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Art Services 2000 Ltd. Fine Art Appraisals

Art Services 2000 Ltd. Fine Art Appraisals
Art Services 2000 Ltd. Fine Art Appraisals

Do You Have a Question About a Work of Art?

Do you need to know more about an oil painting, watercolor, drawing, sculpture, photograph or limited edition print? We have the answers you are looking for.

We appraise works of fine art dating from the 15th to the 21st Century.

Do you want to know exactly what it is that you have and how much it is worth in today’s market?

Art Services 2000 Ltd. is a privately owned independent firm that provides private clients, organizations, institutions and government agencies with professional fine art services, including art appraisals, research, consulting, art advisory and international sales brokerage services.

We provide all of the major types of appraisals including:

  • Insurance Replacement Value: for protecting your art collection in case of loss or damage
  • Fair Market Value: for wills, trusts, estates, divorce, equitable distribution among heirs, IRS form 8283 charitable donations
  • Market Value: for sales, marketing,  pre-purchase advisory, asset and collateral evaluation

It is important to know exactly what you have and its true worth in order to make an informed decision about your valuable artworks.

Contact us today for a free initial on-line review  of your work of art

Call us at: (386) 742-6786 or email us at [email protected] 

for more information.

CAUTIONARY NOTE:

Make sure to hire an experienced, trained and tested professional fine art appraiser who holds a fine art degree and is a current fully accredited member in of one of the three personal property  appraisal organizations recognized by

The Appraisal Foundation.

International Society of Appraisers (ISA)

American Association of Appraisers (AAA)

American Society of Appraisers (ASA)​

Beware of appraisers who list these organizations but are not current members in good standing and If they are not currently USPAP trained and compliant (Uniform Standards of Professional Appraisal Practice)  they are not IRS qualified All ISA, AAA and ASA members are required to abide by a Professional Code of Ethics.

PLEASE NOTE:

Unlike many generalist appraisers who value antiques,

 ceramics, silver, furniture, rugs, collectibles and other decorative items:

FINE ART IS OUR ONLY BUSINESS.

Fine Art Consulting and Research

We serve our clients with full professional fine art consulting services

  • Professional Fine Art Appraisal Documents
  • Services for the Legal Profession including Expert Witness Testimony and Depositions
  • Reviews and Inspections of Artist’s Estates and Private Collections
  • Art Collection Inventories and Documentation of  Institutional Collections
  • Advisory services for fine art presentation, conservation, repair and restoration
  • Arrangements for fine art handling, crating and transportation services
  • Pre-Purchase advisory for Buyers
  • Authentication by the correct expert or officially recognized authorities
  • Provenance Research and Due Dilligence
  • Fine Art Sales Brokerage Services (please see the Brokerage page of this website)
  • Public Fine Art Lecture Series and Consulting Days

Fine Art Appraisals

We offer both in person and online appraisals for all our clients

Now in our 20th year Art Services 2000 Ltd is an fully independent fine art appraisal firm that appraises individual original works of fine art and as well as entire fine art collections from Old Masters starting in the 15th to the art of the 21st Century.

As a fully Accredited Member of the International Society of Appraisers we are trained and tested, USPAP compliant, IRS qualified and adhere to the ISA Code of Ethics.

We  conduct our research with due diligence and document our reports in detail. Our research archives consist of our own large fine art reference library and professional level subscriptions to international fine art databases. We conduct our in depth research worldwide and work with major museums, archives and expert art scholars. 

 WE CAN APPRAISE YOUR PAINTINGS, WATERCOLORS, DRAWINGS, PRINTS, SCULPTURE AND PHOTOGRAPHS

Our confidential art appraisal reports are conducted for the following specific purposes:

Insurance Replacement Value Appraisals to document and correctly value your artworks to protect them in case of loss or damage Fair Market Value Appraisals for financial and legacy planning

  • estates, wills, trusts
  • equitable distribution of assets
  • cases of inheritance and divorce
  • and tax deductible IRS charitable donations

Market Value Appraisals for sales and marketing

  • pre-purchase advisory
  • collateral valuation of non-cash assets
  • We can meet your specific legal requirements and when required we can provide Expert Witness testimony and depositions for all of our art appraisal report documents.
  • We serve a national and international clientele. Do you live in a remote area ?  Please know that we are available to travel both nationally and internationally to value our client’s artworks and collections on short notice.
  • We can also conduct a full service appraisal online from your information and images
  • Do you have an emergency situation or one that requires meeting a rapidly approaching deadline?   We are fully prepared to professionally deal with emergency and / or unusual situations on short notice.

WHAT IS THE TRUE DEFINITION OF AN APPRAISAL?

The North American Conference of Appraisal Organizations defines an appraisal as:

“A written statement, independently and impartially prepared by a qualified appraiser, setting forth an opinion of defined value of an adequately described property,as of a specific date, supported by the presentation and analysis of relevant market information.”

Cautionary Note: Free estimates and “appraisals” from auction houses are not recognized as valid appraisals by the IRS and  a recent United States Tax Court ruling (Kollsman v. Commissioner  T.C.Memo 2017-40) stated that an auction house appraisal result was invalid due to “Conflict of Interest.” The 2017 ruling was upheld in 2019 by the 9th Circuit Court.

Please beware of individuals who are acting as “appraisers” who offer to buy your work of art or collection and companies or individuals that offer free or bargain basement priced appraisals who are looking to purchase or consign your valuable work of art.

WHO EXACTLY IS A PROFESSIONALLY QUALIFIED APPRAISER?

Standards for professional personal property appraisal practice are set by The Appraisal Foundation (TAF) the only organization authorized to do so by the United States Congress.

Our Director Mark Alexander is a trained and tested fully Accredited Member of The International Society of Appraisers ( Member # 205261). The International Society of Appraisers specializes in the appraisal of Personal Property and is recognized by both The North American Conference of Appraisal Organizations and The Appraisal Foundation, Washington, D.C.

All of our fine art appraisals are conducted and our report documents are written in accordance with The Uniform Standards of Professional Appraisal Practice (USPAP) guidelines established by The Appraisal Foundation and the International Society of Appaisers Report Writing Standards and Code of Ethics. Our appraisal reports are IRS compliant and meet the current  eligibility standards and required professional qualifications in regard to accreditation and credentials. 

Art Services 2000 Ltd. has been selected as a CHUBB Personal Insurance Preferred Services Provider

WHAT IS THE CORRECT DESCRIPTION OF WORKS OF ART ?

Our art appraisal report documents adhere to the internationally accepted  J. Paul Getty Trust Object ID Guidelines for the description and photographic documentation of art objects. This is the international standard recognized by UNESCO, INTERPOL, The Federal Bureau of Investigation, (FBI), Scotland Yard, ICOM and many other international cultural and law enforcement organizations and agencies.

​PLEASE RESEARCH THE CREDENTIALS OF ANYONE YOU HIRE TO VALUE YOUR PROPRETY

Art Services 2000 Ltd.
                                               P.O. Box 354787 Palm Coast, Florida 32135 USA
                                               telephone: (386) 742 6786
                                               email: [email protected]
                                               website: www.artserv2000.com    
Perez Art Museum PAMM
Pérez Art Museum Miami

Fabiola Angulo entre las Top 25 líderes latinas de Florida

Fabiola Angulo
Fabiola Angulo

Fabiola Angulo entre las Top 25 líderes latinas de Florida

La reconocida empresaria venezolana Fabiola Angulo recibió reconocimiento especial  por ser seleccionada por la revista Latin Times entre las Top 25 líderes latinas de la Florida, por su destacada labor social en pro de los más necesitados y ser una mujer emprendedora, con excelente capacidad de liderazgo, inspirada en aportar ayuda y constantemente ser motivadora en pro de quienes más la necesitan, sin esperar ningún beneficio personal.

El sencillo,  pero muy emotivo acto,  se llevó a cabo en la ciudad de Tampa en Florida, donde con mucho orgullo estas personalidades recibieron sus merecido reconocimiento por parte de los organizadores del evento, quienes,  cabe destacar, desarrollaron una ardua y minuciosa labor para realizar la selección de los galardonados.

La también actriz y modelo, Fabiola Angulo, expresó sentirse muy agradecida y motivada a seguir con su misión Filantrópica. «Siempre trato de aportar mi ayuda para que seamos una mejor sociedad, intento ser cada día más humana y tener empatía para con las demás personas,  me encanta motivar a quienes lo necesitan con mensajes y acciones positivas, siempre digo que no busquemos los obstáculos, debemos hallar oportunidades porque siempre las hay , esto se los digo con experiencia propia, ya que el aprendizaje es algo constante en mi vida «, también, expresó su agradecimiento a Dios, su familia y a todos los que hicieron esto posible, en especial a Marilyn Santiago por está nominación, así como Joly González y Víctor Padilla.

Dentro de las tantas actividades que realiza está destacada representante del emprendimiento latino en los Estados Unidos, quién es catalogada como una de las mujeres más influyente de Miami, también se desenvuelve en el mundo de las finanzas, es asesora de seguros nacionales, internacionales y protección de riesgos financieros, ayudando a muchas familias a organizarse para el futuro e impulsando a muchas mujeres a tener sus propios negocios.

Fabiola ha sido la precursora de muchos movimientos de labor social, forma parte de la Junta Directiva de la Fundación Special Mother in Action, un grupo de madres especiales que se ayudan mutuamente.

Perez Art Museum PAMM
Pérez Art Museum Miami

Exposición Colectiva, Hernán Gamboa Gallery

Hernán Gamboa Gallery
Hernán Gamboa Gallery

Exposición, Hernán Gamboa Gallery

4000 W Flagler St, Coral Gables, FL 33134

Exposición Colectiva: Las múltiples visiones en Miami, eco del arte contemporáneo.

IcalmArte International (Colectivo de artistas plásticos latinoamericanos, europeos y asiáticos) conjuntamente con su aliado comercial Leaf Colours Art (Organización dedicada al Arte la Cultura y Educación) se complacen en invitar a la Exposición Colectiva Internacional: Maestros Internacionales de la Plástica en Miami, que se llevará a cabo en el New Professional Technical Institute, Coral Gables, Miami, Fl., en la sala Hernán Gamboa Gallery desde el 19 de noviembre al 7 de diciembre del 2021.
En el marco de la semana del Arte de Miami, continuando con el proyecto Ruta de la Plástica, nos invade el entusiasmo de generar un encuentro artístico, donde contaremos con la participación especial de Angela Uzcategui, músico y compositora venezolana, quien nos acompañará con su repertorio ameno para deleite de los visitantes.

El evento será inaugurado el 19 de noviembre a las 6:00 pm.
En esta ocasión estarán participando maestros consagrados del arte de 14 países, durante una jornada especial donde los asistentes podrán visitar la exposición en la modalidad presencial, todo un reto tras un año y medio de confinamiento y haciendo gala de nuestro slogan: “El arte no se detiene… y con IcalmArte seguimos trabajando” queremos que nos acompañen a este recorrido que convoca a maestros como: Asdrúbal Marot, Bárbara González, BEGU (Beatriz Gómez), Cecilia Byrne, DAU, Douglas Gil, Dora Gabay, Elizabeth N. Rossel, Gadu, Gabby Avalos, Guillermo Gambini, Jorge Díaz, Marilyn Caminero, Mark Shenkman, Mery Guerrero, Oscar García, Patricia Giovanzani, Policarpo Contreras, Raida Madriz, Silvia Parra y Yovanny Saracual, a cargo la curaduría del museógrafo Rafael Montilla, con nuestros patrocinantes que promocionan está exposición como medio de comunicación a nivel internacional TV Channel Network de Brasil e IcalmArte Magazine, para el brindis de la exposición con sus excelentes vinos Wine Sense Club, Además invitando a descubrir las múltiples visiones del arte contemporáneo que simultáneamente, aprovechando el auge tecnológico que nos mantiene conectados tendremos –para el alcance de todos- nuestra muestra virtual, a través de la TV en la sala de exhibición y en las redes de Leaf Colours Art e IcalmArte internacional, los artistas que participan en esta muestra virtual son:

Adolfo Constenla/Costa Rica, Askenaxi/Venezuela, Camila Bará/El Salvador, Cecilia Byrne/ Chile, Francisco Alarcón/El Salvador, Jorge Chávez/Perú, Liana Leiton/Costa Rica, Luis Jacinto Argumedes/Panamá, Lucho Capellán/ República Dominicana, Margarita Tellez/México, Mónica Dinucci/Argentina, Nuria Guevara/Costa Rica, Patricia Giovanzani/Colombia, Svetlana Lukash/Israel, Víctor Orrico Sánchez/México.

El arte no se detiene y como referente estético nos permite recorrer la historia y los acontecimientos de la humanidad, desde diferentes perspectivas y en lenguajes propios que se apoderan de lo colectivo, entre las variedades que nos traen estos maestros del arte, están: pintura, escultura e instalación. Estamos a la vanguardia de seguir en la promoción del arte actual, porque no hay pausas para la creación y nuestro compromiso es con ustedes. ¡Los esperamos!

Por Nahir Acosta

Perez Art Museum PAMM
Pérez Art Museum Miami

Miami Art Week 2021

Miami Art Week

Miamio Art Week 2021

Art Basel Miami Beach
December 2 – 5, 2021

https://www.artbasel.com/miami-beach

The 2021 edition of Art Basel Miami Beach will be the first in-person fair in Miami Beach since 2019. It will bring together 253 leading international galleries to present the highest quality of artworks across all media, from painting and sculpture to photography and digital art. As the leading global art fair in the Americas, the list of exhibitors includes gallereis from 36 contries and territories spanning five continents, with more than half of the exhibitors from North and South America.

The fair welcomes 43 first-time exhibitiors. Seven joint booths will also be included. After a successful debut at the fair in 2019, the Meridians sector will return with a dynamic lineup of large-scale projects that challenge the boundaries of the traditional art fair layout. This sector will be curated by Magalí Arriola.

Art Basel Conversations – Past Conversations available on YouTube


Design Miami/

November 30 – December 5, 2021

https://shop.designmiami.com/

The 17th edition of Design Miami/ will run November 30th – December 5th. Curated by incoming Curatorial Director, Wava Carpenter. This year’s programming will explore the theme of Human•Kind, spotlighting design-led visions for a more equitable and interconnected future. Experience and shop the fair in-person and online at designmiami.com.

Design Miami/ is more than a marketplace for design, where the world’s top galleries gather to present museum-quality exhibitions of twentieth and twenty-first century furniture, lighting and objets d’art. Each show balances exclusive commercial opportunities with progressive programming, exciting collaborations with designers and design institutions, panels and lectures with luminaries from the worlds of design, architecture, art and fashion, and unique commissions from the world’s top emerging and established designers and architects.


AQUA Art Miami

December 1 – 5, 2021
Aqua Hotel, 1530 Collins Ave, Miami Beach, FL 33139
https://www.aquaartmiami.com/

The 16th edition is taking place, December 1-5, 2021, during Miami Art Week at the Aqua Hotel on Miami Beach. This year also includes a new Director, Cordelia de Freitas who has worked in the art world for over 15 years. Recently she was the Managing Director for HOFA & Maddox Gallery. Prior to that, de Freitas was the founder, co-owner and director of BOX Galleries in Chelsea, London.

Aqua Art Miami, the sister satellite fair to Art Miami. Aqua’s unique environment – in a classic South Beach hotel with spacious exhibition rooms that open onto a breezy, intimate courtyard – has become a favorite gathering spot for collectors, curators and art lovers to discover fresh talent and acquire new works while exchanging cultural ideas and forming meaningful connections.


INK Miami Art Fair
December 1 – 5, 2021
Suites of Dorchester
1850 Collins Avenue, Miami Beach, FL 33139
https://www.inkartfair.com/

INK Miami is a contemporary art fair held annually in December during Art Basel Miami Beach. The Fair is unique among Miami’s fairs for its focus on contemporary works on paper by internationally renowned artists. It is sponsored by the International Fine Print Dealers Association and exhibitors are selected from among members of the Association for their outstanding ability to offer collectors a diverse survey of 20th century masterworks and just published editions by leading contemporary artists. Since its founding in 2006, the Fair has attracted a loyal following among museum curators and committed collectors of works on paper.

If you’re looking to purchase prints or works on paper, you should plan on attending this small art fair. This fair is located just a few blocks from the convention center and Art Basel Miami Beach. It’s an easy walk in the direction of the beach.


Scope Miami Beach
November 30 – December 5, 2021
https://scope-art.com/

Celebrating its 20th year in Miami, it is with tremendous excitement that SCOPE returns to its iconic location on the sands of Miami Beach, nestled amongst the iconic architecture of Ocean Drive at 8th Street. With stunning views of the ocean, SCOPE’s extraordinary selection of contemporary art from 140 international exhibitors will be presented alongside museum-quality installations, panel discussions, and nightlife events.

SCOPE Miami Beach opens November 30th for its Platinum First View and VIP + Press Previews, and the show will be open to the public December 1-5th.

SCOPE Art Show is requiring that all individuals wear a mask, regardless of vaccination status. In addition to mandatory masks/face coverings, SCOPE Art Show requires that each visitor provide the following before entry to the fair: Proof of Full Vaccination in paper form or digital application. OR Proof of Negative COVID-19 Test Result (i.e. PCR/NAAT) taken within 72 hours of your visit. *No Rapid Antigen test results will be accepted. You might also find the same requirements for other art fairs, be sure to check before attempting to visit.


UNTITLED, Miami Beach
November 29 – December 4, 2021
https://untitledartfairs.com/

Untitled Art was founded in 2012 by Jeff Lawson. Each year, the fair selects a curatorial team to identify and curate a selection of international galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally-designed venue. It launched the art world’s first virtual reality fair in July 2020 and will celebrate its 10th edition in 2021.

Untitled Art is an innovative and inclusive platform for discovering contemporary art. It balances intellectual integrity with cutting-edge experimentation, refreshing the standard fair model by embracing a unique curatorial approach. You will find them located on the sands of Miami Beach.

Art Miami
November 30 – December 5, 2021
https://www.artmiami.com/

Art Miami returns for the 31st Edition, November 30 – December 5th. Art Miami is the top ranked international art fair for attendance in the U.S. and second most attended globally, visited annually by established and budding collectors, curators, museum professionals, members of the press and art world luminaries. For the fourth year, the fair will be held at the prestigious waterfront location of One Miami Herald Plaza on Biscayne Bay nestled between the Venetian and MacArthur Causeways in the heart of Downtown Miami. Art Miami offers an unparalleled level of accessibility to the activities and collectors on Miami Beach.

As a part of the AllSecure program, all attendees of Art Miami are required to show proof that they have taken a rapid antigen test (or equivalent) with a negative result within 24 hours prior to attending the Fair. Attendees may choose, in their discretion, to opt out of this testing requirement by showing proof of having received full vaccination more than 2 weeks prior to attendance. Please be advised that these protocols are subject to change. Same goes for Context Art Miami and Aqua Art Miami fairs. Additional information available in the AllSecure Guide.


CONTEXT Art Miami
November 30 – December 5, 2021
https://www.contextartmiami.com/

CONTEXT Art Miami, presented by Art Miami, returns for its ninth edition November 30 – December 5, 2021 and will feature international galleries showcasing emerging, mid-career and cutting-edge artists. CONTEXT Art Miami continues to develop and push boundaries on the conversation about contemporary art. The Fair offers an exceptionally strong platform for collectors to discover and acquire fresh and significant works in today’s primary art market.

The fair will be held alongside Art Miami at the prestigious waterfront location of One Miami Herald Plaza on Biscayne Bay, nestled between the Venetian and MacArthur Causeways in the heart of Downtown Miami. Covid guidelines will be followed, see Art Miami information above.


Miami River Art FairNovember 30 – December 5, 2021

Miami Convention Center @ James L. Knight Center
Downtown – Brickell Financial Area
400 SE Second Ave, Miami, FL 33131
https://miamiriverartfair.com/

No information available about the 2021 edition. The website features dates and good coverage of the previous art fairs. The fair is usually in the Miami Covention Center downtown and in the past has been very enjoyable. If you are staying downtown, you should try to see this fair and if there’s an opening it’s fun and very different than other fairs.


NADA Miami
December 1 – 4, 2021
Ice Palace Studios
1400 North Miami Avenue
https://www.newartdealers.org/

The New Art Dealers Alliance (NADA) is pleased to present the 19th edition of NADA Miami, to take place December 1-4, 2021 at Ice Palace Studios. NADA Miami will feature over 170 exhibitors across three sections: Galleries; NADA Projects, an open, exhibition-like presentation of new art from emerging voices; and the latest addition, Artists’ Book Publishers, presented by Printed Matter and Exile Books. This exciting collaboration with Printed Matter and Miami’s Exile Books will host exhibitors featuring new work as well as historical and rare publications, accessible and DIY approaches to bookmaking, and subject matter that engages with varied critical perspectives. The onsite presentation will be accompanied by a digital platform featuring a schedule of free online programs in addition to exhibitor and publication highlights.


PINTA Miami
Digital Platform for 2020
December 1 – 5, 2021
https://www.pinta.art/

The 2021 edition of PINTA MIAMI LIVE arrives in Miami from December 1 through December 5, 2021, with around 100 galleries from Latin America, the United States and Europe, presenting artworks from over 300 artists. The digital platform allows access to free curatorial content that aims to continue stimulating interest in artistic production and expand its reach to new audiences.

Interesting programing from an art fair that specializes in Latin American Art.
Virtual gallery tours, artworks presented nicely and some YouTube videos and Pop-Up exhibitions.
Wonderful opportunity to see artworks from outside the United States.

Red Dot Miami
December 1 – 5, 2021
Mana Wynwood
2217 NW 5th Avenue, Miami, FL (at NW 22nd Street)
https://redwoodartgroup.com/red-dot-miami/

Red Dot Miami is a curated gallery-only contemporary art fair during Miami Art Week. In addition to showcasing 75 of the top galleries from around the world, Red Dot Miami features a provocative agenda that includes site-specific installations, ongoing collaborations with our partners, and specially commissioned events that take place during the fair.

Taking place at the iconic Mana Wynwood in the heart of the thriving Wynwood Arts District and running alongside sister fair Spectrum Miami, Red Dot offers the unique opportunity to connect with blue-chip galleries and emerging artists—all under one roof.

SPECTRUM Miami
December 1 – 5, 2021
Mana Wynwood
2217 NW 5th Avenue, Miami, FL (at NW 22nd Street)
https://redwoodartgroup.com/spectrum-miami/

Spectrum Miami is a curated art fair presenting 150+ independent career artists, studios, and younger galleries that are pushing the boundaries in surprising and significant ways. Taking place amidst Miami Art Week, Spectrum Miami offers the unique opportunity to talk to the artists, learn their stories, and take home pieces you love.

Taking place at the iconic Mana Wynwood in the heart of the thriving Wynwood Arts District and running alongside sister fair Red Dot Miami, Spectrum offers the unique opportunity to connect with blue-chip galleries and emerging artists—all under one roof.


VOLTA Miami
November 30 – December 5, 2021
1348 N Miami Avenue, Miami, FL 33136
Opposite Ice Palace Studios
https://www.voltaartfairs.com/

It is with huge regret that we have to inform about VOLTA’s decision to cancel this year’s Miami edition.

VOLTA as a brand is a boutique, curated, engaging experience, and all of these values must be met for it to be a true VOLTA fair. We pride ourselves on our international reach, especially in our stateside events, and the uncertainty of when and whether our loyal exhibitors would be able to travel was too serious to overlook. There were and are still too many covid caused obstacles for us to produce the standard that were are accustom for our debut VOLTA Miami edition and therefore are cancelling our 2021 Edition.

Perez Art Museum PAMM
Pérez Art Museum Miami

Everything You Need to Know to sell NFTs

Arte Neoconcreto NFL
NFL

Tips for Selling Your Digital Artwork on NFT Marketplaces

NFT Marketing: Everything You Need to Know to Get Started

I am a digital artist and I want to share the strategies I use to promote my digital artworks on NFT marketplaces

What Is an NFT (Non-Fungible Token)?

A non-fungible token (NFT) is a unique digital asset that acts as a certificate of ownership for virtual or physical assets like photos, videos, Tweets, etc.. Each NFT represents a one-of-a-kind cryptographic item that cannot be interchanged with another and is maintained in a digital ledger called blockchain.

Examples of fungible (i.e. interchangeable) tokens:

  • Dollar
  • Bitcoin
  • Ethereum

What Is Blockchain Digital Marketing?

1.Blockchain Eliminates the Digital Marketing Middleman

2. Blockchain Builds Trust With Transparency

3. Blockchain Drives Public Accountability

4. Blockchain Gives the Consumer Control Of Their Own Information

5. Blockchain Offers Benefits for Branding

Examples of non-fungible (i.e. not interchangeable) tokens:

  • Domain name
  • Twitter handle
  • Digital games
  • Cryptokitties
  • House
  • An essay
  • Digital art
  • My Space post
  • A news article
  • Physical art
  • Diamond
  • Land
  • Any digital collective
  • Video footage of iconic moments in world history

1) Migrate to Twitter

2. Don’t neglect Instagram

3. Use hashtags correctly

4. Share more than just artwork

5. Seeking out collectors… or not

6. Discord forums

7. Promotion on Reddit

8. Newsletters about NFTs

9. Collaborations

10. Staying true to yourself as a digital artist

11. It is more than marketing online:

  • SEO
  • Content marketing
  • Paid ads (including Google Ads, LinkedIn Ads, Facebook Ads)
  • Social media optimization services
  • Demand generation
  • E-commerce marketing
  • SaaS marketing
  • Technology marketing
  • B2B marketing
  • Specialized blockchain marketing services
  • Media PR
  • Online PR
  • NFT influencer marketing
  • Video creation/marketing
  • Email marketing
  • Growth tracking
  • Reputation management
  • Listing and selling of NFT
  • PR and influencer marketing
  • Branding
  • NFT custodian management
  • Effective payout management in your preferred currency
  • Market research
  • Competitor analysis
  • Minting
  • Digital ideation and production
  • PR and email marketing
  • Short and long-term NFT marketing strategy
  • Brand partnerships
  • Content marketing
  • Social media marketing
  • Community marketing
  • Telegram marketing
  • Influencer marketing
  • Video creation marketing
  • Growth hacking
  • NFT listing services
  • Community Engagement for NFT
  • NFT Marketplaces and listings
  • Banners for NFT
  • Top of the funnel strategies: To draw the attention of your target audience towards your NFT marketplace, PR, SEO, video creation, paid ads, and influencer marketing strategies are used. This ensures that a vast majority of NFT audiences are aware of your marketplace so that your exclusive drops are not missed.
  • Middle of the funnel tactics: To start capturing relevant business leads, tactics like content marketing, affiliate marketing, NFT listing, social media ads, and branded search ads are used. When your NFTs are displayed everywhere, NFT buyers’ interest in your tokens develops further, leading to more sales.
  • Bottom of the funnel strategies: To convert more prospects into sales, the bottom of the funnel NFT marketing techniques such as CRO, email marketing, and remarketing social ads are used. Emails help to nurture prospects while remarketing persuades buyers to close the sale.

Perez Art Museum PAMM
Pérez Art Museum Miami

Manifiesto Preasistemático

Manifiesto Preasistemático
Manifiesto Preasistemático

Si el pintor, el escultor, el poeta, el arquitecto madí están a salvo, es porque no pretenden falsificar la posteridad. Construyen un arte de hoy. No les preocupa la posesión durable de una verdad ni los datos que la reflexión hace inoperantes, si los valores comunicables y de conmoción no tienen apoyatura en círculos socialmente trascendentes.
Nuestro siglo, el de las dos X, ya no participa de la tradición grecolatina-egipcia. Es, indudablemente, un universalismo, En la actualidad, la obra madí es la más emocionada franquicia que alerta todos los atributos del espíritu.

De nada sirve forjar un nuevo sistema de significaciones. Esa empresa no nos corresponde, aunque en ella campea una especie de impunidad de la que suelen aprovecharse los improvisadores. De ahí el consentimiento que damos al artista no figurativo, que no sobre pasa al hombre, sino que lo prueba. Y lo prueba al dotar la realidad cotidiana de una res puesta. Dar respuestas es adelantar, sufrir su desarrollo, comprobar la fidelidad de la tensión estética. Es por eso que esa vinculación de artistas, como en nuestro caso, no puede cifrar su comunidad en una palabra, ni en una meta remota. Lo que fusiona al grupo son las realizaciones palpables, que se identifican por su estilo y el basamento social donde se desenvuelven sus integrantes.

Madí hará su parte en la necesaria selección de las innovaciones que determinará la sedimentación del proceso sociológico. Por consiguiente, es un dislate pensar que el artista madí emplea un idioma desconocido, des humanizador, aparentemente ininteligible para el público o para una crítica precaria que lo cualifica como una distracción de la cerebración o una irremisibilidad decorativa, cuando nuestro objetivo es el de interferir en lo des conocido, una consecuencia, la más constructiva quizá de nuestra época.
Mientras tanto, no puede haber tentativa de quebrar en estilo que fluye sin cortapisas del acto creador. Y si algún intento en sus comienzos pudo ser perjudicial para la tranquilidad pública, fértil en apremios y denso en interrogación apasionada, se impone más tarde una mesura, un rigor, una cohesión, una purga de silencio, hasta que la obra de arte se haga indiscutible, como un árbol.

Está cambiando la concepción visiva y la estructura de la mundanidad, y sobre todo cambia el tránsito que va de la conciencia al he cho, de la imaginación a la presencia.
Su utilidad, su condición energética de transformación hacen que la pintura, la vivienda, la poesía, todas las artes, se liberen definitiva mente. Un próximo manifiesto asistemático madí * abarcará entre otras cosas, las relaciones del objeto inventado, su integración en otra arquitectura y las teorías que, apoyadas en un vigoroso impulso colectivo, a veces beligerante, pugnan por adelantar una nueva forma de cultura.
Las ramificaciones e influencia de madí, ya escapan, previsiblemente, a la innecesaria estadística de su núcleo central en Buenos Aires. Comprobamos, con júbilo, coincidencia de es tilo en artistas americanos y europeos.

Nuestro propósito es que madí, llegado a adulto **, tenga el poder suficiente de disolver la política en arte. Por eso y por un mar gen razonable de provisionalidad, que roza a todo movimiento de vanguardia, es que sus alcances son en gran parte de orden mediato, en un postergado torneo con el tiempo ***. Pero siendo madí un mundo obstinadamente abierto a todos y que ha nutrido no pocas inteligencias, es casi seguro que, por una vez siquiera, hemos hecho que el futuro sirva para algo, pero anticipadamente.

* Creemos que los manifiestos pueden anularse secretamente unos a otros, En este caso lo de “asistemático” viene a confirmar la poca eficacia de las declaraciones por sistema y por temporada. Desde el manifiesto madí de 1946 no ha habido otros. Se impone, pues, una revisión y nuevas y más dilatadas perspectivas.

** Con esta exposición internacional que se realiza en la Galería Bonino, madí cumple dos lustros de existencia. La primera exposición se realizó en 1946, en el Instituto Francés de Estudios Superiores, Galería Van Riel. Con anterioridad, en el año 1945, se realiza la primera muestra del grupo, pero en ese entonces con el nombre de Arte Concreto-Invención.

*** Son permutaciones predecibles, por cuanto la lógica y la ciencia harán extricable determinado alcance excesivo de expresión, transformador de nuestra realidad.

Buenos Aires, 1956.

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Pérez Art Museum Miami

Manifiesto Madí

Rafael Montilla Queen Nandi 2020 acrylic on canvas 45x40 inches
Rafael Montilla Queen Nandi 2020 acrylic on canvas 45x40 inches

Se reconocerá por arte Madí la organización de elementos propios de cada arte en su continuo. En ello está contenida la presencia, la ordenación dinámica móvil, el desarrollo del tema propio, la ludicidad y pluralidad como valores absolutos, quedando por lo tanto abolida toda injerencia de los fenómenos de expresión, representación y significación.
El dibujo Madí es una disposición de puntos y líneas sobre una superficie.
La pintura Madí, color y bidimensionalidad. Marco recortado e irregular, superficie plana y superficie curva o cóncava. Planos articulados, con movimiento lineal, rotativo y de traslación.
La escultura Madí, tridimensioanalidad, no color. Forma total y sólidos con ámbito, con movimiento de articulación, rotación, traslación, etc.
La arquitectura Madí, ambiente y formas móviles, desplazables.
La música Madí, inscripción de sonidos en la sección áurea.
La poesía Madí, proposición inventada, conceptos e imágenes no traducibles por otro medio que no sea el lenguaje. Suceder conceptual puro.
El teatro Madí, escenografía móvil, diálogo inventado.
La novela y cuento Madí, personajes y acción sin lugar ni tiempo localizados o en lugar y tiempo totalmente inventados.
La danza Madí, cuerpo y movimientos circunscriptos a un ambiente medido, sin música.
En los países que alcanzaron la etapa culminante de su desarrollo industrial, el viejo estado de cosas del realismo burgués desaparecido casi totalmente, en ellos el naturalismo se bate en retirada y se defiende muy débilmente.
Es entonces, cuando la abstracción, esencialmente expresiva, romántica, ocupa su lugar. En este orden están involucradas las escuelas de arte figurativo desde el cubismo hasta el surrealismo. Tales escuelas han respondido a necesidades ideológicas de la época y sus realizaciones son aportes inestimables a la solución de los problemas planteados a la cultura de nuestros días. No obstante ello, su tiempo histórico debe darse por pasado. Por otro lado su insistencia en el tema “exterior” a sus cualidades propias es un retroceso al servicio del naturalismo contra el verdadero espíritu constructivo que se extiende por todos los países y culturas, como es el caso del expresionismo, surrealismo, constructivismo, etc.
Con lo concreto –que, en realidad, es un gajo más joven de ese espíritu abstraccionista– se inicia el gran período del Arte No Figurativo, donde el artista, sirviéndose del elemento y su respectivo continuo, crea la obra en toda su pureza, sin hibridaciones y objetos extraídos a su esencia. Pero en “lo concreto” hubo falta de universalidad y consecuencia de organización. Se cayó en hondas e insalvables contradicciones. Se conservaron los grandes vacíos y tabúes del arte antiguo, como ser en la pintura, escultura, poesía, etc., respectivamente la superposición, marco rectangular, atematismo plástico; lo estático, la interferencia entre volumen y ámbito; proposiciones e imágenes gnoseológicas y traducibles gráficamente. La consecuencia de ello fue que el arte concreto no pudo oponerse seriamente, por intermedio de una teoría orgánica y práctica disciplinaria, a los movimientos instruccionistas, que, como el surrealismo, han ganado para sí todo el universo. De ahí el triunfo a pesar de todas las condiciones en contrario, de los impulsos instintivos contra la reflexión, de la intuición contra la conciencia; de la revelación del subconsciente contra el análisis frío, el estudio y la detención rigurosa del creador ante las leyes del objeto a construir; del simbolismo, de lo hermético, de la magia contra la realidad; de la metafísica contra la experiencia.
En cuanto a la teoría y conocimiento del arte, campea en ellos la descripción subjetiva, idealista, reaccionaria.
Resumiendo, el arte antes de Madí:
Un historicismo escolástico, idealista.
Una concepción irracional.
Una técnica académica.
Una composición unilateral, estática, falsa.
Una obra carente de verdadera esencialidad.
Una conciencia paralizada por sus contradicciones sin solución; impermeabilizada a la renovación permanente de la técnica y del estilo.
Contra todo ello se alza Madí, confirmando el deseo fijo, absorbente del hombre de inventar y construir objetos dentro de los valores absolutos de lo eterno, junto a la humanidad en su lucha por la construcción de una nueva sociedad sin clases, que libere la energía y domine el espacio y el tiempo en todos sus sentidos y la materia hasta sus últimas consecuencias. Sin descripciones fundamentales referentes a la totalidad de la organización no es posible construir el objeto ni hacerlo penetrar en el orden constante de la creación. Es así como el concepto invención queda definido en el campo de la técnica y el de creación como una esencia definida totalmente.
Para el madismo, la invención es un “método” interno, superable, y la creación una totalidad incambiable. Madí, por lo tanto, INVENTA Y CREA.

Buenos Aires, 1946.

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HUMBERTO POIDOMANI. I MISS YOU SONY

Humberto Poidomani I Miss You Sony
I MISS YOU SONY - HUMBERTO POIDOMANI

HUMBERTO POIDOMANI. I MISS YOU SONY

By Milagros Bello, PhD.


Poidomani’s I miss you Sony is a wall work showing an imaginary woman covered in DVD’s and mixed media repurposed materials. Framed in gold rococo style, the artist repurposed an ensemble of recycled old Dvd’s that once formed his daily references for films, photos, and music, now outdated and useless. Once his delight and pleasure, they formed the allure of his days and the fascination and magic of digital images in their first steps. The work points out to the nostalgy of changing life instances, and the saying goodbye to old practices. In the consciousness of the passing of time, the work exorcises the philosophical stages of lifespan.
The work is profusely treated with strong outlines, gestural marks, and flat parches of pure color, finished the surface with gleaming resin.
At a second reading, the female personage stands as an imponent reference to women and love.

Humberto Poidomani I Miss You Sony
I MISS YOU SONY – HUMBERTO POIDOMANI


Located at the center of the composition, the feminine character imposes her presence and femininity. In her fashion dress it read the phrases” I miss you Sony.” “Te extraño” as the artist’s subjective approach to the fondness and affective connection to the women character, perhaps alluding to his personal biography. The phrase “”We are made of the same material that we dream of”. The Tempest, William Shakespeare”, and “Propero”, are the significant references for the artist, as this masterpiece is about letting go and accepting your fate.
About the artist Humberto Poidomani was born in Argentina. For over twenty years, Poidomani has developed an artistic career centered on ideological notions of societal crisis, ecology, life/death, poverty, which he develops through complex assemblages, sculptures, paintings, boxes and objects, and videos. He has indistinctively developed painting, sculpture, assemblages, installations, with a free-spirited mind that disrupts the notions of traditional art academics. In his painting Poidomani works from small format to monumental, large panoramic canvasses in which he paints a vast reflection of the world. Deep meta-narratives interloop with written phrases, as personal thoughts or as meaningful excerpts from Philosophy, Literature and Theater. In his sculptures, assemblages, installations, art boxes, he creates a dense compound of repurposed industrial and found materials mixed with thick gestural highly textured and colored lines, intercrossed with personal and literary word references. Echoing the provocative stanza of the “arte povera” and in a spirit of subversion, Poidomani creates absurd and comical overlapping combinations of wires, objects, rocks, fabrics with an individual high subjectivity. He points out to the diffraction of our culture and the lack of Utopias in contemporary times. As USA based curator and art critic Milagros Bello points out: “Premonitory art as anticipatory art in which artists prescient the development of an epoch, an event, an upcoming era, and as such display it in their works, is a profound artistic faculty. In his artworks, Poidomani has prefigured and has anticipated incisive current events. From his subconscious self, from this elusive realm, the artist has pulled out the signs of our current society and civilization.”

Poidomani has presented his works in museums, galleries, and art fairs. His solo shows include among others, a retrospective in the Contemporary Art museum of Salta, Salta Province, Argentina; E.C.A. Contemporary Spaces of Art, Mendoza, Argentina, SCOPE NEW YORK MARCH 2019, SCOPE NEW MARCH 2020, SCOPE INMERSIVE SEPTEMBER 2020 with Casa Poidomani and Curator’s Voice Art Project, in New York. He has participated in numerous curated shows and art fairs. He lives and works in Miami, Florida.
Humberto Poidomani is represented by Curators Voice/MIA Curatorial, Miami, Florida, USA

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Chiaroscuro Studio of Art

taller de dibujo y pintura
taller de dibujo y pintura

Chiaroscuro Studio of Art

The Florence Academy of Art is an American art school in Florence,

Redefining Realism 19th century academies from Florence, Italy

Chiaroscuro Studio of Art offers top level instruction in realistic painting and drawing. Our curriculum is based on the teaching method used by the famous classical-realist 19th century academies. We believe in the solid artistic basis this kind of training gives to the students, allowing them to achieve high standards of craftsmanship and technical skills. Our teaching methods and techniques provide the tools that students can use to create their own contemporary work and develop a personal artistic language.

Our mission is to promote a return to discipline in the learning stages of art. By teaching traditional, time-tested methods, we guaranteed the aspiring artist with a strong basement in drawing and painting.They also learn all about materials, tips and secrets of the craft, and the way of developing the skills they need to build a high standard professional career in representational, figurative and realist art.

Our goal is to bring to Florida the same high level of instruction and training method our instructors received in Florence-Italy for many years, as well as to create a large and strong community of contemporary realist artists in the area.

5961 NW 102nd Av. Miami, FL 33178

+1 786.208.8607

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Boy Blue (Ben Baugham)

Boy Blue (Ben Baugham)
Boy Blue (Ben Baugham)

Artists Were Made for People

Boy Blue (Ben Baugham) is a new wave visual communicator, and a street performer hell-bent on bringing the artist (not just art), back into social relevance. He has spent the past few years creating art in public and bringing visual excellence to the most bizarre locations. From construction sites to the office place, Blue has been hired all over the east coast to talk with and engage with people as he creates his works; thus, allowing people of any class, race or creed to feel a genuine connection with artists.

okay, Like she said on Boy Blue. Thank you. This one. That’s why I’m an artist and a street performer. And I just wanted a preface this by saying that art today is going to be a background to our conversation. So let’s just make that happen. Oh, that’s good. That’s good. So I’ve spent the past three years in a street performer, and I’ve talked with so many different people, and I’m talking like CEOs of big businesses to the homeless, And I’m trying to answer a question. I’m looking for an answer. The question is, why are people so uncomfortable with artists and art admiration? You know, everyone’s like artists are douchebags. It’s true, we’re bad people. So and I’ve come to a conclusion. I really have that I think has changed my life forever. So And don’t get offended. Art as we know it right now in my humble opinion needs to die. Okay, Andi, I think I want to be the one to kill it. I think me I want to dedicate my entire life to this cause. So let me explain why I think murder is such a good solution here. You can’t see that anywhere else. Wait, Go back several centuries ago during the Italian Renaissance, we will find something even more amazing than the art that was created. We will find a mindset. It is an attitude that they had so unlike modern artist today. And I am included in this. I’m not just bashing people. Unlike modern artist today, the greatest artists in human history, the greatest one’s Michelangelo, for example. They had art that was fueled by emotions, not based upon emotions. See, they were always making something for somebody else. They were always making something that was for something greater than who they were. See inspiration. It was not an abstract idea. It was a tangible property of our world. It was either a u know something inspired by the art that God created. That would be the planet, or is be something brought upon in light of God’s presence, which was the mind, right? So now when it comes to modern artists, you know, and I’m using this lightly, this brings me to my first point. And that’s art was made for people, not just the artists who make it see. Institution will tell you right now. They tell artist. They push this down our throats that somehow we are gods among men. You know, when you guys don’t understand what we’re trying to say, that just makes you stupid. Okay, That’s not right. Okay, let me give an example. If we send a text message to 15 different people and all of them tell us that they don’t know what we’re saying, that does not make the viewer stupid. That makes the communicator bad at communicating. Okay, Right. Thank you. OK, it makes him bad at communicating. So any artist who wants to become better at what they do will continuously search to become more sufficient communicators for other people. It’s for others. So and this is what led the entire Italian renaissance into becoming the epitome of artistic excellence. We know it as today. I mean, just thinking about this idea has changed me as an artist. So my ideas there now for you there for other people, they really are the emotions that you guys send right back to me allows me to restart that process. And that just exhilarate me. Really does. Until I’m asked why so many artists they asked me one. How do I get better. What I dio. And two, why are we so poor? That’s a great question. Why are we so freakin poor? And the answer is so simple when we deny that institution tells us that we’re gods among men and we see ourselves as public servants to you. Then people stop seeing what we do as a free luxury. And instead, they see it is a valuable service. Okay, so now the other point I wanted a point on This is something I like to call the Trinity of communication. And I’m going to use an example for this. Ah, musician musician goes up on stage. The musician creates art. And then art is given to the viewer, and the viewer gives emotion back to the artist that restarts the process. That’s what inspiration does for us. And that’s why musicians could make any song. You could be stupid. You could be terrible. And all of a sudden they’re rich. Okay, I am jealous. I’m being honest. I’m really jealous. So like, meanwhile, we have, like, our visual artists and they make something in their mom’s basement. I done it and then we put it up somewhere. It’s alone. It’s silent, untouched, and sometimes somebody comes up and they look at this piece and say, Wow, that piece really, really spoke to me But the artists had nothing to do with that conversation at all. In fact, ever so often you might see that little scribble at the bottom right hand corner of the you know, whatever canvas. But they’re not there. They’re not there to complete that trinity of communication. And since they’re not a part of your experience, who cares? Hey, ties back to that allegory say, if a tree falls in the forest and no one’s there to hear it didn’t make a sound. If a song is never heard, is it music? And if a piece of art is hanging on a wall with no artist there to lay claim to its glory, did the artists ever exist in the first place? And who cares? They weren’t a part of the experience anyway, So I mentioned for I’ve been doing a couple of different things to fix this for myself, and personally now I never drawn private ever. I never drawn private. I always make sure someone’s there toe watch me make a mistake someone’s there toe Watch me succeed They’re thereto Watch me innovate Whether I’m Tori the East Coast or I’m doodling in a coffee shop next to you I will be there. I want to be available to you because I want to have that connection with you I really want to talk to all the time. That’s just how it isthe. See, I have been given the opportunity to teach kids in different educational locations because I don’t even know schools. That’s a great place to call. You know, artist mind, right? Yeah. What is that? What’s the school then? Give It gave me this blessing to talk to these socially anxious kids about how to share their art and express themselves like a human. Okay, because that’s what they want. That’s what you want. And this goes out to any artist in the crowd. Craftsman, I don’t care what you are. People are dying to see what you can do. They’re dying to talk to you. I’m dying to talk to you. We want to connect with you like a person, not a God. That’s not what we’re here for. So for the love of God, any artist just show people what you do because we’re waiting for you and I’m dying to talk to you. So I want to leave you with something on. And that’s just the idea that everything that is truly great. I died once and came back better than it was before. I said before, I wanted to kill are not because I hate it, but because I know it’s rebirth as a beautiful form of communication can be so much better. Thank you guys for listening.

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