Live Artist Talk with Tony Vazquez-Figueroa to Close Out Miami Art Week
Live Artist Talk with Tony Vazquez-Figueroa to Close Out
Miami Art Week
LnS GALLERY presents PETROPIAS: A Preview, a focus installation by represented artist Tony Vazquez-Figueroa as curated by Tami Katz-Freiman. On Sunday, December 6, to close out Miami Art Week, Vazquez-Figueroa will present a live talk on the installation. The talk will take place both at 12pm and at 3pm in-person to the first ten people who reserve at each hour. It will also be streamed live via LnS Gallery Instagram Live and Facebook Live. Timed ticketing will be available for groups of ten or less, regulated to allow visitors in and out of the space. Each ticket ensures one free entry to the exhibition. Please kindly wear your masks.
Artist Tony Vazquez-Figueroa in his studio (Mexico)
While 2020 has presented many with unprecedented challenges, Tony Vazquez-Figueroa has used the isolating collateral effects of COVID-19 as the fuel behind his thoughts that would ultimately become PETROPIAS. Tony Vazquez-Figueroa describes PETROPIAS: A Preview as follows: “What you see here is a sort of a preview, a glimpse into some of the ideas developed in PETROPIAS, where I investigate how oil-rich countries create not only unique physical environments like oil refineries, but also peculiar socio-economic and cultural environments, similar to those elaborated by philosopher Michel Foucault in his concept of Heterotopia. PETROPIAS plays on the petrostate, entropy and dystopia and revolves around idea of holes, refineries, and containers as revealed both structurally and metaphorically.”
For Those Gathered in the Wind by T. Eliott Mansa will be on view at LnS GALLERY beginning December 2, 2020 – February 9, 2021. The powerful collection of recent assemblages featured in the exhibition embodies Mansa’s expression of the connection between mourning and loss, calling to both ancient and current practices, from Africa to the American West. We will be open with extended hours during Miami Art Week starting this Wednesday, December 2 to Saturday, December 5 from 9am to 7pm and Sunday from 12pm to 5pm.Guests are asked to register in advance for timed visits for groups of no more than 10 people.A virtual exhibition of the show is also available to view. A catalogue with an essay by Cultural Producer and Curator, Donnamarie Baptiste, accompanies the show and is available to purchase. All catalogue sale proceeds will be donated to the initiative for the planned Miami Museum of Contemporary Art of the African Diaspora (Miami MoCAAD).
Exhibition Catalogue of For Those Gathered in the Wind, a solo exhibition by T. Eliott Mansa Isabella Marie Garcia.
ABOUT LnS GALLERY LnS is a multi-use art space specializing in contemporary art with a focus on Miami-based artists, and is guided by and named after the gallerist team of Luisa Lignarolo and Sergio Cernuda, partners in marriage and business. The 5000-square foot space is located in North Coconut Grove, within walking distance from the Coconut Grove Metrorail Station. 2610 SW 28th Lane, Miami FL 33133
In 1990 CITCO came about, in the heart of Verona’s marble district, operating in the field of extraordinary inlaid marble surfaces and furniture complements.
CITCO have reinterpreted the concept of luxury and modified the perception of marble. Advanced technologies now let designers give unexpected forms to marble, but it cannot become truly unique without the exceptional skills of highly qualified craftsmen. Citco’s secret, to offer true works of contemporary art, is the renewed focus on this tradition of handiwork.
CITCO products have an extremely select international market, which, in order to grow, entrusts itself to the word of mouth of those, customers and professionals, who have had the opportunity to experience its excellent quality.
CITCO collaborates with renowned international designers such as Norman Foster, Ferruccio Laviani, Arik Levy, Daniel Libeskind and Zaha Hadid Architects.
About Galleria Ca’ d’Oro
The Ca ‘d’Oro Gallery , a historical place of exhibitions for the greatest names of twentieth century art and expression with an incessant artistic and intellectual vivacity for over forty years, is today an important center for the promotion and dissemination of creative talent, Italian and international.
Heir to the San Bernardo Gallery , opened in Rome by Amadore Porcella in 1945, the Ca’ d’Oro opened its doors to the public in December 1970 in its original location on via dei Condotti.
Inaugurated in 1990 by Antonio Porcella , director of the Ca ‘d’Oro Gallery as well as councilor of the Giorgio and Isa de Chirico Foundation , the space in Piazza di Spagna focuses its activity on the idea of art as an indispensable value for cultural growth, becoming a stage for unique events.
The preparation and experience of Antonio Porcella in the field of art have marked the culture of the capital, bringing artists such as Giorgio de Chirico, Renato Guttuso, Giacomo Manzù, Salvador Dalì, Carlo Carrà, Bruno Caruso, to the city and from the city to the world, Alberto Sughi, Ruggero Savinio, Corrado Cagli, Ennio Calabria and Renzo Vespignani.
The Ca ‘d’Oro Gallery has always stood out for its artistic sensitivity, intellectual gaze and historical professionalism, which have united four generations of the Porcella family, whose art gene has revealed their own attitude to each one: Alpinolo Porcella , artist and writer (1874-1962), his son Amadore Porcella , who from painting devoted himself to the study of art to become an international critic. His lectures and lessons in the History of Art at the Pontifical Bolivarian University of Medellin (Colombia) are precious. The son Antonio, loving art from an early age, managed to start the gallery activity first in the headquarters on via Condotti and then in Piazza di Spagna, where he passed on his passion to his daughter Gloria, who is now responsible and curator of art of the Ca ‘d’Oro Gallery.
Promotion and enhancement of contemporary art are the guidelines of Gloria Porcella , who in recent years has been assisted by Lamberto Petrecca in the organizational and artistic design work. Together they are able to grasp the artistic signs of the present and make each exhibition and create a significant moment in the history of national and international art.
Gloria Porcella with enthusiasm, courage and professionalism enhance contemporary artistic expressions, promoting art in its being revelation, reflection, provocation, disturbance and a sign of social. In this spirit, starting from 1997, the portfolio of artists linked to the Gallery has been enriched with names of the caliber of Seward Johnson, whose works it holds the European exclusive, Alfredo Rapetti, Erika Calesini and the Cracking Art Group.
In December 2010, during Art Basel Miami, the Gallery opened its new headquarters in Coral Gables with the installation of the REgeneration Art Project of the Crackin Art Group. Currently the Gallery is in the Ironside where it continues to promote Italian and European art with passion and enthusiasm.
A new major opening took place in 2015 when the new New York office was opened.
Since 2013 the Gallery has participated in the most important American art fairs such as Context Art Miami, Scope New York, Art Wynwood Miami and Art Southampton.
William A. Read Brand Development
Phone: 305.864.3434, Ext: 126
Address: 1666 Kennedy Causeway, Suite 703, Miami Beach, FL 33141
El cantante Ramiro Quinteros presenta el EP “Lealtad”, con dos temas nuevos.
Las canciones que integran el disco de formato corto se titulan “Vos lo sabés” y “Lealtad”
Esta flamante música marca el regreso del artista argentino al rock and roll, tanto es así que la grabó junto a colegas con los que hace unos años integró la banda especializada Killertrip “Vos lo sabés” y “Lealtad” ya están disponibles en plataformas como Spotify -donde sus canciones anteriores acumulan cinco millones de reproducciones-, Youtube, Apple Music, Deezer, y ITunes
How to Curate Your First Art Exhibition—No Gallery and No Money Required
By Robert Grand
Exhibitions often look effortless, but don’t fall for that ruse! Putting together a show is a lot of work, and if you don’t know what you’re in for, you might find yourself in over your head. I’m here to tell you how to mount your first exhibition, on a budget, from start to finish—including all the speed bumps you’ll hit on the way. I’m speaking partially from experience (I co-run the project space Kimberly-Klark in Queens, NY) while also taking my friend’s experiences and horror stories into consideration. So if you’re curious about curating but put-off by the other high-reaching guides out there (e.g., “Does the museum have room in their annual budget for your proposed retrospective?”) then this guide is for you.
THE IDEA
Flesh out your curatorial idea—write about it and talk it out with your friends. Don’t get too bogged down or overthink it though! You’re not trying to curate the next Primary Structures…yet. Once you feel confident with the idea and your wish list of artists, it’s time to reach out and make contact. Ask the artists if you can visit their studio one afternoon and see what they’re currently working on. If an artist is not local, try to organize a FaceTime or Skype session. The key is to keep your initial email short and snappy. Don’t spend too much time explaining every element of your idea or what works you think would be best for the exhibition—save those discussions for the studio visit!
PLANNING
Now it’s time to plan the exhibition. If you don’t have a space reserved yet, don’t fret. First you should see if the artists are on board. Send a follow-up email to the artists you visited detailing your proposal, planned dates, and others that you’re hoping to include in the exhibition. Hopefully they’ll say yes! If they decline, however, don’t take it personally. Sometimes they have another show coming up and don’t want to stretch themselves too thin. So, don’t close the blinds, blast Belle & Sebastian, and cry into your fluffy body pillow—keep looking for another artist who could fit in your exhibition.
Once everyone is good to go, it’s time to find a space. You can send proposals to galleries but be sure to do your research first. Some do not accept unsolicited proposals at all, so…back to the drawing board on that one. For those that do accept proposals, scroll through their previous programming and see if your exhibition would be a good fit. Take note of their submission guidelines and be sure to follow them perfectly—not doing so can cause the directors to write off your submission in a flash. If they don’t provide specifications, you’ll want to send a sleek PDF with a paragraph or two about your show idea, why you think it would be appropriate for that specific gallery, the list of confirmed artists, and some images of the work you’d like to show.
If you’re having trouble finding a proper white cube, think of somewhere unconventional to stage the show. Maybe your friend has a spare room in their apartment that you can use for the weekend. Maybe there’s a park by your place that’s the perfect site for your exhibition about “art.” Either way, don’t be afraid to experiment.
Once you have a location confirmed, it’s time to hammer out the finer details. Finalize the show dates, installation schedule, and work drop-off with your artists and the gallery. Talk about work pricing and buyer agreements because, well, you never know! While on that topic, you’ll also want to sketch out a preliminary budget for the show, even if you have very little money to spend. You’ll have to splurge on some things, like beer and photo documentation, which we’ll get to later, so be sure to account for that! Also, talk to your artists about shipping costs and a return time frame if applicable. Galleries usually cover shipping one way (or both ways), and you may want to budget for that as well.
Some artists and curators I know like to build a scale model of the exhibition space in order to help them visualize the show’s layout. This is a great idea! If you have an idea of where you want each piece to be, install will (hopefully) be a little less stressful.
Next, you’ll want to work on the press release. Loney Abrams’s guide to writing a good artist statement is also very applicable here, and covers all the bases. There are a lot of different strategies for composing a press release but the key is to keep it compelling. It will serve as an introduction to your ideas and the show in general, while also hopefully enticing press to write about it, and people to come see it—so make sure it isn’t a snooze (or couched in such an obfuscating method of expression that your tentative audience is always already distressed by a substantial and incurable migraine when trying to make sense of it all).
Finally, promote the show! Send out the press materials to magazines, to event listing websites, and to your family and friends. Promote the show on social media. Tell people about it when you see them at an opening, poetry reading, or in line at Chipotle. You’ve been working really hard on this show, and you want to make sure people come out.
INSTALLATION
The time has come! Your show is fast approaching, and it’s time to set up the space. Before pulling out the paint rollers, you’ll want to make a detailed plan. Determine how long it’ll take to prep the space, to install each work, and when you’ll be able to do so. Give yourself plenty of wiggle room. In fact, it’s best to plan for the show to be complete a day or two before the actual opening because something always goes wrong during install. Perhaps a piece takes longer to hang than expected, your drill battery runs out at the worst moment, or the floor paint is still wet days later. Best-case scenario, everything runs smoothly, you finish early, and then you’re able to pamper yourself before the opening—maybe fitting in a massage or mani-pedi.
After you’ve established a plan, head to the space and make sure it’s all ready to go. Scan the walls to make sure all the holes are patched from the last show and maybe add an extra coat of paint to the walls. Then, bring all the works to the gallery and lay them out in place. Take a look around and gauge how the work feels in the space. Use this time to make any last minute decisions about the work’s placement before they’re attached to the wall (or floor!).
When it comes to installing the work, it’s better to be safe then sorry. If you’re uncomfortable, don’t be afraid to ask the artist for help! If they’re local, they may be able to come by and help you hang their pieces. You won’t look unprofessional or unknowledgeable. Most artists actually prefer to install their own work so they can be certain it looks absolutely perfect. If your artist is not local, ask them for specific install instructions (diagrams! phone photos!) and ask a friend to come over and help you. No matter what, make sure you aren’t the only person installing. The less you’re trying to juggle, the less likely you are to damage an artwork.
For the rest of the install process, try to keep to your schedule but not grow overwhelmed. Installation is usually stressful and intense, so take a few breaks. Walk around the neighborhood for a few minutes, breathe deep, and keep telling yourself “it’ll all come together soon.” Flipping out is going to get you nowhere—instead, focus that nervous energy into excitement and motivation!
THE OPENING
Maybe you finished a day early and are coming over from the salon, or maybe you’re still sitting in the gallery pulling your hair out while sitting in a puddle of your own tears and sweat. As the old adage goes, “the show must go on” and honey, it’s almost show time! A good tip is to have a few of your close friends (or gallery staff, if they’re available) come an hour or two before the opening to help you with all the last minute tasks. This includes sweeping the floors one last time or moving all the tools to the storage closet. You’ll also want printed copies of the press release and works checklist, and plenty of copies of each—you’ll be surprised at how few are left at the end of the night. The checklist should have a thumbnail image of each work next to some text that lists its artist, title, materials, and dimensions. You might want to have an extra copy for yourself that also lists prices in case someone is interested in buying.
Now, onto refreshments. I know, buying alcohol is not fun—it’s a big expense and it’s usually gone in the first hour anyway. Free wine (or beer) has become an expected component, however, and breaking with tradition would not be a good look. Don’t feel like you have to buy top shelf stuff to make a good impression—a good Budweiser or Boda Box will do. If you don’t want to spend any money, and don’t mind doing a little extra work, ask a brewery if they would want to sponsor your exhibition. Smaller local breweries looking for exposure might be down to give you free drinks in return for some images from the event and a few social media posts. If you’re on a super tight budget, a sponsorship is worth looking into! Just keep in mind, it often takes a couple of months for them to process the request, so plan ahead.
Okay, everything’s set up and the doors are open. Relax! Grab a drink! Use the opening to socialize, have fun, and celebrate the hard work you’ve done for the past few months! It’s always nice to stop and chat with old friends, but don’t stay too close to them. This is the perfect time to go around the room and try to meet new people. Who knows, maybe you’ll meet someone who runs a space and wants you to curate their next exhibition.
Before we move on—try to think of a good after party spot! A lively karaoke club, a dive bar nearby, or a good spot for some late night grub works perfectly. Don’t worry about people showing up. Spread the word enough and a good crowd is bound to follow.
DURING THE RUN
So the opening is over, you finally got a good night’s sleep, and you’re feeling satisfied with all of your accomplishments. Snap out of it—it’s not over yet! There’s still more work to be done. Don’t worry—nothing will be as strenuous as install.
First, you’ll need to document the show. There are a few different ways to go about this. If you have a friend that is a photographer, perfect! See if you can trade some art for their labor or pay them in pizza (yum). You could also rent a camera and try to document the show yourself. The important thing to remember is that your exhibition is temporary but diamonds…I mean, documentation is forever. You don’t want to have sloppy photos, and your artists won’t either.
Once the images are done, it’s time to send them out. There are plenty of great websites that feature exhibition images—like Art Viewer, AQNB, and OFluxo. Follow their submission guidelines to a T and maybe your images will get posted!
The best piece of advice I’ve heard is to live in the moment. I know too many artists and curators who get bogged down by the question of, “what’s next?” Next?! You just spent months working on this show! Instead of worrying about what’s next, think about what you can do to maximize the focus on your current exhibition. Organize an event, like a screening or lecture, to make use of the space while you have it. Reach out to artists, curators and writers you admire and try to schedule appointments. One-on-one walkthroughs are really special, leading to great conversation and some honest critique. Take note of their feedback—it could help make your next show even better than the current one.
WRAPPING UP
After the show closes, make sure to take down the work and return it to the artists promptly. Repair the space to its original condition, patching up all holes and repainting any scuff marks. You could host a post-closing dinner party, as a nice “thank you” gesture to the artists and space owners. Finally, use this time to reflect on what went well and what went wrong with the show so that you can be better prepared for next time. And keep in mind that something will always go wrong. The trick is not how to make everything perfect, but how to roll with the punches.
Here at Art Box, we have lots of ways for your kids to have fun and explore their creativity! From In-Studio Lessons to At-Home Lessons and even Video Lessons, we have something for every style of learning.
ADULT ART CLASSES
Our Art Therapy workshops are open to absolutely anyone! While we believe that all forms of art are therapeutic, these workshops are specifically designed with an emphasis on the healing and meditative qualities of art-making.
TEENS ART LESSONS
Art Box’s Portfolio Prep program is designed to cater to all students, no matter what their personal goals are or what the requirements and specifications of their application may be. Our experienced and qualified staff works with all levels, from 12 year old students applying for magnet programs to high school graduates looking to achieve a college level body of work.
Sofia Art Academy is a classical-style private art school, that gives a great opportunity to study fundamentals in classical drawing, painting and composition. A series of tasks (cast drawing, cast painting, drawing and painting from still lifes and live models) are done through levels by a student. Students must complete each task to the instructor’s satisfaction before progressing to the next. As students acquire each skill with strong emphasis placed on accurate observation and construction of proportion, shape, tonal value and color, new and more challenging projects are assigned. This system is referred to as “academic training with systematic progression” or “systematic teaching and learning.”
Main Program We offer individually-based classes for children and adults Sofia Art Academy’s program is very unique. It’s based on traditional teaching methods of European special art schools for kids, colleges with BFA and universities with MFA programs, all in one. Just like in traditional, nineteen-century’s art ateliers, we offer the opportunity to study classical drawing and painting techniques with master artists. Our program developed to enable students to gradually build very strong fundamentals in academic style, from beginner to professional level.
Sofia Art Academy offers four-level program for different age categories: Kids – ages 5-9 Kids to Teens – ages 9-13 Teens to Adult – ages 13 and Up Short description of levels:
Beginning level Constructive drawing and painting of simple objects and forms, sculptures, and still lifes. Introduction of composition (Creative imagination).
Second level Constructive drawing and painting of complex objects and forms, sculptures, and still lifes. Basics of composition (Creative imagination).
Third level Constructive drawing and painting of complex objects and forms, sculptures, and still lifes. Basics of composition (Creative imagination).
Fourth level Constructive drawing of human muscle anatomy, head, torso and full figure. Life models portrait and figure drawing and painting. Advance composition (Creative imagination).
After completing all four levels students enter
Master’s levels 1, 2 and 3 Advance figure drawing and painting. Study and development of figurative and stylized compositions. Teens Art Lessons
Painting with a Purpose
Painting with a Purpose Give Back Program. The founders of Painting with a Twist met while giving back to their local community and that commitment to give back lives on through our Painting with a Purpose Program. Each month, our studios across the country host Painting with a Purpose events in collaboration with local non-profit organizations where proceeds from the event go back to the organizations. To date, we’ve raised nearly 7 million dollars for local non-profits such as Habitat for Humanity, Multiple Sclerosis, Odyssey House, and the Vera Bradley Breast Cancer Foundation.
Miami Design District
7657 Biscayne Blvd Miami, FL 33138 WE ARE NOW LOCATED 2ND FLOOR OF 7699 BISCAYNE BLVD
Miami’s first Arts and Craft Studio in the heart of the Bird Road Art District
Offering Birthday Celebrations + Private Events for Kids and Adults
Creating a one of a kind experience through Arts and Crafts
Book us for your next event!
Birthday Parties starting at 4 year olds
Bridal Showers
Baby Showers
Corporate Events
Team Building
Girls Night Out
School fundraisers
AND MORE!
After School Kids Craft Club
Ages: 6 years old – 12 years old | Cost: $96 per month $24 per class
** includes most project materials ** siblings welcome and discounted 10% if in the same household Once a week class: You can choose Tuesday or Thursday 3:30pm | 1 hour -1.5 hour
We are starting with the month of September as virtual and will make decisions on in person after school programming at a later time.
Material List will be emailed to you for basic art materials for purchase. We will also we sending out materials for projects to your home. Please indicate if you prefer pick up or delivery when signing up.
Luly Hi! I’m Luly! I am the creative director and owner of Creative Cove. My infatuation with the Arts started at a young age painting the hallways of my parents home (this was before washable markers) that blossomed into a genuine appreciation and passion for the Arts. Creative Cove is all about fun, adventure, inspiration and new experiences. We strive to create a one of kind experience for your little artist through our programming ( minus the painted walls) I hold a Bachleor’s of Fine Arts from Corcoran College of Art + Design in Washington DC, and a Master’s in Fine Arts from the Cranbrook Academy of Art in Michigan.
My background is in teaching college level sculpture and special needs art K-8th grade. Before opening Creative Cove, I worked as part of the Display team at Anthropologie transforming everyday materials into magical displays. These life experiences has helped me develop my expertise and I am so proud we are able to share it with you and your families!
“I believe everyone is creative. Creativity is about learning to use your senses, and giving yourself the gift of time to play and discover. ” — LULY , OWNER OF CREATIVE COVE
ROGER MARI ART
The Palms at Town & Country 8306 Mills Dr, Miami, FL 33183 (305) 270-8284
Small group settings, beginners class to draw and start to paint in acrylics, quick and simple classes to build up their confidence to advance.
I enjoy teaching students and help them to advance. I do also learn from them, we exchange ideas if the student shows interest I can help them to be ready for his/her first exhibit.
What is your typical process for working with a new student?
We start with simple forms and expand drawing technics then we start advancing to nature or any project the student wishes to do
Student needs to start a Sketchbook, HB, 2B, 6B pencils, Eraser.
What education and/or training do you have that relates to your work?
74-78 Valle Abierto School (Art after school program) Venezuela 84-86 Higuera Institute, Venezuela 86-88 Cedi-art, Venezuela 89-2000 Move to Miami USA and work alone 2017-18 Portrait Work with Maestro Abdon J Romero, on an atelier School setting. 2018-19 Figure Painting and drawing with Maestro Jesus Emmanuel Villarreal, on an atelier School setting. 2019 Figure and portrait Drawing or painting with live model Art Florida Academy, open studio setting. 2019 May 24-26 Figure painting Workshop with Maestro Jesus Emmanuel Villarreal. 2019-2020 weekly drawing schedule with a live model at Art Florida Academy, Sonia Hidalgo Studio. 2019-2020 drawing biweekly schedule with a live model at Alejandra Goldberg and Edin Gutierrez studio.
Do you have a standard pricing system for your lessons? If so, please share the details here.
$25 per hour
How did you get started teaching?
Helping another artist to build up their confidence in drawing and other art technics to improve the quality of the presentation.
What types of students have you worked with?
Beginners and firstime painters.
What advice would you give a student looking to hire a teacher in your area of expertise?
Our Gallery Studio Offers Adult & Children Art Classes ,
Exhibition Space & Artist representation
We are located in Miami, Florida – United States of America.
Our art centers are focused on providing high-quality service & customer satisfaction.
Our art academy was founded in 2007
Our staff is experienced and certified.
Our Gallery Studio Offers Adult & Children Art Classes ,
Exhibition Space & Artist representation.
Children & Teens Art Classes
Winter Break starts on November 21st 2020
All classes during winter will take place at Palmetto Bay studio
SATURDAY KIDS ART CLASSES at Wynwood resume in January
Every Saturday Morning 9:00 am to 12:00 pm
Saturday Classes are for kids 8 years old and up !
Per day pre-registration is required on Saturdays
AFTER SCHOOL CLASSES
MONDAY AFTER-SCHOOL CLASSES for kids
Monthly after-school program for kids 8 yrs old and up after 3pm
ONLINE CLASSES AVAILABLE: Painting: Acrylic & Mixed media session
Drawing: from basics to advance Sculpture: Building a vase in clayArt history: Surrealism
MOTIVATIONAL PAINTING CLASSES
305.781.0991
Do you want to have a Sip and Paint? We travel to you! We offer Virtual Painting Classes. Book Now In-Person or Virtual.
THERE IS A MASTERPIECE IN YOU, WAITING TO COME OUT.
WHY CHOOSE PAINT WITH FAITH?
We are Paint with Faith. We believe you can do all things, and we want you to believe you can do all things as well. When you complete our painting class with a masterpiece, then what else could you achieve in your life with just some motivation, guidance, and just some Faith in your self. We currently offer art classes with Parks and Recreation Departments, Senior Assisted Living Facilities and Medical Companies, and Various Non-Profits for STEM and afterschool programs.
Children and Senior Citizens only $15 per person (shipping fee not included in price)
Kids love art classes and and it helps them express who they are as a creative individual. Painting classes helps seniors citizens find a new vigor for life. Paint with Faith has benefits for all ages:
• Imagination
• Faith in one’s ability
• Mental clarity
• Stimulates neural development
• Enhances fine motor skills
• Enhances cognitive abilities
• Boosts drive, focus & concentration
• Wards off depression
• Visual Art Therapy
Private Parties Only $30 per person (shipping fee not included in price)
Paint with Faith Private painting classes will bring the Sip and Paint Studio to any location. Whether you want to enjoy an art class or paint party we come you
in-person or virtually.
• Birthday Parties
• Girls Night
• Marriage,Youth, Youth Ministry
• Singles Fun Night
• Summer, Winter, and Spring Camps
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• Corporate Team Building Activities
• Business Networking
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There are so many ways to get involved in our PAINT WITH FAITH art classes community. Drop us a line to find out about sip and paint events, painting classes opportunity and fundraisers!
PAINT WITH FAITH
PAINTING CLASSES MIAMI
Instagram: @artclassesmiami
Contact: Ph. 1-786 406 9915
Do you need any information in English or Spanish ??
Art Center established in 2007 in Palmetto Bay at 14115 S. Dixie Hwy #C, Miami FL 33176
This art center offers art classes and workshops for adults and children, artist representation & exhibition. Our art schools have prepared hundreds of students since established in Miami. We are proud of our record of having most students being admitted to the art magnet programs they applied.
Portfolio preparation
Children drawing classes
Children painting classes
Therapeutic art sessions
Adult painting classes
Please feel free to contact us for an appointment. We will be happy to assist you.
Welcome to the Zigzag Zebra art studio. We offer classes, workshops and parties for children who love art. It is a fun, creative place where kids can learn about the artists and create projects using interesting materials. Activities include drawing, printmaking, painting, sculpture and collage techniques.
At the Zigzag Zebra, we take traditional art concepts and integrate them into unique, age-appropriate lessons. Our goal is to provide a safe, nurturing environment where children can discover the joy of art. We supply the tools and ideas, kids supply the mess!
“Creative Classes for Kids, Teens & Adults. Portfolio preparation for Magnet, Charter and college. Painting, Drawing, Sculpture, Mixed Media, Tinkering, Comic and Cartoon, Photography and much more. Private Parties & Events, including Team Building, Employee Recognition, and more. Public Workshops, Art & Wine nights, Family Classes. Host your event at our location or we come to you.”
Over 14 years of experience preparing kids of all ages to apply to Magnet, Charter and College level Art Programs, with a 97% acceptance rate of our students to the best programs in town and the country. If your child is interested in an art related career, contact us to schedule a diagnostic eval.
Have an interest in Photography, Comic & Cartoon, classes for your Homeschoolers, Art & Wine events? Click the yellow button to find out more.
Enjoy Family Classes: create memories, create together!
HAVE YOU HEARD ABOUT MAGNET SCHOOLS & CHARTER ART SCHOOLS?
Have you heard about Art Magnet Schools? These are middle and high public schools consistently ranked in the top 100 public schools in the country. They have high academic standards and outstanding Art Programs. The Schools:
DASH
New World School of the Arts
Coral Reef
Dr. Michael Krop
South Miami Middle Community School
Southwood Middle
Doral Academy
Miami Arts Studio
Miami Arts Charter (MAC)
BridgePrep Academy of Arts and Mind
South Miami K8 Center
Arthur & Polly Mays Conservatory of the Arts
Using our 11 years of experience preparing kids, we coach your child in creating a unique and original portfolio, and prepare him or her in audition and interview techniques. Former students in DASH and New World share their experiences and give additional tips. Additional coaching via email and text is available 5 days a week. Call or email to schedule a 1.5 hour class diagnostic interview to apply ($36.50).
Painting The Portrait From Photos – Selective Start Method
Get Painting The Portrait From Photos – Selective Start Method Today for Only $99!
What You’ll Learn
Practical approaches to color mixing, design, temperature, values, drawing, edges and editing
An introduction to Photoshop for portrait artists painting from photos
Includes 2 oil painting demonstrations
About Tina Garrett
ARC Associate Living Master Tina Garrett started oil painting in 2012. By 2015 Tina’s portrait and figurative works were being recognized in the ARC Salon, Oil Painters of America Online Showcase and International Artist Magazine. Today Tina teaches workshops around the world at Village Arts of Putney, the Scottsdale Artists’ School and The Florence Studio.
Artsy Stages 2020 Editions of ‘Art Miami’ and ‘Context Art Miami’ Exclusively Online on Its Global Marketplace New York, NY, December 2, 2020 — Artsy, the leading online marketplace for buying and selling fine art by leading international artists, exclusively stages online editions of Art Miami and CONTEXT Art Miami on Artsy from December 2 until December 20, 2020.
Since 2016, Artsy and Art Miami have partnered to bring the Art Miami suite of art fairs online during Miami Art Week. This year, in lieu of a physical event, Art Miami and CONTEXT Art Miami will take place exclusively on Artsy through a single digital experience. Artsy’s global audience of nearly 2 million collectors and art enthusiasts will be able to experience the events online, explore the participating roster of 150+ international galleries’ virtual booths across both fairs, and buy works directly from these premier exhibitors at the click of a button on Artsy.
About the partnership, Dustyn Kim, Artsy’s Chief Revenue Officer, commented: “Artsy and Art Miami have enjoyed a longstanding and highly successful partnership, and this year marks the fifth consecutive Art Miami show we’ve hosted on Artsy. In lieu of physical editions of Art Miami and CONTEXT Art Miami this year, we’re thrilled to be their online partner once again exclusively on Artsy.”
Dustyn continued: “In 2019, Art Miami received more traffic than any prior edition of the show on Artsy, and in recent years, we’ve driven sales in excess of seven figures on behalf of galleries as a result of our partnership with the fair. We look forward to building on those milestones and exposing the fairs and their exhibitors to our nearly 2 million collectors and art lovers.”
ABOUT ARTSY
Artsy is the leading global online marketplace for buying, selling, and discovering fine art. Artsy connects its 4,000+ international partners—including galleries, auction houses, art fairs, and institutions—spanning 100+ countries with its 1.9 million global art collectors and art lovers across 190+ countries. Artsy expands the entire art market by using best-in-class, mobile-first technology to effectively connect supply and demand at a global scale. Launched in 2012, Artsy is headquartered in New York City with offices in London, Berlin, Hong Kong, Shanghai, and Los Angeles. In its 31st year, Art Miami maintains a preeminent position in America’s modern and contemporary art fair.
ABOUT ART MIAMI
In its 31st year, Art Miami maintains a preeminent position in America’s modern and contemporary art fair market and is globally recognized as a primary destination for the acquisition of the most important works from the 20th and 21st centuries.
ABOUT CONTEXT ART MIAMI
CONTEXT Art Miami features emerging and mid-career artists presented by leading contemporary galleries. In addition, CONTEXT annually showcases new works specifically crafted for the fair including curatorial projects, solo artists presentations and a series of special exhibitions.
“SOÑEMOS JUNTOS. El camino hacia un futuro mejor” Por el PAPA FRANCISCO
Erwin Pérez
Sale a la venta, publicado por la Editorial Simon and Schuster, uno de los libros más importantes y necesarios del año: “SOÑEMOS JUNTOS. El camino hacia un futuro mejor” Por el PAPA FRANCISCO El Sumo Pontífice en su forma más personal, profunda y apasionada. Disponible en librerías y plataformas digitales desde el 1 de diciembre [Información ampliada, debajo de la fotografía]
_ En este libro el Papa explica por qué debemos, y cómo podemos, hacer que el mundo sea más seguro, más justo y más saludable. El texto es el fruto de muchos intercambios entre el Papa y su biógrafo, el periodista británico Austen Ivereigh, en las semanas posteriores al inicio del problema del coronavirus. __ En “Soñemos juntos” el Papa Francisco ofrece comentarios sobre temas cruciales, incluida la desigualdad de riqueza, el papel de la mujer en la sociedad y la iglesia, la crisis ambiental, la inmigración, el aumento de la polarización, el populismo y el fundamentalismo, y las relaciones raciales a la luz de las protestas por la muerte de George Floyd. __ A tiempo para la temporada navideña, este libro sirve como un recordatorio de la misión cristiana de servir a los pobres: durante las crisis, el Papa Francisco nos anima a tender la mano a los necesitados. De esa manera, no solo aliviará el sufrimiento de los demás, sino que también encontrará una nueva vida para usted y la sociedad. Contact: Erwin Pérez, publicista y periodista. [email protected] 786-277-8497
In my performance, I cherish the transformation of myself and the viewers into becoming the Cubeman, from which we look at life from a different perspective: mirror on mirrors where we can reflect themselves ad infinitum.
Photo: Victor Guido
I love the idea to free people held hostage by an unvarying routine.
I love the idea to break the monotonous routine of people and make their day in the best way with my performance.
The idea is that everyone comes together, regardless of their age, their gender, their race, their color, their religion. At that moment, we can transcend the barriers among us.
I love the idea that a performance awakens our senses and opens the doors to our imagination.
Primera Trienal Internacional de Performance Deformes
9 de noviembre hasta abril de 2021
Información en www.performancedeformes.cl
Tras una exitosa historia previa de casi dos décadas, Deformes se convierte en trienal. La primera versión se desarrollará bajo el contexto de crisis sanitaria mundial que instó a sumar al programa actividades en forma remota.
De forma inédita la Trienal Deformes se desarrollará durante seis meses, desde noviembre del 2020 hasta abril del 2021, con actividades tan diversas como talleres, conferencias, laboratorios y por supuesto performance en formato on line y presencial.
La primera parte de este proyecto se desarrollará a través de la red, entre el 9 y el 13 de noviembre con la participación de artistas de Irlanda, Irak, Irán, Cuba, Noruega, Alemania, El Salvador, Argentina, Holanda ,Francia, Italia, Costa Rica, Uruguay, Suiza, Suecia, Brasil, Dinamarca, España, Canadá, Portugal, Corea del Sur, Togo, Myanmar, Hong Kong, Nepal, Bangladesh, India y Chile.
De esta forma, en una primera etapa se realizará un encuentro en virtual para el cual se ha invitado a 60 artistas de 4 continentes a accionar en una transmisión en vivo, poniendo énfasis en cómo el contexto de pandemia y reclusión ha provocado cambios en el lenguaje de la performance.
A través de sus intervenciones, los creadores reflexionarán sobre el estado y el lugar del cuerpo en la virtualidad. Deformes online incluirá también charlas a cargo de los teóricos Miguel Ángel López (Perú), Víctor Vich Flores (Perú), Irina Garbatzky (Argentina), Alina Peña ( México) y Juan Pablo Sutherland (Chile) y Mildred Durán (Colombia). También se llevará a cabo el Laboratorio de Performance “En busca del Yo” facilitado por el antropólogo social y artista mexicano Gustavo Álvarez.
Posterior a este primer ciclo, se sumarán mensualmente nuevas actividades de similares características para concluir con una muestra presencial en Santiago (14 al 16 de enero) y Talca (18 al 22 de enero).
Historia
La primera versión de Deformes se llevó a cabo el año 2000 en Santiago reuniendo a creadores nacionales en torno a la performance, en un momento en que en Chile no había otros espacios dedicados a la disciplina.
La segunda versión, curada por Francisco Copello y Gonzalo Rabanal, se realizó en salas y espacios públicos de la ciudad, además de incorporar a artistas internacionales vinculados a las artes visuales, el teatro, la danza, la música, la antropología y las artes electrónicas.
A partir del 2006 el evento mutó a Bienal Internacional de Performance Deformes al alero de la Universidad Austral de Chile en Valdivia, con apoyo del Museo de Arte Contemporáneo MAC de Santiago. Tras seis versiones que combinaban acciones en vivo con actividades de formación, Deformes se convirtió en trienal a partir de este año, en la idea de poder contar con más apoyos e involucrar a mayor número de participantes.
Aparecer y desaparecer
Existen muchos ejemplos en el continente de prácticas donde el uso del cuerpo de manera performática genera una resonancia al momento de realizar protestas o denuncias políticas; sin ir más lejos, las Madres de la Plaza de Mayo en Argentina, o la Agrupación de Familiares de Detenidos Desaparecidos en Chile.
En Mil Mesetas, Deleuze y Guattari describen como máquina de guerra las relaciones de poder en las organizaciones sociales a partir de sus primeras formaciones en los pueblos nómades en contraste con las primeras formas del aparato de Estado. Así, la máquina de guerra “parece ser irreductible al aparato de Estado, está fuera de su soberanía y es previa a sus leyes”. Esta lectura delinea un estado de la práctica de la performance en Latinoamérica rebelde y subversiva que la ubica en las fronteras entre las artes visuales y la manifestación social.
En este contexto, sumado a la pandemia mundial, la primera Trienal Internacional de Performance Deformes ha invitado a los creadores a pensar en la performance desde tres ejes temáticos: Cuerpo, disolución y desaparición: el cuerpo en pantalla como residuo; La digitalización del cuerpo: acción, palabra y ritualidad; La virtualidad del cuerpo: aparecer y desaparecer en tiempos de guerra.
Todas la programación puede ser encontrada en la web www.performancedeformes.cl
Las acciones en vivo serán transmitidas a través del canal de Youtube de la Trienal.
Para asistir a las conferencias y laboratorios es necesario inscribirse en los siguientes enlaces:
Conferencias “Escenarios de batalla en el espacio público” y “Los cuerpos anormales como campo en disputa”
Laboratorio “En busca del yo”
Artistas internacionales
Alastair MacLennan-Irlanda, Alejandra Glez-Cuba, Alexia Miranda-El Salvador, Andrez Olmos-Bolivia, Ana Vela-Ecuador,Andrea Cárdenas-Argentina, Anastasia Yeremeyeva-Rusia, Barbara Le Beguec Friedman-Francia, Boris Nieslony-Alemania, Camillat Camillat-Brasil, Carmen Lafran-Alemania, Christine Brault-Canadá, Chumphunut Phuttha-Tailandia, Chumpon Apisuk-Tailandia, Cinthia Vargas-Ecuador, Daniela Giebel-Bolivia, Dani d’Emilia-Portugal, Emilio Santisteban-Perú, Evamaria Schaller-Alemania, Leafa Wilson-Nueva Zelanda, Juan Angel Italiano-Uruguay, Javier Sobrino-Argentina, Jessica van Deursen-Holanda, José Roberto Sechi – Brasil, Khaing Su-Myanmar, Kiyo Gutierrez-México,Olga Kozmanidze- Alemania/Rusia, Manuela Maroli-Italia, Marcela Cadenas-Colombia, Markus Goessi-Suiza, Marton Robinson-Costa Rica, Mauritz Tistelo-Suecia, Mohammed Abd Alwasi-Irak, Mongkol Plienbangchang-Tailandia,Moon Jaeseon-Corea del Sur, Nenad Bogdanovic-Serbia-ex-Yugoslavia, Nina Claire-Noruega, Peter Baren-Holanda, Ras Sankara Agbok-Togo, Razieh Goudarzi-Irán, Smitha Cariappa-India, Sanjoy Chakraborty-Bangladesh, Saurganga Darshandhari-Nepal, Sophie Dupont-Dinamarca, Sophie Scheifele and Olivier Schlund -Francia, Takumi Hashimoto-Japón, Yeuk To-Hong Kong, Yvette Teeuwen-Holanda, Uma Banerjee-India, Vaida Tamos eviciute-Lituania, Abel Azcona.
Artistas nacionales
Carmen Berenguer, Hernán Parada Gonzalez, Brisa MP en colaboración con Manckacen, Estela Morales, Mar Marianne, Paz Jara, Ginés Olivares, Carolina Jerez Berenguer, Carolina Hernández, Gonzalo Rabanal.
La Primera Trienal Internacional de Performance Deformes se realiza gracias al financiamiento de los Fondos de Cultura FONDART, convocatoria nacional 2020 y cuenta con el apoyo de Galpón Tinajas, Centro Cultural Ruda y Centro Cultural Candelaria en difusión