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Do’s and Don’ts of Commissioning an Artwork in Miami

Big Bang Mirror
Big Bang Mirror
Big-Bang-Mirror

Do’s and Don’ts of Commissioning an Artwork Sought Florida

You’ve created a vision for a work of art that you want, or you’ve found an artist that fits perfect with your style. So, how do you go about asking them to create a piece specifically for you?

If you are considering commissioning a piece for the first time, it can be intimidating. But, it can also be a fun and collaborative experience!

Follow these do’s and don’ts, so you can walk away happy with your custom piece and support an artist you appreciate.

DO take care of important details in the initial contact.

Reach out to the artist to see if they are taking commissions and will accept the type of work you would like done. Many artists can be contacted by email or a gallery can help make the connection for you.

You never get a second chance to make a first impression. So, make the initial contact a pleasant one. Let the artist know why specifically you would like them to make the piece.

What is it about their work that intrigued you? Prepare yourself to answer these questions artists might be ready to ask you when considering accepting your project.

DON’T assume that every artist will want to accept your request.

And don’t wait until the work has started to discuss important details. There are many reasons an artist may turn down an offer. Some artists have had awful experiences with commissions in the past, are currently working on other projects, or they may feel they are not a good fit for your project. It may put an artist’s mind at ease if you ask about the medium’s they can use, price and timeline upfront.

DO provide the artist with as many details about the piece you want as possible.

They will need to know what materials will be needed to produce the piece you want. Providing reference images is a great way to communicate with them about what you are looking for.

If the piece will be for a certain area of your home, provide the artist with an idea of the style so they can understand how this piece with fits with your aesthetic.

DON’T be vague about what you want or expect the artist to know exactly what you will like.

If the artist accepts to work on the proposed piece without a clear idea of what you want, there is a good chance you might not be happy with the end result.

DO expect a contract. Or, be prepared to make one.

You should have a contract in place between you and the artist before work begins. The contract should include the price, with all applicable expenses associated with creating the piece, and payment terms. Many artists will also ask for fifty-percent up front or some sort of deposit.

The contract should also include a timeline detailing when certain aspects of the work will be completed so that you know when to check in with them. The timeline should also include the date of completion and approval process. The contract will also be the place to include what rights you and the artist have for using the work.

Think & Wonder Ink provides a great example of what the contract between you and an artist would look like.

DON’T assume that terms, price, and timelines will work themselves out or develop along the way.

A formal contract keeps the process of commissioning an artwork as professional as possible by setting clear expectations for the project.

DO communicate and have fun while working on a commissioned piece.

Keep in touch with the artist to make sure the project is staying within the timeline. Also, see if they need anything from you. Do they need more reference images or materials? By communicating clearly any concerns or questions to the artist you can both put doubts aside and be excited about the project.

DON’T lose contact with the artist.

Do not wait until the piece is close to being finished before you check in. If the artist is on the wrong track, big revisions could be expensive, timely, and compromise your relationship with the artist. Most artists will expect you to be reaching out and communicating pretty often — it should be part of the process.

Everyone appreciates recognition and praise for their work. Commissioning a work of art can be great for both collectors and artists, if it is done right. As a collector, it is your chance to be a part of the creative process and bring to life something that you will connect with forever. For artists, it’s a chance to build lasting relationships with collectors and stretch their creative boundaries. 

Not sure where to search for artists who might commission pieces you like? Artwork Archive’s Discovery pages are a great way to find artists who would love to hear from you.

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Pérez Art Museum Miami

ARTBURST

ABOUT ARTBURST

Artburst is a multi-media platform covering the arts in Miami-Dade

Artburst works with some of the best art journalists in South Florida writing reviews, features and articles covering our vibrant cultural community. We partner with some of the top video producers to create multi-media content. Make Artburst your one stop source for dance, music, theater and independent film coverage. In addition we promote the arts and arts journalism through social media. The arts are a major force in Miami-Dade with an economic impact of 1.4 billion dollars. Over 16 million people attended an arts event, museum or performance last year. With over 1,000 arts organizations the opportunities for endless. Follow us @artburstmiami to get all the inside scoop and engage with our dynamic arts ecosystem.

Artburst is a program of the Arts & Business Council of Miami with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Image result for department of cultural affairs miami logo
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Pérez Art Museum Miami

Miami Emerging Arts Leaders

blue
blue

Miami Emerging Arts Leaders – Public Speaking WorkshopMay 21, 2021

Up Your Speaking Game to Attract New Opportunities and Build Relationships

Thursday, May 27, 2021 at 9:30 – 11:00 AM

Virtual Event via Zoom

Join the Miami Emerging Arts Leaders and renowned executive coach Anne Freedman, CEO of Speakout, Inc., for a free workshop on polishing your communication skills. With more than two decades of experience as a speechwriter, journalist, and professional speech coach, she will shed light on the art of crafting an  effective message and how to deliver it with impact and style. Get ready to improve your performance prowess!

Why are so many people uncomfortable and often ineffective speaking in front of a group?
Are you frustrated that your presentations or speeches do not generate the results you expected?
Do your internal meetings produce stress instead of productivity?
When you or your team members network, are you making the right connections or losing opportunities for new business?

To register,  please click here by Wednesday, May 26th at 5 PM.

Free event; Registration closes May 26, 2021 at 5 PM; Zoom link will be emailed prior to the meeting. Workshop participants will be on camera.

Hosted by the Miami Emerging Arts Leaders is an initiative of the Miami-Dade County Department of Cultural Affairs to identify and cultivate the next generation of arts leaders in our community. Modeled after a successful emerging leader program initiated in 1999 by Americans for the Arts, the nation’s leading nonprofit organization for advancing the arts in America, the Miami Emerging Arts Leaders provides networking and resource sharing opportunities to encourage diverse, young/new arts administrators to explore professional development issues and opportunities. Find out about upcoming events by subscribing to the email newsletter: www.miamidadearts.org.

About Anne B. Freedman, CEO, Speakout, Inc. /305-733-4054/ [email protected]
After working as a news reporter and covering many speeches that were often boring and ineffective, Anne Freedman, became a speechwriter for local business and community leaders. She quickly realized that how the words were spoken aloud – the delivery — was just as important as the writing. Anne founded her presenta tion training business, Speakout, Inc., in Miami in 1990 with a focus on both crafting the message and deliver ing it with impact and style, helping improve skills and performance for multinationals, executives, salespeople, entrepreneurs, startups, and nonprofits. She also conducts team building programs using personalized assessments and team reports that help leaders and their teams to get better results and reduce conflict. A journalism graduate of the University of Florida, she’s the author of Public Speaking for the Genius, and developer of the eCourse, Speak Your Way to the Top, along with a collection of rapid learning ebooks and videos. Active in her community, Anne is past president of the local chapter of the National Association of Women Business Owners and currently serves on the International Task Force. She’s on the Advisory Board of Enterprising Women Magazine, on the Women’s Leadership Committee of the Florida International Banker’s Association and a member of OWIT Miami, and involved in other business and community organizations.

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Pérez Art Museum Miami

Check here for the latest updates on Coconut Grove Playhouse:

Swastika-1 REPRODUCTION CANVAS PRINTS
Swastika-1 REPRODUCTION CANVAS PRINTS

Check here for the latest updates on Coconut Grove Playhouse:
       2021
• October 4, 2021 – Community Meeting
• September 21, 2021 – Coconut Grove Playhouse Community Meeting – October 4th via Zoom
• September 10, 2021 – Filings Completed for Court Appeal
• August 12, 2021 – Miami-Dade County Files Response to the City of Miami Petition
• July 9, 2021 – Miami Herald Publishes Coconut Grove Playhouse Editorial
• July 7, 2021 – Miami Herald Op Ed by Commissioner Raquel Regalado
• July 7, 2021 – City of Miami Appeals and Miami-Dade County Files Cross Petition
• June 4, 2021 –  Court Ruling Denying the City’s Request for a Rehearing
• May 21, 2021 – The City of Miami Files a Request for a Judicial Rehearing
• April 9, 2021 –  Court Victory Advances the Coconut Grove Playhouse Project 

2020
• December 24, 2020 – Miami-Dade County Wins Court Appeal
• November 12, 2020 – The County’s Response
• October 27, 2020 – The County’s Appeal and the City of Miami’s Response
• August 25, 2020 – County Appeal to the Third District Court
• June 19, 2020 –  County Appeal Oral Arguments Heard
• April 23, 2020 –  New Court Date Set for County Appeal
• February 4, 2020 – Court Date for County Appeal
       2019
• September 30, 2019 – Mayor Carlos Gimenez Issues Playhouse Update
• August 28, 2019 – Update on County Judicial Appeal
• June 21, 2019 – Miami-Dade County Appeals the City Mayor’s Playhouse Veto and Advances the Playhouse Project
• May 24, 2019 – Miami-Dade County Remains Committed to Moving Forward with Coconut Grove Playhouse Project
• May 20, 2019 – Coconut Grove Playhouse – One More Critical Meeting (Really)
• May 17, 2019 – Mayor Carlos Gimenez Reaffirms the County’s Commitment to the Coconut Grove Playhouse Project
• May 9, 2019 – City Commission Approves the County-FIU Playhouse Project!
• May 7, 2019 – Please Show Your Support! Coconut Grove Playhouse Special Meeting this Wednesday, May 8th at 9 AM
• April 26, 2019 – Coconut Grove Playhouse Special Meeting to be Held on May 8th at 9 AM
• April 24, 2019 – The Latest on the Coconut Grove Playhouse Project
• April 19, 2019 – We Need Your Help: The Deciding Moment for the Coconut Grove Playhouse Project
• March 13, 2019 – A Deciding Step for the Coconut Grove Playhouse Project
• March 6, 2019 – City of Miami Historic and Environmental Preservation Board (HEPB) Vote
• March 1, 2019 – The Real Story on the Renovation of the Playhouse – OpEd
• February 6, 2019 – Coconut Grove Playhouse Item Rescheduled by the City of Miami Historic and Environmental Preservation Board (HEPB)
• Feburary 1, 2019 – Please Show Your Support: Upcoming Coconut Grove Playhouse Item at the City of Miami Historic and Environmental Preservation Board (HEPB)
• January 25, 2019 –  Dade Heritage Trust Votes to Support the County-FIU Plan for the Coconut Grove Playhouse  
       2018
• December 13, 2018 – Miami-Dade County Wins Court Appeal on Coconut Grove Playhouse
• December 4, 2018 – Knight Foundation awards a significant $2 million major gift to the Miami-Dade County Department of Cultural Affairs for the Coconut Grove Playhouse project
• November 14, 2018 – Coconut Grove Playhouse Project is Approved by the City’s Planning, Zoning and Appeals Board
• October 31, 2018 – Coconut Grove Playhouse Appeal
• October 9, 2018 – County Commission Approved an Agreement for Playhouse Parking Garage
• September 12, 2018 – News, Rumors and the Facts
• August 20, 2018 – The Facts About the Pending National Register Application
• July 6, 2018 – Updates to Frequently Asked Questions
• March 13, 2018 – GableStage Completes Updated Business and Transition Plan
• February 6, 2018 – Results of the Public Opinion Research on the Playhouse
       2017
• December 18, 2017 Coconut Grove Playhouse – Interim Update: Historic Preservation Appeal
• December 7, 2017 – Coconut Grove Playhouse Historic Preservation Appeal
• December 4, 2017 – Coconut Grove Playhouse Progress Report and FAQs
• October 24, 2017 – October 19th Town Meeting on the Coconut Grove Playhouse Project
• October 20, 2017 – Coconut Grove Playhouse Historic Preservation Appeal
• October 16, 2017 – Background Information for the Town Meeting on October 19, 2017
• October 6, 2017 – RSVP here: Town Hall Meeting: Coconut Grove Playhouse – Thursday, October 19, 2017
• September 20, 2017 – Coconut Grove Playhouse Update – Hurricane Irma
• April 10, 2017 – City of Miami Historic and Environmental Preservation Board Approves Playhouse Master Plan Concept
• March 20, 2017 – Another Key Playhouse Milestone – Review by the City of Miami Historic and Environmental Preservation Board – Tuesday, April 4, 3 PM
       2016
• December 12, 2016 – December 8th Town Meeting on the Coconut Grove Playhouse Proposed Masterplan
• December 2, 2016 – Progress on Returning Great Theater to the Coconut Grove Playhouse – Background Information for Town Hall Meeting
• November 28, 2016 – Town Hall Meeting: Coconut Grove Playhouse – Thursday, December 8, 2016
• July 19, 2016 – Continued Progress on the Coconut Grove Playhouse Project
• May 10, 2016 – Site Master Planning Work About to Begin for the Coconut Grove Playhouse 
• February 22, 2016 – Phase 1 Work Progresses on the Coconut Grove Playhouse
         2015
• September 22, 2015 – Work Under Way at Coconut Grove PlayhouseWork Underway on the Coconut Grove Playhouse
• Work Underway on the Coconut Grove PlayhouseWork Underway on the Coconut Grove PlayhouseWork Underway on the Coconut Grove Playhouse
• Work Underway on the Coconut Grove Playhouse
• Work Underway on the CocoWork Underway on the Coconut Grove PlayhouseWork Underway on the Coconut Grove Playhouse
• April 21, 2015 – County Commission Approves Playhouse Items
• April 16, 2015 – Upcoming County Commission Action
• March 13, 2015 – Theater on Track to Return to the Grove
• March 10, 2015 – Response to Proposed Memorandum of Understanding (MOU)
• March 6, 2015 – Commission’s Economic Prosperity Committee Discusses Coconut Grove Playhouse
• February 3, 2015 – Coconut Grove Playhouse Update

Miami-Dade County and its partner Florida International University (FIU) entered into a long-term lease agreement with the State of Florida in 2014 to bring great theater back the Coconut Grove Playhouse. The County approved $21.6 million for the project and authorized an agreement for architectural and engineering services with an outstanding team, led by Arquitectonica and including noted historic preservation architect Jorge Hernandez, renowned theater consultants Fisher Dachs Associates, and expert cost consultants, Venue, a firm specializing in capital cost estimates for theaters. The resulting project is an elegant campus with the historic front building on Main Highway restored faithfully to its 1927 design, a new, state-of-the-art 300-seat theater that incorporates the remaining historic elements of the original theater (e.g., the double proscenium arch, Solomonic columns, etc.), a garage with its facades attractively lined with offices facing Main Highway and the residential neighborhood to the north, and plazas, promenades, lush landscaping and a pocket park. As designed, the Coconut Grove Playhouse pays homage to its architectural heritage and respects the pedestrian nature and village scale of the Grove. The facts on the Coconut Grove Playhouse project are available below.

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Pérez Art Museum Miami

Kenia Basilis

Portada libro VIVE A TIEMPO EN PANDEMIA de KENIA BASILIS
Portada libro VIVE A TIEMPO EN PANDEMIA de KENIA BASILIS

La comunicadora Kenia Basilis enseña a hacer un proyecto de vida en pandemia

El libro de Kenia Basilis es de gran actualidad y utilidad. “Vive a tiempo en pandemia” es una guía de consejos para triunfar en la vida. El libro se encuentra disponible desde el 15 de enero de 2022 en Amazon y otras plataformas digitales. En realidad, “Vive a tiempo en pandemia” es la segunda edición del libro “Vive a tiempo”, que recopila técnicas para ser más productivo, expandiendo la mente, documentándose y diseñando metas. “Vive a tiempo en pandemia” mantiene la base de “Vive a tiempo”, publicado en 2019, pero contiene agregados que sirven para desarrollarse en el cambiante mundo de estos días. Kenia Basilis es una presentadora televisiva, comunicadora, conferencista y emprendedora domínico-americana. Sus enseñanzas se basan en su “Método del manejo del tiempo”, distinguido por la UNESCO. ”Los latinos somos talentosos y esforzados, pero las estadísticas marcan que nos cuesta organizar nuestro tiempo”, manifiesta Kenia, que emigró a Miami en 1991. Luego fue reportera de “Primer Impacto”, de Univision, entre otras labores televisivas. Desde el 2006 vive en Washington DC, brillando en radio y televisión. Presenta el programa “Tu Guia”, del canal Telemundo 44, transmitido en Maryland DC y Virginia a las 6 pm, y Latina TV, de República Dominicana. También ofrece conferencias motivacionales.

Más información en www.basilisempire.com

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Pérez Art Museum Miami

ALEJANDRO OTERO

ALEJANDRO OTERO sculpture
ALEJANDRO OTERO sculpture

ALEJANDRO OTERO b.1921, d.1990 VENEZUELA

Created between 1955 and 1960, Alejandro Otero’s color-rhythms are the consummated result of the artist’s explorations in the field of abstraction. Color-rhythm 34 is one of the ninety pieces that form this series, which is subdivided into eighty-four colorrhythms and six color-rhythms in motion. These works stemmed from a dialogue between Otero and the work of Mondrian in 1951. He created the color-rhythms by applying duco using an air gun or paint roller on enlarged rectangular plywood or Plexiglas bases. They are vertical or horizontal, but all of them follow the same pattern: a base structure comprised of regular intervals of dark stripes on a white background, inside which the artist evenly placed a series of geometric and colored planes—generally using primary colors. These geometric planes vary in number, size, shape, and frequency, and, by being inserted between the vertical stripes, activate the composition both in terms of color and rhythm. Hence the name color-rhythms. However, there seems to be something else. Just like in the work of Mondrian, Otero’s color-rhythms give the viewer a glimpse of his philosophical rumination. The structure in the background, with its regular stripes and well-defined contours, achieved through the use of adhesive tape, has a function similar to that of a musical score sheet or the lines in a notebook. It represents a sort of universal, objective, preordained, and immutable order. Meanwhile, the colored planes represent particular and subjective accidents, whose character is essentially expressive. Therefore, each color-rhythms ends up being a different colored song, written on the same musical score sheet. Venezuelan artist Alejandro Otero studied at the Escuela de Artes Plásticas in Caracas and broke through as an artist exhibiting realistic paintings at national salons in the early forties. However, a long stay in Paris (1945-1952) led him away from mimetic representations. A first stage (1946-1948) consisted of a series of variations on static subjects, such as coffeepots and chandeliers, combined with a gestural and colorful lyricism, structured with angular black lines. Exhibited at the Museo de Bellas Artes in Caracas in 1949, the works were controversial, but earned him a prominent place in Venezuela’s progressive movement. Nevertheless, after his return to Paris in 1950, he veered toward a more radical abstractionism. That same year, along with other fellow countrymen living in France, he formed Los Disidentes, a group that attacked Venezuelan artistic conservatism and promoted geometric abstraction. It was during that time that the influence of Piet Mondrian started to emerge, whose work he studied on a trip to the Netherlands in 1951. From then on, all of Otero’s work in the fifties conversed with the work of Mondrian: Líneas de color sobre fondo blanco (1951) and Collages ortogonales (1951-1952), both of which explore the optical and dynamic effects of line and color through the interweaving of paper strips of different colors; the murals and stained glass pieces he created for the project of Ciudad Universitaria de Caracas commissioned by Carlos Raúl Villanueva; and the celebrated color-rhythms he produced between 1955 and 1960 after becoming disappointed with the possibility of effective integration of architects and artists. It was through his color-rhythms that he gained international recognition. With those pieces he was included in the collection of the Museum of Modern Art in 1956, receiving the National Prize for painting at the Salón Nacional Venezolano in 1959, and an honorable mention at that year’s São Paulo Biennale. Between 1960 and 1964, he returned to Paris looking to explore new areas of his work. He experimented with collages, assemblage, and found objects. In the seventies, he began creating public outdoor sculptures in Latin America, the United States, and Europe. In 1971 he obtained a Guggenheim Fellowship and spent a season as a visiting artist at MIT.

Photo: Guillermo Ramos Flamerich

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Pérez Art Museum Miami

GEOMETRY, COLOR & RHYTHM

GEOMETRY, COLOR & RHYTHM,
GEOMETRY, COLOR & RHYTHM,

MITTE PROJECTS REVEALS “GEOMETRY, COLOR & RHYTHM” EXHIBITION
IN PINECREST

GEOMETRY, COLOR & RHYTHM,
GEOMETRY, COLOR & RHYTHM


New Multidisciplinary Art Show Now on View at MITTE PROJECTS new gallery space in Pinecrest.


MIAMI, FL (January, 2022) – Mitte Projects is pleased to announce the opening of GEOMETRY, COLOR & RHYTHM, a multidisciplinary exhibition featuring a selection of artwork featuring local and international artists. Geometry, Color & Rhythm is a group exhibition showcasing works in an array of alluring mediums. Creased pigmented canvases, reflective metallic surfaces splashed with a rainbow of colors, sharp edged shapes drafted on canvas reminiscing the art that flourished at the end of the Greek Dark Ages, and gestural strokes of paint in larger than life surfaces.
Featured Artists: Derek Hunter, Fernando Cuetara, Hallie Hart, Iliana Scheggia, Johnny Robles, Juan Gerstl, Martin Schoffel, Maritza De Quesada, Ramon Aular, Christopher Pacillo and Patricia Schnall-Gutierrez.
The exhibition marks the inauguration of our new space at 8701 SW 132nd Street in Miami. The exhibition will run through February 14, 2022. To stay up to date on the latest news and happenings, follow Mitte Projects on Instagram @mitteprojects.


ABOUT MITTE PROJECTS
Mitte Projects is a Contemporary art platform dedicated to site specific projects, experimentation, and experiential art. Our mission is to support and cultivate the careers of an international roster of visionary and emerging artists by providing a platform to showcase their work and dedicate to creativity and experimentation. The concept of Mitte Projects was born out of a strive to create exhibitions that will be remembered by exploring and experimenting in unexpected locations with ideas that open our minds to see the world while educating and giving back to communities around the world.

Geometry, Color & Rhythm
Geometry, Color & Rhythm

Statement

A group exhibition showcasing works in an array of alluring mediums. Creased pigmented canvases, reflective metallic surfaces splashed with a rainbow of colors and sharp edged shapes drafted on canvas


CONTACT
Mitte Projects
8701 SW 132nd Street Miami, FL 33176 305.898.9883 | [email protected]

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Pérez Art Museum Miami

39TH MIAMI FILM FESTIVAL

39TH MIAMI FILM FESTIVAL
39TH MIAMI FILM FESTIVAL

39TH MIAMI FILM FESTIVAL CELEBRATES RETURN OF KNIGHT HEROES 

WITH NEW IF/THEN SHORTS PARTNERSHIP 

IN SUPPORT OF SOUTH FLORIDA FILMMAKERS

Local filmmakers encouraged to submit their ideas for the

Short Documentary Development Funding & Consultation program from Jan. 10-24, 2022

MIAMI (January 6, 2022) – Announcing a new direction for its popular Knight Heroes program, Miami-Dade College’s acclaimed 39th annual Miami Film Festival is proud to launch a new partnership with Field of Vision’s IF/Then Shorts initiative, a fund and mentorship program for short documentary filmmakers. This inaugural collaboration will provide grants and direct mentorship to eight local filmmakers, along with a major panel focused on both narrative and documentary short-form series development that will be open to the entire community. The deadline to submit applications is 11:59 p.m. on Monday, Jan. 24, 2022.

“Since its inception in 2019, Miami Film Festival’s Knight Heroes program has inspired confidence in South Florida film creatives to find personal paths to realize their own cinematic visions,” said Jaie Laplante, Miami Film Festival’s executive director & co-director of programming. “With the support of Knight Foundation, we are thrilled to take this program to a new place of resonance by collaborating with the celebrated experts at IF/Then Shorts.”

Now in its fourth edition, Knight Heroes is funded by the John S. and James L. Knight Foundation, where bright and bold filmmakers share their insights, observations, and advice about their creative paths and future outlooks through conversations about their own creative heroes. Last year’s edition featured filmmaker Radha Blank (The Forty-Year Version) with her inspiration Gina Prince-Bythewood (Beyond the LightsThe Old Guard) and filmmaker/actress Amy Seimetz (She Dies Tomorrow) accompanied by producer Adele Romanski (MoonlightNever Really Sometimes Always).  

The 2022 Knight Heroes program consists of two parts:

●      Open Call for Short Documentary Development Funding & Consultation program applications – South Florida filmmakers are invited to submit their short documentary project ideas for development funding and expert consultation on a wide range of topics at miamifilmfestival.com/knightheroes2022. IF/Then Shorts Co-Directors Caitlin Mae Burke and Merrill Sterritt will select eight filmmaker projects to receive a development grant of $500 each from the Knight Heroes program. The winners will be announced in mid-February. Additionally, each filmmaker will receive a one-hour consultation with a distinguished expert in the field on industry tropics tailored to their specific areas of interest. 

This program is open to filmmakers living and working in the South Florida counties of Miami-Dade, Broward, Palm Beach and Monroe. Online applications open at 10am on Monday, Jan. 10 and close at 11:59 pm on Monday, Jan. 24, 2022. For more information on how to apply, visit miamifilmfestival.com/knightheroes2022.

●      “Scaling a Short Film into a Short Form Series” Festival Panel – On Saturday, Mar. 5 at the JW Marriott Marquis Hotel in Downtown Miami, Miami Film Festival will host a public 120-minute panel that is open to the entire South Florida film community. The theme of the panel is “Scaling a Short Film into a Short Form Series” with panelists to discuss their expertise in development, acquisition/streaming and short film or short form series filmmaking. Panelists will share what they look for in series pitches (scripted and non-fiction), how they program standalone shorts for their platforms and answer questions from the audience. A happy hour event for filmmakers and registered guests of the Miami Film Festival 2022 will follow. COVID safety protocols in accordance with CDC and Miami-Dade County guidelines for event gatherings will apply and be enforced.

“We’re so grateful that the Miami Film Festival and Knight Foundation recognize the value in supporting regional documentary shorts,” said Merrill Sterritt, Co-Director of IF/Then Shorts. “The Knight Heroes program has created an exciting opportunity for IF/Then Shorts to deepen our longstanding work in the South by connecting with and supporting South Florida filmmakers. As we further our commitment to regional and community-inspired filmmaking, we can’t wait to hear what stories these filmmakers want to tell and how we can be helpful collaborators.”

The 10-day Miami Film Festival is scheduled to take place March 4-13, 2022. For updates, visit miamifilmfestival.com and follow @MiamiFilmFestival on Facebook, @MiamiFilm on Instagram and @MiamiFilmFest on Twitter. #MiamiFF

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About Miami Dade College’s Miami Film Festival   

      Miami Film Festival is an international film event that serves as a major film showcase for world cinema. Considered the preeminent film festival for highlighting Ibero-American cinema in the U.S, Miami Film Festival has become renowned for championing films made by the South Florida community, first-time feature filmmakers, and International Feature Film submissions to the Academy Awards. The annual Festival, produced and presented by Miami Dade College, attracts more than 60,000 audience members and more than 400 filmmakers, producers, talent, and industry professionals. Since 1984, the Festival has screened over 2,500 films from more than 75 countries and given out more than $2 million USD in cash awards to filmmakers and distributors. Miami Film Festival is the oldest major festival housed in a university or college and also operates a year-round art cinema, Tower Theater Miami and Miami Film Festival GEMS in November. For more information, visit miamifilmfestival.com or call 305-237-FILM (3456). 

About the John S. and James L. Knight Foundation


Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy. For more information, visit knightfoundation.org.

About IF/Then Shorts

Launched in 2017 with support from the John D. and Catherine T. MacArthur Foundation, IF/Then Shorts is a fund and mentorship program at Field of Vision that supports storytellers in breaking barriers to access, exposure, and sustainability in both documentary film and the larger media ecosystem. A program of Field of Vision at First Look Institute, IF/Then works with creators who experience inequity based on factors such as race, gender, class, sexuality, ability, ethnicity, age, citizenship, and/or geography. Since its founding, IF/Then has supported 65+ U.S. and international short documentary films, many of which have achieved prestigious festival premieres, awards, and extensive media broadcasts on The New York Times Op-Docs, Al Jazeera English, PBS Reel South, POV Shorts, Cathay Pacific Airlines, Netflix, and more. In addition to founding support from the MacArthur Foundation, IF/Then is supported by The Redford Center, Kalliopeia Foundation, and Hulu, and has partnered with a diverse network of philanthropic funders and distribution partners including the Surdna Foundation, National Endowment for the Arts, ESPN Films, RYOT Films, and others. 

About First Look Institute

First Look Institute (FLI) is committed to fearless reporting, bold storytelling, and speaking truth to power: essential elements of a healthy democracy and vibrant culture. Since its founding in 2013, FLI has spared no effort to create a more informed, engaged, and responsive public. We expose injustice, invest in diverse and innovative filmmakers and journalists, and defend those who cannot defend themselves. FLI is home to The Intercept, producing fearless, adversarial journalism that holds authority accountable; Field of Vision, a filmmaker-driven documentary unit that pushes the boundaries of nonfiction filmmaking; and Press Freedom Defense Fund, which assists journalists and whistleblowers who challenge press freedom restrictions, providing them with financial and legal support wherever a substantial public interest is at stake. First Look Institute is a 501(c)(3) nonprofit organization.

Perez Art Museum PAMM
Pérez Art Museum Miami

ARTISTA PLÁSTICO ECUATORIANO EDDIE MOSLER

EDDIE MOSLER
EDDIE MOSLER

EL ARTISTA PLÁSTICO ECUATORIANO EDDIE MOSLER LE REGALARÁ UNA PIRÁMIDE ÁURICA A CADA PAÍS  

Busca conectar la frecuencia áurica a todo el planeta y ayudar en la sanación integral de sus habitantes



Miami, FL. 9 de enero de 2022. Eddie Mosler, artista plástico ecuatoriano de reconocida trayectoria, ha manifestado el deseo de regalarle una pirámide áurica a cada nación para conectar la frecuencia áurica a todo el planeta por medio de la pirámide verde de sanación, conexión y verdad; “ésta pirámide es la que conecta el plano terrenal con el plano astral de luz”, expresó.

Mosler explicó que al hablar de beneficios, aparte del antes mencionado, el hecho de tener una pirámide áurica verde constituye un registro astral para el país. “Ayuda en la sanación integral y permite a la población incorporar esa vibración autorizada de sanación astral, obteniendo mejoría tanto física como energética, lo cual se refleja en el bienestar y evolución del país”, agregó.

“La pirámide representa una trilogía en la cual están presentes la conexión (arriba), el origen (izquierda) y la creación (derecha), donde su punta superior nos enseña el camino a la evolución; por lo tanto, conecta directamente con  el astral de luz, siempre a lo más elevado. Las pirámides áuricas verdes son un portal hacia la sanación porque el diseño está autorizado por el espíritu del oro y está disponible para toda la humanidad sin ningún tipo de restricción”, argumentó Mosler.

El artista explicó que la clasificación cromática de las pirámides es de nueve colores áuricos, azul, amarillo, rosado, blanco, verde, naranja, violeta, plateado y dorado; cada pirámide ofrece una propiedad diferente como protección, abundancia, paz, sabiduría y amor, entre otras.

 La Pirámide Áurica Verde, representa conexión, salud y verdad; atrae transparencia, honestidad y certeza, permitiendo al  país  desarrollarse  con  un enfoque en lo correcto, creando para todos estructuras de evolución siempre enfocadas en la luz. El verde es el quinto color en la clasificación de las pirámides; al ser la pirámide que permite la conexión con la frecuencia áurica es la más importante, por lo tanto debe ser la primera en  ser adquirida por el país.

“Mi inspiración definitivamente es la sanación del planeta. Las pirámides áuricas son un portal directo hacia la sanación del ser y la conexión con la frecuencia áurica. Para su diseño me conecto con el plano astral de ese país lo cual me permite trabajar potencializando sus cualidades y ayudando en sus necesidades en este ámbito específico”, manifestó Mosler.

El resultado esperado es que cada país tenga la pirámide verde para dar inicio a la incorporación de la frecuencia áurica y así expandir la sanación. Mientras más países tengan la pirámide áurica verde se acelerará la conexión con la frecuencia áurica en todo el planeta. La frecuencia áurica es el movimiento de los nueve colores  bajo  la  autorización  del  espíritu  del  oro  para  la expansión de la conciencia y para la evolución de toda la humanidad.

“Todas las obras que realizo dentro de la estructura de las pirámides áuricas pertenecen a la colección que posee el mismo nombre. El 27 de septiembre de 2020 realicé el lanzamiento de la colección “Pirámides Áuricas” en una Ceremonia de Oro por la sanación Mundial, evento realizado en el Monumento de la Mitad del Mundo en Ecuador para todo  el  planeta; allí  di  a  conocer  las  propiedades  y  los  beneficios  de  las  pirámides  en  los procesos de sanación y conexión con el universo”, comentó.

Para  que  una  nación  obtenga  la  pirámide  lo  importante  es  que  sea  solicitada  por  un  representante  del gobierno de cada país. Las pirámides serán entregadas según el orden de solicitud de los países. Finalmente, Mosler expresó que su mensaje para la humanidad es que siempre esté conectada con la luz y con el eterno presente, que expandamos esa luz en el planeta tierra para que se incorpore la frecuencia áurica y retorne la sanación en todos y cada uno de sus habitantes.

Para más información visite: https://www.eddiemosler.com

https://fb.watch/a0ko_8l9SW/

Sigue a @eddiemosler

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