Home Art Miami Events English Interview with Tery Fuentes by Dr. Milagros Bello

Interview with Tery Fuentes by Dr. Milagros Bello

Tery Fuentes

“I am moved by life in all its forms—by vulnerability, transformation, and our capacity to reconstruct ourselves.” — Tery Fuentes

MILAGROS BELLO: When did painting become a professional practice for you?

TERY FUENTES: I have painted since childhood. Over time, art ceased to exist alongside family and professional life and became a central necessity—a field through which I could interrogate and transform experience. Embracing painting professionally meant articulating my own language, grounded in vulnerability, transformation, and reconstruction.

MB: What gives rise to a work?

TF: Often, the work emerges from the pictorial event itself. I do not begin with a predetermined image. Gesture, color, and matter activate associations, memories, and affects. Intuition is fundamental: I work at the threshold between intentionality and contingency, allowing accident to disrupt the painting’s anticipated course. Rather than neutralizing these occurrences, I allow them to become generative forces through which the work gradually establishes its own internal logic.

Tery Fuentes

MB: How do memory, figuration, and recurring images such as flowers enter the work?

TF: Memory does not function as autobiographical narrative, but as a shifting sediment altered by time, omission, perception, and affect. I am interested in what persists of experience—its residues, distortions, and discontinuities. Flowers operate within this unstable territory: their fragility and mutability embody transformation itself. Similarly, the figure may provide a perceptual anchor, but I allow it to fragment or dissolve until it oscillates between recognition and indeterminacy. Private experience thus moves beyond autobiography and acquires new meaning through the viewer’s encounter.

Tery Fuentes

MB: What challenge now seems decisive to your practice?

TF: To evolve without allowing a recognizable language to become formulaic. I want to radicalize the work’s material investigation while continually pressuring its assumptions and pictorial resolutions. For me, evolution means allowing a language to become recognizable without becoming predictable.

For the complete interview: www.artmiamimagazine.com
[email protected]