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Art Basel Names Bridget Finn as Director of Miami Beach Fair 2023

Bridget Finn
Bridget Finn

Art Basel Names Bridget Finn as Director of Miami Beach Fair 2023

Finn’s career encompasses work in galleries and curatorial projects. In 2017, she co-founded the gallery Reyes | Finn in her hometown of Detroit, along with Terese Reyes. However, the partners have mutually decided to wind down operations this month. During its existence, Reyes | Finn gained recognition as a gallery to watch and made notable appearances in several US art fairs, including the past two editions of Art Basel Miami Beach. Their solo presentation of artist Nikita Gale in the fair’s Positions section was even recognized as one of the best booths of the 2022 edition by ARTnews.
In an email interview with ARTnews, Finn expressed her appreciation for the significance of Art Basel Miami Beach in the creative ecosystem of the Americas. The fair holds a crucial position at the intersection of North and South America, playing an essential role in fostering connections and cultural exchange among galleries, artists, and art communities in the region and beyond.
While in Detroit, Finn launched an initiative called Art Mile Detroit to support the city’s art scene. This initiative showcased digital exhibitions from local galleries, institutions, and artist-run spaces. Additionally, she initiated Flourish, a fundraising effort that included a charity auction at Christie’s. The proceeds from this event supported research for STXBP1 disorder, a condition her daughter has.

With Finn’s extensive experience and passion for the art world, Art Basel Miami Beach looks forward to a promising future under her leadership.

Before joining Reyes, Finn held various positions in the art world. She served as the head of the contemporary art program at Mitchell-Innes & Nash, a prominent Chelsea gallery, from 2013 to 2017. Prior to that, she worked as the director of strategic planning and projects at Independent Curators International (ICI) from 2010 to 2013, where she currently serves as a board member. Additionally, she had multiple roles at Anton Kern Gallery between 2007 and 2010. Finn also co-founded Cleopatra’s, a collaborative curatorial project in Greenpoint, alongside dealers such as Bridget Donahue and Colleen Grennan. The project operated from 2008 to 2018.
Vincenzo de Bellis, Art Basel’s director of fairs and exhibition platforms, praised Finn’s leadership abilities and dedication to supporting galleries, artists, and art communities. He highlighted her extensive knowledge of the gallery ecosystem, her understanding of the North and South American art markets, and her strong art-world network across the region.
Starting with the 2024 fair, Finn will assume the role of the director of Art Basel Miami Beach. For the 2023 show, she will report to de Bellis, who will lead in the interim. The application period for this year’s fair has closed, and the full list of exhibitors will be announced in September.
Expressing her vision for the Miami Beach fair, Finn mentioned her intention to familiarize herself with the position before fully immersing herself as the Director. She expressed excitement about collaborating closely with the team and partners in Miami Beach to enhance the show’s offerings for galleries, collectors, and audiences from both local and international spheres.
The title of Finn’s position, Director of Art Basel Miami Beach, is a new role as the fair was previously overseen by Art Basel’s Americas director. Since July 2021, when Noah Horowitz left Art Basel to join Sotheby’s before returning as Art Basel’s CEO, the fair has been without a dedicated leader. This restructuring reflects a broader change in leadership at Art Basel, with each fair now having its own dedicated director, all reporting to de Bellis. The Hong Kong and Basel fairs have already named their dedicated directors—Angelle Siyang-Le and Maike Cruse, respectively. The Paris+ fair also appointed a standalone fair director, Clément Delépine, several months before its inaugural edition.
Horowitz emphasized that this new structure allows Art Basel to deliver high-quality shows in each city while being relevant to the local and regional culture. Adeline Ooi, who previously led the Hong Kong fair, will retain her position as Asia director and focus on steering Art Basel’s initiatives across the region, including the collaboration with Art Week Tokyo in November. There are currently no plans to create an Americas director position or launch a new art fair within the new structure. Horowitz reiterated Art Basel’s commitment to delivering exceptional art fairs worldwide and exploring opportunities to engage existing and new audiences with compelling value propositions.

Perez Art Museum PAMM
Pérez Art Museum Miami

Errors in art open doors to creativity

Mistakes in art open doors to creativity

Failure, sin, wrong, mistake, and slip are all terms that can be used to describe something that is not successful or does not meet expectations. However, in the context of art, these terms can have a more nuanced meaning.

Ultimately, whether or not failure, sin, wrong, mistake, or slip is seen as a positive or negative thing in art depends on the individual artist and the context in which the work is created. However, there is no doubt that these terms can be used to create powerful and challenging art.

 Do not be afraid of making mistakes in your artwork, be open to make mistakes in your artwork.

  • Failure in art can be seen as a necessary part of the creative process. When artists fail, they learn from their mistakes and grow as artists. Failure can also be seen as a way to challenge the status quo and push the boundaries of art. In the realm of art, failure is often viewed as a natural and necessary part of the creative process. Artists frequently experiment, take risks, and push boundaries, and not every endeavor will result in success. Failure can be seen as an opportunity for growth, learning, and self-discovery. It allows artists to explore new techniques, perspectives, and ideas, ultimately leading to personal and artistic development. Embracing failure in art can foster resilience, innovation, and the ability to adapt and evolve as an artist.
  • Sin in art can be seen as a way to explore taboo subjects or challenge religious or social norms. Sin can also be seen as a way to express the artist’s own personal struggles or demons. The concept of sin is often associated with religious and moral frameworks, and its interpretation in art can vary depending on cultural and individual perspectives. Throughout history, artists have explored themes related to sin, morality, and spirituality, often using their artistic expression as a means to reflect and provoke discussions about ethical dilemmas, social issues, and human nature. Art can challenge societal norms and confront taboos, sparking conversations that delve into the complexities of sin and its consequences. It serves as a platform to explore the moral dimensions of human existence and offers viewers an opportunity for introspection and reflection.
  • Wrong in art can be seen as a way to question the accepted standards of beauty or taste. Wrong can also be seen as a way to create something that is deliberately provocative or unsettling. The notion of “wrong” in art can be subjective and elusive. Artistic expression is deeply personal and can diverge from societal conventions and expectations. What may be considered “wrong” by some individuals or within certain cultural contexts can be seen as innovative, thought-provoking, or even revolutionary by others. Artists often push boundaries, challenge traditional notions, and disrupt established norms, inviting viewers to question their preconceptions and explore alternative perspectives. The idea of “wrong” in art can be a catalyst for critical thinking, sparking discussions, and expanding the boundaries of creativity and expression.
  • Mistake in art can be seen as a way to add an element of surprise or humor. Mistake can also be seen as a way to show the artist’s vulnerability or humanity. Mistakes in art can be transformative and serve as opportunities for unforeseen discoveries. Sometimes, what might initially be perceived as an error or a deviation from the intended outcome can lead to novel artistic directions, innovative techniques, and unexpected artistic breakthroughs. Artists often embrace mistakes as valuable learning experiences, allowing them to experiment, adapt, and grow. The ability to embrace and learn from mistakes fosters resilience, flexibility, and creative problem-solving, ultimately contributing to the evolution of an artist’s practice.
  • Slip in art can be seen as a way to create something that is accidental or unplanned. Slip can also be seen as a way to capture the beauty of imperfection. In the context of art, a “slip” can refer to an accidental or unintended mark or gesture made by the artist. It can occur while applying paint, drawing, sculpting, or engaging in any other artistic medium. Slips can sometimes be seen as happy accidents that add an element of spontaneity, texture, or visual interest to the artwork. Artists may choose to incorporate slips into their creative process intentionally, recognizing their potential to create unique and captivating effects. Slips in art can also be interpreted metaphorically, representing moments of vulnerability, imperfection, or spontaneity that inject a sense of authenticity and humanity into the work.

Perez Art Museum PAMM
Pérez Art Museum Miami

Rafael Pérez Hernando Gallery

Rafael Pérez Hernando Gallery

Rafael Pérez Hernando opened its doors for the first time in the autumn of 2004 in Calle Orellana in Madrid, although its activity dates back to 1996, when a series of exhibitions were held in an initial space located in Calle Claudio Coello. These exhibitions were dedicated to Spanish painters of renowned trajectory, pointing out a specific period in their production, and paying special attention to paper as a medium. Three were the most outstanding exhibitions, each of them including a carefully produced catalogue: “Antón Lamazares (1981-83)” which took place in 1997, “Bonifacio: Works on paper (1970-90)” in 1998 and “Manuel Hernández Mompó, circa 1966” in 1999-2000.

The activity in the new space in Orellana starts with the exhibition “Joan Hernández Pijuan. Works on paper: 1987-2002” which opened in November 2004. More than 15 years have passed since then. Just as people evolve, the gallery, the artists and their works are also changing. Eclecticism and a rigorous personal selection articulate the meaning of the exhibitions. The interest in young creators coexists with the highlighting of the careers of painters with greater international recognition, such as Joan Hernández Pijuan, Giorgio Griffa, Susana Solano or Claude Viallat. Rigour and coherence are pursued in the projects, where colour, imperfection, light, emptiness and balance coexist.

Artists
ALICIA MARTÍN
ANGELA BURSON
ANNE BUCKWALTER
BEATRIZ OLANO
CLAUDE VIALLAT
FELICIDAD MORENO
FILIPPOS TSITSOPOULOS
GIORGIO GRIFFA
JOAN HERNÁNDEZ PIJUÁN
JULIÁN GIL
KEN MATSUBARA
LINA ESPINOSA
MARTA BARRENECHEA
MIGUEL ÁNGEL BARBA
OFELIA GARCÍA
POLLY SHINDLER
REGINE SCHUMANN
ROSALÍA BANET
SABINE FINKENAUER
SIMON CALLERY
SUSANA SOLANO

Partnerships
ALFONSO FRAILE
ALMUDENA LOBERA
ANA H. DEL AMO
ANTÓN LAMAZARES
BONIFACIO
BORIS HOPPEK
CATALINA MENA
CLARA CARVAJAL
EDGAR PLANS
EDUARDO VALDERREY
FEDERICO HERRERO
GONZALO CAO
JAVIER CALLEJA
JUANMI
LARAMASCOTO
LAURA RAMIS
LUIS VIOQUE
MARÍA BUENO
MARÍA GIMENO
PABLO VALLE
PATRICK SAYTOUR
SOFIA PASHAEI

ART FAIRS

ARTESANTANDER 2023
Angela Burson
15.07.2023 – 19.07.2023
Inquire

Susana Solano
ARCO Lisboa 2023
Simon Callery | Susana Solano
25.05.2023 – 28.05.2023
beatriz olano

BAD+ 2023
Beatriz Olano | Claude Viallat
04.05.2023 – 07.05.2023
rosalia banet banquete quemado2

ARCO Madrid 2023
Felicidad Moreno | Giorgio Griffa
22.02.2023 – 26.02.2023
Angela Burson

ESTAMPA Madrid 2022
Angela Burson | Anne Buckwalter
13.10.2022 – 16.10.2022
Rosalía Banet

SWAB Barcelona 2022
Rosalía Banet
06.10.2022 – 09.10.2022
Anne Buckwalter.

ARTESANTANDER 2022
Anne Buckwalter
16.07.2022 – 20.07.2022
Claude-Viallat.-2021-464,-2021

ARCO Lisboa 2022
Giorgio Griffa | Claude Viallat
19.05.2022 – 22.05.2022
Rafael Pérez Hernando @ ART PARIS 2022

ART PARIS 2022
Julián Gil | Beatriz Olano
07.04.2022 – 10.04.2022
Alicia Martín. Glass delusion. Instalación realizada con fragmentos de cristales y libros.

ARCO Madrid 2022
Alicia Martín | Edgar Plans
23.02.2022 – 27.02.2022

RPHART ESTAMPA JULIÁN GIL
ESTAMPA Madrid OCTOBER 2021
Julián Gil
21.10.2021 – 24.10.2021
Sabine Finkenauer Arte Santander

ARTESANTANDER 2021
Sabine Finkenauer
24.07.2021 – 28.07.2021

ARCO Madrid 2021
Joan Hernández Pijuán | Simon Callery
07.07.2021 – 11.07.2021

ESTAMPA Madrid APRIL 2021
Bonifacio | Antón Lamazares
08.04.2021 – 11.04.2021

ARCO Madrid 2020
Javier Calleja | Lina Espinosa
26.02.2020 – 01.03.2020

ARTISSIMA Turín 2019
Antón Lamazares | Susana Solano
01.11.2019 – 03.11.2019

ESTAMPA Madrid 2019
Beatriz Olano | Sabine Finkenauer
17.10.2019 – 20.10.2019

ARTBO Bogotá 2019
Regine Schumann | Julián Gil
19.09.2019 – 22.09.2019

ARTESANTANDER 2019
Felicidad Moreno
13.07.2019 – 17.07.2019

ARCO Madrid 2019
Claude Viallat | Giorgio Griffa
27.02.2019 – 03.03.2019

ARTBO Bogotá 2018
25.10.2018 – 28.10.2018

ESTAMPA Madrid 2018
Susana Solano | Ofelia García
18.10.2018 – 21.10.2018

SWAB Barcelona 2018
Regine Schumann | Miguel Ángel Barba
27.09.2018 – 30.09.2018

ARTESANTANDER 2018
Miguel Ángel Barba
14.07.2018 – 18.07.2018

ARCO Madrid 2018
Sabine Finkenauer | Julián Gil
21.02.2018 – 25.02.2018

ARTISSIMA Turín 2017
Joan Hernández Pijuán | Laura Ramis
02.11.2017 – 05.11.2017

ARTBO Bogotá 2017
Bonifacio | Antón Lamazares
25.10.2017 – 29.10.2017

SWAB Barcelona 2017
Sabine Finkenauer | Regine Schumann
28.09.2017 – 01.10.2017

ESTAMPA 2017
Laramascoto
21.09.2017 – 24.09.2017

ARTESANTANDER 2017
Claude Viallat
15.07.2017 – 19.07.2017

ARCO Madrid 2017
Claude Viallat
22.02.2017 – 26.02.2017

ARTISSIMA Turín 2016
Bonifacio
03.11.2016 – 06.11.2016

ARTBO Bogotá 2016
Claude Viallat | Sabine Finkenauer
26.10.2016 – 30.10.2016

SWAB Barcelona 2016
Sabine Finkenauer | Marta Barrenechea
29.09.2016 – 02.10.2016

ESTAMPA Madrid 2016
Laura Ramis
22.09.2016 – 25.09.2016

PAREIDOLIE Marsella 2016
Sabine Finkenauer
27.08.2016 – 28.08.2016

ARTESANTANDER 2016
Marta Barrenechea
16.07.2016 – 20.07.2016

ARCO Madrid 2016
Susana Solano
24.02.2016 – 28.02.2016

ARTISSIMA Turín 2015
Antón Lamazares
05.11.2015 – 08.11.2015

SWAB Barcelona 2015
Javier Calleja | María Bueno
01.10.2015 – 04.10.2015

ESTAMPA Madrid 2015
Sabine Finkenauer
24.09.2015 – 27.09.2015

ARCO Madrid 2015
Giorgio Griffa | Joan Hernández Pijuán
25.02.2015 – 01.03.2015

SWAB Barcelona // ESTAMPA Madrid 2014
Javier Calleja
02.10.2014 – 12.10.2014
Galería Rafael Pérez Hernando 2023

Perez Art Museum PAMM
Pérez Art Museum Miami

Biografía descriptiva para un artista visual

Biografía descriptiva para un artista visual

Una biografía descriptiva para un artista visual es un documento que proporciona una descripción detallada de la vida y el trabajo de dicho artista. Esta biografía se centra en destacar los aspectos relevantes de su trayectoria artística, sus logros, su estilo y en general, su contribución al campo de las artes visuales.

Una biografía descriptiva para un artista visual puede incluir información sobre su formación artística, su educación, los temas o conceptos que aborda en su obra, su estilo artístico distintivo, las técnicas que utiliza, las exposiciones en las que ha participado, los premios o reconocimientos que ha recibido, las publicaciones en las que ha sido incluido, así como cualquier otra información relevante relacionada con su carrera artística.

Es importante que esta biografía descriptiva destaque los aspectos únicos y distintivos del artista visual, resaltando su enfoque creativo, su evolución artística a lo largo del tiempo y su contribución al diálogo artístico en su campo. También puede incluir información sobre las temáticas o mensajes que busca transmitir a través de su obra, así como cualquier otro detalle que ayude a comprender y apreciar su trabajo visual.

La biografía descriptiva para un artista visual puede ser utilizada en diversos contextos, como en catálogos de exposiciones, sitios web de galerías de arte, folletos promocionales, currículums artísticos y en general, cualquier medio en el que se requiera presentar de manera completa y detallada la vida y el trabajo del artista visual.

Perez Art Museum PAMM
Pérez Art Museum Miami

CREACIÓN DEL PREMIO GEGO

Gego Artist
Gego Artist

CREACIÓN DEL PREMIO GEGO, DIRIGIDO A ARTISTAS PLÁSTICOS Y ARQUITECTOS

el Colegio de Arquitectos de Venezuela (CAV), la Fundación Colegio de Arquitectos de Venezuela (Fundacav) y la Fundación Gego, han convenido promover relaciones armónicas y alianzas de cooperación interinstitucional.

Y ya hemos dado el primer paso: la creación del Premio Gego.

Se trata de un homenaje a la reconocida artista, ingeniero y arquitecto y docente, Gertrud Goldschmidt, oriunda de Hamburgo, Alemania, quien vivió y desarrolló su fructífera y particular obra en Venezuela. Su nombre artístico es Gego, como se le reconoce, como la más destacada escultora a nivel nacional e internacional, la más importante del siglo XX en Venezuela.

El Premio GEGO está dirigido a distinguir a artistas y/o a arquitectos de reconocida y fructífera trayectoria, que hayan realizado destacados aportes u obras de valor artístico y/o arquitectónico, a nivel nacional o internacional.

Está previsto que el Premio Gego se confiera anualmente y en diferentes categorías, a saber: pintura, escultura, arte conceptual, artista joven, arquitecto promotor de la integración arte-arquitectura. El jurado que decidirá sobre los recipiendarios estará constituido por representantes de la Asociación Venezolana de Artistas Plásticos (AVAP), la Asociación Internacional de Críticos de Arte (AICA) Unesco Capitulo Venezuela, la Fundación Gego, el CAV y Fundacav.

Los firmantes del acta de creación del Premio Gego, son la Dra. Arq. Marianella Genatios por el CAV, el Arquitecto Paisajista Vicente Rosa por Fundacav y la Ing. Bárbara Gunz por la Fundación Gego.

La creación del Premio Gego marca un punto de inicio cierto que tendrá continuidad en la realización de otros aportes de beneficio para agremiados del CAV, Fundacav y miembros de la AVAP y AICA.

Junta Directiva del Colegio de Arquitectos de Venezuela, junio 2023.

COLEGIO DE ARQUITECTOS DE VENEZUELA, Sección Venezuela de:
UNIÓN INTERNACIONAL DE ARQUITECTOS U.I.A.
FEDERACION PANAMERICANA DE ASOCIACIONES DE ARQUITECTOS F.P.A.A.
REGIONAL DE ARQUITECTOS DEL GRUPO ANDINO R.A.G.A.

[email protected]

Perez Art Museum PAMM
Pérez Art Museum Miami

Julián Gil

Julián Gil, master of abstraction
Julián Gil, master of abstraction

Julián Gil, master of abstraction

“Concrete art is more than geometric painting. It is an art that doesn’t start from the outside, like figurative painting, but starts from the inside of the artist”.

Julián Gil

Born in 1939

The painter Julián Gil has worked for decades on his geometric-concrete creations. These have never lost their validity, even serving as inspiration for future generations of abstract artists.

One of the main Spanish exponents of concrete art, and still active, he began his studies in 1954 at the Escuela de Artes y Oficios in Logroño and in 1958 he continued his training at the Escuela de Bellas Artes de San Fernando in Madrid. In 1963 he began to combine his professional career with artistic teaching at the Faculty of Fine Arts of the Complutense University in Madrid, where he completed a doctorate. He was inspired by the artistic culture of the time. The 1950s can be said to have been dominated by Abstract Expressionism, a form of painting that prioritised expressive brushstrokes and expressed ideas about organic nature, spirituality and the sublime. Much of the focus was on the formal properties of painting, and ideas of action painting were conflated with the political freedom of the United States society as opposed to the strict nature of the Soviet bloc. Important artists of the Abstract Expressionist Generation included Jackson Pollock (who innovated his famed drip, splatter and pour painting techniques), Willem de Kooning, Mark Rothko, Frank Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb. It was a male dominated environment, but necessary revisionism of this period has emphasised the contributions of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois, amongst others.

He was one of the members of the “Nueva Generación” group promoted by Juan Antonio Aguirre that emerged in the sixties, along with other painters such as Gordillo, Yturralde and Asins. Starting in the 1980s, he became part of what was called the “No Group” in Madrid after the exhibition “Las ocho caras del cubo” (“The Eight Faces of the Cube”) at the Galería Ovidio, in which he participated with other prominent Spanish constructivist and concrete art proponents, such as Soledad Sevilla, Waldo Balart, Tomás García Asensio and Cruz Novillo.

His canvases are completely removed from any representation of nature, they are not even conceived as the materialization of an imagined image, but rather are built based on the use of mathematics and colour theory. Moreover, the artist’s production is made up of different series in which he takes a system or formula as a reference, developing different possible chromatic and formal variations with surprising results, thanks to an acute perception of colour and a careful analysis of forms.

His work is represented in major public and private collections at national level, and internationally he has exhibited alongside some of the great representatives of constructivism and concrete art, such as the Germans Diet Sayler, Hartmut Böhm, and Manfred Mohr, the Swiss artist Rita Ernst and the Briton John Carter.

Perez Art Museum PAMM
Pérez Art Museum Miami

Carlos Evangelista

Carlos Evangelista, master of abstraction
Carlos Evangelista, master of abstraction

Carlos Evangelista, master of abstraction

Salamanca, Spain, 1943

The work of Carlos Evangelista exploits the modularity of Minimal Art, both in painting and sculpture, taking advantage of the presence of monochrome colors, creating unprecedented articulations of three-dimensional geometric figures of concrete abstract appearance.

Carlos Evangelista is a Spanish Postwar & Contemporary painter who was born in 1943. Carlos Evangelista’s work has been offered at auction multiple times.

Painter and sculptor. His work is written within the geometric Abstraction marked by expressive elements coming from Constructivism. Throughout his career, he has maintained a vocation for experimentation with different materials in his sculptural works such as aluminum, wood, and steel. In these sculptures, color is replaced by the omnipresence of space and the displacements of the planes. While in painting oil on wood has been his recurring materials; monochromatic colors sketch the movement, discovering the kinetic intentions of these paintings. Among his main grants are; Banesto Prize I Biennial City of Zamora (1971); III Biennial City of Zamora (1975); Award I Contest of Port-au-Prince (1982); Special Mention Goya Prize of Madrid (1988). The work of Evangelista exploits the modularity of Minimal Art, both in painting and sculpture, taking advantage of the presence of monochrome colors, creating unprecedented articulations of three-dimensional geometric figures of concrete abstract appearance. Producing a reflection, from the interrelation of both disciplines sculpture and painting and in the key of applied art, around urbanistic and architectural thinking in the cities of our time.

His personal exhibitions include, among others, Galería Gracia, Madrid (Spain, 1974); 15th Century Gallery, Segovia (Spain, 1988); Nelimarkka Museum, Alajärvi (Finland, 1994); Gallery Villa D’Arte, Barranquilla (Colombia, 1993); 49 Gallery, New York (U.S.A., 1999); Museum of Zamora (2002); Kreisler Gallery, Madrid (2005); “Concrete Drives” Durban Segnini Gallery Miami (2011); “Modular sections”. Francisco Sobrino Museum, Guadalajara (2016). His work is represented in public and private collections in North America, Europe, and Latin America.

Source:

https://durbansegnini.com/artists/carlos-evangelista/

Perez Art Museum PAMM
Pérez Art Museum Miami

Xavier Escribà

Xavier Escribà, master of abstraction
Xavier Escribà, master of abstraction

Xavier Escribà, master of abstraction

B. Paris, 1969.

Xavier Escribà studied art in Barcelona (Sant Jordi Fine Arts College, University of Barcelona) and later in Paris (Ecole Nationale Supérieure des Beaux-Arts in Paris). He lived in Paris for over ten years and started his career there.

His pictorial development, described as “imaginative and original” by critic Maria-Luïsa Borràs, might be described as a continuation of the French Support-Surface movement.

Since 2000, he has exhibited regularly in France and Spain and is present on the international scene at fairs such as Fiac, Arco, The Armory Show, ArtBasel, ArtCologne, etc.

He lives and works in Catalonia.

Xavier Escribà studied art in Barcelona (Sant Jordi Fine Arts College, University of Barcelona) and later in Paris (Ecole Nationale Supérieure des Beaux-Arts in Paris). He lived in Paris for over ten years and started his career there. His pictorial development, described as “imaginative and original” by critic Maria-Luïsa Borràs, might be described as a continuation of the French Support-Surface movement. Since 2000, he has exhibited regularly in France and Spain and is present on the international scene at fairs such as Fiac, Arco, The Armory Show, ArtBasel, ArtCologne, etc. He lives and works in Catalonia.

INDIVIDUAL EXHIBITIONS (selection until 2002)

2022 FOUR ELEMENTS, Fundació Marguerida de Montferrato. Balaguer (Spain).

2022 FOUR SEASONS, Galerie Olivier Waltman. Paris. logo_irl_eng_color

2021 MOMENTS VITALS – Recorregut de 30 anys de pintura, Fundació Valvi. Girona (Spain).

2020 COLOR IS LUST, Galeria Marlborough. Barcelona.

2019 UTOPIES, Art Paris /solo show/, Galerie Olivier Waltman. Grand Palais. Paris.

2018 LLIBERTAT, Galerie Olivier Waltman. Paris. logo_irl_eng_color

2018 ÉLOGE DE L’AMOUR, Can Mario – Fundació Vila Casas. Palafrugell (Spain).

2017 L’ÀNIMA ALS DITS, Espai Art l’Abadia. St Joan de les Abadesses (Spain).

2016 D’ON VENIM, ON SOM, Galeria Marc Domènech. Barcelona.

2016 EPIDERMIS, Galeria Michael Dunev Art Projects. Torroella de Montgrí (Spain).

2015 ANIMATED PAINTING, Bòlit Centre d’Art Contemporani. Girona (Spain).

2015 ESPAI+TEMPS/ Viatges de Taller / Capìtol 4, La Lira. Ripoll (Spain).

2014 EL MIRALL DE L’HEURE BLEUE, Museu de l’Empordà. Figueres (Spain).

2013 PRESENCES, Marlborough. Barcelona.

2013 LA FORME DU MONDE, Galeria Horizon. Colera (Spain).

2012 EL SUPORT DE LA PINTURA/ Viatges de Taller / Capìtol 3, Museu Arxiu Tomàs Balvey. Cardedeu (Spain).

2011 TALLER EN TRÀNSIT/ Viatges de Taller / Capìtol 2, Museu d’Art Modern. Tarragona (Spain).

2011 LA FACE AU CULTE DE LA PEINTURE, ORIOL Galeria d’Art. Barcelona.

2009 LA COULEUR, Espai K. Sant Feliu de Guíxols (Spain).

2009 PEINTURE ANIMÉE, Galerie GM. Montpellier (France).

2009 Galerie 1900-2000. Paris.

2008 TALLER OBERT/ Viatges de Taller / Capìtol 1, Casa de Cultura. Girona (Spain).

2006 Galerie 1900-2000. Paris

2006 Chartreux 39 – Artspace. Bruxelles.

2006 OBRA RECENT, Galeria Fidel Balaguer. Barcelona.

2005 Tour Philippe le Bel. Villeneuve-les-Avignon (France).

2005 EL FIL DEL TEMPS, Galeria Carmen Tatché. Sant Feliu de Guixols (Spain).

2004 Galerie 1900-2000. Paris.

2003 GROC, ROIG, BLAU…, Sala d’Exposicions dels Serveis Territorials de Cultura. Lleida (Spain).

2003 Maison des Arts et de la Culture André Malraux. Créteil (France).

2003 Museo Anton. Candás (Spain).

2002 Galerie 1900-2000. Paris.

2002 PRIX ARTISTIQUE FÉNÉON 2001, Chapelle de la Sorbonne. Paris.

COLLECTIVE EXHIBITIONS (selection until 2002)

2023 1 + 1 = 4, Guy Ferrer + Xavier Escribà, Galeria Enlace Art in Progess. Serra de Daró (Spain).

2023 MAR DE FONS, artistes de l’Empordà (2), Can Mario, Fondació Vila Casas. Palafrugell (Spain).

2023 ARCOmadrid 2023, Galeria Marc Domènech. Madrid.

2023 SUPER/SURFACE, Galerie Olivier Waltman. Paris.

2023 D’UNE GÉNÉRATION À L’AUTRE, MUTATIONS DE L’ABSTRACTION, Galerie Bessières. Chatou (France). logo_irl_eng_color

2022 Xavier ESCRIBÀ / Joaquím CHANCHO, Galeria Marita Segovia. Madrid.

2022 HORIZON + 30 (1982-2022), Galeria Horizon. Colera (Spain).

2022 AQUELLES PETITES COSES… , Galeria Marc Domènech. Barcelona.

2022 ARCOmadrid 2022, Galeria Marc Domènech. Madrid.

2021 FIVE SCULPTORS, Waltman Ortega Fine Art. Miami. logo_irl_eng_color

2020 LE SALON, Galerie Olivier Waltman. Paris.

2020 CAPTURA DEL COLOR, Galerie Olivier Waltman. Paris.

2020 SILENCE OF BEING, Galeria Horizon. Colera (Spain).

2020 ARCOmadrid 2020, Galeria Marc Domènech. Madrid.

2019 ASPECTS OF RED, Galeria Horizon. Colera.

2019 ARCOmadrid 2019, Galeria Marc Domènech. Madrid.

2019 ART GENÈVE, Galeria Marc Domènech. Genève.

2018 AQUELLES PETITES COSES… , Galeria Marc Domènech. Barcelona.

2018 CADIRETES, Museu de l’Empordà. Figueres.

2018 PRÉSENCES PICTURALES, Ferme de Bressieux. Bassens – Chambéry (France). logo_irl_eng_color

2018 ART PARIS ART FAIR 2018, Galeria Marc Domènech. Paris.

2018 ARCOmadrid 2018, Galeria Marc Domènech. Madrid.

2018 ART GENÈVE, Galeria Marc Domènech. Genève.

2017 CLASSIC AND CONTEMPORARY ART, Galeria Marlborough. Barcelona.

2017 XAVIER ESCRIBÀ / STEVE DOSSOU-YOVO, Galerie Olivier Waltman. Paris.

2017 SUPERFÍCIE PROFUNDA De l’Ebre à la Loire, guest of honor of the 110th Salon des Artistes Orléanais. Orléans (France).

2017 NIT I SOMNI (Nacht und Traüme)/Enric Ansesa and Xavier Escribà, Bòlit_Canònica de Santa Maria. Vilabertran (Spain).

2017 CLASSIC AND CONTEMPORARY ART, Galeria Marlborough. Barcelona.

2017 ART PARIS ART FAIR 2017, Galerie Olivier Waltman. Paris.

2017 ARCOmadrid 2017, Galeria Marlborough and Galeria Marc Domènech. Madrid.

2017 ART GENÈVE, Galeria Marc Domènech. Genève.

2016 SUMMER SHOW, Galeria Marlborough. Barcelona.

2016 NUIT PASTEL, Centre d’Art Contemporani Le Lait, Albi (France).

2016 ACCENT TONIQUE, Galerie L’Isba, Perpignan (France).

2016 ARCOmadrid 2016, Galeria Marlborough, Galeria Marc Domènech i Galerie 1900-2000. Madrid.

2016 ART GENÈVE, Galeria Marc Domènech. Genève.

2015 AQUELLES PETITES COSES…, Galeria Marc Domènech. Barcelona.

2015 GROUP SHOW, Galeria Marlborough. Barcelona.

2015 FIAC 2015, Galerie 1900-2000. Paris.

2015 IN A ROOM, LINE AND FORM, Galeria Horizon. Colera (Spain).

2015 LOOP Festival, Espai d’Impulsió. Barcelona.

2015 ARCOmadrid 2015, Galeria Marlborough i Galeria Marc Domènech. Madrid.

2014 GROUP SHOW, Galeria Marlborough. Barcelona.

2014 FIAC 2014, Galerie 1900-2000. Paris.

2014 ARTRIO2014 / Galeria Marc Doménech. Rio de Janeiro.

2014 LE MUR, Fondation Antoine de Galbert – La Maison Rouge. Paris.

2014 XAVIER ESCRIBÀ – TEO SORIANO, Galeria Marc Domènech. Barcelona.

2014 SCULPTURE DU SUD, Villa Datris. L’Isle-sur-la-Sorgue (France).

2014 …I PER POSTRES ? – HIPERPOSTRES ! Espai EatArt. Banyoles (Spain).

2014 ART COLOGNE, Galeria Marc Domènech. Cologne.

2014 ARMORY SHOW, Galeria Marc Domènech. New York.

2014 ARCOmadrid 2014, Galeria Marlborough i Galeria Marc Domènech. Madrid.

2013 FIAC 2013, Galerie 1900-2000. Paris.

2013 BORDERLINE, Galeria Horizon. Colera (Spain).

2013 ART COLOGNE, ORIOL Galeria d’Art. Cologne.

2013 ARMORY SHOW, ORIOL Galeria d’Art. New York.

2013 ARCOmadrid 2013, ORIOL Galeria d’Art. Madrid.

2012 FIAC 2012, Galerie 1900-2000. Paris.

2012 ART BRUSSELS, Galerie 1900-2000. Bruxelles.

2012 ARMORY SHOW, ORIOL Galeria d’Art. New York.

2012 ARCOmadrid 2012, ORIOL Galeria d’Art. Madrid.

2011 FIAC 2011, Galerie 1900-2000. Paris.

2011 ARMORY SHOW, Galeria ORIOL. New York.

2011 ARCOmadrid 2011, ORIOL Galeria d’Art. Madrid.

2010 FIAC 2010, Galerie 1900-2000. Paris.

2010 ARCOmadrid 2010, Galerie 1900-2000. Madrid.

2009 ART BASEL 2009, Galerie 1900-2000. Bâle.

2009 ART BRUSSELS, Galerie 1900-2000. Bruxelles.

2009 ARCOmadrid 2009, Galerie 1900-2000. Madrid.

2008 FIAC 2008, Galerie 1900-2000. Paris.

2008 ART BASEL 2008, Galerie 1900-2000. Bâle.

2008 ARCOmadrid 2008, Galerie 1900-2000. Madrid.

2007 FIAC 2007, Galerie 1900-2000. Paris.

2007 QUASIMENT ROYALE, École de Beaux-Arts. Montpellier (France).

2007 SALON RÉALITÉS NOUVELLES 2007, Parc Floral de Paris. Paris.

2007 FORMES DE LA PINTURA, Centre Cultural la Mercè. Girona (Spain).

2007 ARCOmadrid 2007, Galerie 1900-2000. Madrid.

2006 FIAC 2006, Galerie 1900-2000. Paris.

2006 ART BASEL 2006, Galerie 1900-2000. Bâle.

2006 ARCOmadrid 2006, Galerie 1900-2000. Madrid.

2006 SEJC’06, Amarante Genova, L’hospitalet de Llobregat, Montrouge et Salzburg.

2005 FIAC 2005, Galerie 1900-2000. Paris.

2005 LES ARTISTES ET CEUX QUI LE SOUTIENNENT, Espace Tajan. Paris.

2005 ART BASEL 2005, Galerie 1900-2000. Bâle.

2005 ARCOmadrid 2005, Galerie 1900-2000. Madrid.

2004 ART BASEL 2004, Galerie 1900-2000. Bâle.

2004 TROIS PEINTRES CATALANS, Chapelle Saint-Léonard. Croissy-sur-Seine (France).

2004 TRANSART 04, Musée d’Art d’Imatra. Finlande.

2004 MIART 2004, Galerie 1900-2000. Milan.

2004 TRANSART 04, Sala d’Exposicions de Can Palauet. Mataró (Spain).

2004 ARCOmadrid 2004, Galerie 1900-2000. Madrid.

2003 FIAC 2003, Galerie 1900-2000. Paris.

2003 TRANSART 03, Centre Cultural de la Mercé. Girona (Spain).

2003 PEINDRE EN TROIS DIMENSIONS, Musée Ingres. Montauban (France).

2003 TREINTE ANS DE LA GALERIE (1973-2003), Galerie 1900-2000. Paris.

2003 ARCUEIL / KARLSKRONA, Musée de Karlskrona. Suède.

2003 ART BASEL 2003, Galerie 1900-2000. Bâle.

2003 PRIX DE PEINTURE ANTOINE MARIN (RENCONTRES 2003), Galerie Municipale Julio González. Arcueil (France).

2003 ARCOmadrid 2003, Galerie 1900-2000. Madrid.

2003 CARTE BLANCHE A JOSEP UCLÈS, Espace Kiron. Paris.

2002 FIAC 2002, Galerie 1900-2000. Paris.

2002 BIENNALE EUROPEA ARTI VISIVE LA SPEZIA – PRIX DU GOLFO 2002. La Spezia (Italy).
2002 ABSTRACTIONS, Galerie 1900-2000. Paris.

2002 ART BASEL 2002, Galerie 1900-2000. Bâle.

2002 XIII MOSTRA D’ART CONTEMPORANI CATALÀ (exposició itinerant en diferents ciutats catalanes), Sant Cugat del Vallès (Spain).

2002 ENTRÉE EN SCÈNE (Carte blanche à Philippe Cyroulnik), École d’Art Gérard Jacquot. Belfort (France).

2002 BECARIOS DE ARTES PLÁSTICAS Y FOTOGRAFÍA DEL COLEGIO DE ESPAÑA EN PARÍS, Instituto Cervantes. Paris.

2002 SALON DE LA JEUNE CRÉATION, Grande Halle de la Villette. Paris.

2002 ARCOmadrid 2002, Galerie 1900-2000. Paris.

2002 ENTRÉE EN SCÈNE (Carte blanche à Philippe Cyroulnik), Galerie Pascal Gabert. Paris.

2002 PARIS/BASEL/MIAMI, Galerie 1900-2000. Paris.

PRIZES & GRANTS

2014 BECA AGITA – Figueres (Spain).

2013 PROPUESTAS 2013 – Ayudas a la Creación Visual – VEGAP. (Projecte vídeo Peinture animée)

2012 XIV Beca Primavera de L’Ajuntament de Escala. Sant Martí d’Empúries (Spain). (Residència artística de 3 mesos)

2006 4a Biennal d’Art, Fundació Casa de Cultura de Girona (Spain). (Primer premi)

2006 1er Concurs de Pintura “Petit Format”. Sant Cugat del Vallés (Spain). (Menció d’Honor)

2004 III PREMI DE RECERCA PICTÒRICA, Torre Vella. Salou (Spain). (Primer accésit)

2003 PRIX DE PEINTURE – ANTOINE MARIN /Rencontres 2003. Arcueil (France). (Primer premi)

2001 PRIX FÉNÉON (Arts Plastiques), Université La Sorbonne. Paris. (Primer premi)

1996 Beca Erasmus, Kuvataideakatemia. Helsinki. (Estada de tres mesos)

1996 Bourse d’études artistiques de la Ville de Paris. Paris.

1995 Beca para la Formación de Profesionales en Artes y Industrias Culturales, Ministerio de Educación y Cultura. Madrid.

1993 Beca Erasmus, École Nationale Supérieure des Beaux-Arts. Paris. (Estada de tres mesos)

1993 I Forum Internartional “LIVE ART”, Gstaad (Suissa).

1991 XXXI Premi de Dibuix SAINT LLUC, Barcelona. (Tercer premi)

1989 II Certamen de Pintura Contemporania. Sant Adrià de Besós (Spain). (Primer premi)

COLLECTIONS

Ministerio de Educación y Cultura. Madrid

Eesti Kunstimuuseum. Tallin

Fonds Municipal d’Art Contemporain. Paris

Musée d’Art Moderne. Céret (France)

Institut Francès. Barcelona

Fundació Lluís Coromina. Banyoles (Spain)

Museu d’Art Modern. Tarragona (Spain)

Fundació Casa de Cultura. Girona (Spain)

Fundació Vila Casas, Can Mario. Palafrugell (Spain)

Fundación Alorda Derksen. Barcelona

And other private collections in France, Spain, Italy, Switzerland, Finland, Belgium, United Kingdom, Portugal, Estonia and United States.

Xavier Escribà/ +34 619083735
[email protected]


Galeria Marc Domènech
Mod & Con Art, S.L.
Ptge Mercader 12, bxs – 08008 Barcelona.
+34 935 95 14 82 – [email protected]

Galeria Marlborough
Carrer Enric Granados, 68 – 08008 Barcelona.
+34 934 674 454

Galeria d’Art Horizon
Francesc Ribera 22 – 17496 Colera.
E-17496 Colera, Girone +34 972.389.185
+34 972 389 185 – [email protected]

Galerie Olivier Waltman
74 rue Mazarine – 75006 Paris.
+33 143 547 614 – [email protected]

Perez Art Museum PAMM
Pérez Art Museum Miami

Bernat Daviu

Bernat Daviu, master of abstraction
Bernat Daviu, master of abstraction

Bernat Daviu, master of abstraction

(b.1985, lives and works in Barcelona)
“Central to my practice is the making of images with discordant layers of meaning; addressing the issue of integrating life and art. Painting remains at the core of my production, however, it evolves alongside other disciplines allowing me to expand the potential information inherent in an image.
I am interested in the shift of significance of certain forms caused by time and context. Following this trajectory I have been contrasting the visionary experiments of utopian Modernism with specific situations taken from my personal life. Inevitably, irony is present in many of these juxtapositions,
particularly referring to the commercial and the critical values of art.
I am as much interested in what happens on the surface of my paintings as in what happens around the painting. Performance, video or costume design are other mediums I use to explore the possibilities of images.”
Bernat Daviu (1985, Fonteta). Studied at Central Saint Martins de Londres.
His works and projects have been exhibited at Caixa Forum (Barcelona 2019, Madrid 2020), Cuchifiritos Gallery (Nueva York, 2018), Bombon projects (Barcelona 2018), Fundació Arranz-Bravo (L’Hospitalet, 2017), Fundació Joan Miró (Barcelona,2016), Nau Estruch (Sabadell, 2015), Galeria Balaguer (Barcelona, 2015), Uma certa falta de coerencia (Porto, 2014), Guest Projects (London, 2012), Walker Art Gallery (Liverpool, 2012) or Bienal de Jafre (Jafre, 2009), among others.

“Central to my practice is the making of images with discordant layers of meaning that often address the issue of merging life and art. Painting is present in many of my projects, alongside video, costume-design, food or performance; mediums that allow me to generate social dynamic situations in the physical and collective space.

I am interested in the shifts of meaning caused by time and context, allowing new imaginaries to emerge. References to Modern art are recurrent in my work. These are entangled with my own personal life and other anonymous stories in order to question established forms and ideas. Irony is present in many of these juxtapositions, particularly referring to the conflict between the commercial and the critical values of art.

The activation of the work is a very important part of my projects, it is for this reason that I often collaborate with other artists such as dancers and filmmakers or people from other fields in order to enhance these situations.”

Studies

2005-2008 Central Saint Martin’s: BA (Hons) Fine Art (1st Class Honours), London, UK
 
Exhibitions
2023

Deep Frieze (with Rasmus Nilaussen), Torreloft, Copenhagen (duo show)

Good evening. Do not attempt to adjust the radio. There is nothing wrong., Belo campo, Galeria Francisco Fino, Lisboa (group show)

2022

Intenció poètica, MACBA (Museu d’Art Contemporani de Barcelona), 2022-2023 (group show)

M.A.C.B.A, MACBA (Museu d’Art Contemporani de Barcelona), 2022 (performance)

The galleries show, Bombon at Office Baroque, 2022 (group show)

ARCO (with Joana Escoval and Enric Farrés Duran), Bombon projects, Madrid (fair)

2021
CLUBS -Art a la pista, Freedonia, Barcelona (festival)
Just abans de la mort de la pintura, MAC, Mataró (solo)
I’ve got a suitcase of memories…, Joey Ramone, Rotterdam (group show)
Intruders, Fundació Tàpies, Barcelona (performance/workshop)
Villa Rosita, curated by Pol Ricart and Sjors Bindels (group show)
Sala d’espera, Bombon projects, Barcelona (solo show)

2020
Vearitat i mentida en l’art contemporani, Centre d’Art Maristany, Sant Cugat del Vallés (group show)
Dos espacios, Galeria Angels, Barcelona (group show)
Ara mateix, Arts Santa Mònica, Barcelona (group show)
Greatest hits, Bombon projects summer space (group show)
The Drawing lesson, Museu de Capellades (group show)

2019
E gira tutto intorno alla Stanza, Caixa Forum, Madrid (performance)
10 anys, Fundació Arranz-Bravo, L’Hospitalet de Llobregat (group show)
Sunday Art Fair, London (fair, duo show with Anna Dot)
Vernissage sur l’herbe, FESTUS, Torelló  (performance)
La pintura. Un reto permanente, Caixa Forum, Barcelona (group show)
Coctel de gambes, Calella de Palafrugell (group show)
Premi de pintura Francesc Gimeno, Museu de Tortosa (group show)
Le Lucky, curated by Josep Maynou, HVW8, Berlin (group show)

2018
NADA Miami, Miami, USA (fair, duo show with Pere Llobera)
La gran tornada, Soho House El Garraf (performance)
Jornada Garrofista, Arts Santa Mònica, Barcelona (performance)
Inmarchitables, Cuchifritos Gallery, New York, USA (group show)
Apaño (Angela de la Cruz, Vasilis Asimakopoulos, Bernat Daviu), Bombon projects, Barcelona (group show)

2017
Loop Discover Award, Loop Film Festival, Antiga Fàbrica Damn, Barcelona (group show)
Sublimey (group show with Marc Badia and Luis Guerra), Hans and Fritz, Barcelona  (group show)
Garrofistes, Fundació Arranz-Bravo, l’Hospitalet de Llobregat (solo show) 
Trobada Garrofista (Forever Blowing Bubbles), MACBA, Barcelona (performance)

2016
Guanyar-se les garrofes (Forever Blowing Bubbles), Fundació Miró, Barcelona, Spain (Loop film festival)
Slow, thick fingers, Kingsgate Project Space, London, UK (group show)

2015
Còctel Show, Galeria Balaguer, Barcelona, Spain  (solo show)
Forever Blowing Bubbles, Nau Estruch, Sabadell, Spain (group show)
Aleksandr Rodhcenko’s Stuffed Olive: Bernat Daviu / Redestinar: Bruno Ollé i Nikita Routchenko, The Laboratory, Barcelona, Spain (duo show with Bruno Ollé)

2014
Sacsejar la mirada, Unzip, El Prat, Spain (group show)
Un Francès, un Anglès i un Espanyol, La Puntual, St Cugat, Spain (group show)
Act I. A Way Home, The LivingRoom, London, UK (group show)
En algun punt de la línia, Uma Certa falta de Coerencia, Porto, Portugal (solo show)
Painted Realities, Hanmi Gallery, London, UK (group show)

2013
Bernat Daviu and Joan Saló, PictoBCN, El Siglo, St.Cugat, Spain (presentation)
Fundació Vila Casas Painting Award, Can Framis Museum, Barcelona, Spain (group show)
Suspense (with Alaena Turner), UCL, London, UK (duo show with Alaena Turner)
 
2012
John Moores Painting Prize, Walker Art Gallery, Liverpool Biennial, Liverpool, UK  (group show)
20 Rue de Jacob – A Salon for Performance and Other Happenings, Galleria Rajatila, Tampere, Finland (group show)
What do you do?, Intervention in LAUDA’s headquarters, Lauda-Königshofen, Germany (solo show)
What do you do?, Palau de Casavells, Casavells, Spain (solo show)
Orchestrated, Studio One Gallery, Cato Hall, London, UK (group show)
Shelves, Chairs and Boiler suits, Tollbodallmenningen 39, Bergen, Norway (group show)
 
2011 
Stuff on the wall, on the floor, floating in the air…, Guest Projects, London, UK (group show)
The Public House- a pop-up home for performance, Elephant and Castle Shopping Centre, London, UK (group show)
Art Barter, C arte C, Madrid, Spain (group show)
 
2010 
Drive Thru (Old Bridge), with Harry Blackett and Sam Whittaker, Deptford X Festival, London, UK (group show)
From London With Love, Wanha Woimala, Vaajakoski, Finland (group show)
The Real Van Gogh Part 2, Studio 1 Gallery, London, UK (solo show)
‘The decade 2010-2020’ The Museum as hostage to fortune’, Pigeon Wing Gallery, London, UK (group show)
 
2009 
Pintura Democràtica, IV Bienal de Jafre, Jafre, Spain (group show)
Splash Paintings, Galeria Miquel Alzueta, Barcelona (solo show)
Underground Temple For Paintings, with Harry Blackett at Next Art Fair, Chicago (duo show with Harry Blackett)
The Little Show, Studio 1 Gallery, London, UK (group show)
Group Show, Galeria Miquel Alzueta, Barcelona (group show)
 
2008 
Jesús was an artist … Galeria Miquel Alzueta, Casavells, Spain (solo show)
CSM 08 Degree Show, Central Saint Martins, London, UK (group show)
 
2007 
Exporta-accions, Castell de la Bisbal d’Empordà, La Bisbal d’Empordà, Spain (group show)
Super-heroes, Galeria Marita Segovia, Madrid, Spain (solo show)
Da! Tottenham Court Road, London, UK (group show)
 
Publications
Whose language does the produce speak?, Artist Alliance inc, 2018
Garrofistes -Bernat Daviu, Fundació Arranz-Bravo, 2017
Artist film and video today, Loop Barcelona, 2016
Porró, Apis press, Norway, 2014
Fundació Vila Casas painting award, Barcelona, 2013
PictoBCN, Barcelona, 2013
What do you do?, Casavells, Spain, 2012
John Moores Painting Prize, Walker Art Gallery, UK, 2012
Shelves, Charis and Boilersuits, Apis press, Norway, 2012
From London with Love (limited edition of 200 copies), Finland, 2010
‘The decade 2010-2020’ The Museum as hostage to fortune’, An Endless Supply, UK, 2010
Artists’ Impressions of Spaces for Paintings, An Endless Supply, UK, 2010
Underground Temple for Paintings, An Endless Supply, UK, 2010
 
Residencies and workshops
2018 Artist Alliance, New York, USA
2015 Nau Estruch, Sabadell, Spain
2012 Experimental cinema workshop by Walter Temporelli, Hangar, Barcelona. Screening at Caixa Forum, Barcelona
2011 Retreat residency, Paradise Lost, Cumbria, UK

Perez Art Museum PAMM
Pérez Art Museum Miami

Joaquim Chancho

Joaquim Chancho, master of abstraction
Joaquim Chancho, master of abstraction

Joaquim Chancho, master of abstraction

Alias:Joaquín Chancho CabréJoaquim Chancho

Chancho began his training in Reus, where he studied drawing and sculpture. He later completed his studies, thanks to a scholarship, at the Escuela Superior de Bellas Artes de Sant Jordi in Barcelona, where he later taught. After finishing his studies he travelled around Spain and visited Paris. Chancho is currently a professor at the Faculty of Fine Arts at the University of Barcelona, where he received his doctorate in 1992, and has exhibited in museums and galleries internationally, with exhibitions at the Joan Miró Foundation, the Centre d’Art Santa Mónica, the Museum of Contemporary Art of Ibiza, the Museum of Art of Tarragona, the Rufino Tamayo Museum in Mexico, and in 2003, a major retrospective at the Sala Tecla in Hospitalet de Llobregat. He has received numerous prestigious awards for painting and drawing, including a grant from the Juan March Foundation in Madrid, and the first prize for painting at the Tarragona Biennial in 1987. His work can be found in the collections of the Fundació La Caixa, MACBA and the Generalitat de Catalunya, among others.

Joaquim Chancho is one of the fundamental painters of contemporary Catalan culture. His work, linked to abstraction, is defined by an intense study that starts with silence, geometry and natural cycles. His career during forty years of dedication is a model of coherence, conceptual rigour and mastery of technical resources. This has materialized in numerous solo exhibitions, important group exhibitions, publications, and presence in collections and museums, including the MACBA and the Joan Miró Foundation (Barcelona), the Art Center Berlin Friedrichstrasse, the National Museum of Korea, in Seoul, and the Tamayo Museum in Mexico.

BIOGRAPHY

1943 
Born in Riudoms, Tarragona.

1962
Studied up to 1967 at the Escola Superior of Belles Arts Sant Jordi (Fine arts School) of Barcelona. Nominated for the “Premio a la Pintura Joven” (Young Painters’ Prize), offered by the Sala Parés in Barcelona. Architectural landscapes and arboreal themes; constructive elements with dense, pigmented brushstrokes.

1966
First individual exhibition at the Centre de Lectura of Reus (Reus Reading Centre). Material paintings, informalist and Tàpies influences. Movements towards a non-retinian painting.

1970 
Spent a period in Paris with a scholarship from the Castellblanch Art Foundation of Barcelona. First pictorial representations based on the interpolation of the gesture in geometry.
Opened a study in Barcelona, near the Santa Caterina Market.

1973
Received a scholarship from the Juan March Foundation in Madrid. Publication of the book A, by the Industrial Engineering School of Barcelona. Series of linear transformations based upon successive sequences or cyclical series of images. Sign and calligraphic elements.

1976 
Took part in “Pintura 1”,at the Miró Foundation in Barcelona. Canvasses, large format papers, paintings that go outside the physical space of the support and occupy the floor.

1980 
Long period of crisis. The sign links occupy the surface with no apparent order. He withdraws to his study. Abandons traditional wall-based supports and works in books and notepads in a prolonged attempt to start anew. Starts the series called Treballs de taula (Table works). Opens a photomechanical workshop.

1987 
Closes the photomechanical workshop. First painting prize of the “Biennial of the Provincial Government of Tarragona”.
Takes part in Spanish Art in the Caixa de Pensions Foundation Collection, of the Cultural Centre of the “La Caixa” Foundation in Barcelona. Begins work in co-operation with the Escola Eina (Tool school) in Barcelona, up until 1997. Circles, ovals, expansive curves that embrace the surface of the picture. The rapid drying of the procedure conditions the speed of the taking of pictorial decisions.

1993 
Doctorate in Fine Arts from the University of Barcelona. Titular Professor of the University of Barcelona in the Faculty of Fine Arts. As the painting settles, the procedure takes longer. Time is suspended between thought and gesture. Tiempo sobre tiempo (Time on Time). Verticals and horizontals: the two-dimensional nature of the pictorial surface.

1997 
Spends periods in his house in El Pla de Santa Maria (Tarragona, Spain). Chromatic and light reconsiderations of the internal spaces and, at the same time, ordering and modification of the open spaces, and a spatial integration (internal space/ external space) returns him to the fundamental aspects of painting. Takes part in “Surface and Colour. Painting in the seventies in Barcelona”, at the MACBA, Barcelona.

1999 
Exhibition “Tempo 1995-1998”, at the Santa Mònica Art Centre in Barcelona.

2000 
Professorship in Painting at the Faculty of Fine Arts by the University of Barcelona.Reticles and screens that expand and withdraw, deconstructing the two-dimensional nature of the painting. Long and intense periods of assessment of work on paper.

2002
Takes part inEls límits de la percepció” at the Joan Miró Fundation, Barcelona.

2004
Tiempo sobre Tiempo (Time on Time) 1997-2003”, at the Caja de Burgos Art Centre, CAB Burgos.

2005
“Prospective 1973-2003”, at the Tecla Sala Metropolitan Cultural Centre of l’Hospitalet, Barcelona and the Caixa de Tarragona Foundation in Tarragona. First exhibition to review the three decades of this pictorial career.
“Joaquim Chancho, un clàssic contemporani. 35 anys de dibuixos i pintures” at the Museu de Montserrat. An exhibition that traces the relationship between the early small formats drawings and large scale paintings from the first decade of 2000.

2009
“Joaquim Chancho, dibuixos de paret” in the Museu de Pintura de Sant Pol de Mar. Drawings that will be erased once the exhibition is over, in response to the need to reiterate the provisionality of all our acts… zig-zag drawings like rays of flashes of lightening, the hours and the days that are temporary and ephemeral.
 
2010
Towards the end of the nineties he concentrates his paintings in the studio of El Pla de Santa Maria, en Tarragona. The isolation and intensity of the painting process reaffirms the conceptual aspects of his paints during these last few years.
“Seqüències 2006-2009” in theVolart2 space of Fundació Vila Casas of Barcelona, presents a series of larges format paintings and drawings.

2011
“Joaquim Chancho. Al llindar de la geometria. 1969-2010” Casal Solleric, Palma. A retrospective tracing the last 40 years of drawings and paintings.

2013
Publication of the monograph “Movements of Painting” by Viena Editions and the Provincial Government of Tarragona

INDIVIDUAL EXHIBITIONS

2019
With White and Black. 1972 – 2017. Ana Mas Projects, L’Hospitalet. Images

2018
Touch. Sis Gallery, Sabadell. Images
Monet Series. Marita Segovia Gallery, Madrid.

2017
Paintings 2002 – 2005. Galerie Floss und Schultz, Cologne, Germany.

2016
Paintings. Artlife Space Gallery Shanghai, China.

2015
Dibuixos i Pintures. Galeria Dieu, Cadaqués.
Gravats i dibuixos . Galeria Fort, Cadaqués.
Drawingsand Paintings. Marita Segovia Gallery, Madrid
Tempera on paper . Galerie Floss und Schultz, Cologne, Germany.

2014
Estampes. Museu de Montserrat, Montserrat.
Dibuixa una línia i segueix-la. Centre Cultural Metropolità Tecla Sala, l’Hospitalet, Barcelona. Images

2013
Joaquim Chancho a les col·leccions de Tarragona. MAMT, Tarragona.
Pintat al Pla. Museu de Valls, Tarragona.
Estampes. Sèries numèriques. CERAP, Riudoms, Tarragona.
160 dibuixos. Facultat Belles Arts. Universitat de Barcelona, Barcelona.

2012
Barres i estrelles. Galeria Eude, Barcelona.
Deixeu-me tancar la finestra. Galeria Joan Prats, Barcelona.

2010
Joaquim Chancho, Al llindar de la geometria 1969-2010. Casal Solleric, Palma de Mallorca.
Seqüències 2006-2009. Espai volart 2. Fundació Vila Casas, Barcelona.
Teoría de las señales. Colegio Oficial de Arquitectos de Catalunya, Barcelona.

2009
Joaquim Chancho, dibuixos de paret. Museu de Pintura de Sant Pol de Mar.

2008
Pintures 2005-2006. Sala Pelaires, Palma de Mallorca.
Pintura recent. Michael Dunev Art Projects, Torroella de Montgrí, Girona.
Pintures i dibuixos. Can Mora de Dalt, Sant Vicenç de Montalt, Barcelona.

2007
Pintures sobre paper. Espai 2nou2, Barcelona.
Pintures recents. Galeria Senda, Barcelona.
Pintures grans formats. Kutxa, Barcelona.
Obra gràfica. Galeria Eude, Barcelona.
Pinturas recientes. Galería Vanguardia, Bilbao.
Obra gráfica y dibujos. La Caja Negra, Madrid.

2006
Galerie Triangle Blue, Stavelot, Bélgica.
Pintura pintada. Haim Chanin Fine Art, New York.
Pintures i dibuixos. Galeria Cort, Banyoles, Girona.

2005
Prospectiva 1973-2003. Centre Cultural Metropolità Tecla Sala, l’Hospitalet, Barcelona i Caixa Tarragona, Tarragona.
Joaquim Chancho. Un clàssic contemporani, 35 anys de dibuixos i pintures. Museu de Montserrat, Montserrat.
7 papeles 7, Senda 2nou2, Barcelona.
Diàlegs encreuats. Museu Arxiu Tomàs Balvey, Cardedeu.
Galería Fernando Silió, Santander.

2004
Lisboa 2004. Galeria Bores & Mallo, Lisboa.
Pintures i dibuixos. Sala Pelaires, Palma de Mallorca.
Tiempo sobre tiempo. 1997-2003. Centro de Arte Caja de Burgos, CAB, Burgos.
Pintures i dibuixos. Michael Dunev Art Projects, Torroella de Montgrí, Girona.

2003
Galeria Senda, Barcelona.
Christian Dam Galleries, Oslo.

2002
Dibuixos 1969-1996. Espai 292, Barcelona.
Galeria Metta, Madrid.
Espai 21, Cambrils, Tarragona.
Haim-Chanin Fine Arts, New York.
Galeria Triangle Bleu, Stavelot, Bélgica.
Galeria Canem, Castelló.

2001
Galeria Senda, Barcelona.
Canals Galeria d’Art, Sant Cugat del Vallès.
14 x 28. Capella Sant Corneli, Cardedeu.
Galeria La Escalera, Cuenca.

1999
Tempo 1995-1998. Centre d’Art Santa Mònica, Barcelona.

1997
Galeria Barcelona, Barcelona.

1996
Galeria Vives del Olmo, Palma de Mallorca.
Espai Moret, Reus.

1995
APC Galerie, Colonia.
Políptics. Museu d’Art Modern, Tarragona.
Teles i papers. Galeria Barcelona, Barcelona.

1993
One man show. Art Cologne. Galeria Barcelona, Colonia.

1992
Galeria Barcelona, Barcelona.

1990
Galeria Masha Prieto, Madrid.
Galeria Barcelona, Barcelona.
Espais Centre d’Art Contemporani, Girona.

1988
Galeria Theo, Barcelona.
Galeria Masha Prieto, Madrid.
CERAP. Riudoms, Tarragona.
Bur de Us. Escola Taller d’Art, Reus.
Sala de la Fundació Caixa de Barcelona, Tarragona.

1986
Galeria Ciento, Barcelona.

1985
Galeria Altaïr, Palma de Mallorca.

1984
Treballs de Taula. Galeria Ciento, Barcelona.
Treballs de Taula. Museu Morera, Lleida.

1982
Centre de Lectura, Reus.
Treballs de Taula. Escola Taller d’Art, Reus.

1980
Museu d’Art Contemporani, Eivissa.

1978
Galeria 3 i 5, Girona.
Galeria Ciento, Barcelona.

1977
Galeria 4 Gats, Palma de Mallorca.
Galeria Seny, Barcelona.
Galería Atenas, Zaragoza.

1976
Galeria 3 i 5, Girona.
Galeria René Métras, Barcelona.
Sala Tres, Acadèmia de Belles Arts, Sabadell.

1975
Galeria Artur Ramon, Barcelona.

1973
Galeria Nova, Barcelona.
Galeria 4 Gats, Palma de Mallorca.

1972
Galeria Pasqual Fort, Tarragona.

1971
Galeria Aquitània, Barcelona.

1966
Centre de Lectura, Reus.

COLLECTIVE EXHIBITIONS ( selection )

2017
4 Spanish Artist. Bernhard Knaus Fine Art. Frankfurt. Germany.
Bassat Collection. Contemporary Art. Lienzo Norte. Ávila.
Galerie Floss und Schultz zu Gast im Kunsthaus Rehau. Rehau. Germany.
The Underlying Shape. Galerie Floss und Schultz. Cologne, Germany.
Bassat Collection. Contemporary Art from Catalonia 1980-1989. Nau Gaudí. Matarò.
Painting Black. Museu Wilhelm Morger. Soest. Germany.
Solidaridades. Museo de la Solidaritad Salvador Allende de Chile. MACVAC. Vilafamès. Valencia.
Antonio Niebla, testimoni personal. La Rectoria Vella. Sant Celoni. Barcelona.

2016
The pattern reveals itself. Claudia Weil Galerie. Friedberg-Rinnenthal. Germany.
Bassat Collection. Contemporary Art from Catalonia 1940-1979. Centre Cultural Metropolità Tecla Sala. L’Hospitalet.
Black & White. Galerie Ulf Larsson, Cologne, Germany.
La maduresa del dibuix. Galeria Sicart. Vilafranca del Penedès.

2015
1950-1977 Del segon origen – Arts a Catalunya. Museu Nacional d’Art de Catalunya, Barcelona.
Present continu: Quaranta anys de la Galeria Cànem a Castelló. Sala Sant Miquel, Fundació Caixa Castello, Castelló.
El límit i l’infinit. La Rectoria vella i Galeria GBN, Sant Celoni, Barcelona.
Arbeiten auf papier. Galerie Ulf Larsson, Cologne, Germany.
Grafik Barcelona-Leipzig. Círculo del Arte, Barcelona.
Sommersalon 2015. Galerie Ulf Larsson, Cologne, Germany.

2014
Montserrat, opere maggiori dell’ Abbazia. Forte di Bard, Italy.
La raresa del sentiment. Galeria Joan Prats – Artgràfic, Barcelona.
Chancho i Niebla. Pintura i reflexió. 1970 – 1990, Galeria Barcelona, Barcelona.
Iceberg Z46. Galeria Trama, Barcelona.

2013
Strukturen. Galerie Ulf Larsson, Köln, Germany.
Born 2013. Igallery, Palma de Mallorca.
Lo parcial como significativo, Col.lecció Caja Burgos. Centro de Arte Alcobendas, Madrid.
La muntanya de sal. Centre Cultural Metropolità Tecla Sala, l’Hospitalet, Barcelona.

2011
La raresa del sentiment. Galeria Joan Prats – Artgràfic, Barcelona.
Chancho i Niebla. Pintura i reflexió. 1970 – 1990, Galeria Barcelona, Barcelona.

2010
L’ombra de la parla, Col.lecció MACBA. National Museum of Contemporary Art of Korea, Seoul.

2009
Temps com a matèria. Col.lecció MACBA noves incorporacions. Macba, Barcelona.
Art d’avantguarda i contemporani. Museu de Montserrat, Montserrat.
Exposició inaugural Can Framis, Fundació Vila Casas, Barcelona.

2008
Col.lecció Josep Suñol 1970-2001. Fundació Suñol, Barcelona.

2007
La Sala Tres, 1972-1979. En la ruta de l’art alternatiu a Catalunya. Academia de Belles Artes, Sabadell.
Barcelone 1947-2007. Foundation Maeght, Saint Paul, France.
Catalunya Look. Art Center Berlin Friedrichstrasse, Berlin.
100 COVIB. Centre Cultural Can Gelabert, Binissalem. Torre de ses Puntes Manacor. Ses Voltes, Palma. Museu de Menorca, Maó.
Generació dels 60. Museu Jaume Morera, Lleida.

2006
Salas Temporales. Fundació Vila Casas. Palau Solterra. Torroella de Montgrí, Girona.
Drawing on the Wrong Side of the Brain. Haim Chanin Fine Arts. New York.
Diversidades Formales. La Colección (7). Centro de Arte Caja de Burgos. Burgos.

2005
Grandes dimensiones de Tristan Barbarà Editions, Galeria Hartmann, Barcelona.
Spain Revisited. Haim Chanin Fine Arts, New York.

2004
Visions del Desig. Galeria de la Riba, Cadaqués. Sala CAI Luzán, Zaragoza y Museu Abelló. Mollet del Vallès.
Colección Testimonio 2003-2004. Sala de Exposiciones Plaza Conde de Rodezno, Pamplona.

2003
L’informalisme a Catalunya i la seva evolució. Sala Moncunill. Terrassa, Galeria Barcelona, Barcelona.
Adquisiciones Arco 2003. Ayuntamiento de Pamplona. Teatro Gayarre, Pamplona.

2002
Els límits de la percepció. Fundació Joan Miró, Barcelona.
Col.lecció Testimoni. Centro Social y Cultural de la Fundació “la Caixa” Tarragona.

2000
Art de fi de segle. Fons d’Art, Olot. Itinerante por Barcelona, Madrid y Bilzen, Belgium.

1999
Els rastres de l’alfabet. Escriptura i art. Sala Girona de la Fundació “la Caixa”. Girona, Sala Tarragona de la Fundació “la Caixa”, Tarragona y Centre Cultural de la Fundació “la Caixa”, Granollers.

1998
II Trienal de Arte Gráfico. La estampa contemporánea. Palacio Revillagigedo, Gijón.
Els rastres de l’alfabet. Escriptura i art. Centre Cultural de la Fundació “la Caixa” Lleida.
Esencias 5. Colección Ernesto Ventós Omedes. Caja de Asturias, Centro Cultural Caja Sur, Oviedo.

1997
Superfície i color. Pintura dels setanta a Barcelona. MACBA, Barcelona.

1996
Essències. Colección Ernesto Ventós Omedes. Palau de la Virreina, Barcelona.

1995
La Dècada dels 80. Art contemporani a l’entorn de Reus. Museu Comarcal Centre de Lectura, Reus.
I Trienal de Arte Gráfico. Palacio Revillagigedo, Gijón.
Mediterrània. Casal Solleric, Palma de Mallorca.
Proposta per una col.lecció. MACBA, Barcelona.
Testimoni. Casal Solleric, Palma de Mallorca.

1994
Donaciones de obra gráfica a la Biblioteca Nacional. Biblioteca Nacional, Madrid.
Col.lecció Testimoni 93-94. Sala Sant Jaume de la Fundació “la Caixa” Barcelona.

1993
Artistes Catalans del Fons d’Art de la Generalitat de Catalunya. Madrid.
Gent d’Eina. Galeria Carles Taché, Barcelona.

1992
Constants de l’Art Català Actual. Centre d’Art Santa Mònica, Barcelona.
Hadengaagese Catralaanse Kunst. Di Nieuwe Kerk, Amsterdam.
Canosa, Chancho, Frangela, Vélez. Galeria Ciento, Barcelona.
Testimoni. Arte Español Contemporáneo. Església del Convent, Pollença.

1991
Constantes del Arte Catalán Actual. Museo Rufino Tamayo, México D.F.
Col.lecció Testimoni. Sala Sant Jaume de la Fundació la Caixa, Barcelona.
Benet Rossell-Joaquim Chancho. Petit Format. Galeria Made In, Barcelona.

1989
AmbBarcelona. Galeria Barcelona, Barcelona.
Generació dels anys 60. Galeria Barcelona, Barcelona.
Three Spanish Artists. Dubinsky Fine Arts, Zürich.

1987
L’Art Espanyol en la col.lecció de la Fundació Caixa de Pensions. Centre Cultural de la Caixa de Pensions, Barcelona.
Col.leccionistes d’Art a Catalunya. Palau de la Virreina, Barcelona.
Els seixantes i els setantes a la col.lecció Tous-de Pedro. Museu d’Art, Sabadell.
5è Aniversari. Galeria Altaïr, Palma de Mallorca.

1986
Pintar en papel. Círculo de Bellas Artes, Madrid.
Proposta per una col.lecció. Galeria Theo, Barcelona and València.
Negro sobre blanco. Galeria Joan Prats, Barcelona.

1984
Artistes de Reus. Exposició itinerant, Països Catalans.
10 Anys 11 Artistes. Galeria Ciento, Barcelona.

1983
El papel en Barcelona. Galeria Ciento, Barcelona.
El Gravat de Creació. Centre Cultural de la Caixa de Pensions, Barcelona.

1979
Amnistia Uruguay. Fundació Joan Miró, Barcelona.
Plástica Catalana. Generación de los 60. Colegio de Arquitectos, Tenerife.
Sixt British International Print Bienal. Bradford.
Màteria. Galeria René Metràs, Barcelona.

1977
Museu Internacional de la Resistència Salvador Allende. Fundació Joan Miró, Barcelona.
Nadal al soterrani. Metro Plaça de Catalunya, Barcelona.

1976
Amnistia i Drets Humans. Col.legi d’Arquitectes, Barcelona.
Pintura I. Fundació Joan Miró, Barcelona.

1975
I Biennal de Pintura Contemporània. Caixa de Barcelona, Barcelona.
I Exposición Becarios Artes Plásticas. Fundación Juan March, Madrid.

1973
Mostra Art Nou 73. Homenatge a Joan Miró, Barcelona.
15 Katalanische Maler. Mannheim, Heppeheim, Hedelberg. Germany.
Panorama en Barcelona. Galería Barocco, Madrid.

PUBLIC COLLECTIONS AND MUSEUMS
Ajuntament de Palma. España
Biblioteca Nacional. Madrid, España
Centre de Lectura. Reus, España
Centro de Arte Caja Burgos. CAB. Burgos, España
Centro de Arte Contemporáneo. Las Palmas de Gran Canaria, España
Col.lecció Fundació “la Caixa”. Barcelona, España
Col.lecció Testimoni de “la Caixa”. Barcelona, España
Comunidad de Madrid. Madrid, España
Fundació Banc de Sabadell. Barcelona, España
Fundació Caixa de Catalunya. Barcelona, España
Fundació Caixa Girona. Girona, España
Fundación Juan March. Madrid, España
Fundació Suñol. Barcelona, España
Fundació Vila Casas. Barcelona, España
MACBA. Museu d’Art Contemporani de Barcelona. España
Museu de Pamplona. Ayuntamiento de Pamplona, España
Museu de Arte Contemporáneo. Patio Herreriano Valladolid, España
Museu de Montserrat. España
Museu d’Art i Història. Reus, España
Museu d’Art Modern. MAMT. Tarragona, España
Museu de Valls. Tarragona, España
Museu de Villafamés. Castelló, España
Museu d’Historia de l’Hospitalet. España
The Sackner Archive of Visual and Concrete Poetry. Miami, U.S.A..
Stedelijk Museum,. Ámsterdam, Holanda
Universitat de Barcelona. España
Universitat Rovira i Virgili. Tarragona, España

BIBLIOGRAPHY

 Catalogs, books and magazines

 BARNATÁN, Marcos-Ricardo
-Joaquim Chancho. Territorios. Metrópoli, number 625, may 17th-23th 2002, Madrid.

 BARDAGIL, Miquel
-L’abstracció de Joaquim Chancho. L’Avenç, number 301, april 2005, Barcelona.

 BASSAS, A. CAPELLA,  A.
Seqüències de la pintura de Joaquim Chancho. Exhibition catalogue Espais, Centre d’Art Contemporani, 1990,
 Girona i Papers d’Art, number 35, december de 1990, Girona.   

 BLANCH, Teresa
Joaquim Chancho. Exhibition catalogue Galeria Theo, 1988, Barcelona.
Joaquim ChanchoFigures de “durada”. Exhibition catalogue“Tempo 1995-1998”. Centre d’Art Santa Mònica, 1999,  Barcelona.
-En la sostracció. Exhibition catalogue “Els límits de la percepció”. Fundació Joan Miró, 2002, Barcelona.
Cadencia y asombro. Exhibition catalogue “Tiempo sobre tiempo 1997-2003”. CAB, 2004, Burgos.
Converses entre Joaquim Chancho i Teresa Blanch. Exhibition catalogue “Prospectiva 1973-2003”, Centre Cultural  Metropolità Tecla Sala, 2005, l’Hospitalet, Barcelona.

 BONET, Juan Manuel
-En la música de la pintura. Exhibition catalogue “Prospectiva 1973-2003”, Centre Cultural Metropolità Tecla Sala,  2005, l’Hospitalet, Barcelona.

 BOSCH, Glòria
Comprometre’s amb el compromís de l’absència. Exhibition catalogue “Joaquim Chancho. Seqüències 2006-2009″,
 Espai Volart 2. Fundació Vila Casas, 2010, Barcelona.

 BOTELLA, Juan
Joaquim Chancho. Galería Antiquaria. number 206, june 2002, Madrid.

 BUFILL, Juan
-Cuando la pintura se hace música. Culturas, La Vanguardia february 16th 2005, Barcelona.
-Una pintura del siglo XXI. Culturas, La Vanguardia march 3th 2010, Barcelona.

 CABRÉ, Tate
-Del Camp al Llamp. Arola Editors. 2006, Tarragona.

 CASTILLO, Alberto
-Revista Goya, number 103, 1971, Madrid.
-Revista Goya, number 114, 1973, Madrid.

 CASTRO FLOREZ, Fernando
La extraña red de la pintura. Exhibition catalogue “Lisboa 2004”. Galeria Bores & Mallo, 2004, Lisboa.

 COMBALÍA, Victoria
-Exhibition catalogue Galeria Arturo Ramon,1975, Barcelona.
El refinamiento de Chancho. Babelia. El País, february 18th 1995, Barcelona.
-Exhibition catalogue “1947-2007 BARCELONE”, Fondation Marguerite et Aimé Maeght, 2007, Saint-Paul-de-Vence,  France.

 CORTS i SALVAT, Joan Francesc
-Joaquim Chancho, a la recerca de la comunicació pictòrica. Lo Floc, number 102, july 1988, Riudoms.

 DOLS RUSIÑOL, Joaquim
-Chancho. Destino, número 1954, march 15th 1975, Barcelona.
Chancho en la Galeria Arturo Ramon. Revista Galeria, number 5, april 1975, Barcelona.
-Exhibition catalogue Galeria René Metràs, 1976, Barcelona.

 DOMINGO, Màrius
-Joaquim Chancho: Seqüències. ARTIGA. Revista de arte y pensamiento contemporáneo, number 10, june 2010,  Tarragona.

 FIGUERES, Abel
Conversa informal amb Joaquim Chancho. Revista del Centre de Lectura, number 265, december 1974, Reus.
El treball de Joaquim Chancho. Exhibition catalogue Centre de Lectura y Escola Taller d’Art, 1982, Reus.
-Reus, Arte, Actualidad. Artes plásticas, number 58, 1984, Barcelona.
-Exhibition catalogue Galeria Barcelona, 1990, Barcelona.
-Exhibition catalogue “La dècada dels 80 a l’entorn de Reus. Museu Comarcal y Centre de Lectura,1995, Reus.
Díptics, Tríptics i Políptics de Joaquim Chancho. Exhibition catalogue “Políptics 1975-1990″. Museu d’Art Modern,
 1995, Tarragona.
Sobre les noves adquisicions del fons d’art contemporani de Reus. Exhibition catalogue “Premis Reus 99”. IMAC,  1999, Reus.
Sis o set propostes (pictòriques) per al proper mil.lenni?. Exhibition catalogue“Tempo 1995-1998”, Centre d’Art Santa  Mònica, 1999, Barcelona.

 FRISACH, Montse
-Entrevista Joaquim Chancho. Avui, october 31th 2007, Barcelona.

 GARCÍA, Josep Miquel
La pintura que encara  pinta. Exhibition catalogue Fundació Caixa de Barcelona, 1988, Tarragona.
Constants de l’Art Català Actual. Exhibition catalogue Centre d’Art Santa Mònica, 1991, Barcelona.

 GIRALT MIRACLE, Daniel
Chancho. Exhibition catalogue Galeria 3 i 5, 1976, Girona.
La escritura caligráfica de Joaquim Chancho. Batik, number 23, march 1976 and Guadalimar,  june 1976, Madrid.

 GIRÓ, Pilar
-Joaquim Chancho: ordre i equilibri, la serenitat de l’art. Bonart, number 106, august, 2008, Girona.

 GONZÁLEZ, Enrique
-Joaquim Chancho, el arte del tiempo. Grabado y Edición. September 2007, Madrid.

 HAC MOR, Carles
El text pictòric. Texto para la exposición “Treballs de Taula”. Galeria Ciento, 1984, Barcelona.

 HALEVI, Gabriel
-Joaquim Chancho, un pintor. Exhibition catalogue Galeria Senda, 2003, Barcelona.

 MARÍ, Antoni
Ni principi ni fi. Exhibition catalogue “Joaquim Chancho Al llindar de la geometria,” 2010-2011, Casal Solleric, Palma.

 MARTÍ CASTELL, Joan
-Obres políptiques des de l’any 1976 fins al 1990. Exhibition catalogue Museu d’Art Modern, 1995, Tarragona.

 MASSOT, Josep
La geometría que emociona. Vidas Contadas, La Vanguardia, january 24th 2005, Barcelona.

 MITRANI, Alex
Joaquim Chancho a Montserrat. Aprendre el temps. Serra d’Or, july-august 2005, Montserrat.

 MOLINA GONZÁLEZ, José Luís
-Caligrafía de la razón: Joaquim Chancho. Laboratorio del Arte number 20, 2007, Universidad de Sevilla.

 MOLINS NUBIOLA, Miquel
Llenguatge i silenci. Exhibition catalogue “Prospectiva 1973-2003”, Centre Cultural Metropolità Tecla Sala, 2005,  l’Hospitalet, Barcelona.

 MORENO GALVÁN, José María
-Texte presentació del llibre “A”. Escuela Superior de Ingenieros Industriales, 1974, Barcelona.

 MOURE, Gloria
Joaquim Chancho, entre el gesto y la geometría. Batik, number 42, may-june 1978, Barcelona.

 MUNNÉ, Antoni
La belleza de lo esencial. El País, may 5th 1984, Barcelona.

 NAVARRO, Mariano
-Joaquim Chancho. La pintura por hacer. Exhibition catalogue “Tiempo sobre tiempo” (1997-2003), CAB, 2004, Burgos.

 OLIVER, Conxita
Joaquim Chancho. Exhibition catalogue “Arte fin de siglo”, Fondo de Arte Olot, january 2000, Barcelona.
-Pintura i fotografia: concordança de mirades. Exhibition catalogue “Diàlegs encreuats”, Museu Arxiu Tomàs Balvey,  2005, Cardedeu.

 PASTÓ, Cristina
-La paret dibuixada. Exhibition catalogue “Joaquim Chancho, dibuixos de paret” Museu de Pintura de Sant Pol de Mar,  2009, Sant Pol de Mar.

 PERERA, Marga
Joaquim Chancho, repensar la pintura i la vida. Exhibition catalogue Galeria Cort, 2006, Banyoles.

 PUIG, Arnau
Les silencioses construccions de Chancho. Exhibition catalogue “Joaquim Chancho, pintures i dibuixos” Sala Pelaires,  2004, Palma.

 PUJALS, Joan M.
-Joaquim Chancho i la pintura de la incertesa. Seqüències d’Art. Viena edicions, 2006, Barcelona.

 QUERALT, Rosa
-Chancho. Triunfo, number 908, june 21 th 1980, Madrid.
-Exhibition catalogue “Pintar con Papel”. Círculo de Bellas Artes,1986, Madrid.
Texts. Exhibition catalogue “Superfície i Color. Pintura dels setanta a Barcelona”. MACBA, 1997-1998, Barcelona.

 RIBAL, Pilar
Joaquim Chancho: Aquest llenç inesperat. Exhibition catalogue “Joaquim Chancho Al llindar de la geometria”, Casal  Solleric, 2010-2011, Palma.

 ROMA, Valentí
Entre la revisió i el mètode: vers una ciència de la pintura. Exhibition catalogue “Superfície i Color. Pintura dels setanta  a Barcelona”. MACBA, 1997-1998, Barcelona.

 RONTE, Dieter
Joaquim Chancho o la recerca d’un altre món. Exhibition catalogue “Joaquim Chancho Al llindar de la geometria”,
 Casal Solleric, 2010-2011, Palma.

 ROSÉS, Assumpta
-Artistes de Reus. Exhibition catalogue Departamento de Cultura de la Generalitat de Catalunya, 1984, Barcelona.
El paisatge de Tarragona en la pintura catalana contemporània. Exhibition catalogue Joaquim Mir, Sala Sant Jaume de  la Fundació “la Caixa”, 1991, Barcelona.
Qué me’n podria comprar? Exhibition catalogue “Premis Reus 99”. IMAC, 1999, Reus.
-Exhibition catalogue Espai 21, 2002, Cambrils.

 SALUDES, Isabel
Joaquim Chancho. Serra d’Or, number 317, february 1986, Montserrat.
Impregnacions cromàtiques. Serra d’Or, number 343, may 1988, Montserrat.
L’acte de pintar. Serra d’Or, number 364, april 1990, Montserrat.

 SÁNCHEZ – FRIERA, Raquel
Retrospectiva de Joaquim Chancho en la Fundación Caixa de Tarragona. Encuentros, Diari de Tarragona. may 28th  2005, Tarragona.

 SÁNCHEZ ROBAYNA, Andrés
Joaquim Chancho y el espacio del signo. Destino, number 215, january 1979, Barcelona.
Lectura de Joaquim Chancho. Escandalar, number 6, april-june 1979, New York. PDF
Barcelona, la pintura, “circa” 1975. Exhibition catalogue “Superfície i Color. Pintura dels setanta a Barcelona”, MACBA,  1997-1998, Barcelona.

 SANTOS TORROELLA, Rafael
Los de “los 60”. Exhibition catalogue “La generación de los 60”. Galeria Barcelona, 1989, Barcelona.

 SENDRA, Joan. NOMEN, Antoni
-Les arts plàstiques al Baix Camp. Canigó número 399, may 31th 1975, Barcelona.

SOLER, Josep Maria
Una reflexió “benedictina” sobre la pintura de Joaquim Chancho, “Joaquim Chancho, un clàssic  contemporani”.
 Kàl.lista 1, Museu de Montserrat y Banc de Sabadell, 2005.

 VIDAL, Jaume
-Elipsis pictórica. Babelia, El País, june 2nd 2001, Madrid.

 VIDAL, Mercè. SUÁREZ,  Alicia
-Serra d’Or, number 225, june 15th 1978, Montserrat.

 VILÀ, Antònia
Les livres du Joaquim Chancho. Ligature, number 2, november 2012, Granville, France. PDF

 ZALBIDEA, Víctor
-Entrevista con Joaquim Chancho. Tropos, number 7-8, 1973, Madrid.

Textos de l’artista

Notes. Exhibition catalogue “Políptics 1975-1990” Museu d’Art Modern, 1995, Tarragona.
Vent. Exhibition catalogue “Tempo 1995-1998”, Centre d’Art Santa Mònica, 1999, Barcelona.
-Converses entre Joaquim Chancho i Teresa Blanch. Exhibition catalogue “Prospectiva 1973 – 2003″, Centre Cultural
 Metropolità Tecla Sala, 2005, l’Hospitalet, Barcelona.
-12 textos inèdits seleccionats i seqüenciats per Teresa Blanch, “Joaquim Chancho, un clàssic contemporani”.    Kàl.lista 1, Museu de Montserrat y Banc de Sabadell, 2005.
-SIS. Exhibition catalogue “Joaquim Chancho, pintures 2005-2006”, Sala Pelaires, 2008, Palma.
-Teoría de las señales. Libro de bibliófilo con nueve aguafuertes. Tristan Barbarà Editor, 2009, Barcelona.

Source:

https://www.invaluable.com/artist/chancho-joaquin-5dgkote5q6/sold-at-auction-prices/

Perez Art Museum PAMM
Pérez Art Museum Miami
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