Universal that encouraged exchange with fellow abstract artists across the world. The group were to have an influence on the neo-concrete movement that emerged in Brazil in the 1950s.

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Artista dominicana Iris Pérez Romero

Iris Pérez
Iris Pérez

Artista dominicana hace llamado de alerta sobre el ‘bullying’ y la violencia

Elena Iglesias

La artista Iris Pérez Romero con la presentadora de Univisión Teresa Rodríguez en la inauguración de la muestra en el edificio Newsport de Univisión/Noticias. CORTESÍA CÁNDIDA PÉREZ

La artista visual dominicana Iris Pérez Romero propone una reflexión sobre los distintos tipos de violencia a los que están expuestos los niños y adolescentes en los hogares, las escuelas, las calles y en las redes creadas por la tecnología. Este es el foco de la muestra individual Bullying, Grooming and Sexting -un llamado de alerta a través del arte-,que presenta en el edificio Newsport, de Univisión/Noticias, en Doral.

“Estoy tratando de asumir lo súbito de mi mirada en el mundo, y ese mirar en el mundo es el temblor de la caverna que tenemos todos, porque necesitamos volver a despertar las dudas que trae nuestro destino. Y eso se manifiesta en la creación, igual que en la conciencia de los pueblos”, dice la pintora, que es la primera artista en exhibir sus obras en la sede de los nuevos estudios de Univisión.

Para Pérez Romero, el motivo central de su muestra, auspiciada por el grupo Orgullo@UCI, es establecer un canal de conexión entre las obras creadas y las personas que tengan contacto con estas, para que las lleve a la reflexión, ya sea durante la exhibición o por las imágenes colocadas en los blogs, diseñados para continuar con ese proceso de conexión.

“Los niños, por su edad, son vulnerables, y esto los hace propensos a ser víctimas de lesiones y abusos por las distintas vías que toco tanto en esta muestra como en obras creadas en épocas anteriores. La falta de información y de concientización que existe en muchos países hace que, en vez de disminuir, los casos vayan en aumento, generándose más violencia. A esto se suman las nuevas formas de violencia creadas a partir del crecimiento de las redes tecnológicas”, afirma.

La artista dice no recordar ninguna etapa en su proceso de creación en la que el contenido social no marcara las pautas a seguir, “tanto cuando he tenido que hablar de las sombras, como de los estados de luz”.

Pérez Romero considera que estos son males que unen a todas las culturas, y a los distintos estratos sociales, ya que los síntomas que surgen como resultado de ser abusado y violentado son los mismos en todos los seres.

“La muestra está dirigida tanto a mi país, República Dominicana, que debería tener una mejor plataforma, creada para que se oriente y se trabaje con estos temas, como a países donde todavía existen tasas muy altas en casos de violaciones, trata de seres, matrimonios a muy temprana edad, embarazos en niñas y adolescentes, prostitución infantil, raptos, el crecimiento de acoso por las redes tecnológicas, discriminación y marginación por distintas razones”, enfatiza.

A la pintora le interesa mucho todo lo que afecta a los seres humanos y su entorno, tanto lo que los conmueve negativamente, como lo que los rodea de paz. “El acoso y también la discriminación, que trata profundamente esta muestra, son parte de las problemáticas globales que han impedido una mejor coexistencia, ya que han existido y siguen existiendo en numerosas culturas. Muchos seres no solo son acosados sino discriminados solo por el hecho de nacer mujer, por su preferencia sexual, por factores económicos, de raza y religión: una lista interminable”, manifiesta.

Pérez Romero, además, va a inaugurar la exposición Hija del sol el 28 de mayo en Madrid, España. “Allí intento llevar a la reflexión sobre la importancia de la luz en nuestras vidas; el derecho que tenemos a vivir en paz, tener educación, libertad, amor, vivir con equidad. Hija del sol representa la decisión de que, a través de nuestras energías y otras que recibimos, seamos parte de los cambios que necesita este planeta para una mejor coexistencia”, adelanta.

Aunque se recuerda desde muy niña con un lápiz en la mano, ya a partir de las herramientas adquiridas en las escuelas de bellas artes y la universidad, los personajes que la acompañaron desde su niñez fueron consiguiendo una madurez fruto de sus vivencias creativas. En ese momento comenzó a presentar sus obras en exhibiciones y proyectos de arte.

“Me he caracterizado por ser una creadora multidisciplinaria, ya que no tengo fronteras al crear; dibujo, pintura, obra gráfica, escultura, instalación, cerámica y la combinación de medios mixtos son las vías por las que he podido desarrollar mi proceso. Lo que hago son recreaciones de la esencia del ser en la naturaleza, por las distintas manifestaciones, y así construir la memoria que somos desde la eternidad”.

‘Bullying, Grooming and Sexting’, de Iris Pérez Romero, en el edificio Newsport de la cadena Univisión, 8551 NW 30 Ter. (NW 87 Ave.), Doral, Hasta el 23 de mayo, http://irisperezromero.blogspot.com/

Source: https://www.elnuevoherald.com/noticias/sur-de-la-florida/article21426285.html

EXPOSICION

Arte y reflexión

La artista dominicana Iris Pérez ha asumido la misión de crear conciencia a través de sus obras con la muestra “Bullying, Grooming and Texting”, presentada en el edificio de la cadena televisiva Univisión en Newsport, Estados Unidos desde el 23 de abril hasta el 23 de mayo de 2015.

Bajo el auspicio del grupo OrgulloUCI, y las comisarias Leilani Garrido, Elisabeth Cotte y Cándida Pérez, este trabajo consiste en una colección de dibujos y pinturas que abordan temas que afectan de manera negativa a niños y adolescentes tales como el acoso y la intimidación. 

¿Cómo empieza a trabajar en el arte?
Al mirar hacia atrás,  en el medio de la convivencia con mi familia,   me recuerdo con un lápiz en la mano.   Personajes que afloraban en las paredes y en las hojas de los cuadernos de la escuela que hoy siguen apareciendo en mi proceso creativo con otros vestidos. Las enseñanzas técnicas aprendidas en la Escuela Nacional de Bellas Artes  y la UASD posibilitaron que continuaran su existencia.  Pero ese impulso que me llevaba a crear,  es el mismo que años atrás,  esa voluntad que originaba que esos seres fueran parte de mi universo continua hasta hoy intacta, entonces mis vivencias  creativas iniciaron desde que tengo existencia. 

¿Qué motiva a Iris Pérez a crear?
La oportunidad de fundir materia y espíritu a través de las vivencias  que te da el poder crear. Para mí todo lo que se materializa en el arte fluye a partir de estas experiencias, que son un resultado también de experiencias externas y la memoria que te remonta al pasado. 

¿Qué tan importante es el arte para República Dominicana?
Es básico, importante, necesario para cualquier pueblo y lo ha sido siempre, demostrado desde los registros que nos muestran cómo era la vida, por dibujos hechos por la mano de hombres y mujeres  encontrados en las cavernas.  Los artistas han sido capaces de enfocar realidades que han producido grandes cambios en la existencia humana. La República Dominicana no está exenta del aporte que han hecho los creadores para construir lo que hoy somos como  país, y de lo que será su desarrollo futuro. Aunque nuestros gobernantes hayan olvidado su importancia. 

¿El hecho de ser mujer le hace tener una visión diferente del arte?
Las vivencias que tiene un ser por medio a los procesos creativos no tienen  nada que ver con género.  Lo que importa es el alma y como esa alma es apta para recibir y dar a partir de los momentos vividos. Aunque solo el hecho de ser mujer me da una visión radial de ver la vida y así lo asumo, como la visión que han tenido nuestras madres;  de mi madre aprendí muchas cosas que hoy se reflejan en mi obra.  Pero la palabra “género”, muchas veces se usa cuando se plantean divisiones y estas divisiones  históricamente han violentado la existencia de los seres humanos por un asunto de poder y falta de equidad, ya que nuestros pueblos  han hecho hasta lo imposible por no salir de una sociedad  patriarcal, que trae muchas injusticias. 

¿En qué consiste la exposición Bullying, Grooming and Sexting?
Es un  llamado de alerta través del arte,  nos lleva a reflexionar sobre  la violencia a la  que  están  siendo expuestos nuestros   niños, niñas y adolescentes tanto en los hogares, las escuelas, como las generadas a través de las plataformas creadas por las redes tecnológicas.  

Trata también sobre la falta de equidad e intolerancia entre los seres humanos, ya que en muchas culturas personas están siendo acosados y discriminados  solo por el hecho de nacer mujer, por preferencia sexual, por factores  económicos,  raza,  religión; y esta es una lista interminable.

Usted es profesora de arte, ¿qué tanto interés tienen los jóvenes de RD en las artes?
Mucho, en especial en los últimos años.  Si te hablo de los jóvenes de la Escuela Nacional de Artes Visuales, donde imparto clases, están pasando cosas muy interesantes;  se están uniendo en grupos participando de forma conjunta desde sus primeros años de escuela, creando proyectos independientes que han puesto en marcha y han continuado estudiando, están saliendo a las calles a crear, eso es importantísimo para la sociedad.  

¿Qué tan importante es, para un artista dominicano, salir de la isla?
Es importante salir a cualquier lugar que te enriquezca culturalmente.  También son muy importantes  las vivencias en lo interno de la isla, la relación con nuestros recursos, nuestras raíces, nuestro pueblo, la familia, engrandece el proceso que vivimos.  Ahora la travesía más determinante es  el viaje al interior de nuestro ser. 

¿Qué otros planes tiene Iris Pérez?  
Seguir existiendo.  Continuar con mis reflexiones  y vivencias  a través del arte.  Aunque  todavía no termina esta ruta del 2015 que inicio con la muestra colectiva  Alta Gracia, ya que el 28 de mayo se inaugura mi primera muestra individual en Madrid, España.  La comisaria de la exhibición es Almudena Ríos y la muestra se realizará en Brininvest (Bridge International Investments) del Grupo ByBossy & Partners.

Tengo a la vez varios  eventos colectivos internacionales ya confirmados  durante el transcurso del año.

La artista Iris Pérez Romero posee varios logros entre ellos haber sido seleccionada en el 2004 por la organización ARTIADE para representar al país en las olimpiadas del arte, con motivo a los Juegos Olímpicos “Atenas 2004”. Desde el 2000 participa en la muestra Women of the World, con una ruta itinerante en diferentes museos, galerías y centros culturales del mundo. Fue seleccionada para representar el país en las IV y V Bienal Internacional de Arte de Beijing, en el Museo Nacional de Arte de Beijing, China, durante 2010 y 2012. A partir del 2011 realiza el Monumento escultórico Luz del Mundo, en Santo Cerro, La Vega, comisionada por el Ministerio de Turismo.

Entrevista por Indhira Suero

Source: https://listindiario.com/ventana/2015/05/24/368294/iris-perez-arte-y-reflexion

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Pérez Art Museum Miami

ALUNA Art Foundation Presents Creation At Art Palm Beach

ALUNA Art Foundation
ALUNA Art Foundation

The curated project is part of the FOCUS section dedicated to Latin American Art

Participant artists: Stella Bernal de Parra, Muu Blanco, Karim Borjas, Humberto Castro, Jorge Cavelier, Sonia Falcone, Fernanda Frangetto, Alberto Gómez, Marcela Marcuzzi, Lydia Rubio and Gladys Triana. The word “creation,” “the act of creating or making something exist; created thing, that which is created,” comes from the Latin creationem: “a creation, a production.” In the Book of Genesis, it is equivalent to the formation of heaven and earth, and everything they contain. But its meaning also encompasses the invention of culture: everything that human beings, makers created “in the image and likeness” of God, make with their own art and skill. We are not just Homo faber: we are the species that creates by imaging, adding to what already exists something that was not there before, or, paradoxically, razing the world. The creation-destruction duality transcends cultures and religions, and ultimately refers to human responsibility. Creation gathers a set of works in different media by Latin American artists, reflecting on the way we get in touch with the created world that is our environment. In these works as a whole we may find, as in the days of Genesis, the appearance of light, water, skies, land, vegetation, moon, sun, stars, animals, male and female, but above all, the dilemmas of freedom in the face of natural and artistic creation in this land outside of Eden.

Sonia Falcone (Bolivia, 1965) painted The Creation (2009-2020) to evoke the Book of Genesis as a “mandala” or sacred circle. The light of the first day —which marked, through its separation from the night’s darkness, the beginning of time— is represented by a white central circle around which new circles emerge, formed by triangles of tenuous colors. Their material intensity increases as the dimensions of the work expand, but each seventh day is marked by a circle of golden triangles. A second visual perception is provoked from the whole as optical intersections irradiate the astounding geometry of the world. The work seems to reverberate. But the irruption of chaos in the form of a scratch made by human hands happened during an itinerancy move. Falcone assumed the wound, restoring it and asserting that, strangely enough, it was a way to complete one of the her rare works that did not contain, below the surface, an allusion to the collective pain brought about by the destruction of the common home that is the planet. The Creation originated a series of iconic worlds, like Color Fields, 2012, a geometric installation with colorful cones formed with minerals salts and aromatic spices celebrating geographic and cultural diversity around the world. The piece has traveled extensively after its display in the 55th Biennale di Venezia, and one version was acquired by the Nevada Museum of Art after being exhibited in Unsetled, 2017, organized by JoAnne Northrup, with Ed Ruscha as collaborating curator.

Fernanda Frangetto (Brazil, 1976) constructs the gesture of raising water with beeswax. Following the fluid motion of her own hands, she molds their curled marine shapes in pursuit of “the art of a tri-dimensional stroke.” Sculpted in bronze, the waves sustain the living fluidity of this element whereupon the Spirit of God moved before anything else existed. In her sculptures, she gives different tonalities to the waves, through plating processes, alluding to the contrast between the life-giving ocean and the seas polluted by human madness that have cause an infinitude of organisms to succumb. Her raised waves are a language that closes the abyss that separates us from nature.

The earth appears in the work of artists that have kept in their paintings an unwavering relationship with the landscape. Jorge Cavelier (Colombia, 1953) believes that the landscape exists because there is an observer beholding it. In his circular forests, cut with laser on metal, the groves are infinite and the emptiness in their center locates the vision of an awakening: we are all invited to return to the experience of beauty evoked by John Keats in his famous poem: “Therefore, on every morrow, are we wreathing/ A flowery band to bind us to the earth.” Each circular forest is formed by a double set of metallic groves suggesting the visual possibility of rotation or change. They possess neither obverse nor reverse as such, and to see the totality of each image the spectator must move around them. His paintings carry with them not only the vision of the natural world that dazzled him in his childhood, when he got up to see the countryside awakening, “as if it had just been created,” but also the teachings of such masters as Turner, Monet, or Klimt, whose techniques allowed him to create, instead of geographically referential sceneries, “contemplative atmospheres.” It is a landscape inseparable from the ontological territory of being and the self-reflective process of artistic creation.

The work of Lydia Rubio (Cuba, 1946), also a profound connoisseur of art history and techniques, is inseparable from the landscape, a “forbidden” genre, as she explicitly writes in a work, but deeply inscribed in conceptual exercises. Creation features a polyptych of six paintings featuring skies, waters, land, and vegetation. Each one is identified with a letter from the alphabet, in such a way that they can be displayed in different combinations, forming two Spanish words: “imagen” (image) or “enigma.” The latter “is written the same way in many languages,” she claims. In the diptych Series Savanah, # 1 and 2, 2014, fragmented panoramas are inscribed in a changing format. It is not only the circle-square sequence or vice-versa, disposed in an order opposite to the title (2-1), suggesting the possibility of changing the sequence and interrupting continuity, but also an inquiry into the relationships of the contained and subtracted that points back to the landscape as a territory of thinking.

From Stella Bernal de Parra (Colombia, 1933), one of the great pioneers of textile art in Latin America, Creation includes the masterly Eclipse Solar, 1980. The hanging piece, one of the first to incorporate copper “lines” to the wrap, represents in its double face day and night. It has been weaved in such a way that segments of very fine, frayed cloth emerge from the interior of the virgin wool, creating translucent sections. Besides the beauty of her structural design, Bernal de Parra manages to bestow a kinetic quality on the textile: depending on the spectator’s position, the circular form, built by the copper warp interlaced with the wool, simulates either a full moon or the sun—if looked from one side or the other—for it is either darkened or enlightened. The work pays homage to humanity’s arrival on the moon, but also evokes the sacred relationship with the cosmos of ancient pre-Columbian cultures.

In the installation, Moon Phases, 2017, Marcela Marcuzzi (Argentina, 1970) proposes a journey to the lunar landscape that requires a magnifying glass to appreciate the details of the unknown topography, which science once envisioned as the Lacus Somniorum (Lake of Dreams). She knows that the lake is actually a plain located in the northeast of the visible side of the Moon, but she also knows that landscapes are a history of sightings. Although her drawings on cotton paper are inspired by actual satellite images, she takes the liberty to insert fantastic images related to the imaginary moon that nurtured remote mythologies. Fragments of sand, delicate interventions with drawings, and gauzes and other wraps, Swarovski crystals, sand, and even sewn photographs, recreate an iconography that encompasses the real Moon as much as the artist’s subjective poetics in a polyptych with eight boxes treasuring the lunar phases. Also circular are the organic forms conforming the complementary series Boundaries (inspired by micro-universes). Marcuzzi plunges into the representation of cellular organisms, astonished by the biological mystery of life they represent as much as by the fact that they can mutate and destroy it. “It is an immersion ─she states─ into the liminal area that separates opposites: sanity from madness, life from death, creation from destruction.” She intervenes its forms conjugating science and art while meditating on its parallelism with human frailty. The extremely delicate poetics built with transparent gauze, a ductile material related to wounds and healing, or with fragile threads piercing the surface when she sews or adheres fragments, is driven by a meditation on the corporeity that constitutes us. Her work is, of course, an inquiry on the ultimate questions. “I am interested in the visceral as much as in the revelation. By approaching the macro and the micro I speak of God and His creation,” she points out.

On the other hand, in Yellow Garden I and Yellow Garden II, 2019, Humberto Castro (Cuba, 1957) paints the shading, red bodies of a man and a woman, alone and naked—one on each side of the diptych—in a garden that is not Eden but remind us of it. Or rather remit us to the lost paradise of Eastern and Western mythologies—in the Sumerian Gilgamesh, the fruit of the tree of life is stolen by the snake—like, for instance, in Expulsion from the Garden of Eden, 1928, by Thomas Cole. These new Adam and Eve by Humberto Castro have wings like angels, but are barely beginning to learn how to fly. The garden stretching on a vast yellow horizon is displayed without trails and the sprouts in the painting are intertwined with thorns. Not having found yet the secret of levity that would allow them to fly, they are surrounded by flowers, while in the feminine garden, where there is a dark bird which does not fly either, there are flowers as well as fruits as a remembrance and promise perhaps of an Eden of their own. The landscape in this new imaginative figuration has a double temporary condition: it inserts the archaic in the reflection of interiority in this land where nothing is as unknown as the human being.

A section of the curatorship is explicitly related to the representation of hands. In Michelangelo’s Creation of Adam, God’s stretched hand bestows the sacred beginning of life by touching the first man. But the hand of this newly created Adam is that of the artist himself, marked by the arthritis with which he fought while painting this immortal fresco. Drawn or painted countless times in art history, from rock art onwards, hands represent the power to create despite our being exposed to pain. They also refer to the healing or destruction that could be provoked by contact with the environment, or by touching the “tree of life,” as Diego Rivera wrote in Las manos del doctor Moore, 1940.

Following a tradition dating back to Hyeronimus Bosch, Tiziano and Caravaggio, among others, Karim Borjas (Venezuela, 1959) unties in his photographic installation the hands of Ecce homo (Christ presented to the crowd by Pilate), identifying them with those of the artist, stained with paint and adding a mythical, playful vital resource: an actual red thread. The piece, belonging to the Series El lado oscuro del Eden (The Dark Side of Eden) alludes to the human act of stretching this thread and choosing the bearing of either fate or an oeuvre. In a series of small-format photographs signaling her transition from painting to this medium, Gladys Triana (Cuba, 1934) portrayed her hands in the manner of a diary in planes referring to her environment. Though she inhabits the metropolis, she chose an image of greenery: the plants created before us. The world is already written, but she holds a white pencil to re-draw it. The trace of points left on the image of the natural world is a conscious statement that the landscape is a relational space in which we inscribe what we are. Also, visible and powerful are the hands of the indigenous musician portrayed on wood in Sin título (Los sonidos del silencio) by Alberto Gómez (Colombia, 1956). The eyes shut and the fingers playing an unseen instrument open our internal senses to the force of human creation. Muu Blanco (Venezuela, 1964) has been making a gestural diary, a series of abstract micro-paintings on which he loosely draws with markers on photographic paper lines that are as delicate as they are vital. He installed that painted journey in sheets on the wall as an exercise of creative reaffirmation of the power of the soft and subtle in uncertain times. In our hands is the responsibility of imagining the next day of creation—after all, we are co-creators of the world we share.

ALUNA Art Foundation Booth 532

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Pérez Art Museum Miami

Javier Lazo y su empresa de perfumes, Ezenzia, fueron distinguidos por la Alcaldía de Doral

Javier Lazo y su empresa de perfumes, Ezenzia, fueron distinguidos por la Alcaldía de Doral

El de ayer, jueves, fue un día especial para la empresa Ezenzia, que importa y distribuye perfumes árabes en nuestro país y en todo el Continente. Ocurre que la compañía tiene su sede en la pujante ciudad de Doral, en el suroeste de Miami, y fue reconocida por la alcaldesa de la localidad, Christi Fraga. A través del vicealcalde, Rafael Piñeyro -ya que ella se encontraba ausente por motivos personales-, entregó al fundador y propietario de Ezenzia, Javier Lazo, un certificado oficial de congratulación. “El ejemplo de Ezenzia es inspirador para otros emprendedores”, rezaba, entre otras cosas, el diploma, firmado por Fraga. 

“Nos gusta que los empresarios y empresarias apuesten a la ciudad y mejor aún si les va bien como a Ezenzia ya que eso implica el reforzamiento de fuentes de trabajo para decenas de familias”, expresó Piñeyro, durante una sencilla ceremonia realizada en horas de la tarde, en la sede de la Alcaldía. “El certificado de reconocimiento va en nombre de la alcaldesa, del concejo de la Ciudad y, por supuesto, de los habitantes de Doral”, manifestó el vicealcalde.

Lazo recibió el galardón con una amplia sonrisa y comentó:”Para nosotros es un placer pertenecer al grupo de emprendedores de esta hermosa ciudad y para mí es un privilegio recorrer este largo pero fructífero camino junto a mi maravilloso equipo de trabajo”. A su lado estaban dos de las principales colaboradoras del empresario, Jessica Fonseca, imagen y vocera de Ezenzia, y Nazareth Roa, responsable de la redes sociales. “Este reconocimiento es otra muestra de que el que persevera, triunfa”, comentó, agradecida, Fonseca. 

Lazo nació en Cuba y llegó a Miami en 2013. Comenzó su emprendimiento de perfumes en el 2020. Ezenzia importa fragancias desde Dubai y el resto de los Emiratos Árabes Unidos. En Doral tiene su sede y una tienda de atención al público en general. Desde allí distribuye los perfumes árabes a todo Estados Unidos y al Continente Americano. Vende perfumes para damas y para caballeros. Sus principales vías de conexión son su página web, www.ezenzia.com, y sus cuentas en las redes sociales.

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