City of Doral Presents: 2025 Hispanic Heritage Art Exhibit

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2025 Hispanic Heritage Doral Art Exhibit

City of Doral | Doral Cultural Arts Center
[email protected]
(305) 593-6725
www.cityofdoral.com

City of Doral Presents: 2025 Hispanic Heritage Art Exhibit

Curated by Félix Suazo
Opening Reception: Thursday, September 11, 2025 | 6:30 – 8:30 PM
Location: Doral Cultural Arts Center | 8363 NW 53rd Street, Doral, FL 33166

DORAL, FL – The City of Doral is proud to announce the 2025 Hispanic Heritage Art Exhibit, curated by renowned curator and art critic Félix Suazo. This dynamic exhibition opens with a public reception on Thursday, September 11, from 6:30 to 8:30 PM at the Doral Cultural Arts Center. The exhibition will be on view from September 11 through October 9, 2025.

In honor of Hispanic Heritage Month, the exhibit showcases a vibrant and thoughtful collection of works by 31 local artists, offering powerful reflections on memory, migration, tradition, and identity. Through painting, sculpture, photography, video, installation, and sound, the exhibition underscores the richness and diversity of Hispanic culture and its deep-rooted presence in the United States.

GUEST ARTISTS INCLUDE:

Uaio Antor
Néstor Arenas
Richard Garet
Luis Gómez
Andrés Michelena
Vero Murphy
Charo Oquet
Marisa Tellería
Lisu Vega
Julia Zurilla

These 10 guest artists delve into themes such as the semiotics of materials and objects, the poetic dimensions of language, the emotional terrain of migration, and Miami’s cultural landscape.

In addition, an open call brought forth the creative voices of 21 additional local artists, whose works explore ancestral memory, cultural rituals, and daily life through a heritage lens—from traditional garments and indigenous symbology to culinary traditions and folkloric celebrations.

EVENT DETAILS:

📍 Doral Cultural Arts Center
8363 NW 53rd Street, Doral, FL 33166
📅 Opening Reception: Thursday, September 11, 2025
🕡 Time: 6:30 PM – 8:30 PM
🖼️ Exhibition Dates: September 11 – October 9, 2025

The 2025 Hispanic Heritage Art Exhibit is more than an art show—it’s a celebration of cultural coexistence and a space for connection, where contemporary art meets ancestral memory. Don’t miss this opportunity to experience how art can reflect the multifaceted identity of Hispanic communities today.

Heritage and Legacy: Solo Exhibition by Elizabeth Stainberg

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Heritage and Legacy: Solo Exhibition by Elizabeth Stainberg

Thursday, September 11 · 6 – 7:30pm EDT

Kimpton EPIC Hotel 270 Biscayne Boulevard Way Miami, FL 33131

Experience Heritage and Legacy, the Debut Solo Exhibition by Elizabeth Stainberg, exploring migration and memory through art.

Heritage and Legacy

A Solo Exhibition by Elizabeth Stainberg

You’re invited to the Debut Solo Exhibition of Elizabeth Stainberg, a multidisciplinary artist whose new series, Heritage and Legacy, explores migration, memory, and the enduring power of human movement.

🗓 Date: Thursday, September 11th, 2025🕕 Time: 6:00 PM – 7:30 PM📍 Kimpton EPIC Hotel270 Biscayne Blvd Way, Miami, FL 33131

✨ Complimentary appetizers will be served

Exhibition Statement: Heritage and Legacy

“I explore the deep and timeless human experience of movement — across lands, across waters, across boundaries both visible and invisible.

The central visual language of the series is circular. Surrounding these are other pieces representing oceans and seas, not merely as geographic features but as vast, emotional spaces that connect and divide. The circles speak of continuity, but also of isolation.

The silent travelers cross from one continent to another, suspended in mid-journey. These humble figures symbolize the personal and collective stories of migration — stories of hope, struggle, displacement, and resilience.

My intent is to create a quiet, contemplative space where viewers are invited to reflect on their own histories of movement, whether ancestral, recent, or imagined — in a time when borders are being redefined and the meaning of belonging is constantly shifting.”— Elizabeth Stainberg

About the Artist

Elizabeth Stainberg is an Argentinian-American multidisciplinary artist exploring various techniques including watercolors, inks, photography, sculpture, pencil, acrylic paint, and oil. Her work is a reflection of curiosity and experimentation, with a focus on life as a central theme — animals, landscapes, flowers, and people — often inspired by moments of peace found in nature, particularly sunsets.

Since 2001, Elizabeth has lived and worked in Miami. She holds an associate degree in Child Development from Miami Dade College, and has trained under renowned mentors and institutions including the Miami International Fine Arts (MIFA), where she has served as Artist in Residence since 2023.

She has exhibited her work at Barry University, the Miami Watercolor Society, and the InterContinental Hotel, and contributed to public art through commissions for the City of Hallandale and Pembroke Gardens Shops. As an art educator, she has inspired children and adults alike through her work with the Miramar Cultural Center, the Conservatory of Music and Art Kalos, and independent instruction.

Please join us in celebrating this powerful moment in her artistic journey.Admission is free | RSVP required

We look forward to seeing you there.

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONSFOR ART WEEK MIAMI BEACH 2025

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Oscar Esteban Martinez's "La Herencia Viva"

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONS
FOR ART WEEK MIAMI BEACH 2025

Miami Beach’s Cultural District Features Philippe Katerine’s “Mr. Pink Takes Flight,” Works by Gillie and Marc, the Inaugural Call to Artists Winner Oscar Esteban Martinez’s “La Herencia Viva” and Rubem Robierb’s Sculptures

Philippe Katerine’s “Mr. Pink Takes Flight” – five monumental bubblegum-pink inflatables and one sculpture (ranging from 12 to 20 feet tall) bringing Katerine’s playful philosophy of Mignonisme (“Cuteism”) to life, turning rooftops and sidewalks into whimsical, interactive art experiences.
Oscar Esteban Martinez’s “La Herencia Viva” – the winning sculpture from the Lincoln Road BID’s inaugural Call to Artists program, featuring a fragmented mirrored human face that invites viewers to see themselves reflected while exploring themes of identity, coexistence and belonging along the promenade.
Rubem Robierb’s “Dream Machine” and “Empower Flower” –interactive public sculptures encouraging visitors to reflect and participate, symbolizing resilience, hope, transformation and the power of dreams fulfilled.
Gillie and Marc’s “The Wild Couch Party,” “Watch Out for Paparazzi Dog”, “Watch Out for Paparazzi Rabbit” and more – new large-scale bronze sculptures joining their existing works along Lincoln Road, continuing the duo’s mission of raising awareness for endangered wildlife while engaging visitors through playful, interactive public art.

Lincoln Road, Miami Beach’s iconic open-air pedestrian promenade, cultural hub, public art park and sculpture garden, will once again come alive for Art Week Miami Beach 2025 with a strong lineup of free public art with 14 installations. Headlining the program are: French artist Philippe Katerine’s monumental “Mr. Pink Takes Flight” inflatables, Rubem Robierb’s “Dream Machine” and “Empower Flower”, Oscar Esteban Martinez’s “La Herencia Viva”—the winning sculpture from Lincoln Road’s inaugural Call to Artists—and expanded works by internationally celebrated duo Gillie and Marc.

At the forefront of Lincoln Road’s Art Week 2025 installations is “Mr. Pink Takes Flight” (“Monsieur Rose s’envole”), a series of six cartoon-like bubblegum-pink pieces (five inflatables perched on buildings, one sculpture at street level) towering between 12 and 20 feet tall. Katerine, who lives in Paris, is a celebrated singer-songwriter, actor and visual artist who consistently blends humor with reflection on everyday life, challenging audiences to see the world through fresh and unexpected perspectives. The artworks embody Katerine’s philosophy of Mignonisme (“Cuteism”), a movement celebrating the aesthetics of cuteness. They were produced by EXMURO, a public art organization based in Quebec City, Canada and rentingART, an art agency based in Paris, France. The installations will be on view from November 2025 through April 2026.

“Mr. Pink was created to bring humor, tenderness and joy into everyday life,” said Katerine. “He embodies my vision of Mignonisme, which celebrates the power of cuteness to transform ordinary spaces into places of wonder. Seeing him arrive on Lincoln Road during Art Week Miami Beach is especially meaningful: The street is not only a cultural landmark but also a true open-air gallery where art and daily life meet. It feels like the perfect home for Mr. Pink, who was born to surprise, delight and spark moments of playfulness. My hope is that he adds another layer to this dialogue—turning rooftops and sidewalks into spaces of poetry, color and imagination.”

Adding to the lineup is “La Herencia Viva” (“The Living Heritage”) by Miami-based Colombian artist Oscar Esteban Martinez, the winner of the Lincoln Road Business Improvement District’s (LRBID) first-ever Call to Artists. Selected from over 75 international submissions, the installation features a fragmented human face crafted from puzzle-like segments and mirrored panels, exploring themes of identity, coexistence and belonging. Positioned along the promenade, the work invites visitors to see themselves reflected within it and contemplate the connections that unite communities. The piece will remain on view through June 2026.

Lincoln Road will also be showcasing two sculptures by internationally recognized visual artist Rubem Robierb, who has previously presented works along the promenade and had his design chosen as Miami’s Official Host City Poster for the FIFA World Cup 2026. “Dream Machine” represents the materialization of human wishes and the timeless longing to see dreams fulfilled, with its wings symbolizing resilience and hope while inviting visitors to stand between them, close their eyes and imagine a place where dreams come true. “Empower Flower”, inspired by the White Lotus, extends Robierb’s exploration of universal symbols of transformation and strength, translating the emblem of rebirth and feminine power into a contemporary icon through sweeping and fluid lines. Known for creating interactive works that invite personal reflection and participation, Robierb has exhibited widely with public sculptures in New York, Miami and beyond, further underscoring his ability to capture the spirit of resilience and cultural identity through art.

Further enriching the Art Week Miami Beach program is Lincoln Road’s partnership with Gillie and Marc, internationally acclaimed artists described by The New York Times as “the most successful and prolific creators of public art in New York’s history.” Their works on display include “The Wild Couch Party,” a 40-foot-long bronze sculpture featuring 12 endangered animals gathered alongside the duo’s signature characters Dogman and Rabbitwoman, as well as “Watch Out for Paparazzi Dog” and “Watch Out for Paparazzi Rabbit.” These new installations, on view until July 2026, join the artists’ earlier pieces already on view along the promenade, “The Giraffe and Chimpanzee Were on a Wild Ride to a Safer Place with Rabbitwoman and Dogman” and “The White Rhino Bench of Friendship,” continuing their mission to raise awareness for wildlife conservation through accessible public art.

“Lincoln Road has long been a destination where culture, commerce and creativity intersect,” said Lyle Stern, president of the Lincoln Road Business Improvement District. “Our commitment to public art is at the heart of that vision. From supporting world-renowned artists like Philippe Katerine and Gillie and Marc, to launching our inaugural Call to Artists program, the BID works to make Lincoln Road a public art park and sculpture garden where everyone can experience innovative, thought-provoking installations. Art Week Miami Beach is the perfect opportunity to showcase how public art transforms the promenade, encourages conversation and connects our community and visitors through shared experiences.”

From gallery experiences to interactive activations along the promenade, Lincoln Road offers a full spectrum of artistic engagement. Beyond large-scale installations, it features more than nine boutique art galleries with rotating art, showcasing everything from photography and contemporary paintings to sculptures and mixed-media works. Visitors can discover pieces by emerging local talent as well as established international artists, attracting over 10 million people annually and reinforcing Lincoln Road as a year-round cultural destination. Visitors can explore exhibits across the district, including special programming during the Lincoln Road Art Walk, held every third Thursday of the month. In addition to visual art, Lincoln Road is also a hub for the performing arts, including the New World Center, home of the New World Symphony, and the Colony Theatre, home to Miami New Drama.

To stay updated on Lincoln Road’s Art Week Miami Beach activations and upcoming public art installations, visit lincolnroad.com or follow on Instagram @lincolnrd.

About the Lincoln Road District

Lincoln Road is Miami Beach’s vibrant, open-air promenade where the city’s energy and creativity come to life. Stretching across eight dynamic blocks, it’s South Florida’s largest pedestrian-only district, offering an unbeatable blend of world-class shopping, diverse dining and rich cultural experiences. With over 200 shops and restaurants, from renowned global brands to beloved local favorites, Lincoln Road is the ultimate destination for entertainment, inspiration and connection. Visitors can explore galleries, savor culinary delights and immerse themselves in a calendar brimming with community events and live performances. At its core are cultural landmarks like the historic Colony Theatre, the innovative New World Symphony and the iconic Fillmore Miami Beach, complemented by ever-changing public art displays. Whether strolling through the district’s palm-lined streets or discovering its cultural treasures, the road offers an experience that captures the essence of Miami Beach’s coastal vibrancy. Come see why Lincoln Road draws over 10.8 million visitors annually and be part of the energy that keeps this district thriving. Discover more at lincolnroad.com or follow on Instagram @lincolnrd.

Dorothy F. Schmidt COLLEGE OF ARTS AND LETTERS

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Fall 2025 Exhibitions:

Sarah Paul, Self Stitched: Electric Care

SCHMIDT CENTER GALLERY
On View: August 28, 2025 – October 10, 2025

Celebration Reception: September 11, 2025, from 4:30 pm – 8:30 pm

This solo exhibition on healing, power and the fabric of self surveys the immersive, interdisciplinary practice of artist Sarah Paul, whose work transforms trauma into tactile, participatory environments. Using fiber, video, sound, and light, Paul crafts spaces that hold both pain and possibility, inviting viewers to engage with the body as a site of vulnerability and resilience. Rooted in feminist, punk, and queer traditions, her work explores themes of mental health, power, and the physical and psychological labor of healing. From the enveloping architecture of Fiber Chamber to the performative journeys of Little Miss Cleveland, Paul’s installations challenge societal norms while offering space for reflection, reclamation, and radical self-definition.

A Global Lens: Capturing Culture Through Summer Study

SCHMIDT CENTER PUBLIC SPACE
On View: August 28, 2025 – September 21, 2025

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

A Global Lens showcases projects and photographs created by students and faculty during FAU’s College of Arts and Letters summer programs on campus and abroad, notably in Ecuador and Italy. Through hands-on learning and cultural immersion, participants earn course credits while engaging with local traditions, landscapes, and artistic heritage. This exhibition highlights their summer experiences, offering a glimpse into the transformative power of global education. Featuring images provided by students and faculty supervisors, A Global Lens celebrates the intersection of travel, learning, and creative exploration.

Unearthed Futures: The Archaeology of Tomorrow

RITTER ART GALLERY
On View: August 28, 2025 – November 9, 2025

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

Unearthed Futures: The Archaeology of Tomorrow invites viewers into three chambers where imagined relics of the future offer a poetic critique of the past. In chamber one, Angelo Caruso constructs tactile, tech-infused works destabilizing sensory expectations of “visual art.” Second, Mariana Monteagudo excavates layered narratives, blending organic textures with digital aesthetics to evoke artifacts from yet-to-exist civilizations. In the final chamber, AI-generated texts reimagine the contested histories of early 20th-century African and Oceanian objects—created for the tourist export market and now held in FAU’s collections—using speculative history and sly humor to question collecting ethics and the fictions we tell about provenance. Together, these works suggest that the futures we unearth are never neutral—they are constructed, contested, and strangely familiar. With a cameo by renowned artist Matthew Angelo Harrison, whose sculptural practice interrogates cultural ownership and labor through the lens of post-industrial preservation, this is archaeology turned inside out.

Art Amidst Darkness: Holocaust Testimonies from the Yad Vashem Collection

SCHMIDT CENTER PUBLIC SPACE
On View: October 16, 2025 – November 27, 2025

Opening Reception: October 16, 2025, 6:15pm

Virtual Presentation: October 16, 2025, 7:15pm

Collaboration between the Arthur and Emalie Gutterman Family Center for Holocaust and Human Rights Education and the University Galleries between 1939 and 1945, artists created these artworks from the Yad Vashem Collection, representing a living testimony from the Holocaust and a declaration of the indomitable human spirit that refuses to surrender. The exhibition provides a glimpse into art created during the Holocaust in ghettos, camps, forests, and while in hiding.

CLICK HERE for Zoom Registration

A Century of Jews in Boca Raton: History, Community, Legacy

SCHMIDT CENTER GALLERY
On View: October 27, 2025 – December 14, 2025

Opening Reception: October 27, 2025, from 4:30pm – 8:30pm

This interdisciplinary cultural celebration traces the rich history and enduring contributions of the Jewish community in Boca Raton over the past 100 years. Through photographs, performances, historical documents, and personal narratives, A Century of Jews in Boca Raton explores the cultural, social, and economic impact of Jewish residents, from early settlers to the thriving community of today. Highlighting stories of resilience, activism, and tradition, the exhibition reflects on the evolving identity of Jewish life in South Florida and its lasting influence on the region’s history.

Fall Bachelor of Fine Arts Exhibition

RITTER ART GALLERY
On View: December 4, 2025 – December 17, 2025

Opening Reception: December 4, 2025, from 4:30pm – 8:30pm

The Bachelor of Fine Art (BFA) exhibition is the culminating project for students earning this degree in the Department of Visual Arts and Art History. This semester, the graduating class led by Associate Professor Corey Lamb presents works in a variety of studio media.

The NAMES Project AIDS Memorial Quilt

SCHMIDT CENTER PUBLIC SPACE
On View: December 9, 2025 – December 16, 2025

In recognition of World AIDS Day, the University Galleries is honored to partner for the third year with Compass Community Center and its collaborators to display six panels from the AIDS Memorial Quilt—the largest community art project in history. Now over 35 years old, the quilt is composed of more than 50,000 hand-sewn panels, each one commemorating an individual lost to HIV/AIDS.
The project began in 1985, when activist Cleve Jones invited participants in a candlelight march in San Francisco to honor those who had died by writing their names on placards. Arranged like a patchwork quilt, these placards became the inspiration for what would become the NAMES Project, first exhibited at the National Mall in Washington, D.C., in 1987.

Gallery Hours
Academic Year Hours
Tuesday – Friday: 1 – 4 pm
Saturday: 1 – 5 pm
Closed on Sundays and Mondays

Admissions: FREE

Durban Segnini Gallery Presents: Light for the Amazon

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Contact:
Durban Segnini Gallery
[email protected]
+1 (305) 774-7740
www.durbansegnini.com

Durban Segnini Gallery Presents: Light for the Amazon

Curated by Omar López-Chahoud
Opening Reception & Benefit Event: Thursday, September 11, 2025 | 6:00 – 10:00 PM

Miami, FL – Durban Segnini Gallery is pleased to announce Light for the Amazon, a powerful exhibition curated by Omar López-Chahoud, featuring a dynamic selection of works from the gallery’s collection. The exhibition opens with a special benefit event and reception on Thursday, September 11, 2025, from 6:00 to 10:00 PM, at the gallery’s space in Coral Gables.

Participating artists: Harry Abend, Carmelo Arden Quin, Mario Abreu, Ricardo Alcaide, Antonio Asis, José Luis Cuevas, Elsa Gramko, Sol LeWitt, Roberto Matta, Julio Le Parc, Mercedes Pardo, Richard Prince, Mira Schendel, Manolo Vellojín, and many others.

Bringing together iconic figures of 20th-century Latin American modernism alongside contemporary artists from diverse generations and cultural backgrounds, Light for the Amazon creates a compelling visual dialogue across time. The exhibition explores the intersections of geometric abstraction, loose figuration, and references to pre-Hispanic visual languages, shedding light on the enduring influence of Latin American artistic heritage in today’s global conversation.

The curatorial approach weaves a narrative that not only honors the depth of Latin American art history but also reflects on pressing contemporary themes, including the environmental and cultural significance of the Amazon.

Event Details:
Opening Reception & Benefit Event
Date: Thursday, September 11, 2025
Time: 6:00 PM – 10:00 PM
Location: Durban Segnini Gallery
3072 SW 38th Ave, Miami, FL 33146

Join us for an evening of art, dialogue, and support for the Amazon, as we celebrate a rich artistic legacy and the voices shaping its future.

For more information, please visit Durbansegnini.com for contact the gallery directly at [email protected].

About Durban Segnini Gallery:
Established in 1970, Durban Segnini Gallery specializes in modern and contemporary Latin American art. The gallery is internationally recognized for its commitment to abstraction and its role in promoting cross-generational dialogue between artists rooted in Latin America and those working globally.

Untitled Art, Miami Beach 2025

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Untitled Art, Miami Beach Announces Exhibitors for 2025 Edition

Leading contemporary art fair Untitled Art, Miami Beach announces exhibitors and a new Guest Curators program, ushering in a more collaborative and dynamic curatorial approach for its 14th edition. This year also marks the launch of the fair’s inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, establishing a new cultural destination for contemporary art in the region.

For its 2025 Miami Beach edition, the fair welcomes Guest Curators Petra Cortright, Allison Glenn, and Jonny Tanna with Harlesden High Street, each bringing distinct expertise to shape this year’s sectors and reinforce Untitled Art’s role as a curatorial platform for discovery and emerging talent.

This year, Untitled Art, Miami Beach will feature 157 exhibitors. Comprised of This year, Untitled Art, Miami Beach will feature 157 exhibitors. Comprised of galleries and non-profit organizations from 29 countries and territories, the 2025 edition spans participants from over 70 cities worldwide. The 2025 edition will welcome many new participants, including Harper’s (East Hampton / New York, NY), Meliksetian | Briggs (Dallas, TX), Spencer Brownstone (New York, NY), Gene Gallery (Shanghai, CN), PALMA (Guadalajara, MX), HAIR+NAILS (Minneapolis, MN / New York, NY), Soho Revue (London, UK), and Swivel Gallery (New York, NY) to its Main sector, while reaffirming its commitment to its Nest sector, featuring first-time participants such as A-Lounge Contemporary (Seoul, KR), Cierra Britton Gallery (New York, NY), Hidrante (San Juan, PR), Bolanle Contemporary (London, UK), Post Times (New York, NY), Long Story Short (New York, NY / Paris, FR), Sorondo Projects (Barcelona, ES), and John Doe Gallery (Los Angeles, CA).

Returning exhibitors to the fair’s main and Nest sectors will include Carl Freedman Gallery (Margate, UK), Miro Presents (London, UK), TERN (Nassau, BS), Superposition (Nomadic), CURRO (Guadalajara, MX), Stems Gallery (Brussels, BE), WHATIFTHEWORLD (Cape Town, ZA), CARVALHO (Brooklyn, NY), IRL Gallery (New York, NY), homework (Miami, FL), and Rajiv Menon Contemporary (Los Angeles, CA), reaffirming the fair’s longstanding partnerships and dedication to galleries from across the globe.

“We are continually reimagining what an art fair can be and the vital role that they play in the contemporary art landscape. This year’s exhibitors embody our commitment to discovery through new sectors alongside an expanded Guest Curators program. By championing emerging talent and supporting both new and established galleries, we aim to strengthen our community and also show the possibilities of what an art fair can achieve,” says Clara Andrade Pereira, Executive Director of Untitled Art.

The 2025 Nest sector is curated by Jonny Tanna, founder and director of Harlesden High Street and co-founder of Minor Attractions in London. Tanna’s curatorial approach, grounded in experimentation, seeks to bridge social and cultural divides within contemporary art. “I’m proud to spotlight POC-run spaces that are often excluded from mainstream fairs and to provide them with a platform to reach a broader audience,” notes Tanna. This year, Nest returns in a reimagined format as a continuous section within the fair and has expanded to welcome 36 galleries, embracing the spirit of community at the core of experimental art fair concepts.

As part of a new initiative aligned with Untitled Art’s mission to support broader diversity in its programming, the fair introduces a dedicated section to non-profit organizations as a branch of its Nest sector. Featuring longstanding partners such as LeRoy Neiman Center for Print Studies, Columbia University (New York, NY), Aperture (New York, NY), The55Project Art Foundation (Miami, FL), and Dimensions Variable (Miami, FL), the sector will also include newcomers to the roster such as NYC Culture Club (New York, NY) and New World School of Arts (Miami, FL).

Untitled Art will debut a new sector, ‘Artist Spotlight,’ dedicated to solo presentations and curated by interdisciplinary artist Petra Cortright. This initiative provides galleries a platform to showcase emerging and established artists, focusing on specific bodies of work and providing deeper insights into their practices. Cortright aims to amplify artistic practices that are often underrepresented in art fairs, focusing on digital culture and outsider art. “I was interested in incorporating digital culture, screens, and outsider art — even the concept of the outsider itself — into the fair as much as possible,” she explained. Exhibitors in this sector include Sho Shibuya with Bienvenu Steinberg & C (New York, NY), Jack Butcher with SOLOS (London, UK), Kelvin Haizel with Gallery 1957 (Accra, GH), Lyndon Barrois Jr. with Alma Pearl (London, UK), Eetu Sihvonen with Marc Bibiloni (Madrid, ES), and Joji Nakamura with The Fridge (New York, NY). This sector is generously supported by Shipping Partner, Cadogan Tate.

Allison Glenn, Artistic Director-at-Large of The Shepherd (Detroit, MI) and Curator of the 2026 Toronto Biennial of Art, will lead the fair’s Special Projects, featuring site-specific installations and ambitious projects from artists across North and Central America, distributed throughout the fair. Glenn’s curatorial focus for this year’s sector takes inspiration from Untitled Art, Miami Beach’s unique location. “South Beach is part of a long chain of barrier islands surrounded by many intersecting bodies of water,” notes Glenn, “and this year’s Special Projects sector will consider how artists engage with its many manifestations, including water as a connector, material, methodology, and conceptual link.” Participants under the sector will be announced in due course.

Both fairs in Houston and Miami Beach will continue to offer robust critical and educational programming, including a dynamic on-site podcast series featuring leading industry experts and artists, live performances, and the Untitled Edit platform—a series of commissioned essays that advance art criticism and nurture the next generation of art writers.

Continuing its commitment to sustainability, Untitled Art is a proud member of the Gallery Climate Coalition and collaborates closely with the City of Miami Beach to ensure a zero-impact presentation. The 2025 fair will also adapt its original Nautilus-inspired pavilion, custom-designed by Keenen/Riley for Untitled Art’s inaugural edition in 2012.

Visitors from around the world will be able to experience Untitled Art, Miami Beach through digital platforms and returning partnerships, enhancing the fair’s accessibility and global reach. Details on partners, prizes, and programming will be announced later this Autumn.

The complete list of exhibitors for the 14th edition of Untitled Art, Miami Beach is as follows:

Main Galleries

193 Gallery (Paris / Saint Tropez, FR / Venice, IT)

ABC-ARTE (Genova / Milan, IT)

ADA Gallery (Richmond, VA)

ADRIAN SUTTON GALLERY (Paris, FR)

albertz benda (New York, NY / Los Angeles, CA)

Anna Erickson Presents (Nashville, TN)

ANNA ZORINA GALLERY (New York, NY)

ARDEN + WHITE GALLERY (New Canaan, CT)

Aura (São Paulo, BR)

B R I N T Z + C O U N T Y (Palm Beach, FL)

Bienvenu Steinberg & C (New York, NY)

bitforms gallery (New York, NY)

Blouin Division (Montréal / Toronto, CA)

Brandt Gallery (Amsterdam, NL)

Camille Pouyfaucon Gallery (Paris, FR)

Carl Freedman Gallery (Margate, UK)

CARVALHO (Brooklyn, NY)

CURRO (Guadalajara, MX)

DAM Project (Buenos Aires, AR)

Danziger Gallery (New York, NY)

Galería Fermay (Palma, ES)

GALERIE FORSBLOM (Helsinki, FI)

Galerie Isabelle Lesmeister (Regensburg, DE)

Galerie Nicolas Robert (Montréal / Toronto, CA)

Galleri Urbane (Dallas, TX)

GALLERIA STUDIO G7 (Bologna, IT)

Gillian Jason Gallery (London, UK)

GVCC (Casablanca, MA / Paris, FR)

HAIR+NAILS (Minneapolis, MN / New York, NY)

Harper’s (East Hampton / New York, NY)

HEFT (New York, NY)

Hollis Taggart Downtown (New York, NY)

Homecoming Gallery (Amsterdam, NL)

Huxley-Parlour (London, UK)

Il Chiostro Arte & Archivi (Saronno, IT)

JECZA (Timisoara / Bucharest, RO)

JO-HS (New York, NY)

Kalashnikovv Gallery (Johannesburg, ZA)

KATES-FERRI PROJECTS (New York, NY)

Kavi Gupta (Chicago, IL)

Kravets Wehby Gallery (New York, NY)

La Bibi + Reus (Palma, ES)

La Balsa Arte (Bogotá / Medellín, CO)

Latchkey Gallery / Selenas Mountain (New York, NY)

Lazy Mike (Seoul, KR)

Library Street Collective (Detroit, MI)

Louis Buhl & Co. (Detroit, MI)

Luce Gallery (Torino, IT)

LUPO – Lorenzelli Projects (Milan, IT)

Marc Straus (New York, NY)

Miro Presents (London, UK)

MKG127 (Toronto, CA)

Morgan Lehman Gallery (New York, NY)

Negrón Pizarro (NP01) (San Juan, PR)

NINO MIER GALLERY (New York, NY / Brussels, BE)

Pablo’s Birthday / Patrick Heide Contemporary Art (New York, NY / London, UK)

PALMA (Guadalajara, MX)

Palo Gallery (New York, NY)

PIBI GALLERY (Seoul, KR)

PIERMARQ* (Sydney, AU)

Plan X (Milan / Capri, IT)

RHODES (London, UK)

Richard Heller Gallery (Santa Monica, CA)

Ronchini (London, UK)

SAENGER Galería / COHJU (Mexico City, MX / Kyoto, JP)

SARAHCROWN (New York, NY / Seoul, KR)

SARAI Gallery (Los Angeles, CA / Tehran / Mahshahr, IR)

Sears-Peyton Gallery (New York, NY)

SECCI (Milan / Pietrasanta, IT)

[SN] + Henrique Faria (Bogota, CO / New York, NY)

Soho Revue (London, UK)

Spencer Brownstone Gallery (New York, NY)

Stems Gallery (Brussels, BE)

Sundaram Tagore Gallery (New York, NY / Singapore, SG / London, UK)

Swivel Gallery (New York, NY)

TERN Gallery (Nassau, BS)

The Ant Project (Miami, FL / Mexico City, MX)

The Hole (New York, NY / Los Angeles, CA)

Vigo Gallery (London, UK)

WHATIFTHEWORLD (Cape Town, ZA)

Wishbone Gallery (Montréal, CA)

WIZARD GALLERY (Milan, IT)

Yancey Richardson (New York, NY)

Yiwei Gallery (Los Angeles, CA / Wuhan, CN)

Yossi Milo (New York, NY)

Zidoun-Bossuyt Gallery (Luxembourg, LU / Paris, FR / Dubai, UAE)

Nest Galleries

A-Lounge Contemporary (Seoul, KR)

ArteFASAM Gallery (São Paulo / Belo Horizonte, BR)

Bahnhof (Brooklyn, NY)

BIANCA BOECKEL (São Paulo, BR)

Bolanle Contemporary (London, UK)

Camille Obering Fine Art / Guesthouse (Wilson, WY)

Chilli (London, UK)

Cierra Britton Gallery (Brooklyn, NY)

Cub_ism_ Artspace (Shanghai, CN)

El Mirador (Buenos Aires, AR)

Enari Gallery (Amsterdam, NL)

Espacio Cabeza (Guadalajara, MX)

Hidrante (San Juan, PR)

homework (Miami, FL)

IRL GALLERY (New York, NY)

John Doe Gallery (Los Angeles, CA)

LATITUDE Gallery New York (New York, NY)

LBF Contemporary (London, UK)

Long Story Short (New York, NY / Paris, FR)

NORITO (London, UK)

PARISA Projects (San Diego, CA)

Pipeline (London, UK)

Post Times (New York, NY)

Project Loop (London, UK)

Rajiv Menon Contemporary (Los Angeles, CA)

Rulay Magazine (Santo Domingo, DO)

s t a r c h (Singapore, SG)

Sherbet Green (London, UK)

SKETCH (Bogotá, CO)

Sorondo Projects (Barcelona, ES)

Souvenir 154 (San Juan, PR)

Studio/Chapple (London, UK)

Tappeto Volante Projects (Brooklyn, NY)

Vangar (Valencia, ES)

VODA Gallery (Seoul, KR)

Wilder Gallery (London, UK)

Artist Spotlight Galleries

Alma Pearl (London, UK) – Lyndon Barrois Jr.

Berntson Bhattacharjee (London, UK) – Jessie Stevenson

Bienvenu Steinberg & C (New York, NY) – Sho Shibuya

Galeria Lume (São Paulo, BR) – Eduardo Coimbra

Gallery 1957 (Accra, GH / London, UK) – Kelvin Haizel

gallery rosenfeld (London, UK) – Natalia Ocerin

Gene Gallery (Shanghai, CN) – Zhang Haoyan

HEFT (New York, NY) – Auriea Harvey

Hexton Gallery (Aspen, CO) – Carlos Rolon

K Contemporary (Denver, CO) – Mychaelyn Michalec

KALINER (New York, NY) – Dana Nechmad

Keijsers Koning (Dallas, TX) – Jack Early

La Balsa Arte (Bogotá / Medellín, CO) – Gregorio Cuartas

La Cometa (Bogotá/ Medellín, CO / Madrid, ES / Miami, FL) – Camilo Restrepo

LaiSun Keane (Boston, MA) – Raina Lee

LATINOU (Mexico City, MX) – Chavis Marmol

Marc Bibiloni (Madrid, ES) – Eetu Sihvonen

Marshall Gallery (Los Angeles, CA) – Albarrán Cabrera

Meliksetian | Briggs (Dallas, TX) – Meg Cranson

Neon Parc (Brunswick, AU) – Dale Frank

NIL GALLERY (Paris, FR) – Malik Thomas

Peninsula (New York, NY) – Mike Olin

SANATORIUM (Istanbul, TR) – Christiane Peschek

SGR Galería (Bogotá, CO) – Lorena Torres

SOLOS (London, UK) – Jack Butcher

Superposition (Nomadic) – John Rivas

The Fridge (New York, NY) – Joji Nakamura

Wishbone Gallery (Montréal, CA) – Florencia Rothschild

Non-Profit Organizations

Aperture (New York, NY)

Dimensions Variable (Miami, FL)

LeRoy Neiman Center for Print Studies, Columbia University (New York, NY)

New World School of the Arts (Miami, FL)

NYC Culture Club (New York, NY)

The55Project Art Foundation (Miami, FL / São Paulo, BR)

5 international photographers to keep on your radar

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Editorial

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5 international photographers to keep on your radar

On view at MoMA, and hailing from the US to Nepal, they ‘use photography to connect within their communities and across nation-states’

By Janelle Zara

Launched in 1985, the ‘New Photography’ series of exhibitions at the Museum of Modern Art (MoMA) in New York has showcased the groundbreaking work of more than 150 artists. For its 40th anniversary edition, the organizers were guided by ‘the radical potential of image-making as a mode of resistance and free imagination,’ says Roxana Marcoci, Acting Chief Curator of Photography at MoMA.

‘New Photography 2025: Lines of Belonging’ features 13 international artists and collectives from New Orleans, Mexico City, Kathmandu, and Johannesburg – four cities, according to the exhibition text, whose cultural history predates the official formation of their respective countries. The throughline that emerged was a spirit of collective solidarity, where photography served as a vehicle for bringing embattled communities together. Across these overlapping themes and commonalities, the artists present a striking range of technical and material approaches to photography. ‘It’s a kind of deeper understanding of how people use photography to connect within their communities and across nation-states,’ says Marcoci.

Sandra Blow, Tony, 2018. © Sandra Blow; L. Kasimu Harris, Come Tuesday (Marwan Pleasant at Sportsman’s Corner), New Orleans, 2020. © L. Kasimu Harris; Sabelo Mlangeni, Mbulelo and Friends, Thembisa Township, 2004. © Sabelo Mlangeni. Courtesy of the artists, Saraswati Rai Collection, Nepal Picture Library and GEFONT Collection.

Gabrielle Garcia Steib, Still from The Past is a Foreign Country, 2020. Super 8 and archival footage. 3 min. 19 sec. © Gabrielle Garcia Steib. Courtesy of the artist.

Prasiit Sthapit, Saloni and friends from Change of Course, 2013. © Prasiit Sthapit. Courtesy of the artist.

Rather than organize the exhibition along geographic lines, the curators installed a series of cross-cultural dialogues, where individual practices converged and diverged along themes of identity and kinship; biological and chosen families; the importance of ritual; the preservation of knowledge; and notions of care. Personal memories merge with collective ones, as artists use photography to connect their lived experiences with larger historical events.

Since its inaugural 1985 exhibition, the ‘New Photography’ series has embraced a relatively quick pace of curation, allowing each show to respond to urgent real-world events in real time. An obvious subject for this latest exhibition might have been the role of digital technologies in our image-saturated world. ‘We are all connected, obviously, through our iPhones and social platforms,’ says Marcoci, ‘but we decided not to focus on this kind of instant connectivity.’ (In fact, the 30th anniversary show, ‘Ocean of Images’, already covered ‘connectivity, the circulation of images, information networks, and communication models.’)

For ‘Lines of Belonging’, the curators turned away from the increasingly isolating digital world and focused on modes of connection predating the Internet, looking to communities that formed face-to-face in physical, sometimes private, spaces, and endured despite long histories of injustice.

Tania Franco Klein, Mirrored Table, Person (Subject #14) from Subject Studies: Chapter 1. 2022. © Tania Franco Klein. Courtesy of the artist.

Sheelasha Rajbhandari, Agony of the New Bed (detail), 2023. © Sheelasha Rajbhandari.

Lindokuhle Sobekwa, Photography — Lindokuhle Sobekwa,Tell it to the Mountains, 2020. Installation view at A4 Art Foundation, South Africa, December 2020. © Lindokuhle Sobekwa. Courtesy of the artist.

Lake Verea

The exhibition opens with life-sized images of Mexico City’s Palacio de Bellas Artes, shot by Lake Verea – the Queer conceptual artist duo Carla Verea Hernández and Francisca Rivero-Lake. Their architectural photography examines themes of cultural and political heritage as it appears in the built environment, zooming in on the surface details. Taken from their 2019 ‘Uno a Uno’ series, images of Art Deco flourishes, for example, present an amalgamation of both pre-Columbian and colonial European histories, both of which continue to shape Mexican national identity, art, and politics today.

Lebohang Kganye

Lebohang Kganye is a Johannesburg artist similarly interested in exploring her national history through photographs. Rather than shoot images, she mines personal and public archives, merging historical black-and-white photographs with whimsical elements of theater and children’s storybooks. Marcoci describes the artist’s kinetic installations as ‘photographic stage sets’ in which cutout figures representing pre- and post-apartheid South Africa cast layered shadows on the wall. ‘Her storytelling points to the fabricated nature of history, and of photography for that matter.’

Sandra Blow

For both Sandra Blow and L. Kasimu Harris, nightlife functions as an essential refuge for the disempowered. Blow’s stylized portraits of Queer youth in Mexico City focus on fashion as an expression of creativity and self-possession.

L. Kasimu Harris

In New Orleans, Harris captures the subjects of his ‘Vanishing Black Bars & Lounges’ more candidly, documenting the distinct textures and aesthetics of the city’s Black-owned establishments as gentrification poses the constant threat of extinction.

Sabelo Mlangeni

Marcoci points to Johannesburg-based Sabelo Mlangeni as one of a number of artists on view who ‘embrace and explore the idea of love as a political unifier.’ Mlangeni’s black-and-white images of Queer marriage and friendships in South Africa capture the solidarity of their respective communities in states of celebration, self-expression, and joy.

Credits and captions

Janelle Zara is a freelance writer specializing in art and architecture. She is the author of Masters at Work: Becoming an Architect (2019). She currently lives in Los Angeles.

Caption for header image: Saraswati Rai Collection and Nepal Picture Library, A mass meeting of former kamlaris (women bonded labourers) in Kanchanpur, Nepal (2010) from The Public Life of Women: A Feminist Memory Project, 2023. Courtesy of GEFONT Collection and Nepal Picture Library.

The exhibition will be on view at MoMA from September 14, 2025, through January 17, 2026.

Published on September 8, 2025.

Central American Modernism / Modernismo en Centroamérica

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Editorial

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Central American Modernism / Modernismo en Centroamérica
by Mark Ford & Suzanne Snider

Introducing an Important

New Book on Modern Art

Central American art is Latin American art. And as this book demonstrates, it is Latin American art at its greatest – worldly and sophisticated and yet also profoundly native.

Modern art in Central American art shares much with the best of the modern art of Mexican and South America. But as this book – Central American Modernism / Modernismo en Centroamérica – makes clear, it is has a quality that is in many cases distinctly identifiable as Central American art, And among the Central American masters, there are distinct qualities that make each of them uniquely valuable.

Central American Modernism / Modernismo en Centroamérica is a bi-lingual beau-livre. It not only tells the story of how Modernism came to each country, it demonstrates – with hundreds of photographs – the magnitude of the talent that Central America contributed to Modernism.

It took 8 years for Mark Morgan Ford and Suzanne Brooks Snider to produce this comprehensive introduction to Central American art – researching and interviewing historians, museum directors, artists and their families, collectors, and gallery owners, and then photographing works, many that have never before been seen by the public.

Alejandro Arostegui & PRAXIS

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Editorial

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The Museum of Central American Art
(MoCAArt.org)

Alejandro Arostegui & PRAXIS Opening Reception

Sunday, September 14, 2025
2:00 to 5:00 pm
yuca with chimichurri (mojo), bread budding & punch
The ANNEX ArtSpace
290 SE 2nd Avenue, Delray Beach, Florida
rsvp: [email protected]

Alejandro Aróstegui ( b.1935 Nicaragua )Alejandro Aróstegui’s work is pensive and still. His landscapes (lakeshores, deserts, distant volcanoes) and cityscapes are haunting. His still lifes (simplified objects on tables) are, at the same time, disquieting and serene. Recycling the distinctive gleam of the aluminum can, Aróstegui’s paintings offer the viewer shimmering cities and rivers, solemn figures and grave forms. His best work is both compelling and distinctive. He is one of Nicaragua’s most important modern painters.Aróstegui spent years abroad (from 1954 to 1962), studying art. He studied at Tulane University, the Ringling School of Art in Sarasota, Florida, the Academy of Fine Arts in Florence and the École de Beaux Arts in Paris.The year Aróstegui returns to Nicaragua is 1963. While Beatlemania rages in Europe, Russia sends the first female cosmonaut into space and the touch-tone phone is introduced in the USA, a group forms in Nicaragua that makes a loud noise in Central American art. Artists, poets and intellectuals join forces to establish a meeting place where they can exchange ideas of social change without fear. They call themselves “Praxis” (practice, as distinguished from theory), and on August 23, 1963 they open their headquarters as the Galería Praxis in Managua.

Aróstegui of Nicaragua and the writer Amaru Barahona of Costa Rica met in Europe. They were concerned about the political and social issues of their countries. When they return home they reach out to artist César Izquierdo of Guatemala. Barahona writes the manifesto. The group functions as a democracy and seeks the intersection of culture, all of the arts and teaching. Revolutionary poetry, ancient petroglyphs and the natural beauty of their countries, as well as the political and economic realities inspire it. Their motto: action, dynamism and a permanent state of restlessness.

As naïve as it may sound, the “groupo Praxis” artists felt art is not just for the elite… and it must not be compromised by the end result, the audience, or the money to be made from it. Honesty in art is more important than beauty.

Charles Gleyre

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Editorial

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Charles Gleyre (1806-1874)

Movimiento Impresionista

El legado de Charles Gleyre es complejo, y su figura es una pieza clave en la narrativa del Impresionismo, aunque no como un practicante del movimiento, sino como una figura de autoridad que los jóvenes artistas desafiaron. Gleyre fue un pintor académico respetado y un maestro influyente en París, cuyo taller sirvió como punto de encuentro crucial para varios de los futuros impresionistas.

Su contribución más importante al arte, paradójicamente, no fue a través de sus propias obras, sino a través de los alumnos que formó. Su taller, una institución formal y rigurosa, fue donde artistas como Claude Monet, Pierre-Auguste Renoir, Alfred Sisley y Frédéric Bazille se conocieron. Aunque Gleyre les enseñó los cánones del arte neoclásico y romántico —como el dibujo preciso y la idealización de la figura humana—, su estilo estricto y su visión conservadora actuaron como un catalizador para la rebelión.

Los jóvenes artistas, que no se sentían representados por su enseñanza, encontraron en su taller un espacio común para forjar una amistad y compartir ideas que iban en contra de lo que su maestro les inculcaba. Sus críticas a las pinceladas sueltas y al interés por la luz natural de los jóvenes, aunque duras, los unieron en una causa común.

El legado de Gleyre es un recordatorio de que a veces, la resistencia y la oposición pueden ser tan formativas como la propia guía. Su estilo representaba el “viejo mundo” del arte, un mundo que los impresionistas se propusieron desmantelar. Por ello, Gleyre es una figura fundamental en la historia, no por lo que pintó, sino por el hecho de que su taller fue el lugar exacto donde se sembraron las semillas de la revolución que lo superaría.

Art Miami MagazineArt Miami Magazine

Art Miami MagazineArt Miami Magazine

City of Doral Presents: 2025 Hispanic Heritage Art Exhibit

GUEST ARTISTS INCLUDE:

EVENT DETAILS:

Heritage and Legacy: Solo Exhibition by Elizabeth Stainberg

Heritage and Legacy

Exhibition Statement: Heritage and Legacy

About the Artist

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONSFOR ART WEEK MIAMI BEACH 2025

About the Lincoln Road District

Fall 2025 Exhibitions:

Sarah Paul, Self Stitched: Electric Care

SCHMIDT CENTER GALLERY On View: August 28, 2025 – October 10, 2025

Celebration Reception: September 11, 2025, from 4:30 pm – 8:30 pm

A Global Lens: Capturing Culture Through Summer Study

SCHMIDT CENTER PUBLIC SPACE On View: August 28, 2025 – September 21, 2025

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

Unearthed Futures: The Archaeology of Tomorrow

RITTER ART GALLERY On View: August 28, 2025 – November 9, 2025

Opening Reception: August 28, 2025, from 4:30 pm – 8:30 pm

Art Amidst Darkness: Holocaust Testimonies from the Yad Vashem Collection

SCHMIDT CENTER PUBLIC SPACEOn View: October 16, 2025 – November 27, 2025

Opening Reception: October 16, 2025, 6:15pm

Virtual Presentation: October 16, 2025, 7:15pm

A Century of Jews in Boca Raton: History, Community, Legacy

SCHMIDT CENTER GALLERYOn View: October 27, 2025 – December 14, 2025

Opening Reception: October 27, 2025, from 4:30pm – 8:30pm

Fall Bachelor of Fine Arts Exhibition

RITTER ART GALLERYOn View: December 4, 2025 – December 17, 2025

Opening Reception: December 4, 2025, from 4:30pm – 8:30pm

The NAMES Project AIDS Memorial Quilt

SCHMIDT CENTER PUBLIC SPACEOn View: December 9, 2025 – December 16, 2025

Durban Segnini Gallery Presents: Light for the Amazon

Untitled Art, Miami Beach Announces Exhibitors for 2025 Edition

5 international photographers to keep on your radar

Central American Modernism / Modernismo en Centroaméricaby Mark Ford & Suzanne Snider

Introducing an Important

New Book on Modern Art

The Museum of Central American Art (MoCAArt.org)

Alejandro Arostegui & PRAXIS Opening Reception

Charles Gleyre (1806-1874)

Movimiento Impresionista

Recent Posts

LINCOLN ROAD ANNOUNCES DYNAMIC NEW PUBLIC ART INSTALLATIONS
FOR ART WEEK MIAMI BEACH 2025

SCHMIDT CENTER GALLERY
On View: August 28, 2025 – October 10, 2025

SCHMIDT CENTER PUBLIC SPACE
On View: August 28, 2025 – September 21, 2025

RITTER ART GALLERY
On View: August 28, 2025 – November 9, 2025

SCHMIDT CENTER PUBLIC SPACE
On View: October 16, 2025 – November 27, 2025

SCHMIDT CENTER GALLERY
On View: October 27, 2025 – December 14, 2025

RITTER ART GALLERY
On View: December 4, 2025 – December 17, 2025

SCHMIDT CENTER PUBLIC SPACE
On View: December 9, 2025 – December 16, 2025

Central American Modernism / Modernismo en Centroamérica
by Mark Ford & Suzanne Snider

The Museum of Central American Art
(MoCAArt.org)