back to top
Thursday, August 7, 2025
Home Blog Page 133

Interview with Steven Salzman

Double-Slit Interference, 2018. Liquid mirror on canvas, 60 x 60 in
Double-Slit Interference, 2018. Liquid mirror on canvas, 60 x 60 in

Interview with Steven Salzman
Inaugural show at Melissa Morgan Fine Art Gallery
May 2022
By Lorien Suárez-Kanerva

Melissa Morgan Fine Art Gallery (Palm Desert, California) on April 16th opened Steven Salzman’s inaugural exhibition. While discussing his work in the interview, Salzman drew connections between chromatic optical shifts, formal compositional elements and his conceptual thought process.
As an artist, the selection of interference paint is a key material element inducing perceptual movement by employing color variability at different viewing angles. Salzman draws principally from geometric abstraction using elements like line, form and space and inspiration from scientific principles on the nature of the universe alongside space and perception.

StevenSalzman_Energy, Matter, and Information Equivalence 2018. Acrylic and interference acrylic on canvas 84 x 64
Energy, Matter, and Information Equivalence, 2018, Acrylic and interference acrylic
on canvas, 84 x 64 in

LSK: What concepts and features are important in your work? Do you favor specific art movements or theories?

Salzman: Abstract-Expressionism is at the core of my work. Seeing a significant etrospective of A-E as a high school student inspired me to become a painter. Over time, my major takeaways have been the Pollock “all-over” fields, Newman’s bold simplicity and Reinhardt’s color exploration and later the work of Bridgette Riley, early Frank Stella and Mondrian. Historically, I love Classical painters like Raphael, Poussin and Ingres, Impressionism and Post-Impressionism.
I read much of the theory relevant to my work, and, if anything, this was something I reacted against. Formalism, ultimately, seemed too rigid and Neo-Plasticism too utopian. On the other hand, the influence of the idea of formally-oriented abstraction being inherently “democratic” and accessible is another element at my core. Science and religion are favorites, especially relativity, quantum theory, and the Torah.

From Edge to Wedge, 2014, Acrylic and interference acrylic on canvas, 68 in across
From Edge to Wedge, 2014, Acrylic and interference acrylic on canvas, 68 in across

LSK: How does a “democratic and accessible” approach inform your work? Salzman: The foundational source of inspiration for my work is vision, looking, seeing.
When I first committed to being a painter, as a student, after a few months, my vision changed. Everything was sharper, brighter – colors richer, space more complex. It was a wonderful experience that persisted for me. When I looked at the past’s great paintings, I didn’t see religious, historical or symbolic content. I saw the composition, spatial exploration and color arrangement. The “democratic and accessible” is a general framework of perspective. The viewer would have access to the work by looking at it without any prior, specialized thematic knowledge of history. I think it’s what Frank Stella referenced when he said, “What you see is what you see”.

The Golden Age, 2006, Interference acrylic on canvas, 84 x 60 in
The Golden Age, 2006, Interference acrylic on canvas, 84 x 60 in

LSK: Are there artworks that indicate significant features in your artwork? Salzman: Angular Momentum Made Me is a good example. The composition’s stripes are staggered around the canvas to create a sense of rotation and movement. The movement compliments the color-shifting translucence of the interference paint. I was doing a lot of yoga, and the imagery suggested a figure in transition, moving through poses. It is a physical, literal connection to the paintings’ color transitions as the viewer moves around them. The title refers to rotational movement in physics, which is fundamental in creating our reality.
The “Made Me” part of the title copies the signature of classical Greek artists, who wrote their name and then “made me” as if the artwork was talking to the audience, explaining its origin. That connects my work to both modern particle physics and the classical tradition.

The Illusion of Macro-World Symmetry, 2019. Acrylic on canvas, 46 x 36 in
The Illusion of Macro-World Symmetry, 2019. Acrylic on canvas, 46 x 36 in

LSK: Alec Longmuir, MMFA gallery’s art director, noted your interest in Science-Fiction.
Would you like to comment on this?
Salzman: To the extent I am a fan of the genre, it is the optimistic, advanced technology version vs the bleak dystopian one. The streamlined geometry of the spaceships, gleaming, clean cities, and tight, bright clothes all have influenced my visual sensibility. One of the paintings in the show at MMFA gallery, From Edge to Wedge, has an alternate title, Captain Kirk’s Art Collection. The idea of limitless scientific progress is a fundamental source of inspiration for my aesthetic.
Another painting I would mention is The Colors of Anti-Matter, which perhaps has a different direction of inquiry. The issue is the dialogue and correlations between the interference palette and the bright, saturated palette in that painting. I think of it as exploring translation and the colors as elements of a language. The title is a “romantic” description of the dynamic of the painting. Titles are significant in my work.

The Colors of Anti-Matter, 2018, Acrylic and interference acrylic on canvas, 84 x 64 in
The Colors of Anti-Matter, 2018, Acrylic and interference acrylic on canvas, 84 x 64 in

LSK: Would you like to remark on some of these titles?
Salzman: The titles connect to what I thought when I did the work, ruminating on words and phrases. The first important one is I Awoke With a Lingering Doubt. It’s a double portrait of Debbie Harry from when I was very involved with photo-deconstruction. I used a promotional headshot to clash photography with as many modes of representation as I could pack into the painting. The composite image is fractured, suggesting dislocation and anxiety in concert with my mental state.
Fast-forward to more “mature” works, and I think of The Golden Age, Angular Momentum Made Me, and Ellen Descending a Staircase. I have already described the first two to relate my paintings to classicism. Still, they suggest similar fractured anxiety, expressed by the motion and translucence of the imagery. Ellen Descending a Staircase is from the same group (and among my personal favorites), and I had been trying for some time to do a homage to Nude Descending a Staircase by Duchamp. The movement described in that series was directly related to a human figure moving through time, particularly a modern figure living in our breathless, technological world. To connect back to I Awoke With a Lingering Doubt, The Good Insomnia is a title that refers to the ongoing unease, and the usually unwelcome sleeplessness, that informs my hard-edged, systemic paintings. In that particular case, my inability to sleep resulted in a breakthrough in my work. The Illusion of Macro-World Symmetry opposes visual even-ness with the reality of its technical impossibility. The laws of nature undermine basic intuition.
My titles serve as a poetic counterpoint to the geometry and a complementary element describing my impulse to bring tranquility to chaos.

Double-Slit Interference, 2018. Liquid mirror on canvas, 60 x 60 in
Double-Slit Interference, 2018. Liquid mirror on canvas, 60 x 60 in

LSK: In conclusion, what do you want viewers to know about your artwork and your approach to making art?
Salzman: Again, “Space is the place”. My focus has always been exploring and creating pictorial space: two and three-dimensional and murky, hard to locate spaces, flat and illusionistic. I strive to create imagery that allows me maximal freedom to explore anything I want, formally, thematically and emotionally. I want to make magic – to make spaces that evoke perception and emotion for viewers.

*Article first published in Whitehot Magazine on May 24, 2022.

Marta González en temporada 2 “Líos De Familia”

Marta González
Marta González

Marta González solidifica su carrera en la comedia, participando en la segunda temporada de “Líos De Familia”

“Líos de Familia” es una producción ejecutiva de James McNamara y Anjanette Delgado para “Pantaya” y Gregory Quinn y Zumaya Cordero para “Caribbean Films”.

Marta González es una joven nacida en la República Dominicana con muchos propósitos y sueños. Una latina más que ha tenido que luchar contra la corriente para alzar su voz y poder ocupar un espacio en el difícil y competitivo mundo de la actuación. Actriz y periodista de carrera. Cuenta con 15 años trabajando en los medios de comunicación. Fue parte de la 4ta temporada de la famosa serie “Dynasty” de CW, que se transmite por Netflix. En el 2019 trabajó al lado del reconocido actor John Travolta en la cinta “The Fanatic” que se estrenó en cines y en Amazon Prime. “Cuando hice el casting para la película “The Fanatic”, no sabía que iba a compartir escenas con John Travolta”.

“Ser actriz simplemente me hace feliz. Me gusta entretener al público. Llevarles un poco de alegría o incluso hacer que se desconecten de su día a día. O el hecho de que se relacionan e identifican con lo que hago. Es una virtud que uno disfrute su trabajo, no lo siento como tal. Cuando estoy en el set me siento plena”.

La segunda temporada de “Líos de Familia” se estrena el próximo 25 de agosto por “Pantaya” en USA y Puerto Rico, donde Marta González da vida a Cristina, una ex-reina de belleza casada con un político sin escrúpulos fichado por la fiscalía. Cristina pasa de ser millonaria a quedarse sin un quinto. Vive en una burbuja, en su mundo de apariencias y mentiras, engañando a todos y tapando las locuras de su marido Esteban.

Marta González comparte créditos junto a los protagonistas: Raymond Pozo, Miguel Cespedes y Cheddy Garcia así como Francisca, Brea Frank y Jorge Pabón (Molusco) quienes se unen a la segunda temporada como actores invitados.

Aqua Art Miami

Aqua Art Miami
Aqua Art Miami

Aqua Art Miami will kick off its 16th edition at the Aqua Hotel (1530 Collins Avenue Miami Beach, FL 33139) with a VIP Preview on Wednesday, November 30th before opening to the public December 1-4, 2022. The energetic preview has become the destination for influential collectors and art professionals, many of whom migrate from Aqua’s sister fairs, Art Miami and CONTEXT conveniently nestled between the Venetian Causeway and the MacArthur Causeways, and Art Basel Miami Beach, which is located just a few blocks away.

Aqua Art Miami is the premier location for art aficionados to procure works by young, emerging and mid-career artists. Throughout the years, the fair has continued to solidify itself as a completely unique art fair, consistently staying true to its signature relaxed yet energetic vibe. A roster of well respected international galleries will showcase the fresh artists’ works  in the intimate exhibition rooms, which open into the beautiful courtyard of the classic South Beach hotel.

VIP Preview:
Wednesday, November 30 | 3pm-10pm

Public Hours:
Thursday, December 1 | 12pm – 9pm
Friday, December 2 | 11am – 9pm
Saturday, December 3 | 11am – 9pm
Sunday, December 4 | 11am – 6pm

Tickets

WEDNESDAY, NOV 30, 2022, 3:00 PM – SUNDAY, DEC 4, 2022, 6:00 PM
VIP – Aqua Art Miami – Aqua Hotel
1530 Collins Ave, Miami Beach, FL 33139, USA

THURSDAY, DEC 1, 2022, 12:00 PM – SUNDAY, DEC 4, 2022, 6:00 PM
GENERAL ADMISSION – Aqua Art Miami – Aqua Hotel
Not valid for VIP Preview, Nov 30
1530 Collins Ave, Miami Beach, FL 33139, USA

Aqua Art Miami at the Aqua Hotel
1530 Collins Avenue
Miami Beach, FL 33139

Aqua is located on Collins Avenue, a short walk South of Art Basel Miami Beach, and across from the Loews Hotel.

MAIN OFFICE+1 305 517 7977 or [email protected]

Art Miami + CONTEXT Location
One Herald Plaza @ NE 14th Street | Downtown Miami on Biscayne Bay
Between the Venetian and MacArthur Causeways

New Bag and Stroller Restrictions:
Due to changes in security procedure, large bags will not be permitted into the event. Please do not bring suitcases, folding bicycles, scooters or any large items bigger than a handbag or laptop bag. In addition, strollers are not permitted.

Pets: Show Management strictly prohibits Pets from entering the Aqua facilities. Only animals assisting handicapped or disabled individuals are exempt from this rule.

Artists

A
Liam Alexander
Mary Frances Attias Antun

B
Sarah Becktel
Dalia Berlin
Karen Bibas
Luca Bornoffi
Mr. Brainwash
Ray Beldner
Tamera Bedford

C
Philippe Cheng
CJ Cowden
Peter Carnegie
Arminée Chahbazian
Eduardo Cabrer
Zuzana Chandler
Dario Campanile
Cinzia Cotellessa

D
Roberta De Mutiis
Tracy Boulian + David Ahntholz
John Denis
Sid Daniels

E
Natan Elkanovich

F
Ana Elisa Fernandez
Katherine Filice
Tony Fandino
Terry Frishman
Dolly Faibyshev
Amelia Ford

G
Amy Gordon
Erol Gunduz
Kevin Graham
Gail Garcia
Dobri Gjurkov
Rachel Goldsmith

H
Ko-Hey! Harikawa
Brian Higgins
Spencer Hansen
Robb Hohmann
Atom Hovhanesyan
Jordana Hanono
Margot Holzapfel

I
Donna Isham

J
Daniel Jenney
Carole Jury

K
Nune Karamyan
Markus Klinko
David Krovblit
Oleg Kedria
Mykola Khodorovsky
Justyna Kisielewicz

L
Eileen Lerner
Domenico Ludovico
Lise Ladouceur
Jasmin Leer
Eric Jiaju Lee
Shelley Lipton
Elisa LeJuez

M
Cabell Molina
Haley Manchon
Mr Brainwash
Phillip Michaels
Margaret McCarthy
Kate Maura
Hulis Mavruk
Joe Mangrum
James Meagher
Alex Melo

N
Gail Nash Arnold
Raisa Nosova

O
Robert Obier

P
Jacki Praxedes
Maria Petroff
Cindy Press
Luis Daniel Pedroza
Vered Pasternak
Diane Ponder

R
Melissa Roldan
Roberta Ruocco
Carolina Rivera
Billy Rhyze
Barry Rosenthal
Almir Reis
Adam Scott Rote
Chris Riggs

S
Bryant Small
Patricia Soto
Analvis Somoza
Marcela Solana
Theodore M. Schinkel
Linda Schinkel Rodney
Boris Shpeizman
Konstantin S
Kurt Stimmeder
Arron Sturgeon
CC Streetzy
Strange Dirt
Philip Stark
Carol Scavotto

T
Zoya Taylor
David Tyndall
Wei Tan
Yener Torun
Susan May Tell
Volodymir Tarasenko

U
Stefan Ullrich

V
Alexandra von Fedak
Sol Villanueva
James Van Pelt
Marc VanDermeer

W
Stephen Wilson
Tamara White
Laura Waldusky
Margeaux Walter
Brent Warr

Kube For All by Rafael Montilla

Kube For All The Biggest Cube Art Installation in the world
Kube For All The Biggest Cube Art Installation in the world

Kube For All

The Biggest Cube Art Installation in the world on Friday August 19th 2022

*This installation will be just for one day only*

Be Part of Art History in Miami

Come and help to create this Art Installation Friday August 19th 2022, from 9 am to 2 pm

My name is Rafael Montilla, Miami based contemporary artist. Kube For All is a humanizing movement. During these difficult times, we must come together to focus on our missions, our purpose is to make this world a better place for future generations.

Art statement: My work is based on geometric abstraction and the cube plays a central part in my proposal. The cube represents a symbol of harmony, unity, and balance of our internal and external life.

“Be Part of the largest cube installation”

Where: Midtown Park (The Shops At Midtown Miami)

When: Friday August 19th 2022, 9 AM to 2PM

For more information send me a email to rafaelmontillaart(@)gmail.com

Kubes in Action by Rafael Montilla. Photo: Manuela Delgado.
Kube For All The Biggest Cube Art Installation in the world
Kube For All The Biggest Cube Art Installation in the world

Alexis Cogul pone su sello a la arquitectura de Miami.

Terraza Alexis Cogul
Terraza Alexis Cogul

Alexis Cogul pone su sello a la arquitectura de Miami

Miami es una ciudad joven y en proceso de crecimiento a nivel arquitectónico, es el perfecto canvas para el desarrollo urbano. Allí destaca un arquitecto afincado en el sur de la Florida desde hace varios lustros, que desde sus estudios en Coconut Grove y en su natal Barcelona, fusiona su arte en cada proyecto que diseña trayendo una sensibilidad europea a esta ciudad joven, tropical y diversa, donde se combinan diferentes culturas en la que hay mucho potencial para desarrollar en cuanto a diseño y arquitectura.

   Se trata de Alexis Cogul, una voz autorizada en el rubro arquitectónico y de diseño internacional a nivel mundial, ha diseñado desde el Dior Café del Design District en Miami, Silverspot Cinema, el penthouse de Brickell Flatiron, y otros destacados proyectos como la Casa U, el cual fue un proyecto nominado por la American Architecture Awards, Villa M casa ubicada en Miami Beach y entre muchos otros, pero que este año se destaca por dos en particular: La Casa B&B Italia (proyecto ganador de varios premios como el Interior Design Magazine Award) en esta obra el diseño entrelaza los materiales con la luz y la naturaleza, y el segundo en proceso de creación, es el espacio Collector Lounge, que estará situado en el famoso Design Miami en el Art Basel 2022.

  Cogul labora con los materiales la luz y el espacio. El joven, pero recorrido arquitecto, quien desde niño sabía que quería diseñar y construir, considera que su deber profesional es el de “contar una historia”. Él y su equipo se inspiran en la constante evolución sociopolítica de los hábitats que lo llevan a considerar la arquitectura en un contexto en continuo cambio. Influencias de los estilos de vida contemporáneos, las nuevas tendencias sociales, las artes y los problemas ambientales en curso que lideran el interés en el proceso de diseño intelectual, son conceptos que lo nutren para aparecer con sus innovaciones.

Alexandra Benedetti, publica su primera novela: ‘Bendita’.

Art Miami Mag cover- Alexandra Benedetti
Art Miami Mag cover- Alexandra Benedetti

La actriz y escritora, Alexandra Benedetti, publica su primera novela: ‘Bendita’.

Se trata de una novela inclusiva que transcurre al otro lado del Atlántico y que cuenta casi
cien años de historia entre sus páginas.

CÍRCULO ROJO.- ‘Bendita’ es una novela fascinante destinada a todos aquellos con
ansias de rememorar sus raíces, su propia saga familiar, tal y como refleja su propia
autora, Alexandra Benedetti: “Es mi primera novela y es inclusiva. Así como es en la vida
real, el entramado de amor en la novela lo viven parejas heterosexuales, homosexuales y
poliamorosas. La trama de superación, ha sido inspirada por mi abuelo emigrante europeo
y sus hermanos”.

Actriz y Escritora, Alexandra Benedetti

“Así como la trama de los derechos civiles de las mujeres, es un homenaje a mis
bisabuelas, abuelas y todas las mujeres de mi vida. Es una saga familiar que transcurre
entre 1926 y el 2020, casi cien años de hechos históricos que los personajes y su
descendencia vivirán dramáticamente, con pinceladas de comedia”, añade ella misma

Publicada en Círculo Rojo Grupo Editorial, el lector va a encontrar romance, aventura, el
drama y comedia. Una novela para todos aquellos que quieran ser inspirados y
rememorar sus propias raíces.

SINOPSIS
Inspirada en hechos reales. Rosa, Santina y Flora son tres mujeres que unidas por el hilo
invisible del destino algún día conocerán a tres muchachos que huyeron del fascismo
cruzando el Atlántico en el barquito Bartolomé y fueron escupidos por el mar en territorio

venezolano, moribundos, con las esperanzas rotas y unas pocas monedas de oro.
¡BENDITA la hora milagrosa que el agua de lluvia no los dejó morir de sed!
Rosa se olvidará de sus sueños y se entregará al matrimonio, al hogar, a la moral y a los
consejos del cura de la iglesia; un evento trágico le cambiará la vida. Mientras que
Santina, una de las sirvientas de la casa de Rosa, se atreverá a soñar en grande y pese al
racismo en su país, la hambruna de derechos civiles, el Bogotazo y la ola de violencia
logrará superarse y llegar muy lejos. Flora es bisexual, separada, libre, soñadora,
activista, luchadora y defensora incansable de los derechos civiles de las mujeres en la
Colombia de los luminosos años treinta, saboreará varias victorias y también defenderá el
amor libre y sin ataduras, aunque le cueste dejar ir al amor de su vida. Cuando las tres
mujeres y los tres muchachos se conozcan en lugares y tiempos distintos, se enredarán
en un triángulo amoroso que de no ser desatado tendrá consecuencias infernales para
dos de los involucrados.
Muchos años después nacerá Bimba, la del pelo azul, una mujer milenial, escritora y una
de las guardianas del Manifiesto de las victorias, un documento que ha pasado por las
manos de tres generaciones, recordando las luchas y victorias por los derechos civiles de
las mujeres, y quien está decidida a hurgar en los secretos más guardados y peligrosos
de esta saga familiar y contárselos a todas, todos, todes y todxs.
La historia transcurre entre mil novecientos veinte seis y el veinte veinte, el año que
estalló la pandemia.

Art Miami Mag cover- Alexandra Benedetti
COVER. Novela: ‘Bendita’ de Alexandra Benedetti.

AUTORA

Alexandra Benedetti, artista, actriz y escritora colombiana radicada en los Estados Unidos.
Inició a temprana edad en el ballet, la danza y el teatro en su natal Cartagena.

Se formó como actriz en el Círculo Teatral y CasAzul Argos en la Ciudad de México y en
el Miami Acting Studio en la ciudad de Miami. Cursó el Diplomado en Creación Literaria
en el Centro de Creación Literaria Xavier Villaurrutia del Instituto Nacional de Bellas Artes

(INBA). Actuó en diferentes obras de teatro, cortometrajes y largometrajes. Debutó en
cine en The Leyend of Zorro (La leyenda del Zorro) interpretando el personaje de Lupe y
cerró el ciclo de actriz en la serie Club de cuervos (Netflix) con la interpretación de Julieta,
para sentarse a escribir y comenzar un nuevo camino como escritora. Escribió su primer
libro, ‘Soñar despierta’, gracias a un llamado interior que la impulsó a compartir una
técnica nueva que le sirva a muchas mujeres en su camino de autoconocimiento,
creatividad y empoderamiento, un libro que es algo más que un libro, una compañía en
ese camino mágico de crear la vida de nuestros sueños. Se inspiró en su propia
experiencia y en los ejercicios y lecciones que aprendió en su formación artística. Esta
vez la autora nos presenta Bendita, su primera novela, y con esta se lanza al fantástico
mundo de la narración de historias y creación de personajes.

Rosa, uno de los cuatro personajes principales femeninos de la novela, está inspirada en
su abuela María Cristina y en lo duro que fue para ella quedar viuda con ocho hijos, y
Alessandro, uno de los tres muchachos que huyeron del fascismo y llegaron a territorio
venezolano primero y después a Colombia, en su abuelo Guillermo y en aquel ancestro
inmigrante italiano que se asentó en Colombia sembrando la semilla de su árbol
genealógico. La autora crea ficción, un universo en el que es inevitable engancharnos a la
vida fascinante de sus personajes, vidas diferentes, transgresoras, atrevidas… Audaces,
lúdicos, complejos, ambiguos, patéticos, carismáticos, inverosímiles, magnéticos,
estrafalarios, soñadores, con sus luces y sombras… ¡Y de un plumazo o nos
identificamos o nos lanzamos a los mundos desconocidos de nuestra imaginación!

Contacto: [email protected]

FREE Art Happy Hour at Tower Theater

Tower Theater Miami
Tower Theater Miami

FREE Art Happy Hour at Tower Theater, Elvis movie with Spanish subtitles and more events in Miami!

There is no shortage of art & cinema events taking place in Miami during the month of August. Just check out our list below, starting with a FREE art happy hour to kick-off a new “Kitsch Medley” exhibit at Tower Theater Miami on Friday, August 5. We’ve included links to high-res photos with each event description. 

Feel free to reach out with any questions and/or if you would like to attend any of these events. Meanwhile, thank you for considering these events for inclusion in your roundup articles. 

“Kitsch Medley” Art Happy Hour at MDC’s Tower Theater Miami on Fri., August 5

“Kitsch Medley” Art Happy Hour at MDC’s Tower Theater Miami
“Kitsch Medley” Art Happy Hour at MDC’s Tower Theater Miami. Photo credit: Daniel Marin

Join Miami Dade College’s historic Tower Theater Miami, one of the city’s most cherished cultural landmarks, for a FREE cocktail reception to celebrate the opening of the “Kitsch Medley” exhibit by local Cuban-American visual artist Daniel Marin from 6 – 8:30 p.m. on Friday, August 5. During this art happy hour, the public can meet Marin and view his colorful pop art, plus enjoy drinks courtesy of Estrella Damm and E11even Vodka. RSVP HERE: https://www.squadup.com/events/daniel-marin-exhibition-opening

The “Kitsch Medley” exhibit will be on display from August 5 – October 12, 2022. It is FREE and open to the public.  Tower Theater Miami is located at 1508 SW 8th St, Miami, FL 33135. 305-237-2463 | www.towertheatermiami.com

Watch ELVIS with Spanish subtitles at MDC’s Tower Theater Miami, starting Fri., August 5

Watch ELVIS with Spanish subtitles at MDC’s Tower Theater Miami.

Put on your blue suede shoes and watch the new hit film, ELVIS, with Spanish subtitles at Miami Dade College’s Tower Theater Miami starting at 7 pm on Friday, August 5. Tickets cost $12.75 per adult; $10 per senior or student; and $8.25 for Miami Film Society members and go on sale one week prior to the screening. To purchase tickets, visit www.towertheatermiami.com. Tower Theater Miami is located at 1508 SW 8th St, Miami, FL 33135. | 305-237-2463

This Warner Bros. Pictures’ musical drama, by Oscar-nominated filmmaker Baz Luhrmann and starring Austin Butler and Tom Hanks,  explores the life and music of Elvis Presley (Butler), seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Hanks). The story delves into the complex dynamics between Presley and Parker, spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the most significant and influential people in Elvis’ life, Priscilla Presley.  

MDC’s Tower Theater Miami Presents “Canaletto & the Art Of Venice” on Tues., August 16

FAMILY COMMISSIONS Eight Local Filmmakers to Debut Short Films Centered on ‘Family’ During FREE Screening Event at MDC’s Tower Theater Miami.

From an intriguing depiction of Mexican painter Frida Kahlo to a stunning film examining the remarkable and often controversial Renoir collection at Philadelphia’s Barnes Foundation and more, Miami-Dade College’s Tower Theater Miami brings Exhibition on Screen art films to the big screen. Next up is “Canaletto & the Art Of Venice,” an immersive journey into the life and art of Venice’s famous view-painter, Giovanni Antonio Canal, better known as Canaletto. The screening of this beautiful film will take place at 7 p.m. on Tuesday, August 16. Movie tickets are $15 per person, per movie and $13 for Miami Film Society members. To purchase tickets, visit www.tower theater miami.com. Tower Theater Miami is located at 1508 SW 8th Street. 

FAMILY COMMISSIONS Eight Local Filmmakers to Debut Short Films Centered on ‘Family’ During FREE Screening Event at MDC’s Tower Theater Miami on Thurs., Aug. 25

FAMILY COMMISSIONS Eight Local Filmmakers to Debut Short Films Centered on ‘Family’ During FREE Screening Event at MDC’s Tower Theater Miami. Photo credit: Adrian Cardenas

The word family can mean different things to different people. This is evident in the new short films created by eight Miami-based filmmakers who were selected to participate in a new “Family Commissions” program presented by Oolite Arts and Miami Dade College’s (MDC) Miami Film Festival. Co-funded by The Lynn and Louis Wolfson II Family Foundation,  each filmmaker received a portion of $120,000 to produce 8 to 12-minute original works using the theme – family. Now, the public is invited to watch these films, spanning from the escapades of a young man who will stop at nothing to recover a stolen family heirloom to a first-person account of being a gay male and fitting into an ever-changing family dynamic, during a FREE screening event at MDC’s Tower Theater Miami from 7-9 p.m. on Thursday, August 25. Tower Theater Miami is located at 1508 SW 8th Street. RSVP here: https://www.towertheatermiami.com/event/mff-oolite-arts-family-commissions 

Cool Off at These Two Summer Exhibits at Oolite Arts in Miami Beach

***Click HERE for high-res photo (credit: Karen Rifas)

Cool-Off-at-These-Two-Summer-Exhibits-at-Oolite-Arts-in-Miami-Beach
Cool-Off-at-These-Two-Summer-Exhibits-at-Oolite-Arts-in-Miami-Beach

Oolite Arts features two new summer exhibitions: “Lean-To,” Oolite’s annual artist-in-residence exhibition featuring works by 15 Miami-based artists, and “At The Edge,” highlighting six female artists who are pushing the boundaries in hard-edge abstraction. Both exhibits are FREE and open to the public through September 11, 2022. Hours are 12 p.m. – 5 p.m. daily. The exhibits are located at 924 & 928 Lincoln Road in Miami Beach. To learn more, visit www.oolitearts.org. | 305-674-8278 

MDC’s Tower Theater History

Since 2015, MDC’s Tower Theater Miami is South Florida’s highest-grossing art-house cinema. Our mission is to connect art with audiences, and foster a value for cinema for future generations. The Theater is the year-round home of Miami Film Festival. Our philanthropic work includes free educational screenings for students and subsidized rental fees for non-profits to showcase cinema without commercial pressures.

MDC’s Tower Theater Miami is one of Miami’s oldest cultural landmarks. When it opened in December of 1926, it was the finest state-of-the-art theater in the South.

In the early 1960s, large numbers of Cuban refugees fled to Miami. The area surrounding S.W. Eighth Street – “Calle Ocho” – became a place of new beginnings. For many Cuban families, films at Tower Theater Miami were an introduction to American culture in addition to pure entertainment. Soon the theater altered its programming to include English-language films with Spanish subtitles, and eventually Spanish-language films. However, after almost sixty years of operation, Tower Theater Miami was closed to the public in 1984.

In 2002, the City of Miami authorized Miami Dade College to reopen the Theater. In 2011, USA Today declared MDC’s Tower Theater Miami “one of the 10 great places to see a movie in splendor” in the newspaper’s round-up of the best old-fashioned movie palaces in America, and the same year the Theater came under the programming and operational direction of MDC’s Miami Film Festival. Today, Tower Theater Miami thrives as a social gathering place for cultural connections in Little Havana, where the community can enjoy alternative and culturally specific exhibitions, performances, independent and international films, specializing in both Spanish-language films and English-language films, subtitled in Spanish.

Theater Info

MDC’s Tower Theater Miami is located in the heart of Little Havana, next door to the famous Domino Park. The Theater features two auditoriums, one with 250 seats, the other with 104 seats.

The theater opens 40 minutes before the first scheduled screening of the day.

The theater is handicapped accessible.

To view our full Safety Guidelines Please Click HERE

Accessibility
Wheelchair accessibility symbol

Wheelchair Accessible
Tower Theater is wheelchair accessible. If assistance is needed, please make yourself known to the theater/venue staff.

Closed Captions
All foreign language films will have English subtitles. Exclusions may apply for live events. For closed captioning, please refer to individual pages for more information.

Contact

Leave a Voice Message 305-237-3083
Hear Showtimes (in English or Spanish) 305-237-2463
General Contact [email protected]

11 consejos para vender arte online

consejos para vender arte online
consejos para vender arte online

11 consejos para vender arte por Internet

Exponer sus obras de arte a la venta en línea es una forma sencilla y eficaz de mejorar su credibilidad como artista y mejorar su exposición a miles de amantes del arte, al tiempo que mejora su saldo bancario.

Aquí tienes 5 consejos clave para ayudarte a vender con más éxito en línea:

1: Suba sus obras con regularidad
Portada Florida Art Gallery es visitada constantemente por los motores de búsqueda. Siempre está en los primeros puestos de Google y de muchos otros motores de búsqueda.

Para mantener su obra de arte fresca y visible en Google, asegúrese de subir obras de arte con regularidad.

2: Proporcione imágenes de calidad y múltiples
Las imágenes dicen más que mil palabras. Puede subir fácilmente varias fotos de su obra, mostrando sus características, primeros planos de la textura, el marco, el tapete, etc.

Consejos para vender arte en línea

3: Entrar en las exposiciones de arte
La compra de arte en línea es cada vez más aceptada por los amantes del arte. Sin embargo, no hay nada mejor que ver la obra antes de comprarla.

Las exposiciones de arte siguen siendo la forma más eficaz de presentar su obra a los amantes del arte. Además, cada exposición de arte de Gallery online en la que es aceptado aumenta su visibilidad en línea en los distintos motores de búsqueda.

4: Añada una biografía de calidad
A los amantes del arte les encanta leer la historia de dónde proviene su arte original y cuál es la inspiración y el origen del artista. Así que asegúrate de dedicar tiempo a tu biografía, es una de tus mejores herramientas. Consulte con un crítico de arte para que le ayude.

Recuerda que los premios y galardones se añaden automáticamente a tu biografía, así que es importante que registres cualquier premio con la obra de arte correspondiente.

5: Promueva su arte en las Redes sociales
Las redes sociales son una gran herramienta para dar a conocer su arte. Cada vez que subes una obra de arte nueva, es muy fácil informar a tu red de amigos sobre ella con enlaces para comprar tu obra en Portada Florida Art Gallery.

Aunque tus amigos no compren tu obra, puede que alguno de sus amigos en las redes sociales sí lo haga y refieran a otros amantes del arte.

Instagram, Facebook, Twitter, Pinterest, Email marketing

6. Contacta con webs de compra y venta de arte online.

7. Crear una marca

Para dar a sus piezas la promoción que merecen, es imprescindible crear una marca. Como cualquier producto que se vende, la gente lo compra no sólo por lo que puede hacer o por su aspecto, sino que también compra la marca. Puede empezar por crear un nombre para su negocio. Usted es la marca.

A continuación, piense en quién es su mercado objetivo y en el estado de ánimo que le gustaría que evocaran su obra de arte y su tienda online. Crea un lenguaje visual coherente para que tu marca se sienta adaptada y unificada, con una paleta de colores bien elaborada y una selección de uno a tres tipos de letra. A continuación, cree un logotipo con un creador de logotipos gratuito para crear su propio emblema personal.

Una vez que hayas establecido el tono adecuado y tengas un logotipo que represente a tu marca, asegúrate de llevar ambos a todos tus canales de marketing, no solo a tu tienda, desde el diseño de tu cartera online, los feeds sociales, el boletín de noticias y las tarjetas de visita.

8. Crear una tienda en línea

Al crear una tienda online, considérela su escaparate virtual. Tu tienda online debe representar no solo tus obras, si no también como artista visual y como marca, e intrigar a los compradores para que continúen desplazándose.

Existen muchas plataformas, con las cuales puedes crear un sitio web completamente personalizable que actúe como tu tienda y portafolio en uno. Utiliza una plantilla de comercio electrónico única y elige los colores y las fuentes que se ajusten a tu marca y a las emociones que quieres que transmita tu arte. Incluso puedes incluir un blog de arte si quieres conectar con tus clientes y compartir tus ideas sobre el mundo del arte.

Mejores plataformas para crear su blogs de arte.

Artmiamimagazine.com no tiene relación comercial con ninguna de estas plataformas digitales.

Google Arts & Culture

Blogger (Blogspot) 

WordPress.com

Yola

Artsy

Cass Art

Squarespace Website Builder

web.com

Wix

artnet

Booooooom Creative

ARTnews

Juxtapoz

Art Observed

Artspace

Artforum

Art Basel

Aesthetica

Frieze

GARAGE

9. Aclare muy bien lo que usted vende.

Su página de inicio debe explicar explícitamente el tipo de arte que vende. Asegúrese de incluir un párrafo o viñetas junto con imágenes que expliquen la inspiración de su obra. También vale la pena incluir una sección “Acerca de” para que los compradores sepan quién eres y tengan la oportunidad de establecer una conexión personal.

10. De vida a tus productos con fotos o maquetas.

Muestre imágenes de alta calidad de su trabajo en el mundo real, como un póster enmarcado en la pared o una bolsa de mano colgada en el hombro de alguien. Consígalo organizando una sesión de fotos de sus productos o con la ayuda de maquetas. De este modo, los compradores podrán imaginar su trabajo integrado en sus propias vidas y será más probable que realicen una compra.

Implemente características de diseño que hagan que su sitio web sea más interactivo y fácil de usar.

11. SEO

Para aumentar las posibilidades de que los compradores potenciales le encuentren en Google, deberá optimizar su tienda online para el SEO. Este proceso incluye la incorporación de una variedad de contenidos y palabras clave específicas en todo su sitio web. Para empezar, puede utilizar una herramienta de SEO gratuita como Google Keyword Planner o invertir en una de pago, como Ahrefs, para identificar las palabras clave y las frases que la gente busca y que son relevantes para su nicho. Trata de incorporar palabras clave más cortas, como fotógrafo de recién nacidos, así como palabras clave más largas y específicas, como por ejemplo cómo hacer fotografía de recién nacidos, en todo el contenido de tu sitio web. La combinación le dará más oportunidades para que su tienda se posicione en Google.

LORIEN SUAREZ. COALESCING GEOMETRIES

Coalescing Geometries Wheel within a Wheel 116 LSK
Coalescing Geometries Wheel within a Wheel 116 LSK

LORIEN SUAREZ. COALESCING GEOMETRIES.
By Milagros Bello, Ph.D.

Lorien Suarez creates complex webs of hand-made fractalized patterns. She proposes geometric figures in never-ending configurations of infinite iterations. At different scales, and through different “fractured” recurring schemes, the geometric forms progressively augment and multiply in expansive dimensions. Vortexes and vibrant fluids, both tactile and aerial, operate in recursive constructions. Depths, ratios, proportions, scales, and ranges in strong colored stances emerge as relational points of departure. They mimic the cosmic world in imaginary projections of conversing energy waves, multiplying crystals, galactic systems, molecular interfaces, and collisions of particles as forceful form/type model generators.

Coalescing Geometries Wheel within a Wheel 49 LSK
Wheel within a Wheel 116, Acrylic, 40 in x 40 in, 2018

The intricate visual result signals the artist’s insight and awareness that plainly reveal her force and strong being. In her retrospective, Coalescing Geometries, she affirms, “Creating art is in essence a practice of being attentive and focused in the present moment. Creative insights come to light. Over time, intuitive spiritual expressiveness grows.” The work comes from a vigorous creativity and a resourceful inventiveness that doesn’t need the use of any computer software mediation. It’s Suarez’s artistic hand over canvas or paper, the painter’s sole imprint, which sets the conception of this ingenious imagery.

Coalescing Geometries Wheel within a Wheel 117 LSK
Wheel within a Wheel 49, Watercolor/Gouache, 60 in x 45 in, 2007

Endorsing her artistic identity, Suarez asserts: “Art to me is a form of knowledge of the heart. Creative practice brings forth discoveries that outlive their creators, serve the evolution of meaningful understanding, and give birth to a more profound vision of the unfolding of life.”

In a further step, the artist goes beyond the complexity of her geometrical creations. Their self- generated turns and expansions also correlate to jewel-like geometric shapes, such as it is in the “amplituhedron”, a geometric object that challenges notions of space and time in quantum physics (Wolchover, Natalie. A Jewel at the Heart of Quantum Physics. Quanta Magazine). This refers to a jewel-like multifaceted master geometry that was conceived by physicists Nima Arkani-Hamed (a professor of physics at the Institute for Advanced Study in Princeton, N.J.) and Jaroslav Trnka (a post-doctoral researcher at the California Institute of Technology) to project quantum particles’ multidimensional trajectories in the subatomic world. Departing from this parameter, the artist traces comprehensive structures that build up together in many facets and volumes, in a rich interplay of kinematic conglomerates (Wolchover, Natalie). She creates “transposed geometries”, altered and swapped, rearranged in sparkled diagrams, in fizzed organizations, in an open system of space, time, and movement.

Coalescing Geometries Wheel within a Wheel 119 LSK
Wheel within a Wheel 117, Acrylic, 40 in x 40 in, 2018

At first, and attuned with the Mandelbrot model, the artist’s work establishes schemes of visual chaos and order, producing multiple organizations in orderly generators and extensive, shaped iterations. Continuous and self-mirrored structures expand or contract in a decentered visual composition. Euclidian “fractalized” and multihued circles, rectangles, and squares, subdivide in vibrant assemblies of variable densities. (Taylor, Richard. Fractal Expressionism. Where Art Meets Science.)

Coalescing Geometries Wheel within a Wheel 46 LSK
Wheel within a Wheel 119, Acrylic, 40 in x 40 in, 2018

The visual morphologies of hard-edge outlines superimpose or revolve one into other in mathematical calculations. The works conform a vision of the universe in its meticulous micro and macro optic constructs. The viewer changes perspective from the rational vertical/horizontal paradigm to a sprawling kinetic perception projecting invisible domains in which materiality dissolves towards intangibility and immanence.

Coalescing Geometries Wheel within a Wheel 16 LSK
Wheel within a Wheel 46, Watercolor/Gouache, 51 in x 72 in, 2007

The work merges two essential elements of visual plasticity appropriated from modernist aesthetics, a potent graphic line of defined contours that strongly delineate and give character to forms, and a chart of colors that desegregate and disseminate into rich tone values and hues. It is at once both a graphic and a painterly approach, reinforcing the “autonomy of means” of the pieces in which the image possesses a “self-sufficient autonomy” (Wolchover, Natalie). The rhythmic lines entwined with luxuriant hues consolidate a compelling visual execution in which any reference to the real is unnecessary.

Coalescing Geometries Wheel within a Wheel 50 LSK
Wheel within a Wheel 16, Watercolor/Gouache, 30 in x 22 in, 2003

“Wheel Within A Wheel 16,” one of Suarez’s seminal works from 2003, displays a visual chaos/order of a crystal configuration. Fractal colored forms repeat in augmenting boosting patterns, virally interweaving and magnifying. Numerous geometrical subsidiaries, triangles, circles, and convex polygons proliferate in a lavish arrangement of the aerial composition. Governing circles, positioned in tensional asymmetrical locations, emerge as dominant form generators. The flowery and elaborate crystal forms spread widely in the hinted space producing powerful optical effects.

Coalescing Geometries Wheel within a Wheel 114 LSK
Wheel within a Wheel 50, Watercolor/Gouache, 60 in x 45 in, 2007

The work “Wheel Within A Wheel 50,” shows a huge spinning spiral rotating ad infinitum in a scattering process. It is a complex formulation of multiple interactions and frequencies, showing high-amplitude dimensions that refer to a 3-D quantum graph of moving particles. It is a visual platform for an all-encompassing inward/outward continuum of space-time. At the center of the spiral, there are three core generators, three epicenters of expanding energy, that radially project crisp trajectories, fracturing the planes inside-out and vice versa. The interlacing of colors enhances the kinetic effects, into a hyper recursive panorama of the universe.

Coalescing Geometries Wheel within a Wheel 116 LSK
Wheel within a Wheel 114, Acrylic, 40 in x 40 in, 2017

The painting “Wheel Within A Wheel 114,” stands as one of the most important canvases in the artist’s production. In it, there is a deep immersion into pure pictorialism, and a major emphasis on volume, paint and mass. Expressive layers of glutinous tint appear in fractioned compounds. A bulky snake-like geometry retorts and spirals inside-out in figure/ground illusionistic effects. The negative space disappears into the physical body of the colossal curly geometry. The multihued fragments succeed one another, continuously dissolving into endless torsions as in a sequel of an Escher-like tessellation design.

In summary, the artist names the unnamable and visually articulates the invisible routes of the metaphysics of the cosmos.

*Dr Milagros Bello’s critical essay “Transposed Geometries” was first published in “Coalescing Geometries” (2019 International Latino Book Award – First Place “Mariposa” 1st Non-Fiction book and Second Place in the Artbook categories). The book features Suarez’s “Wheel within a Wheel” abstract geometric paintings, the artist’s reflections, and critical essays by Peter Frank, Terrence Sanders, John Mendelsohn, Britni Winkler Winkler, and Evan Senn. Published by Art Voices Books and distributed worldwide, including Amazon and Barnes and Noble. Curator Dr Milagros Bello holds a PhD in Sociology with a doctoral thesis in Sociology of Art from Sorbonne University (Paris VII-Jussieu), Paris, France. Dr Bello is an art critic member of the International Association of Art Critics (AICA). Dr Bello has curated numerous shows in contemporary art locally and nationally; she is an art writer for local and international art magazines and a former Senior Editor of Arte Al Dia International art magazine. Since 2000, Bello has taught as a professor of art and critical theories at the Florida International University, Florida Atlantic University, Miami International University (The Art Institute/Miami), and the Istituto Marangoni/Miami. From 2010-2020, she was the director and chief curator of Curator’s Voice Art Projects in Miami, Florida/USA, which pivoted to the new MIA Curatorial Projects due to the pandemic.


Art Voices Art Books:
https://artvoicesbooks.com/#/lorien-suarezkanerva/
Amazon:
https://www.amazon.com/Coalescing-Geometries-Lorien-Su%C3%A1rez-
Kanerva/dp/1732004838

Barnes & Noble:
https://www.barnesandnoble.com/w/lorien-suarez-kanerva-coalescing-geometries-lorien-suarez-
kanerva/1141459253

Paris+ par Art Basel

Paris+ par Art Basel announces line-up of 156 leading galleries for its inaugural edition.

  • The first edition of Paris+ par Art Basel will bring together 156 premier galleries from 30 countries and territories – including 61 exhibitors with spaces in France – in a new flagship event that further augments Paris’s standing as a cultural epicenter
  • The fair will extend beyond the Grand Palais Éphémère through a program of collaborations with Paris’s cultural institutions and its city-wide sector Sites, including publicly accessible works in such emblematic settings as, the Jardin des Tuileries – Domaine national du Louvre, Place Vendôme, Musée national Eugène-Delacroix and Chapelle des Petits-Augustins des Beaux-Arts de Paris
  • Paris+ par Art Basel will take place at the Grand Palais Éphémère from Thursday, October 20 to Sunday, October 23, 2022, with the Preview Day on Wednesday, October 19

The inaugural edition of Paris+ par Art Basel will bring together 156 leading French and international galleries to present exceptional artworks across all media – from painting and sculpture to photography and digital works. From curated presentations of 20th century masterpieces to solo booths by emerging artists, Paris+ par Art Basel will present a global showcase of the highest quality, firmly embedded in Paris and its cultural scene.

A strong line-up of galleries from France will be joined by exhibitors from across Europe, Africa, Asia, North and South America, and the Middle East, including several first-time participants to any Art Basel show, such as Galerie Anne Barrault, christian berst art brut, Magnin-A, Salle Principale, and We Do Not Work Alone from Paris; Efremidis and Heidi from Berlin; Galerie Cécile Fakhoury with spaces in Abidjan, Dakar, and Paris; LC Queisser from Tbilisi; Seventeen from London; Chris Sharp Gallery from Los Angeles; and Tim van Laere Gallery from Antwerp.

Clément Delépine, Director, Paris+ par Art Basel says: ‘I am truly honored to announce the outstanding list of exhibitors taking part in the inaugural edition of our show in Paris. The composition of the gallery list reflects our commitment to create a show that is both specific to its host city and has a strong global resonance.’

‘The galleries selected for our debut in Paris embody Art Basel’s long-standing tradition of juxtaposing high-quality historical work with avant-garde material,’ says Marc Spiegler, Global Director, Art Basel. ‘Equally important to us, the galleries that make today’s Paris so dynamic are present in large numbers, across many market sectors, giving this show a singularly Parisian personality.’

Galeries

The main sector of the fair will feature 140 of the world’s leading galleries presenting the highest quality of painting, sculpture, drawings, installation, photography, video, and digital works. For the full list of exhibitors in Galeries, please visit parisplus.artbasel.com/galeries.

Galeries Émergentes

Dedicated to emerging galleries across the globe, Galeries Émergentes will feature 16 solo presentations. Exhibitors include Antenna Space from Shanghai; Instituto de Visión from Bogotá and New York; LC Queisser from Tibilisi; Marfa’ from Beirut; Parliament from Paris; Galeria Dawid Radziszewski from Warsaw; sans titre (2016) from Paris and Veda from Florence. For the full list of exhibitors in Galeries Émergentes, please visit parisplus.artbasel.com/galeries-emergentes.

Supported by Groupe Galeries Lafayette, one artist from Galeries Émergentes will be chosen to exhibitat Lafayette Anticipations the following year.

Sites

Sites is dedicated to artistic projects taking place in the heart of Paris. For its first edition, Sites will take place in emblematic settings throughout the city, including the Jardin des Tuileries – Domaine national du Louvre, where 25 sculptures and installations will be exhibited, as well as Place Vendôme, Musée national Eugène-Delacroix and Chapelle des Petits-Augustins des Beaux-Arts de Paris. Applications for Sites at the Jardin des Tuileries are open to all galleries, irrespective of their participation in Paris+ par Art Basel.

Conversations

Curated by Pierre-Alexandre Mateos and Charles Teyssou, and located in the atmospheric Bal de la Marine, a docked boat opposite the Tour Eiffel, the Conversations program will provide a platform for dynamic dialogues between leading figures from the artworld and the broader cultural sphere.

Further details on Sites and the program for Conversations will be released in the coming months.

Press Contacts 
Art Basel, Sarah Degen  
[email protected]  
 

PR Representatives for France 
CLAUDINE COLIN COMMUNICATION, Thomas Lozinski and Chiara Di Leva  
Tel. +33 (0)1 42 72 60 01, [email protected] and [email protected]  

PR Representatives for Europe 
SUTTON, Joseph Lamb 
Tel. +44 20 7183 3577, [email protected] 
 

PR Representatives for North and South America, the Middle East, and Africa 
FITZ & CO, Yun Lee 
Tel. +1 646 589 0920, [email protected] 
 

PR Representatives for Asia  
SUTTON, Carol Lo 
Tel. +852 2528 0792, [email protected] 

GALLERY LIST
PARIS+ | JULY 12 | 2022

PARIS+ | JULY 12 | 2022
GALERIES ÉMERGENTES
Gallery NameExhibition Spaces

303 GalleryNew York

A Gentil CariocaRio de Janeiro, São Paulo

Miguel Abreu GalleryNew York

Acquavella GalleriesNew York, Palm Beach

Air de ParisParis

Galerie AllenParis

Andréhn-SchiptjenkoParis, Stockholm

Applicat-PrazanParis

Art : ConceptParis

Alfonso ArtiacoNaples

Balice HertlingParis

Galerie Isabella BortolozziBerlin

Ellen de Bruijne ProjectsAmsterdam

Galerie BuchholzBerlin, Cologne, New York

Campoli PrestiParis, London

Capitain PetzelBerlin

Cardi GalleryMilan, London

Ceysson & BénétièreParis, Saint-Etienne, Lyon, Koerich, New York

christian berst art brutParis

ClearingLos Angeles, Brussels, New York

Sadie Coles HQLondon

Galleria ContinuaSan Gimignano, São Paulo, Beijing, Havana, Les Moulins, Paris, Roma

Paula Cooper GalleryNew York, Palm Beach

Pilar CorriasLondon

Galleria Raffaella CorteseMilan

Galerie Chantal CrouselParis

Massimo De CarloMilan, London, Paris, Hong Kong

dépendanceBrussels

mfc-michèle didierBrussels, Paris

Dvir GalleryTel Aviv, Brussels, Paris

Andrew Edlin GalleryNew York

galerie frank elbazParis

Essex Street/Maxwell GrahamNew York

Galerie Cécile FakhouryAbidjan, Dakar, Paris

Selma Feriani GalleryTunis, London

Konrad Fischer GalerieBerlin, Düsseldorf

Fitzpatrick GalleryParis

Foksal Gallery FoundationWarsaw

Fortes D’Aloia & GabrielRio de Janeiro, São Paulo

Peter Freeman, Inc.New York

GagosianNew York, Beverly Hills, London, Paris, Geneva, Basel, Gstaad, Rome, Athens, Hong Kong

Galerie Christophe GaillardParis

Galerie 1900-2000Paris

gb agencyParis

François GhebalyLos Angeles, New York

Gladstone GalleryNew York, Brussels, Roma, Seoul

Marian Goodman GalleryNew York, Paris, London

Galerie Bärbel GrässlinFrankfurt

Greene NaftaliNew York

Galerie Karsten GreveSt. Moritz, Cologne, Paris

Hauser & WirthHong Kong, Ciutadella de Menorca, Gstaad, St. Moritz, Zurich, London, Somerset, Los Angeles, New York

Galerie Max HetzlerBerlin, Paris, London

High ArtParis, Arles

Hannah HoffmanLos Angeles

Xavier HufkensBrussels

Mariane IbrahimParis, Chicago

Taka Ishii GalleryTokyo, Hong Kong

Galerie Jousse EntrepriseParis

Annely Juda Fine ArtLondon

KarmaNew York

Karma InternationalZurich

kaufmann repettoMilan, New York

Anton Kern GalleryNew York

Galerie Peter KilchmannZurich, Paris

David Kordansky GalleryLos Angeles, New York

Andrew Kreps GalleryNew York

Galerie KrinzingerVienna

Kukje GalleryBusan, Seoul

LambdaLambdaLambdaPristina

LayrVienna

Galerie Le MinotaureParis

In Situ – fabienne leclercParis

Simon Lee GalleryLondon, Hong Kong

Galerie Lelong & Co.Paris, New York

LGDRNew York, Hong Kong, Paris, London

Lisson GalleryLondon, East Hampton, New York, Shanghai, Beijing

LoevenbruckParis

Luhring AugustineNew York

Magnin-AParis

Mai 36 GalerieZurich

Marcelle AlixParis

Matthew Marks GalleryNew York, Los Angeles

Mendes Wood DMSão Paulo, New York, Brussels

kamel mennourParis

Meyer RieggerBerlin, Karlsruhe

Francesca MininiMilan

Galleria Massimo MininiBrescia

Victoria MiroLondon, Venice

mor charpentierParis, Bogotá

Galerie nächst St. Stephan Rosemarie SchwarzwälderVienna

Nahmad ContemporaryNew York

Galerie NeuBerlin

Neue Alte BrückeFrankfurt

neugerriemschneiderBerlin

Galleria Franco NoeroTurin

Galerie Nathalie ObadiaParis, Brussels

Pace GalleryNew York, London, Hong Kong, Seoul, Geneva, Palo Alto, East Hampton, Palm Beach, Los Angeles

Galerie PapillonParis

Peres ProjectsBerlin, Milan, Seoul

PerrotinParis, New York, Hong Kong, Seoul, Tokyo, Shanghai

Galerie Francesca PiaZurich

Galeria Plan BCluj, Berlin

Galerie Jérôme PoggiParis

Galerie Eva PresenhuberZurich, New York, Vienna

ProjecteSDBarcelona

Almine RechParis, Brussels, London, New York, Shanghai

Regen ProjectsLos Angeles

Michel ReinParis, Brussels

RodeoLondon, Pireas

Thaddaeus RopacLondon, Paris, Salzburg, Seoul

Salle PrincipaleParis

Esther SchipperBerlin

SemioseParis

Jessica SilvermanSan Francisco

SkarstedtNew York, London, Paris, East Hampton

SociétéBerlin

Galerie Pietro SpartàChagny

Sprüth MagersBerlin, London, Los Angeles, Hong Kong

Galeria Luisa StrinaSão Paulo

Simone Subal GalleryNew York

SultanaParis

Take NinagawaTokyo

TemplonParis, Brussels

Tornabuoni ArtParis, Florence, Forte dei Marmi, Milan, Crans Montana

Galerie Georges-Philippe & Nathalie ValloisParis

Van de WegheNew York

Tim van Laere GalleryAntwerp

Vedovi GalleryBrussels

Vielmetter Los AngelesLos Angeles

We Do Not Work AloneParis

Galerie Barbara WeissBerlin

Michael Werner GalleryNew York, East Hampton, London, Berlin, Cologne

White CubeLondon, Hong Kong

Barbara WienBerlin

Galerie Jocelyn WolffParis
XippasParis, Geneva, Punta del Este
Galerie Thomas ZanderCologne
Zeno X GalleryAntwerp
Galerie ZlotowskiParis
David ZwirnerNew York, London, Paris, Hong Kong




GALERIES ÉMERGENTES
Gallery NameExhibition SpacesArtists
Antenna SpaceShanghaiYong Xiang Li
Galerie Anne BarraultParisLiv Schulman
Carlos/IshikawaLondonBendt Eyckermans
EfremidisBerlinHannah Sophie Dunkelberg
HeidiBerlinAkeem Smith
Instituto de visiónBogotá, New YorkMarlon de Azambuja
LC QueisserTbilisiThea Gvetadze
Marfa’BeirutCaline Aoun
Edouard MontassutParisNiklas Taleb
NicolettiLondonJosèfa Ntjam
ParliamentParisNile Koetting
Galeria Dawid RadziszewskiWarsawAgnieszka Polska
sans titre (2016)ParisJessy Razafimandimby
seventeenLondonPatrick Goddard
Chris Sharp GalleryLos AngelesSophie Barber
VedaFlorenceMonique Mouton
Page 133 of 199
1 131 132 133 134 135 199

Recent Posts