Korean Art

Korean art, a testament to resilience and adaptability, spans a rich and diverse history. It is deeply influenced by the region’s unique geographical, cultural, and religious contexts. Traditional forms like painting, ceramics, sculpture, and calligraphy, shaped by Confucianism, Buddhism, and Shamanism, have evolved over time. Korean art has embraced modern and contemporary movements while maintaining a strong connection to its cultural heritage. Key themes in Korean art often explore harmony with nature, spirituality, and the human experience, reflected in the gracefulness and simplicity of many artistic traditions.

Joseon Dynasty (1392–1897)

The Joseon Dynasty (also spelled Choson) is one of the most critical periods in Korean art history. The dynasty saw the flourishing of Confucian ideals, which profoundly influenced Korean visual culture. During this period, the production of ceramics, mainly the famous blue-and-white porcelain, reached its height. Joseon painters were primarily known for their landscape and genre painting, emphasizing realism and the beauty of nature, often with a serene, meditative quality that can bring a sense of tranquility to the audience. The period also saw the development of calligraphy and the rise of the literati painter, who valued intellectual expression through art. Buddhist and Confucian themes, as well as scenes of daily life, were common subjects.

Korean Informel (1950s–1960s)

Korean Informel is an abstract art movement that emerged in the 1950s and 1960s, influenced by the international Informel movement that focused on spontaneous, non-figurative expression. The term “Informel” comes from the French word for “formless,” this movement rejected traditional Korean aesthetics in favor of abstract forms and textures. Korean informal artists, such as Kim Whanki and Park Seo-Bo, sought to express emotion and existential themes, often incorporating symbolic materials such as sand, charcoal, and natural elements. The movement was a response to the devastation of the Korean War and the socio-political upheaval of the time. It represented a shift toward individuality and abstraction in Korean art.

Dansaekhwa (Korean Monochrome Painting)

Dansaekhwa, meaning “monochrome painting,” is a Korean contemporary art movement that emerged in the 1970s, known for its focus on simplicity and the use of a single color or subtle gradations of color. The movement is defined by its meditative, process-oriented approach, where the act of creation is as important as the final product. Artists in the Dansaekhwa movement, such as Lee Ufan and Kim Whanki, used layering, rubbing, and scraping techniques to create textured surfaces, often incorporating traditional Korean materials like ink and hanji paper. The work reflects themes of spirituality, stillness, and the search for inner meaning while focusing on the materiality and process of painting. It is a distinct form of modernism in Korea, blending both Western and Eastern influences

ArtServe Presents “Burnout and Black Artists: Emotional Sustainability in the Arts”
New Exhibit Opens January 24 and Explores the Complexities of Black Pain, Trauma and Artistic Identity

 ArtServe is proud to announce the opening of its first exhibition of 2025, “Burnout and Black Artists: Emotional Sustainability in the Arts.” The exhibition opens on January 24th, 2025, and the public is invited to attend the opening reception on Friday, January 31st, from 5:30 p.m. to 8 p.m. at ArtServe.

Address: 1350 E Sunrise Blvd, Fort Lauderdale, FL 33304

The exhibition explores the emotional and physical toll placed on Black artists, whose work is often defined by themes of trauma and pain. While these themes are important, “Burnout and Black Artists” examines how Black artists face the expectation of continually revisiting personal and collective trauma to achieve success. The exhibition asks what impact this emotional labor has on their well-being and challenges the art world to embrace a more holistic view of the Black experience.

“At ArtServe, we believe art is a powerful tool for exploring the important issues that shape our world,” said ArtServe CEO Jason Hughes. “It’s a space where artists can share their voices and experiences, and where we can all learn from one another. We’re excited to start the year with ‘Burnout and Black Artists,’ a thought-provoking exhibit that dives deep into the emotional challenges Black artists face, and we look forward to the conversations it will inspire.”

The exhibit features work such as “I Am Refreshed,” by Holly Forbes (featured to the right), which reflect themes of renewal and emotional sustainability within the artistic process.

The event is free and open to all ages, with free venue parking available. The exhibition runs until March 31st, 2025.

For more information or to RSVP for the opening reception, visit ArtServe’s event page.

Upcoming 2025 Exhibitions at ArtServe:

Mark your calendars for other exciting upcoming exhibits at ArtServe in 2025: “WILD: Invasive Species of South Florida” (April 26 – June 20)combines art and activism to address invasive species in Florida’s ecosystems, with a reception on May 9. “Walk the Runway” (July 18 – September 19) showcases the creativity of local South Florida fashion designers, with a reception on July 25. Finally, “Florida Opulence” (October 10, 2025 – January 2, 2026) is a members-only exhibition exploring the opulent history of Florida during the Gilded Age, with a reception open to the public on October 17.

ArtServe is located at 1350 East Sunrise Boulevard in Fort Lauderdale and is open from 9 a.m. to 6 p.m. Monday through Friday and Saturdays from 10 a.m. to 6 p.m.  Daily admission is free.

ArtServe inspires, supports and advances its diverse members, artists and community by promoting artistic development, education and prosperity through the exploration and presentation of the visual and performing arts.

For more information about these events, or to become a member, volunteer, or support ArtServe’s mission, please visit www.artserve.org or email [email protected].

About ArtServe

Named a “Top-Rated Nonprofit” by GreatNonprofits, the leading provider of user reviews of charities and nonprofits, Fort Lauderdale-based ArtServe is an award-winning arts incubator that is advancing the arts for social good as a creative laboratory and hub for experimental artists committed to diversity, equity and inclusion. Now in its 35th year, ArtServe has won several awards for innovation in the arts and is supported in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council and the Community Foundation of Broward. Each year, ArtServe programs contribute tangibly to the region’s economy, helping 2,000+ artists sell their work, build businesses and engage the community. To do that, ArtServe secures financial support through donations, sponsorships and memberships.

Chinese Art

Chinese art has a long and diverse history that spans thousands of years. It includes various mediums, from painting, sculpture, and ceramics to calligraphy, textiles, and architecture. Chinese art is often influenced by philosophical, religious, and cultural traditions such as Confucianism, Taoism, Buddhism, and folk beliefs. The evolution of Chinese art reflects the changing political and social conditions throughout China’s history, blending aesthetics with social function and spiritual symbolism.

Tang Dynasty (618–907)

The Tang Dynasty is a golden age for Chinese art, culture, and creativity. During this period, the arts flourished, especially in painting, sculpture, and ceramics. The Tang period saw a rise in Buddhist art, with the creation of large-scale stone sculptures and the spread of Buddhist iconography. Paintings from this period often featured landscapes, court scenes, and depictions of life in the Tang capital, Chang’an. The art of the Tang Dynasty also demonstrated strong foreign influences due to the Silk Road and its interaction with Central Asia, the Middle East, and other regions.

Five Dynasties and Ten Kingdoms (907–960)

Despite the political fragmentation after the fall of the Tang Dynasty, the period of the Five Dynasties and Ten Kingdoms (907-960) was a testament to the resilience of Chinese art. China was divided into multiple short-lived dynasties and kingdoms, leading to instability and regionalism. However, art and culture continued to thrive, especially in painting and ceramics. The period saw the rise of small, independent schools of painting, notably the development of landscape painting, which would continue to evolve in later dynasties.

Northern Song Dynasty (960–1126)

The Northern Song Dynasty is known for its significant contributions to Chinese painting, ceramics, and the development of the imperial court’s artistic taste. Landscape painting became highly refined during this time, with artists like Fan Kuan and Guo Xi creating monumental landscapes that reflected Confucian ideals of nature and human existence. The dynasty also saw advances in porcelain production, particularly the famous Song celadons. The Northern Song period also witnessed the development of fine calligraphy and landscape poetry.

Southern Song Dynasty (1127–1279)

After the fall of the Northern Song, the Southern Song Dynasty emerged as a time of cultural flourishing despite the loss of northern China to the Jin Empire. Artists in this period focused on more minor, intimate works compared to the grand landscapes of the Northern Song. Painting, mainly of landscapes, flowers, and birds, became more expressive and subtle, influenced by a sense of nostalgia for the lost northern homeland. The Southern Song Dynasty is also known for its advances in producing blue-and-white porcelain, which would become iconic in later centuries.

Yuan Dynasty (1271–1368)

The Yuan Dynasty, established by the Mongol Empire, marked a period of cultural exchange between China and the wider world. During this time, Chinese art was influenced by Central Asian, Persian, and Islamic styles. In painting, the Yuan period is marked by a shift towards more expressive brushwork and the use of color, with famous artists like Zhao Mengfu and Wang Meng leading the way. The period also saw the development of Yuan drama and ceramics, including blue-and-white porcelain, which reached new heights of technical perfection.

Ming Dynasty (1368–1644)

The Ming Dynasty is considered one of Chinese history’s most culturally prosperous periods. Art flourished in almost every field, particularly in porcelain production, painting, and decorative arts. The period is known for its refined blue-and-white porcelain and the rise of literati painting, where scholars and intellectuals used art as a form of personal expression and philosophical reflection. Famous painters such as Shen Zhou and Tang Yin produced works that balanced technical skills with a deeper understanding of nature and the human condition. Additionally, the Ming Dynasty saw the growth of architectural achievements, including constructing the Forbidden City.

Qing Dynasty (1644–1912)

The Qing Dynasty, China’s last imperial dynasty, continued the artistic traditions of the Ming while incorporating new influences, particularly from the West, following the arrival of European missionaries and traders. Qing art saw the further refinement of techniques in painting, particularly in portraiture, and the continued production of exquisite porcelain and decorative objects. The Qing period also saw the growth of art academies and the rise of court painting, which focused on traditional themes like flowers, birds, and historical figures. The later Qing period also saw the influence of European art, particularly in the development of oil painting and printmaking techniques.

Republic of China (1912–1949)

The Republic of China marked a period of radical change as traditional Chinese art confronted the challenges of modernization. Western styles such as realism and impressionism began to gain influence, while traditional art forms like ink painting and calligraphy continued to thrive. Artists like Xu Beihong and Qi Baishi sought to blend Chinese artistic traditions with Western techniques. The period also saw a revival of interest in folk art and the rise of new art movements that engaged with modernity, politics, and national identity. The influence of Western art can be seen in Xu Beihong’s ‘The Foolish Old Man Who Removed the Mountains ‘, a painting that combines traditional Chinese ink painting with Western perspective and composition.

New Culture Movement (1915-1926)

The New Culture Movement, an intellectual and cultural movement that sought to modernize China by rejecting traditional Confucian values and embracing new, more progressive ideas, had a profound impact on the arts. It advocated for integrating Western ideals and modern scientific knowledge with Chinese culture, leading to the exploration of new forms of self-expression and the challenging of classical artistic conventions. This period saw the growth of modern Chinese literature, painting, and sculpture, focusing on realism and social issues.

People’s Republic of China (1949-present)

The People’s Republic of China marked the establishment of a communist government and a new era in Chinese art. Early in the period, art was primarily used as a tool for political propaganda, particularly during the Cultural Revolution (1966-1976), when socialist realism was the dominant style. However, after the 1980s, there was a shift toward contemporary and experimental art. Artists like Ai Weiwei and Zhang Xiaogang explored personal expression, social issues, and the tension between tradition and modernity. The period also saw China become a central player in the global art market, with Chinese contemporary art becoming highly influential worldwide. For example, Ai Weiwei’s ‘Sunflower Seeds’ installation at the Tate Modern in London brought Chinese contemporary art to a global audience.

New Ink Art

New Ink Art refers to a contemporary movement in Chinese art that revitalizes traditional Chinese ink painting techniques while incorporating modern concepts and global influences. Artists in this movement experimented with the medium and style of ink painting, blending abstraction, conceptual art, and new technologies to push the boundaries of traditional Chinese art. New Ink Art often explores themes of identity, history, and cultural change, reflecting China’s rapid transformation in the modern world. Artists like Xu Bing and Liu Dan are prominent figures in this movement, contributing to the global evolution of ink art.

Art studios in Little Havana

Complexes
Tunnel Studios

300 SW 12th Avenue Basement Miami, Florida 33130

Anna Goraczko

Alejandra Jimenez

David Olivera

Luna Palazzolo

Shelby Slayden

Individual Artist Studios
Carlos Alves
1157 SW 6th St Miami, FL 33130

Coralina Rodriguez Meyer
Koubek Memorial Center
2705 SW 3rd St Studio # K104 Miami, FL 33135

Diana “Didi” Contreras
1356 SW Eighth St Miami FL 33135 United States

Elaine Defibaugh
515 SW 12th Ave, Studio #513 Miami, FL 33130

Maria Patino
1356 SW Eighth St Miami FL 33135 United States

Natalya Kochak
515 SW 12th Ave, Unit 511 Miami, FL 33130

Zayra Mo
Koubek Memorial Center
2705 SW 3rd St Miami, FL 33135

Post Renaissance Art

Post-Renaissance Art (c. 1600 – 1700)

Post-Renaissance Art refers to the period following the High Renaissance and Mannerism, bridging the gap to Baroque. This era is marked by the end of Renaissance ideals and the rise of dramatic, emotive styles. It encompasses the initial shifts toward realism and the exploration of emotional depth in response to the harmony and idealism of the Renaissance. Artists in this period began emphasizing individualism, dynamism, and more varied forms of expression, laying the groundwork for the Baroque.

Baroque (c. 1600 – 1750)

Baroque Art, with its dramatic grandeur and strong sense of movement, is a style that truly engages the viewer. Originating in Italy and spreading across Europe, Baroque Art sought to evoke emotion through intense contrasts of light and shadow (chiaroscuro), dramatic compositions, and vivid colors. Artists like Caravaggio, Peter Paul Rubens, and Rembrandt captured both religious and secular themes, often emphasizing the awe of the divine, the complexities of human experience, and the spectacle of the world. Baroque architecture is marked by lavish, ornate designs meant to overwhelm the senses, while painting and sculpture often convey motion and energy.

Rococo (c. 1700 – 1770)

Rococo was a delightful reaction against the grandeur and drama of Baroque, favoring lighter, more playful, and ornate designs. Originating in France, Rococo is characterized by its emphasis on pastel colors, curving forms, and elaborate decoration. It often depicted scenes of love, flirtation, and playful themes, focusing on beauty and the pleasures of life. Key artists like Jean-Honoré Fragonard and François Boucher created works filled with sensuality and intricate detail, conveying a sense of frivolity and lightness. This style was particularly popular in the decorative arts, such as furniture, ceramics, and interior design.

Neoclassicism (c. 1750 – 1830)

Neoclassicism emerged as a powerful response to the excesses of Rococo and the growing interest in the ideals of ancient Greece and Rome. It emphasized simplicity, order, and symmetry, drawing inspiration from classical antiquity. Artists sought to revive classical forms, using clear lines, restrained emotions, and moral or heroic subjects. Neoclassical Art was often used to convey moral virtue and patriotism, with figures depicted calmly and idealized. Prominent artists like Jacques-Louis David and Jean-Auguste-Dominique Ingres aimed to inspire a sense of civic duty and a return to classical ideals.

Academic Art (c. 1700 – 1900)

Academic Art refers to the formal, traditional style of painting and sculpture taught in art academies across Europe during the 18th and 19th centuries. It emphasized technical skill, idealized beauty, and classical themes. Academic Art works were characterized by precisely drawing attention to proportion and often depicted historical, mythological, or allegorical subjects. The style was rooted in the principles established by the Royal Academy of Painting and Sculpture in France, an institution that set the standards for artistic excellence and promoted the use of classical themes and techniques. It dominated the art world until the rise of more modern movements in the late 19th century. Artists such as Jean-Léon Gérôme and Alexandre Cabanel followed the Academy’s standards of perfection and academic discipline.

Romanticism (c. 1800 – 1850)

Romanticism was an artistic, literary, and intellectual movement that emphasized emotion, individualism, and the sublime, often in contrast to the rationality of the Enlightenment. It celebrated nature’s beauty and power, the human experience’s emotional intensity, and the individual’s freedom. In literature, Romanticism is exemplified by the works of William Wordsworth and Mary Shelley, while in intellectual thought, it is seen in the writings of Jean-Jacques Rousseau. Romantic artists like Eugène Delacroix and J.M.W. Turner depicted dramatic scenes of nature, human struggle, and exotic lands, conveying a sense of awe and mystery. The movement sought to evoke strong emotional responses and focused on themes of heroism, revolution, and the natural world.

Realism (c. 1840 – 1880)

Realism emerged as a reaction against the idealization of Romanticism and the academic art tradition. Realist artists sought to depict life as it was, focusing on ordinary people, everyday scenes, and the hardships of the working class. The movement rejected romanticized or exaggerated depictions, instead portraying subjects directly unembellished. Realist artists such as Gustave Courbet and Jean-François Millet emphasized naturalism and social issues, presenting an honest view of life without idealization. Their works often featured peasants, laborers, and rural or urban life scenes.

Dutch Golden Age (c. 1580 – 1700)

The Dutch Golden Age refers to the period of outstanding cultural and artistic achievement in the Netherlands during the 17th century, a time when the country was experiencing economic prosperity and political independence. Dutch painters became known for their focus on realism and the portrayal of everyday life. Artists like Rembrandt, Johannes Vermeer, and Frans Hals produced works that captured intimate domestic scenes, landscapes, still lifes, and portraits with incredible detail and light effects. The period is also notable for its emphasis on secular subjects, as the Protestant Reformation, which rejected the use of religious imagery, profoundly impacted the types of subjects accepted in Art, leading to a surge in secular themes.

Art studios in Miami Beach

Complexes

Oolite Arts

924 Lincoln Rd.
Miami, FL

Adrienne Rose Gionta

Alberto Checa

Ale Moros

Carolina Cueva

Diana Eusebio

Emanuel Ribas aka EMA RI

Friday

Houston Cypress

Liene Bosque

Matthew Forehand

Onajide Shabaka

Reginald O’Neal

Rev. Houston Cypress

Rose Marie Cromwell

Yucef Merhi

Individual Artist Studio

Kevin Arrow
1315 Cleveland Road Miami Beach, FL 33141