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Flourish 2022

Furish 2022
Furish 2022

Flourish 2022

Arts & Business Council of Miami

Now more than ever arts organizations need tactics, tips and new strategies to reach new audiences, engage your patrons and connect with new sponsors.

Join us to amplify your marketing, outreach and fundraising. Kick-start 2022 with a collaborative experience unlike any other.

GET TICKETS: https://www.eventbrite.com/e/mamp-flourish-2022-series-tickets-226029208447


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		MAMP FLOURISH 2022  SERIES image

February 15 10AM to Noon

OPTIMIZED DIGITAL MARKETING

Session Leader: Joseph Quiñones, Frost Science Museum

Gain insights and perspectives into how your organization can become more responsive, resilient and forward-thinking as we take a deep dive into digital marketing. In this session we explore how to amplify your cyber marketing arsenal to improve and optimize your website, fuel your email campaigns and intensify your SEO to reach more diverse audiences and patrons. Harness the power to captivate and convert.

THOUGHT-LEADERS:

Andres Cuellar, Superlative Creative

Rosanne Gibel, Culture Owl

Alycia Hise, A&A Group

Ryan McAlinden, Adrienne Arsht Center

Karine Melissa, Karine Melissa Enterprises

HOST SPONSOR: Moonstar Fine Arts Advisors

March 15 10AM to Noon

MASTERING MEDIA COVERAGE

Session Leader: Melinda Sherwood, Kreps PR & Marketing

So many media opportunities, so little time. Media coverage is important to build awareness, increase credibility and boost ticket sales. To get your arts group covered, you need to get their attention. Join us to explore how to think creatively and expansively about your messaging, and tell your story. You will get tips from the experts on how to build relationships with journalists, create strategies for press placement, fine-tune your message and pitch curated stories to non-traditional media.

ACCELERATOR KEYNOTE:

Mandalit del Barco, NPR

Jawan Strader, Channel 6

THOUGHT-LEADERS:

Dexter Bridgeman, MIA Media

Melina De Rose, Artburst

Michael Radlick, Norwegian Cruise Line

Manny Ruiz, Brilla Media

HOST SPONSOR:

April 12 10AM to Noon

COMPELLING COLLABORATIONS

Session Leader: Kim Hills, Miami DDA

Now more than ever, savvy groups are designing impactful, strategic collaborations to increase their outreach, reach new audiences and impact the community. Smart partnerships are a proven tool to enhance participation and engagement in varied and sometimes surprising ways. How can your group build authentic collaborations within the creative ecosystem and with community-based organizations to create positive change? Get inspired from our featured experts.

THOUGHT-LEADERS:

Adrienne Chadwick, OLCDC

Natalie Lewis Schere, PATH to Hip Hop

Deborah Magdalena, Spoken Soul Festival

Lilyvania Mikulski, Codina Partners

Melody Santiago Cummings, O, Miami

Jairo Ontiveros, Adrienne Arsht Center

Deborah Plutzik-Briggs, The Betsy Hotel

HOST SPONSOR:

May 10 10AM to Noon

MAGICAL MOMENTS: EXPERIENTIAL ART

Session Leader: Deborah Magdalena, Spoken Soul Festival

Personalized arts activations are an innovative way to engage your patrons and audiences. Linked to trends in marketing, entertainment and social media, immersive art empowers the participant to customize and share their experience. From custom exhibitions, to participatory performances, to interactive lobby displays, this session will explore opportunities to increase involvement and empower your enthusiasts.

THOUGHT-LEADERS:

Tanya Bravo, Juggerknot Theatre

Annie Hoffman, South Miami-Dade Cultural Arts Center

Jairo Ontiveros, Adrienne Arsht Center

Chire Regans, VantaBlack

Shantelle Rodriguez, Superblue

Hattie Mae Williams, The Tattooed Ballerinas

HOST SPONSOR:

August 16, 2022 9AM to noon

ARTS FOR EVERYBODY: MARKETING TO AUDIENCES WITH DIVERSE ABILITIES

There are millions of people with diverse abilities in South Florida, many that love the arts. Learn how to target your outreach to tap into this growing market. Attracting and accommodating audiences with disabilities is not just about physical access, it’s also about providing inclusive programming and a welcoming environment. Featured thought-leaders will provide expertise and tools for your organization to reach people with diverse abilities and provide meaningful cultural experiences.

THOUGHT-LEADERS:

Keynote and speakers coming soon.

HOST SPONSOR:


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SAVE THE DATE: MAY 24 8AM – 3:30PM

At the Adrienne Arsht Center for the Performing Arts

Our popular conference, curated for the creative ecosystem, is back in person for 2022! Engage and learn from local and national experts to amplify your organization. Dynamic accelerators will focus on how to artfully pitch your assets to stimulate fundraising and how to build a bold brand for new times. Experience imagination stations and get answers at coaching pop ups. Industry changemakers will deliver real-life strategies and engage in dynamic discussions that will educate, inspire and ignite. Watch your inbox for updates and details.


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2022 ALL ACCESS LABS PASS $200 

Includes 6 labs, access to MAMP digital library all year.

2022 ALL ACCESS LABS PASS + CONFERENCE $350

Includes conference + 6 labs, access to MAMP digital library all year, and insider perks.

If you’re interested in purchasing any of the all access labs pass packages listed above, please complete this registration form.

LABS – Individual LABS $35 each

Invited speakers subject to change.

SCHOLARSHIPS

ALL ACCESS PASS SCHOLARSHIPS AVAILABLE FOR CURRENT RECIPIENTS OF THE FOLLOWING MIAMI-DADE DEPARTMENT OF CULTURAL AFFAIRS GRANTS:

Cultural Development Grants, Developing Arts in Neighborhoods Grants, Hannibal Cox, Jr. Grants, Youth Arts Miami Grants and Community Grants.

Eligible for Scholarship? Email [email protected] for the form.


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Steering Committee

David Berry, Ali Bibeau, Karina Diehl, Taylor Cavazos, John Copeland, Natalia Crujeiras, Andres Cuellar, Lilia Garcia, Rosanne Gibel, Brendan Glynn, DeAnne Connolly Graham, Yvette Harris, Kim Hills, Rebekah Lengel, Annette Malkin, Deborah Magdalena, Erika Mayor, Jeanne Monks, George Neary, Ann Nuñez, Ana Palmer, Lisa Palley, Surale Phillips, Wolfgang Pinther, Neuza Farache Porto, Joseph Quiñones, Michele Reese, Aubrey Swanson, Melinda Sherwood, Ernesto Varela

Arts Biz MAMP Team:

Laura Bruney, Carmen Rodriguez, Maria Llorca


		MAMP FLOURISH 2022  SERIES image

To request materials in accessible format, sign language interpreters, CART, or any disability accommodation, contact [email protected] 5 days in advance.

With support of Miami-Dade County Department of Cultural Affairs & Cultural Affairs Council, Miami-Dade County Mayor & Board of County Commissioners.

Flourish 2022

Arts & Business Council of Miami

Organizer of MAMP FLOURISH 2022 SERIES

The Arts & Business Council of Miami is leading the movement to build a sustainable cultural ecosystem through advancing high-impact partnerships between business, entrepreneurs and the arts. As Miami’s only organization that leverages the arts for economic vitality, ABC provides meaningful engagement opportunities with the arts to inspire employees, stimulate innovation and foster creativity. When a business partners with the arts, they strengthen the entire community. For over 30 years, ABC has played a leading role developing programs that bring together business and arts for effective and mutually beneficial outcomes. We assist over 500 arts groups through executive consultancies, leadership training, audience development, workshops, forums, curated outreach and networking events.

Perez Art Museum PAMM
Pérez Art Museum Miami

Arturo Rodríguez: Terra Incognita

Arturo Rodríguez The-Encounter-II-2018-Oil-on-canvas-96x60-inches

Arturo Rodríguez: Terra Incognita

“Rather than clever, gracious, deft and proper,
I prefer being awkward, unpleasing, disconnected
but true to myself.”
Fu Chan, Calligrapher 17th Century China

LnS GALLERY is thrilled to present Arturo Rodríguez: Terra Incognita, Rodríguez’s second solo exhibition at LnS Gallery. The body of paintings presented reflect the artist’s personal exploration of his internal psyche during the past three years. Arturo Rodríguez: Terra Incognita is accompanied by an exhibition essay researched and written by Lynette M.F. Bosch, Ph.D. An opening reception will be held on February 4, 2022 from 6pm – 9pm, and the exhibition will be on view through April 9, 2022.
The main inspirations of the imagery found throughout the series harken back to literature, from Joseph Conrad’s “Heart of Darkness” and Louis-Ferdinand Céline’s “Journey to the End of the Night,” to Herman Melville’s “Moby Dick.” The semi-autobiographical texts parallel Rodríguez’s artistic journey – his struggles and triumphs – and are presented through a fused amalgamation of images rooted in both fiction and reality.
Arturo Rodríguez (*1956 Ranchuelo, Cuba) lives and works in Miami, Florida. Rodríguez was awarded the Joan Mitchell Foundation Grant in Visual Art in 2014 and is a two-time CINTAS Fellowship recipient (1982 & 1988). He holds an extensive exhibition history, with notable solo shows including, Arcimboldo’s Ghosts, LnS Gallery, Miami, FL (2018), Arturo Rodríguez : The School of Night, shown across New York, NY and Miami, FL (2014), Human Comedy, Bass Museum of Art, Miami Beach, FL (2006), Arturo Rodríguez, at the Boca Raton Museum of Art, Boca Raton, FL (2002), The Floating Self – Arturo Rodríguez, CDS Gallery, New York, NY (1989), and Exiles – Arturo Rodríguez, Durban Art Gallery, Madrid, Spain (1983).
Group shows include the traveling exhibition, Our America: The Latino Presence in American Art, spearheaded by the American Art Museum (Smithsonian), Washington, DC (2013-2014), Lists: To Dos, The Morgan Library & Museum, New York, NY (2011), Season’s Greetings from the Archives of American Art, Smithsonian’s Reynolds Center for American Art and Portraiture, Washington, DC (2010), Unbroken Ties: Dialogues in Cuban Art, Museum of Art, Fort Lauderdale, FL (2008), and Cuba Siglo XX, Modernidad y Sincretismo, Centro de Arte Santa Monica, Barcelona, Spain (1996).
His work resides in the permanent collection of the Metropolitan Museum of Art (New York, NY), the American Art Museum: Smithsonian (Washington, DC), The Israel Museum (Jerusalem), Maria Zambrano Museum (Malaga, Spain), Norton Museum of Art (West Palm Beach, FL), Art Museum of the Americas (Washington, DC), Pérez Art Museum (Miami, FL), the Lowe Art Museum at University of Miami (Miami, FL), and now the Whitney Museum of American Art (New York, NY).

ARTIST INFORMATION
Arturo Rodríguez is a Cuban-born, American artist with an oeuvre spanning four decades whose paintings have been exhibited worldwide. Underlying Arturo Rodríguez’s work is a scaffolding constructed of his life experience: in 1971 he was first transplanted from Cuba to Spain as an impressionable teen, then again as a young man to the New World metropolis and hub of Caribbean and Hispanic culture – Miami. The uprooting exposed him to the entangled complexities of the human condition across time, place, and cultures, and incited a lifelong curiosity.
In Madrid, he discovered the Prado Museum and was enraptured. Diving headlong into the affair of his life’s work, the masters in its galleries educated and influenced him; he drank deeply from the fountain of their inspiration. In this genesis, a yearning to connect to the source of all artistic energy – to channel it- brought forth the artist within. In 1973, his family settled in Miami, where he completed high school and studied life drawing very briefly at Miami-Dade Community College. It was at this time that Rodríguez came in contact with the great music of the United States: blues and jazz. This music, with its element of both grief and improvisation provided the artist with important elements that would develop in his work. During the 1980s, Rodríguez continued to travel throughout Europe, revisiting Spain to study again the works of the 17th century Spanish masters and of Goya, and Italy, where the painter lyness of the Venetians (Giorgione, Titian, and Veronese) also provided significant lessons. He now lives and works in Miami, Florida.
The artist’s works are collected by the Whitney Museum of American Art, the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Israel Museum in Jerusalem, and profuse private and public International collectors. He is the recipient of numerous grants and awards: the Joan Mitchell Foundation grant in Visual Art, two-time recipient of the Cintas Fellowship, and two-time recipient of the Florida Individual Artist Fellowship award.

Arturo Rodriguez
Born in Ranchuelo, Las Villas, Cuba
Resides in Miami, Florida

PUBLIC COLLECTIONS

Whitney Museum of American Art, New York, NY
Metropolitan Museum of Art (20th Century Art collection), New York, NY
American Art Museum (Smithsonian), Washington, DC
The Israel Museum, Jerusalem
Maria Zambrano Museum, Malaga, Spain
Norton Gallery of Art, West Palm Beach, FL
The Frederick R. Weissman Collection
Cintas Foundation, New York, NY
Bass Museum of Art, Miami Beach, FL
Perez Art Museum, Miami, FL
Polk Museum of Art, Lakeland, FL
Center for the Arts, Vero Beach, FL
Tampa Museum, Tampa, FL
Museum of Art, Fort Lauderdale, FL
Lowe Art Museum, University of Miami, Miami, FL
Gulf Coast Museum of Art, Largo, FL
Boca Raton Museum of Art. Boca Raton, FL
The Frost Art Museum, Miami, FL
Museum of Latin American Art, California
Miami-Dade Public library System, Miami, FL

GRANTS AND AWARDS

2014-2015
Joan Mitchell Foundation Grant/Visual Art

1998-1999
Florida Individual Artist Fellowship Award

1990-1991
Florida Individual Artist Fellowship Award

1988
Cintas Fellowship, Cintas Foundation
New York, NY

1988 
Visual Arts Fellowship
South Florida Cultural Consortium, Metro-Dade cultural Affairs Council, Miami, FL

1982
Cintas Fellowships, Cintas Foundation
New York, NY

1980-1981
Florida Individual Artist Fellowship Award

GRANTS AND AWARDS

2014-2015
Joan Mitchell Foundation Grant/Visual Art

1998-1999
Florida Individual Artist Fellowship Award

1990-1991
Florida Individual Artist Fellowship Award

1988
Cintas Fellowship, Cintas Foundation
New York, NY

1988 
Visual Arts Fellowship
South Florida Cultural Consortium, Metro-Dade cultural Affairs Council, Miami, FL

1982
Cintas Fellowships, Cintas Foundation
New York, NY

1980-1981
Florida Individual Artist Fellowship Award

HONORS: 

1981
He was commissioned by the City of Miami, , to paint “Homage to the Afro-Cuban Music”, a three piece Mural, to celebrate Hispanic Heritage Week. The Mural was placed on top of Libros Españoles, S.A.’ store, on SW 19 Avenue and 8th Street.

1987
The Metropolitan Museum of Art, New York City, N.Y. acquires his painting “The Great Theater of The World” (El Gran Teatro del Mundo) for permanent collection (20th century Art collection).

1987
He was commissioned by Florida International University, Miami, Florida, to paint “Exiles” (Exiliados) to be presented to Pope John Paul II , as official gift during his visit to the Florida State. A poster was created.

1990
Appearing in interview by the BBC of London in the documentary HAVANA, realized by the Czech director Jana Bokova. Rodriguez talks about his childhood in Cuba and the ironies of his life in exile. Filmed and Broadcast in April 1990 in Havana and Miami, Florida, about the tragic reality of the Cuba of today.

1994, 1996
He created the cover artwork for the legendary Cuban bassist Israel Lopez (Cachao)’s /Grammy Award-winning CD “Cachao Master Sessions Vol. l (1995) and Vol. 2 (1996) on Crescent Moon label for Sony Records. Both were granted a Grammy Award in the United States.

1997
Oral history interview by Smithsonian Institution for inclusion in Smithsonian Archives of American Art. Interview conducted by art historian Juan A. Martinez.

1998 
The Smithsonian’s Archives of American Art has been collecting his primary records ( correspondence, notebooks, drawings, photographs, catalogues).

2007 
Nominated as a candidate for a 2007 Louis Comfort Tiffany Biennial Award.

SOLO EXHIBITIONS

2018
Arcimboldo’s Ghosts
LnS Gallery, Miami, FL

2017
Oolite
LnS Gallery, Miami, FL

The Collective Debut
LnS Gallery, Miami, FL

2016
Arturo Rodriguez: Family and Friends Drawing Portraits
Under the Bridge Art Space, North Miami, FL

2015
Arturo Rodriguez: Drawings Proyections with music of David Virelles
WDNA Jazz Gallery, Miami, FL

2014
Arturo Rodriguez: The School of Night
Drawing Exhibition (Book)
Barnard Hall, Barnard College, Columbia University, New York, NY

Arturo Rodriguez: The School of Night
Frost Art Museum, Miami, FL

The School of Night
Drawing Exhibition and Book Presentation
MIA International Airport Art Gallery

Arturo Rodriguez: Arrivals and Departures
Division of Fine Arts & Cultural Affairs, Miami, FL

Arturo Rodriguez: The School of Night
Drawing Exhibition and Book Presentation
Miami International Book Fair, Miami, Fl

Arturo Rodriguez: The School of Night
McNally Jackson Books, New York, NY

2012
Arturo Rodriguez: PASSENGERS
Waltman-Ortega Fine Art Miami, Paris, Wynwood, FL

2011
Memento Mori: Arturo Rodriguez Paintings (Book)
Centre Gallery, Miami Book Fair International, Miami Dade College, Miami, FL

2010
Arrivals and Departures (Catalog)
Salamatina Art Gallery, Long Island, New York, NY

2006
Human Comedy (Catalog)
Bass Museum of Art, Miami Beach, FL

Interior
David Castillo Modern & Contemporary Art Gallery, Miami, FL

2004
Arturo Rodriguez
Editart Gallery, Genève, Switzerland

Arturo Rodriguez (Catalog)
Gulf Coast Museum of Art, Largo, FL

Arturo Rodriguez: Interiors (Catalog)
The Museum of Arts and Sciences, Daytona Beach, FL

2002
PASSAGES: Arturo Rodríguez (Catalog)
Boca Raton Museum of Art, Boca Raton, FL

2001
Elite Fine Art
Coral Gables, FL

2000
Ghost Archipelago – Arturo Rodriguez – (Catalog)
Elite Fine Art, Coral Gables, FL

1998
Arturo Rodríguez (Catalog)
Legacy Fine Art, Panama City, Panama

1997
Arturo Rodríguez
Ibero-American Art Fair, Alonso Arte Gallery, Caracas, Venezuela

1996
Arturo Rodríguez: Recent Works (Catalog)
Elite Fine Arts, Coral Gables, FL

1994
Arturo Rodríguez: Recent Works (Catalog)
Alonso Arte Gallery, Bogotá, Colombia

Crossing  (Catalog)
Museum of Art, Ft. Lauderdale, FL

Two Visions
Peninsula Fine Arts Center, Newport News, VA

1993
Arturo Rodríguez
M. Gutierrez Fine Arts, Key Biscayne, FL

1991
Arturo Rodríguez
Barbara Greene Gallery, Bay Harbor Islands, FL

1990
Arturo Rodríguez
Arvil Gallery, México City, MX

1989
The Floating Self – Arturo Rodriguez
CDS Gallery, New York, NY

1987
Arturo Rodriguez: 1978-1987 Paintings (Catalog)
Mitchell Wolfson Gallery, Miami Dade College, Miami, FL

1986
Arturo Rodriguez
The 24 collection Gallery, Bay Harbor, Miami, FL

1983
Exiles – Arturo Rodríguez
Duran Art Gallery, Madrid, Spain

1980
Debris – Arturo Rodriguez
Meeting Point Art Center, Miami, FL

1979
Arturo Rodriguez: New Paintings
Original Art gallery, Madrid, Spain

SELECTED GROUP EXHIBITIONS

2015 – 2014
Handmade: Artists’ Holiday cards from the Archives of American Art
 Morgan Library & Museum, New York, NY
(November 2014 – 2015)

2013 – 2014 
Our America The Latino Presence in American Art (Book)
American Art Museum (Smithsonian) Washington, D.C

Traveling exhibition to:

Frost Art Museum, Miami, FL
(March 28, 2014 – June 22, 2014)

Crocker Art Museum, Sacramento, CA
(September 21, 2014 – January 11, 2015)

Utah Museum of Fine Arts, Salt Lake, Utah
(February 6, 2015 – May 17, 2015)

Arkansas Art Center, Little Rock, AR
(October 16, 2015 – January 17, 2016)

Delaware Museum of Art, Wilmington, DE
(March 5, 2016 – May 29, 2016)

Hunter Museum of American Art, Chattanooga, TN
(February17, 2017 – June 4, 2017)

Sioux City Art Center, Iowa
(July 8, 2017–October 15, 2017)

2014
Latino Panel Discussion: Our America: The Latino Presence in American Art speak about the exhibition and their Artworks
The Frost Art Museum, Miami, FL
Artists: Maria Brito, Arturo Rodríguez, and Maria Martinez- Canas

2011
Lists: To Dos
The Morgan Library & Museum, Illustrated New York, NY
Archives of American Art

Latin American Art from the Museum’s Collection
Boca Raton Museum, FL

2010
Lists: To-Dos, Illustrated Inventories, collected Thoughts and Other Artists
Lawrence A. Fleischman Gallery, Washington, DC
Enumerations from the Archives of American Art” (Book Catalog)

Season’s Greetings from the Archives of American Art
Smithsonian’s Reynolds Center for American Art and Portraiture, Washington,DC

2008
Unbroken Ties: Dialogues in Cuban Art
Museum of Art, Fort Lauderdale, FL

2007
Layers
Lehigh University Art Gallery, Worcester, MA

2006
Cuban Americans and American Culture
The National Endowment for the Humanities Exhibit & Summer Seminar,
Center for the Arts, University of Buffalo, New York, NY

2005
Collection from The Maria Zambrano Museum (Málaga)
Museo de América, Madrid, Spain

2004
De Ida Y Vuelta
Centro Cultural Español, Coral Gables, FL

2002
38 Artistes Cubains
Editart Gallery, Genève, Switzerland

2001
Breaking Barriers: Contemporary Cuban Art (Catalog)
Naples Museum of Art, Naples, FL

2000
Figurative Vignettes
The Art Center, St. Petersburg, FL

Florida Painting: Spectrum of Expression
Museum of Art, Tallahassee, FL

Cuban and Cuban-American Art
Lowe Art Museum, University of Miami, FL

Florida Visual Arts Fellowship Exhibit
Lowe Art Museum, University of Miami, FL

VIDEOS:

Arturo Rodriguez: Arrivals and Departures
The Herald Video

Arturo Interview by the Gulf Coast Museum of
 Art, Largo, FL
http://www.youtube.com/watch?v=bRAtVz8V6Zk

ABOUT LnS GALLERY
LnS is a multi-use art space specializing in contemporary art with a focus on Miami-based artists, and is guided by and named after the gallerist team of Luisa Lignarolo and Sergio Cernuda, partners in marriage and business. The 5000-square foot space is located in North Coconut Grove, within walking distance from the Coconut Grove Metrorail Station. 
2610 SW 28th Lane, Miami FL 33133305 987 5642
[email protected]
WWW.LNSGALLERY.COM 
HOURS Tuesday-Friday 11:00am-6:00pm
Saturday 12:00-5:00pm
Sunday and Monday by appointment only

Perez Art Museum PAMM
Pérez Art Museum Miami

Hernán Gamboa Gallery, exhibition

SOLUTIONART
SOLUTIONART

ENAMORARTE, SOLUTIONART 

Hernán Gamboa Gallery, exhibition February 3, 2022

PILAR NARANJO

DALIA BERLIN

ADRIANA MANGUPLI

ROGER MARI

APIA

FRANKLIN GUTIERREZ 

SAMUEL GALLEGOS

JUDIT MALVESTITI

MARIANNE SUCRE

TITA MILLAN

MARIA VICTORIA LONDOÑO

ANDREA CARDENAL 

ELSA DELGADO

JULIO PORTO

SABRINA BLANCO

LEONARDO SIERRA

ANGELA CUELLO

New Professions Technical Institute

4000 W Flagler St, Coral Gables, FL 33134

Perez Art Museum PAMM
Pérez Art Museum Miami

Borzo Gallery

Borzo Gallery

BorzoGallery is one of the oldest established art galleries in the Netherlands and is a leading gallery in NUL/Zero, Minimalist and Conceptual art. Artists such as Jan Schoonhoven, Jan Henderikse, herman de vries, Ad Dekkers, Carel Visser, Constant and Ger van Elk are represented in our collection. In Modern Art the gallery has a special focus on international avantgarde movements from the 20th Century.

One of the aims of the exhibition policy is to make the link between modern art from the recent past and contemporary art. Artists of today are ‘standing on the shoulders’ of their predecessors, regardless of the considerable contrasts. Contemporary artists that are represented include Koen Vermeule, Ronald de Bloeme, Ronald Zuurmond, Jurriaan Molenaar, Carlijn Mens and Wieteke Heldens.

  • Keizersgracht 321
  • 1016 EE Amsterdam
  • Wed – Sat: 1pm – 5pm and by appointment

Artists

Erik Andriesse
Leon Adriaans
Jan Andriesse
Ben Akkerman
Armando
Joost Baljeu
Ronald de Bloeme
Corrie de Boer
Marinus Boezem
Bram Bogart
Bob Bonies
Jan Commandeur
Constant
Ad Dekkers
Ger van Elk
Ton Frenken
Wim de Haan
Wieteke Heldens
Ewerdt Hilgemann
Jan Henderikse
Heringa/Van Kalsbeek
Hans van Hoek
Michaël de Kok
Carlijn Mens
Piet Moget
Vincent Mentzel
Jurriaan Molenaar
Jaap Nanninga
Semna van Ooy
Henk Peeters
Michael Ryan
Jan Schoonhoven
Peter Struycken
Masha Trebukova
JCJ Vanderheyden
Bram van Velde
Geer van Velde
Koen Vermeule
Carel Visser
André Volten
Auke de Vries
herman de vries
Jaap Wagemaker
Ronald Zuurmond

Perez Art Museum PAMM
Pérez Art Museum Miami

39TH MIAMI FILM FESTIVAL

MIAMI FILM FESTIVAL
MIAMI FILM FESTIVAL

39TH MIAMI FILM FESTIVAL

RYUSUKE HAMAGUCHI AND RAMIN BAHRANI TO BE HONORED WITH PRECIOUS GEM AWARDS AT  39TH MIAMI FILM FESTIVAL, AS COMPLETE 2022 LINE-UP IS ANNOUNCED

Oscar Shortlist candidates The Good Boss and Plaza Cathedral to Open & Close Fest;

Ari Wegner to Receive Art of Light (Cinematographer) Award

Miami, FL – (February 1, 2022) After being the first U.S. film festival to hold in-theater, in-person screenings in 2021 after a year-long quarantine mandate, Miami Dade College (MDC)’s acclaimed Miami Film Festival returns to present its 39th annual edition from March 4-13, 2022 in a hybrid format, with both in-theater and virtual presentations. Precious Gem Awards will be presented to Ramin Bahrani (2nd ChanceThe White Tiger) and Ryusuke Hamaguchi (Drive My Car). Art of Light Awards will be presented to cinematographer Ari Wegner (Zola, The Power of the Dog) and composer Cristobal Tapia de Veer (The White Lotus). The 2022 Festival will celebrate more than 120 feature narratives, documentaries, and short films of all genres, from more than 35 countries worldwide. 

“The collective spirit of joy and gratitude that we felt from patrons and filmmakers at last year’s shared in-person theatrical screenings strengthened the always mighty creative heart of Miami Film Festival,” said Festival Executive Director Jaie Laplante. “As we take all necessary precautions to ensure the continued safety of our patrons, we look forward to completing our fourth decade of programming by shining a light on some truly new and veteran outstanding creative cinematic talents.”

The Festival will present its Precious Gem Awards to Ryusuke Hamaguchi and Ramin Bahrani. The Precious Gem Award is the festival’s signature award, reserved for one-of-a-kind artists whose contributions to cinema are lasting and unforgettable. Hamaguchi is the Japanese director and writer of films such as Asako I & II, Wheel of Fortune & Fantasy and the 2021 arthouse hit Drive My Car, which has been awarded Best Film from the LA Film Critics Association, the New York Film Critics Circle, and the National Society of Film Critics; Best Screenplay at the Cannes Film Festival; and more than 50 additional accolades, making it one of the year’s most universally acclaimed films. Drive My Car has been shortlisted for the 2022 Academy Award for Best International Feature. Bahrani is the Academy Award-nominated Iranian-American writer, director and producer of such films as Man Push Cart, Chop Shop, 99 Homes, The White Tiger and the new documentary 2nd Chance, which will be screened at the Festival. 

Miami Film Festival’s Art of Light Awards are presented to cinematic artists whose exemplary work shines new wonders on the continuing evolution of motion pictures. Ari Wegner will receive the Art of Light Award (Cinematographer) for her work on the films Zola and The Power of the Dog. Wegner has received several award nominations this season, including a nomination for Zola from the Film Independent Spirit Awards and for The Power of the Dog from the American Society of Cinematographers. As previously announced, composer Cristobal Tapia de Veer will receive the Art of Light (Composer) Award, presented by Alacran Group, for his work on The White Lotus.

The Festival will open and close with two Oscar-shortlisted films, Fernando León de Aranoa’s Spanish comedy The Good Boss and Abner Benaim’s Panamanian drama Plaza Cathedral. This year’s closing night presentation will take place in the Festival’s new Awards Night gala home, the Adrienne Arsht Center for the Performing Arts. At the 2020 Miami Film Festival, the closing night party was intended to be a celebration of Walter Mercado with Kareem Tabsch and Cristina Costantini’s Mucho Mucho Amor but was cancelled due to COVID; thus, the Festival will dedicate its 2022 opening night party at The Historic Alfred I. Dupont Building to Walter Mercado, and finally have the party for the former legendary Miami resident.

The Festival will include a special dedication to the memory of Sidney Poitier, the legendary Oscar-winning actor who passed away in January 2022. Poitier was born in Miami in 1927, grew up in the Bahamas and then emigrated to Miami at the age of 15, where he spent less than one year before moving to New York City. The Festival will screen the 1961 film version of Lorraine Hansberry’s original Broadway production of A Raisin in the Sun, in which Poitier gives one of his most complex and searing performances.

Knight Heroes, a popular program created with the support of John S. & James L. Knight Foundation, will return for its fourth consecutive year with a new format. Field of Vision’s IF/Then Shorts co-directors Caitlin Mae Burke and Merrill Sterritt will lead an informative panel for South Florida creatives, “Scaling a Short Film into a Short Form Series”, which will include filmmaker and development executive panelists.

Set to have their World Premieres at the Festival as Red CarpetSpecial Presentations are:

●        Borrowed (United States, directed by Oscar Ernesto Ortega and Carlos Betancourt), based on a play by Jim Kierstead, starring Jonathan del Arco and Héctor Medina

●        Croqueta Nation (United States, directed by Guillermo Alfonso)

●         Jezabel(Venezuela, directed by Hernán Jabes Aguila).

(Additional World Premieres are indicated in bold in below categories.)

Returning for an encore screening, five years after its original 2017 Miami Film Festival world premiere, will be Kenny Ortega’s A Change of Heart, produced by Emilio Estefan Jr. and starring Jim Belushi and Gloria Estefan. Perhaps one of the most popular Miami premieres of the past decade, the beloved film will re-launch as a Red Carpet Special Presentation on Friday, March 11.

Nine films, including one by a previous Miami Film Festival Precious Gem Master Awardee, Carlos Saura, are set to have their International, North American or US Premieres at the Festival as Special Presentations. They are:

●        Beba (United States/Mexico, directed by Rebeca Huntt) – US Premiere

●        Camila Comes Out Tonight (Camila Saldrá Esta Noche) (Argentina, directed by Inés Barrionuevo) – North American Premiere

●        A Film About Couples (Una Película Sobre Parejas) (Dominican Republic, directed by Natalia Cabral and Oriol Estrada) – North American Premiere

●        The King of All the World (El Rey de Todo El Mundo) (Mexico/Spain, directed by Carlos Saura) – US Premiere

●        Lemon and Poppy Seed Cake (Pan de Limón con Semillas de Amapola) (Spain/Luxembourg, directed by Benito Zambrano) – International Premiere

●        Lo Invisible (Ecuador/France, directed by Javier Andrade) – US Premiere

●        Montana Story (United States, directed by Scott McGehee and David Siegel) – US Premiere

●        The Phantom of the Open (UK, directed by Craig Roberts) – US Premiere

●        What Went Wrong? (¿Qué Hicimos Mal?) (Spain/Mexico, directed by Liliana Torres) – North American Premiere

The $25,000Knight MARIMBAS Award, supported by Knight Foundation, is an international competition for new narrative feature films that best exemplify richness and resonance for cinema’s future. (A marimba is a variation of a xylophone that produces a deeper, richer and more resonant tone that a traditional xylophone. The marimba originated in Guatemala and Central America approximately 400 years ago and remains popular to this day in a wide variety of musical disciplines. The name of Miami Film Festival’s award is inspired by its 2011 winner, Julio Hernandez Cordon’s Marimbas from Hell, which embodies the spirit of forward-looking cinema.) Nine films have been selected for this year’s Knight MARIMBAS Award, one of which previously screened at the Festival’s GEMS edition: Paris, 13th District. The other films up for the award are:

●     The Box (La Caja) (United States/Mexico, directed by Lorenzo Vigas) – US Premiere

●     The Cow Who Sang a Song Into the Future (Chile/France/United States/Germany, directed by Francisca Alegria) – East Coast Premiere

●     Drunken Birds (Canada, directed by Ivan Grbovic)

●     Freda (France/Benin/Haiti, directed by Géssica Généus) – US Premiere

●     Medusa (Brazil, directed by Anita Rocha Da Silveira)

●     Neptune Frost (Rwanda/United States, directed by Anisia Uzeyman and Saul Williams)

●     Out of Sync (Tres) (Spain/Lithuania/France, directed by Juanjo Gimenez) – East Coast Premiere

●     Soul of a Beast (Switzerland, directed by Lorenz Merz) – US Premiere

In addition to the Closing Night drama Plaza Cathedral (Panama/Mexico/Colombia), the $10,000 HBO Ibero-American Feature Film Award will have eight additional films competing for the cash prize, including one of which previously screened at the Festival’s GEMS edition: My Brothers Dream Awake. The other films up for the award are:

●     Amalgama (Mexico/Dominican Republic, directed by Carlos Cuarón) – US Premiere

●     Carajita (Dominican Republic/Argentina, directed by Silvina Schnicer and Ulises Porra Guardiola) – North America Premiere

●     Estación Catorce (Mexico/Uruguay, directed by Diana Cardozo) – International Premiere

●     The Lost Children of Jarabacoa (Dossier de Ausencias) (Dominican Republic, directed by Rolando Díaz) – North America Premiere

●     Mediterraneo: The Law of the Sea (Spain/Greece, directed by Marcel Barrena) – North America Premiere

●     Parsley (Perejil) (Dominican Republic, directed by José María Cabral) – World Premiere

●     The Unemployment Club (El Club del Paro) (Spain, directed by David Marqués) – International Premiere

The $55,000 Knight Made in MIA Award, supported by Knight Foundation, will award three jury-selectedprizes tofilms of any genre that features a substantial portion of its content (story, setting and actual filming location) in South Florida and that best utilizes its story and theme for universal resonance. The jury will award a first prize of $30,000, a second prize of $15,000 and a third prize of $10,000. The 18 films competing for this award are: 

●     Are You Down? (United States, directed by Dennis Scholl and Juan Luis Matos)

●     Blackness is Luxury (United States, directed by Kamaria McCall and Dorian Munroe)

●     Cariño (United States, directed by Fernanda Lamuño)

●     D3C05 (United States, directed by Blaze Gonzalez and Hannah Gaengler)

●     Daniel & Nate (United States, directed by Lauren Cater)

●     A Date, with History (United States, directed by Gaspar González)*screened at GEMS 2021

●     In Beauty it is Unfinished (United States, directed by Greko Sklavounos)

●     The Life of Bill Baggs (United States, directed by Patrick Longstreth and Anne Longstreth)

●     Light (United States, directed by Karla Caprali)

●     Little Havana By Rainy (United States, directed by Hector David Rosales)

●     Madame Pipi (United States/Haiti, directed by Rachelle Salnave)

●     The Mom Who Escaped (China/United States, directed by Xiaoxiao Xu)

●     Open Dialogues: Stories from the LGBTQ Community (United States, directed by Freddy Rodriguez)

●     Sirens of the Swamp (United States, directed by Hali Gardella and Emery Matson)

●     South Beach Shark Club: Legends and Lore of the South Florida Shark Hunters (United States, directed by Robert Requejo Ramos) – World Premiere

●     Un Pequeño Corte (United States, directed by Mariana Serrano)

●     Wade in the Water: Drowning Racism (United States, Cathleen Dean)

●     You Can Always Come Home (United States, Juan Luis Matos)

The $10,000 Jordan Ressler First Feature Award is sponsored by the South Florida family of the late Jordan Ressler, an aspiring screenwriter and Cornell University Film Studies graduate who, during his brief entertainment career, held production positions on Broadway hits before passing away in a tragic accident at the age of 23. Eight films will compete for the Award, which are:

●     Amparo (Colombia/Sweden/Qatar, directed by Simón Mesa Soto) 

●     Anais in Love (France, directed by Charline Bourgeois-Tacquet) 

●     Candela (Dominican Republic/France, directed by Andrés Farías Cintrón) – US Premiere

●     The Gravedigger’s Wife (Somalia/Finland/Germany/France, directed by Khadar Ayderus Ahmed) 

●     Hatching (Finland/Sweden, directed by Hanna Bergholm) – East Coast Premiere

●     Immersion (Inmersión) (Chile/Mexico, directed by Nicolás Postiglione) – North America Premiere

●     Master (United States, directed by Mariama Diallo)

●     You Resemble Me (France/Egypt/United States, directed by Dina Amer)

While also competing for the Knight Made in MIA Award, South Beach Shark Club: Legends and Lore of the South Florida Shark Hunters will join thirteen other films for the audience-voted Documentary Achievement Award. The films are:

●     2nd Chance (United States, directed by Ramin Bahrani)

●     The Art of Making It (United States, directed by Kelcey Edwards) – co-presented with Oolite Arts

●     The Business of Birth Control (United States, directed by Abby Epstein)  

●     InHospitable (United States, directed by Sandra Alvarez)  

●     Jose Feliciano – Behind This Guitar (United States/Puerto Rico, directed by Frank Licari and Helen Murphy) – co-presented with O Cinema South Beach

●     Keep the Cameras Rolling: The Pedro Zamora Way (United States, directed by Stacey Woelfel and William T. Horner)

●     La Guerra Civil (United States, directed by Eva Longoria Bastón)  

●     Mija (United States, directed by Isabela Castro)

●     Omara (United States, directed by Hugo Perez) 

●     Option Zero (La Opción Cero) (Cuba/Brazil/Colombia, directed by Marcel Beltrán)

●     Outta the Muck (directed by Bhawin Suchak and Ira Mckinley) – East Coast Premiere

●     Strangers to Peace (Colombia, directed by Noah DeBonis and Laura Angel Rengifo) – World Premiere

●     Veritas (United States, directed by Eliecer Jiménez Almeida) – World Premiere

More Special Presentation screenings will add to the depth of creative filmmaking from around the world to Miami, featuring numerous Miami Film Festival alumni filmmakers. They include:

●        Alt-Sit (Sudan/Qatar, directed by Suzannah Mirghani)

●        The Daughter (La Hija) (Spain, directed by Manuel Martín Cuenca)

●        The Duke (UK, directed by Roger Michell)

●        Everything Went Fine (France, directed by François Ozon)

●        Film, the Living Record of Our Memory (Spain/Canada, directed by Inés Toharia) – co-presented with Coral Gables Art Cinema

●        Lifeline: Clyfford Still (United States, directed by Dennis Scholl) – making its long-awaited Miami premiere

●        Maixabel (Spain, directed by Icíar Bollaín)

●        Manos de Oro (United States, directed by Merced Elizondo)

●        One Second (China, directed by Zhang Yimou)

●        Operation Pedro Pan: The Cuban Children’s Exodus (United States, directed by Carlos Victor Gutierrez)

●        Petite Maman (France, directed by Céline Sciamma)

●        Queens of the Revolution (United States, directed by Rebecca Heidenberg)

●        Silent Land (Poland/Italy/Czech Republic, directed by Agnieszka Woszczynska)

The $10,000 WarnerMedia OneFifty Latino Short Film Awards will award $5,000 to one winning Spanish-language short film, and $1,250 to four Spanish-language runners-up. The films competing this year are:

●     Chilly & Milly (United States, directed by William David Caballero)

●     For Some Horses (Por unos caballos) (Chile, directed by Tomás Alzamora)

●     Hector’s Woman (La mujere de Héctor) (Puerto Rico/United States, directed by Ricardo Varona)

●     It’s Not Her (No Es Ella) (Chile, directed by Samuel Gonzalez)

●     The Year of the Radio (Mexico, directed by Samuel Kishi Leopo)

The $5,000 Miami International Short Film Award competition features 18 films. The complete list includes:

●     The Bones (Los Huesos) (Chile, directed by Cristóbal León and Joaquin Cociña)

●     Burros (United States, directed by Jefferson Stein)

●     Eureka (United States, directed by Miida Chu)

●     Flowing Home (France/Canada, directed by Sandra Desmazieres)

●     Fufu (Canada, directed by Omolola Ajao)

●     Imposible Decirte Adiós (Spain, directed by Yolanda Centeno)

●     Linda (United States, directed by Kali Kahn)

●     Matryoshka (Cuba, directed by Sheyla Pool)

●     Murder Tongue (Pakistan, directed by Ali Sohail Jaura)

●     Nalujuk Night (Canada, directed by Jennie Williams)

●     Neon Phantom (Brazil, directed by Leonardo Martinelli)

●     Night Visit (Israel, directed by Mya Kaplan)

●     Nuevo Rico (United States/Puerto Rico, directed by Kristian Mercado)

●     Seen It (India, directed by Adithi Krishnades)

●     Suburbs Apology (Apología de extrarradio) (Spain, directed by Raúl Monge)

●     Tundra (Cuba, directed by José Luis Aparicio)

●     Two Women (Israel, directed by Yuval Kaminsky)

Perez Art Museum PAMM
Pérez Art Museum Miami

Marta González “Líos de familia”

Marta González hace un gran papel en “Líos de familia”, de Pantaya.

La actriz dominicana residente en Miami, comparte escenas junto a figuras como Raymond Pozo, Miguel Cespedes, Cheddy García, entre otros. “Líos de Familia” es una producción ejecutiva de James McNamara y Anjanette Delgado para “Pantaya” y Gregory Quinn y Zumaya Cordero para “Caribbean Films”. “Hay cosas que no dependen de mí y que yo no puedo controlar. De mi depende prepararme y dar el 100% en mis audiciones. Solo me queda confiar en mi capacidad y  ser yo misma”. “Líos de Familia” es la primera serie dominicana, producción original de Pantaya. Una graciosísima comedia que cuenta la historia de los residentes de un pintoresco edificio de clase media en Santo Domingo, República Dominicana, donde el público podrá ver personajes de todos los ámbitos de la vida. Marta González encarna a Cristina:  una ex-reina de belleza casada con un político sin escrúpulos fichado por la fiscalía. Cristina pasa de ser millonaria a quedarse sin un quinto. Vive en una burbuja, en su mundo de apariencias y mentiras, engañando a todos y tapando las locuras de su marido Esteban. “Ser actriz simplemente me hace feliz. Me gusta entretener al público. Llevarles un poco de alegría o incluso hacer que se desconecten de su día  a día. O el hecho de que se relacionan e identifican con lo que hago.  Es una virtud que uno disfrute su trabajo, no lo siento como tal. Cuando estoy en el set me siento plena”. Pantaya, una la plataforma de transmisión de películas y series en español, une fuerzas con la productora con sede en República Dominicana Caribbean Films, anunciando así, su primera serie original “Líos de Familia”, que finalizó su primera emisión en República Dominicana. 

Perez Art Museum PAMM
Pérez Art Museum Miami

Poetics of Exactness

Donald Judd Untitled-1986
Donald Judd Untitled-1986

Juan Carlos Maldonado Art Collection

Poetics of Exactness

Ariel Jimenez, Curator

“Poetics of Exactness” is not an exhibition exclusively, or not only, dedicated to works of geometric abstraction and to the sober and precise beauty that characterizes them. Rather, it is an attempt to explore that precise moment in which a gesture – however discrete it is, but exactly because it is so – begins to awaken in its observers effects that are not those that regulate our relationship to the objects with which we normally surround ourselves, feelings of intellectual curiosity, of almost metaphysical strangeness, and of unexplainable beauty as well. It is an exhibit in which we seek to question what it is that makes an object –at times generated by an elemental craftsmanship, and others by means of industrial techniques and materials – what makes an object reveal itself as capable of eliciting that particular alteration, that sort of emotional agitation which we label poetic.

Sol LeWitt
Sol LeWitt

Nothing, however, seems further from that which is beautiful or poetic than the exact, which is the product of calculation. But art has among its functions that of connecting the present – with all it has that gratifies as well as that which threaten us – to our deepest psychic needs; in a certain way, in order to exorcize it, making it docile to human life. It was inevitable, then, for the most powerful forces of our times – technique, industry and its hallmark product, the machine – to be coopted by it, appropriating their processes, their techniques, and their materials to produce the exact beauty of the geometric, the concrete, the conceptual, and the minimalistic, all so present in many of the works found in the JCMAC.

“Poetics of Exactness” therefore looks to make us face the beauty of what has been produced by means of a precise calculation – carried out and thought of for the pleasure of the eye and its governing body, the human brain. 

Beyond minimal art –the historic movement–, this exhibit aims to explore the manifestations of a typically modern expressive desire that still remains present in the works of many contemporary artists: how can that order be accomplished –that minimum gesture whose materialization can cause a maximum effect in the psyche of its beholders? Drawing the boundary that separates an everyday object (one manufactured by industry, for example) from that special object that, for the lack of a more accurate descriptor, we still call a ‘work of art’. Establishing this trait that separates a work of art from other objects of the world is, therefore, the job of many contemporary artists who, like many of their modern predecessors, produce what we could call a calculated, precise aesthetic –the poetics of exactness.
“Poetics of Exactness” is not an exhibition exclusively (or only) dedicated to works of geometric abstraction and the sober and precise beauty that characterizes them. It is, rather, an attempt to explore that exact moment in which a gesture, no matter how discrete –and precisely because of it–, starts to elicit effects in its beholders that are not those that govern our relationship with the objects we usually surround us with (feelings of intellectual curiosity with an almost metaphysical perplexity, and also of an unexplainable beauty) and which characterize a fair share of the art production of our times. It is an exhibit where we aim to ask what it is that makes an object –at times, generated through an elemental craftsmanship; others, through techniques and materials that characterize the industry of our times– reveal itself as capable of eliciting in us that special emotion, that emotional turmoil, of sorts, that characterizes the poetic.

Nothing may, however, seem further from beauty and poetry than the exact, that which has been the product of a calculation. But the functions of art include connecting the present (with all that is gratifying, and all that is menacing) with our deepest mental needs to, in a way, exorcize it, make it docile for human life. It was, then, inevitable for the most powerful forces of our time –technique, industry and its hallmark product: the machine– to be imbued into it, appropriating their processes, their techniques, their materials, to produce the exact beauty of the geometric, the concrete, the conceptual, the minimalistic with them –something that is prevalent in many of the works found in the JCMAC.

“Poetics of Exactness” therefore aims to make us face that beauty of what has been intentionally produced; devised, calculated to please the eye and its governing body: the human brain.

General Information

3841 NE 2nd Ave. Suite 201 Miami, FL, 33137

+1 305 456 6126
info(@)jcmac.art

Perez Art Museum PAMM
Pérez Art Museum Miami

OpenSea, the largest NFT marketplace

NFT Opensea
NFT Opensea

Discover, collect, and sell extraordinary NFTs

OpenSea is the world’s first and largest NFT marketplace

The world’s first and largest digital marketplace for crypto collectibles and non-fungible tokens (NFTs). Buy, sell, and discover exclusive digital items.

An online marketplace OpenSea says it is now worth $13.3bn (£9.8bn) following a new investment of $300m. The platform enables trade in NFTs (non-fungible tokens), unique pieces of digital code that can be associated with a digital asset such as a work of digital art. Some NFTs have sold for millions of dollars.

OpenSeaOpenSea is the leader in NFT sales. … It also supports artists and creators and has an easy-to-use process if you want to create your own NFT (known as “minting”). The marketplace supports more than 150 different payment tokens, so the platform’s name is appropriate.

How To Buy An NFT On OpenSea

In this article, we’ll provide a detailed guide on how to buy NFTs on OpenSea. Even though the blockchain technology behind this process may seem complicated, purchasing your tokens is relatively straightforward.

How to Buy an NFT on OpenSea

You can only buy NFT on OpenSea if you own a cryptocurrency wallet. Let’s see how you can set it up:

  1. Download your wallet app. Coinbase Wallet is one of the most popular options.
  2. Set up your account. The personal information you’ll need to provide depends on your platform. Some apps require a lot of details, whereas others only ask for your email address.
  3. Write down the private key presented as a 12-word phrase. Store it safely since you’ll lose access to your crypto if you lose it.
  4. Transfer cryptocurrency to the wallet. You should be able to buy crypto with traditional currencies, such as euros or US dollars. However, some wallets require you to transfer the funds from elsewhere.

Now you need to purchase ETH (Ethereum). This cryptocurrency will enable you to buy NFTs on OpenSea. This is what you’ll need to do:

  1. Head to Coinbase.com and log in with your credentials.
  2. Click the “Buy/Sell” button and choose “Ethereum.”
  3. Press “Preview Buy” to confirm the order and select the “Buy Now” option to finalize your purchase.
  4. Your ETH should be transferred in a few days. When that happens, go to your wallet account and copy the wallet address.
  5. Return to Coinbase and pick “Portfolio.”
  6. Select “Ethereum,” press “Send,” and paste the wallet address into the appropriate field. Double-check your address to ensure you’re sending ETH to the right destination.
  7. Click the “Continue” button, and your ETH should show up in your wallet after a couple of minutes.

Once you’ve created your crypto wallet and bought ETH, you can now buy NFTs on OpenSea. Here’s what you’ll need to do:

  1. Launch your browser and navigate to the OpenSea homepage.
  2. Go to the upper-right corner of your screen and click the wallet symbol. The platform should now prompt you to link your wallet. After connecting your wallet, your account will be ready to go.
  3. The app should now take you to your profile page, offering insight into any tokens you’ve created, collected, or favored for potential purchases. If you wish to change your account from “Unnamed,” head to the settings symbol in the right section of your picture to customize your profile. Pass the security prompt and sign an agreement to continue. Choose your username, add some information, and include your email address.
  4. Explore OpenSea to find the NFTs you want to purchase.
  5. Review any collected information about your NFTs. Collectible and rarer NFTs may have some valuable properties. Make sure to go through their pricing history to determine if you should use them for trading.
  6. Press “Buy Now” once you’ve found the ideal NFT. You may need to review several details about the purchase before finalizing the transaction. It helps ensure you’re not getting scammed by buying similar and not authentic versions of your NFT.
  7. If the transaction looks good, proceed to the checkout and review the cost of the purchase. Agree to the platform’s terms and hit “Checkout” to complete the transfer.
  8. This should bring you to your wallet and lay down the final cost, including any applicable fees on the blockchain. Click “Confirm,” and you should be good to go. To check out the NFT in the wallet, go back to your profile and choose “In Wallet” in the left section of the screen. The platform may take some time to process your requests, but it should show your NFTs after a few seconds.

How to Buy an NFT on OpenSea Using MetaMask

Many OpenSea users rely on MetaMask to buy their NFT. It’s another crypto wallet that lets you purchase your tokens quickly.

Installing MetaMask on your browser is the first step in buying your NFTs:

  1. Head to this website and press the profile symbol in the upper-right section of your screen.
  2. Choose “My Profile” and press the “Get MetaMask” button. Download the necessary extension for your browser.
  3. Click “Install MetaMask.” Wait for the installation to complete and look for the “Welcome to MetaMask” page. Press the “Get Started” button.
  4. Pick “Create Wallet” and set up your password. Write down or take a picture of your password. It serves as backup access to the account, so make sure not to lose it.
  5. Press “Next” and choose your secret phrase.
  6. Tap the “Confirm” button after arranging the phrase correctly. This should bring you to the “Congratulations” window.
  7. Click the “All Done” button and hit “X” if MetaMask presents a window asking to swap your tokens.
  8. Select “Next” to link your MetaMask Wallet with the appropriate OpenSea account.

The next step is to purchase ETH:

  1. Open your browser and press the MetaMask symbol in the upper-right part of your display.
  2. Choose “Directly Deposit Ether” if you have ETH in your Coinbase Wallet or other wallets. Otherwise, select “Buy.”
  3. Hit the “Continue to Wyre” button and specify the amount of ETH you wish to buy. Keep in mind you’ll need to pay a transaction and network fee with each purchase. Therefore, try to buy a large number of ETHs to avoid extra fees.
  4. Pick your preferred payment method and press the “Next” button.
  5. Submit your payment information and phone number.
  6. Choose “Submit” and enter your payment authentication code. It should be sent to your phone.
  7. Authorize your purchase by typing in the appropriate six-digit code for the pending Wyre transfer in your account.
  8. Your MetaMask wallet balance should be updated within a couple of minutes.

You’re now ready to purchase some NFTs. Take the following steps:

  1. Open your browser and go to the OpenSea marketplace.
  2. Explore the platform and find the desired NFT.
  3. Press the “Buy Now” button.
  4. Agree to the terms of the marketplace and choose “Checkout.” The MetaMask extension should now drop down, allowing you to see your purchase price. You should also see a gas fee that depends on network activity that can sometimes reach well over $100.

Bear in mind that some tokens are auctioned, meaning you’ll need to bid for them. Even if you can use the “Buy Now” option, you can also offer a lower price. Here’s how to do so:

  1. Go to OpenSea and find an NFT.
  2. Press the “Offers” button to check if there are any offers for your NFT.
  3. Click “Make Offer” to place your bid in wrapped ETH (WETH). This form of ETH is tradeable, but be careful when choosing the amount you wish to bid. The amount should be displayed in the right section as US dollars.
  4. Select “Convert ETH” and confirm your amount. Each conversion is subject to transaction fees. Hence, you might want to convert larger amounts if you wish to bid on several NFTs.
  5. Press the “Wrap” button.
  6. Your MetaMask wallet should drop down and ask you to verify the amount. It should also present the gas fee, which is lower than when buying NFTs ($5-$10).
  7. The updated WETH and ETH balance should be presented in the MetaMask extension. Press confirm and hit the “Make Offer” button again.
  8. Specify your amount and select “Make Offer.”
  9. Pick “Confirm” to complete your bid.
  10. Click the “Sign” button when the wallet drops down. This finalizes your placement, and your bid should now appear in your “Offers” section.

Acquire Your NFTs and Get Your Journey Underway

Knowing how to buy and mint NFTs on OpenSea enables you to grow your cryptocurrency portfolio. Over time, you’ll have a sizeable amount in your wallet, allowing you to trade in all sorts of digital artworks and collectibles. Decide which method works best for you and acquire as many tokens as necessary.

How many NFTs do you own on OpenSea? Do you prefer buying or minting them? Let us know in the comments section below.

Source: https://www.alphr.com/opensea-buy-nft/

Perez Art Museum PAMM
Pérez Art Museum Miami

 Ernesto Briel 

Ernesto Briel
Ernesto Briel

 Ernesto Briel 

Ernesto Briel was born in Guanabacoa, Cuba in 1943.  An artist with a particular interest in the theater, Briel was a painter, producer and theater set designer who also worked briefly as an actor. He studied painting at the Escuela Nacional de Bellas Artes San Alejandro, and design at the Escuela Nacional de Diseño in Havana, and later photography, at the Parsons School of Design in New York. In 1969 he founded the Grupo de Arte Optico Cubano along with fellow artists Fornes, Serrano, and Morales, becoming the most representative and methodic artist of the genre. Feeling ostracized by the community regime due to his orientation he migrated to the US as part of a generation that left the island through the port of Mariel in the spring of 1980. Soon after his arrival he participated in the exhibit Three Cuban Painters at Middlesex County College in 1982 and in 1992, Jadite gallery of NY presented the exhibit Two Geometric Artists, along with Carmen Herrera, followed by a post humous solo show in 1994. His work is in the collections of the Jersey City Museum in New Jersey, the Museo Nacional de Bellas Artes in Havana and the Housatonic Museum of Art in Bridgeport, Conn. Briel died in NYC in 1992. 

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Commission artworks Tips

Big Bang Mirror
Big Bang Mirror

 Tips when taking on art commissions

These 3 tips will help you navigate art commissions when working with clients and brands. following these tips will allow you to enjoy creative problem solving with you creative expression in your career.

1. Maintain Creative freedom through better communicating your ideas to clients

2. Maintain your Copy Rights. Be aware of the term “Work for Hire” in your contracts.

3. Be Selective with the commission you take on. All commissions are not good commissions

@detour303

As a self-employed contemporary artist, I rely on commissions more so than selling my work in galleries. However, some artists are not great negotiators or business-minded, and art commissions that start off optimistic can sometimes turn into a sour experience. These eight tips will help you maintain good clients, manage their expectations, and produce work with integrity.

TIPS FOR ARTISTS ACCEPTING COMMISSIONS

1 – Timing is key. Be responsive and follow up on your leads immediately.

If someone expresses interest in buying one of your pieces, but can’t make a deposit or payment right away, take down their contact info and follow up with them by the end of the day/event. Most people who buy art don’t “need” it. It’s a luxury item that is often an impulse buy — they fall in love with the art and have to have it. But if you wait too long, the infatuation can fade or even transfer to another item. If the art is intended as a gift, timing is even more important. I learned while working in advertising that no matter how well your product is advertised, if you don’t make the sale at the right time, you’ve missed the chance. But luckily, people are more willing to wait when it comes to art.

2 – Don’t be shy to state your terms.

It’s always wise to have an artist’s agreement signed by both parties to protect you from unwarranted situations. First off, licensing terms should be made clear. Does the client want the right to reproduce the artwork for commercial use/sale? They may think that owning the artwork is the same as owning the license to reproduce it as they see fit. It’s your job to educate them if this is the case. Most artists retain their licensing rights for their work even after a sale. But an unaware client may take your commission and innocently reproduce it on T-shirts or publish it for commercial use without informing you first. That will definitely lead to a sticky situation that could be avoided. Freelance artists may also ask for a “kill fee” — a mandatory fee in case the project is cancelled midway. Kill fees can be 50 – 100% of the project cost, depending on how soon the project is cancelled.

3 – Ask for a payment up front.

It’s fair to ask for as much as 50% up front to cover the cost of your materials and time. Some people prefer 30% down and a couple of installments. I would recommend taking between 30 – 50% up front, unless the commission is for a friend or somebody who has good standing credit with you. For larger commissions, consider a monthly payment plan, where you send your client monthly progress updates. Making a payment will help both the patron and the artist stay invested in the piece, and build a credible professional.

4 – Know exactly what you’re being asked to do.

Be clear in your descriptions and check in with the client at certain intervals. Remember why the client chose you to begin with, and don’t doubt your ability. DO take creative license — this is why you were hired! DO start with concepts or sketches for them to approve before moving on to costly or large scale work. DON’T check in too often, or seem unsure of yourself or ideas, as this is an open invitation for your patron to suggest their ideas, or perhaps drag you along a creative journey that isn’t your own. They’re just trying to help, but it’s probably doing the opposite.

5 – Cherish your good clients, and learn to manage difficult ones.

Not every commission will go smoothly, but don’t let a few bad experiences ruin the potential for great ones. I’ve had my share of difficult clients, especially when I was an eager and fresh art school graduate. This is a learning curve that will take experience, but here are some cues to watch out for. The good clients will insist on paying you up front, leave a lot of the artistic license to you, and give you a broad spectrum to work with without interfering with your creative process. Hang on to the good clients, as their trust will inspire you to be more creative, resulting in more portfolio pieces, and you’ll love what you do even more. The bad ones will try to dictate how you do things, change their minds after you’ve already started, or micromanage your work — but they insist they’re just trying to help. Good client management skills and educating your client on your process — like what you DO and DON’T need from them in terms of creative input — is crucial to keeping the integrity in your work.

6 – Know your market.

What type of art do you enjoy creating the most? What type of art are you best at? If you market yourself wisely, you’ll end up with commissions you absolutely enjoy. I had trouble deciding for a long time because I enjoy creating in many styles — my work ranges from plein air landscapes and travel memoirs to quirky dark illustrations to colourful portraits. If I had to choose, I do enjoy the illustrations the most, but they take the most time and have a much slimmer market compared to the landscapes and colourful.

7 – Have a method to pricing your work.

This will prevent panic when an opportunity comes up. Most artists price their work based on a per project rate ($ = estimated hours to completion x hourly rate) or based on size ($/sq footage) but there are four variables to keep in mind:

1) Time​ – Will you be working weekends or long hours? Or can you do this leisurely in a couple of hours? Is it due immediately, or can you take your time?

2) Size​ – Larger pieces require more paint, materials, handling, shipping costs, etc.

3) Skill Required​ – Portraits and figurative art generally require more skill than landscapes, so they are priced higher. Is the subject complex, like lace or patterning that requires a lot of detail?

4) Creative Integrity – Will this piece enhance your portfolio, or will you never show it off after it’s complete? Is the project interesting, meaningful, and fun to work on?

8 – Provide a good experience by sharing your process.

The more open and honest you stay with a client, the more positive the experience will be for both parties. Check in periodically, and send them some photos of work in progress, or an enthusiastic update. I can’t stress the enthusiasm enough: YOU are the artist. If you sound excited about your piece, so will the client. If you sound unsure or unconfident, chances are your client will also lose confidence in the project.

Markham artist Stacey MacNevin stresses the importance of not just delivering a painting, but delivering an overall experience. She advises, “Spend the time up front really listening to what a client wants for their piece. They may say: ‘I love your stuff — do whatever you want’ but what they are really asking you for is an experience.” Commissioning an artist should be an interesting, thrilling, and enjoyable experience that is rich in conversation and creativity. So take the time to understand your client, listen to their vision, and give them some insight into your creative process. It’s worth the time two-fold: the client will feel more connected to the piece because they are now more connected to your process.

While art commissions can sometimes be an exercise in trial and error, in my experience, these tips make clients happy and allow you to maintain your artistic integrity and creative vision.

Here are some questions to ask your client when working out the initial expectations of a commission:

  • Does the client have a design brief? 
  • What is the timeline?
  • Is the client expecting sketches of preliminary designs? If so, will those be paid separately?
  • Is there an expectation of travel? And if so, who will cover this expense?
  • If the work is to be used commercially, where will it appear (web, print, etc)?
  • Am I free to interpret a theme or are there specific elements that need to be incorporated into the design, such as a client logo?
  • If the product is a physical artwork, what is the size and medium?
  • If the product is digital, what are the technical requirements (size, file type, number of images or files)?

JESSICA STEWART

Every commission contract should include:

The description of the project:

The contract should start with a loose description of everything you verbally agreed on (the size, colors, materials, subject matter, and other details of the composition).

Payment Agreement:

Most artists will request a 50:50 payment structure, requiring you to pay 50% upfront and the rest when the artwork is finished. Paying in advance is important, as it allows artists to purchase materials, and cover their initial expenses. In order to elaborate on the price, the artist will probably list the prices of other pieces, as a point of reference.

Creative Process:

This is where the artists should detail their requirements. For example, if you want a portrait of your dog, the artist may ask you to send several clear images of the pet. Also, this is the part where you arrange how often you’ll receive visual updates, (drafts, progress photos, etc.) and in what form (high-resolution images are great for two-dimensional works, but videos are more useful for sculptures, as they show the piece from every angle).

Copyrights:

It’s important to mention that even when you purchase a piece, artists still retain legal rights to it. Most artists will want to include an image of the artwork in their portfolio or website and sometimes, artists will ask to borrow their art pieces for an exhibition. If there’s a reason why you don’t want the art piece to be featured on their website (for example because it’s a very private portrait of your loved one or a portrait of your house) make sure to state that in the contract.

Shipping Strategy:

Now that you have an artwork completed, you need to get it delivered. It is important to explore shipping options and ensure that the artwork you ordered arrives safely on its location. In this part of the contract, you’ll see who is arranging the shipment: the client, or the commissioned artist. If you are ordering an art piece from another country, you will likely have to pay taxes, customs charges, import duty, and VAT, which will increase the price of the commission.

Since shipping can be complicated, it might be better to leave it to the artists or their gallery. Most galleries are knowledgeable about shipping options and additional costs, and will be more than happy to take care of all shipping arrangements.

Timeline:

The timeline should contain time estimates for every part of the creation process. It should include a payment schedule, deadlines for drafts and compositional previews, (and their approval­), and the time needed to complete and deliver the work.

Source: Artacacia.com

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