How can artists effectively use primary color red in different styles of painting?
Artists can effectively use primary color red in different styles of painting by harnessing its passionate and powerful nature to create a wide range of visual effects and emotional impacts. Here are some ways artists can utilize red in various painting styles:
Realism: In realistic paintings, red can be used to depict a variety of elements, such as vibrant flowers, ripe fruits, or human flesh tones. Artists can use different shades of red to capture the natural play of light and shadow, adding depth and realism to their subjects.
Impressionism: In impressionist paintings, red can be applied with loose brushstrokes or dabs to create a sense of movement and energy. Artists can use red alongside complementary colors like green or blue to create dynamic and visually engaging compositions that evoke a sense of spontaneity and vitality.
Expressionism: In expressionist paintings, red can be employed to convey intense emotions and powerful feelings. Artists can use bold and vivid shades of red to represent passion, anger, or pain, infusing their artwork with raw emotional intensity.
Abstract: In abstract paintings, red can serve as a focal point or a central element to create a sense of vibrancy and energy. Artists can use red to evoke a variety of emotions, from excitement and joy to tension and drama. Its boldness can add visual impact to abstract compositions.
Cubism: In cubist paintings, red can be incorporated into geometric forms to add contrast and visual interest. Artists can use red alongside other colors in angular shapes, creating a harmonious yet dynamic composition that plays with the viewer’s perception.
Surrealism: In surrealistic paintings, red can be used to create a sense of mystery and otherworldliness. Artists can employ red to represent symbolic elements, evoke dreamlike atmospheres, or add a touch of the unexpected in their surreal compositions.
Mixed Media: In mixed media artworks, artists can experiment with various materials and techniques to incorporate red effectively. Red acrylic paints, watercolors, or even collage elements can add texture and depth to the artwork. By combining red with other colors and materials, artists can create visually captivating and multidimensional pieces.
The key to effectively using primary color red in different painting styles is to understand its emotional impact and versatility. By strategically incorporating red into their compositions, artists can infuse their artwork with energy, emotion, and visual intensity. Whether used to create realistic warmth, evoke powerful feelings, or add a touch of drama in abstract or surreal compositions, primary color red is a valuable tool in an artist’s palette that can enhance the visual impact and storytelling of their artwork.
Minimalism in art is a style that emerged in the late 1950s and early 1960s as a reaction against the complexity and expressiveness of abstract expressionism. It is characterized by its simplicity, austerity, and emphasis on geometric shapes and forms. Minimalist artists sought to strip away unnecessary elements and focus on the fundamental essence of their artwork. Key characteristics of minimalist art include: . Simplicity: Minimalist artworks often feature clean lines, basic geometric shapes (such as squares, circles, and rectangles), and a limited color palette. . Repetition: Many minimalist artists employed repetition of forms or motifs within their works, creating a sense of rhythm and order. . Industrial materials: Some minimalist artists used industrial materials like steel, aluminum, and concrete to create their sculptures and installations, emphasizing the industrial aesthetic. . Emphasis on space and scale: Minimalism often makes use of the surrounding space as an integral part of the artwork, encouraging the viewer to interact with the piece in a specific way. Large scale pieces were also common, which could overwhelm the viewer and create an immersive experience. . Absence of narrative or emotional content: Minimalism sought to remove any narrative or emotional associations from the artwork, encouraging viewers to focus on the pure visual experience. Some of the key figures associated with minimalism include Donald Judd, Frank Stella, Agnes Martin, Dan Flavin, and Sol LeWitt. Minimalism influenced various art forms, including sculpture, painting, and even architecture. Minimalism has different interpretations and manifestations in various artistic movements, such as minimal music, minimal techno, and minimal design. Each of these fields incorporates minimalist principles in their unique ways, but they all share the common goal of simplifying and reducing artistic elements to their essential components.
characteristics of minimalist art:
Repetition: Minimalist art often uses repetition of simple geometric shapes or forms. This creates a sense of rhythm and order, and can also be used to create a meditative or calming effect. Minimalist art with repetition: Repetition is a common feature in minimalist art. Artists often use repeated forms or patterns to create a sense of rhythm and visual harmony. This repetition can be seen in both two-dimensional works and sculptures, contributing to the overall minimalist aesthetic.
Reduced forms: Minimalist art often uses simple, geometric forms. This is in contrast to other art movements, such as Abstract Expressionism, which often used more complex and gestural forms. The reduced forms of minimalist art are meant to focus the viewer’s attention on the essential qualities of the work. Minimalist art with reduced forms: Minimalist artists often simplify and reduce forms to their basic geometric shapes, such as squares, circles, rectangles, and lines. By eliminating unnecessary details, they achieve a pure and essential visual language.
Impersonal: Minimalist art is often described as being impersonal. This is because the artist does not try to impose their own personal vision or emotions on the work. Instead, the work is meant to be experienced by the viewer on its own terms. windowlive.stanford.edu
Simple geometric shapes and forms: Minimalist art often uses simple, geometric shapes and forms, such as squares, rectangles, circles, and lines. This is in contrast to other art movements, such as Abstract Expressionism, which often used more complex and gestural forms. Minimalist art with impersonal, simple geometric shapes, and forms: As mentioned earlier, minimalism seeks to eliminate emotional or narrative content from the artwork. Instead, it focuses on objective, impersonal, and geometric elements to create a sense of order and precision.
Limited use of color: Minimalist art often uses a limited palette of colors, such as black, white, gray, and primary colors. This is in contrast to other art movements, such as Fauvism, which often used bright and vibrant colors. Minimalist art with limited use of color: Minimalist artworks typically employ a limited color palette. Often, artists use neutral colors such as black, white, gray, or earth tones to further emphasize the simplicity and clarity of the forms.
Use of everyday materials: Minimalist art often uses everyday materials, such as wood, metal, and plastic. This is in contrast to other art movements, such as Impressionism, which often used more traditional materials, such as oil paint and canvas. Minimalist art with the use of everyday materials: Many minimalist artists choose to work with everyday, industrial materials like metal, glass, plastic, or concrete. These materials are valued for their inherent qualities and contribute to the sense of objectivity and practicality in the artwork.
Focus on the object: Minimalist art often focuses on the object itself, rather than the artist’s emotions or feelings. This is in contrast to other art movements, such as Expressionism, which often focused on the artist’s inner world. Minimalist art with a focus on the object: Minimalism often emphasizes the physical presence of the artwork as an object in its own right. The focus is on the artwork itself, its form, and its relationship to the surrounding space, rather than any representational or symbolic meanings.
Repetition: Minimalist art often uses repetition of simple elements, such as shapes, colors, or lines. This can create a sense of rhythm and order, and can also be used to create a meditative or calming effect.
Large scale: Minimalist art often uses large scale works, which can be overwhelming and imposing. This is in contrast to other art movements, such as Impressionism, which often used smaller scale works that were more intimate and personal. Minimalist art with large scale: Minimalist artists often create large-scale sculptures or installations that interact with the viewer and the surrounding environment. These oversized pieces can have a powerful and immersive impact on the audience.
Installation art: Minimalist art often takes the form of installation art, which is art that is created for a specific space and cannot be easily removed. This can create a sense of engagement and interaction between the viewer and the work of art. Minimalist art with installation art: Installation art is a form of art in which the entire space becomes part of the artwork. Minimalist artists have utilized installation art to explore the relationship between their works, the environment, and the audience. The use of space, repetition, and reduced forms are all common features in minimalist installation art.
Minimalist art has had a significant impact on modern art and design. It has been used in architecture, furniture, fashion, and other areas. Minimalist art is often seen as a reaction to the excesses of Abstract Expressionism, and it emphasizes simplicity, order, and clarity.
INTERCROSSING. FLASHES IN CURRENT ART AT MIA CURATORIAL PROJECTS /MIAMI By Milagros Bello, PhD
Intercrossing. Flashes in Current Art is at a multidisciplinary gallery in Little Haiti, 395 NW 59th Street, Miami. It runs for a whole month, from July 15th to August 15th. The exhibition delves into the theme of intercrossing aesthetics and explores its multifaceted manifestations in contemporary art.
The purpose of the curated show is to dismantle rigidity and enforce diffraction and disruption in the current visual arts. The exhibition displaces visual formats and alters the circuit of images and their narratives. The artworks selected permeate particular views and personal contexts to advent experiential situations in which the viewers coalesce and commingle on human interactions. The curatorial prospect aims to de-objectify stagnant art beliefs and taboos of orthodox curatorial conceptions, generating novel associations and dialogs. The show challenges traditional boundaries and fosters dialogues about diversity and hybridity.
The exhibition sets in opposing and contraposing artistic propositions regarding their topics, techniques, and mediums. Viewers navigate into visual surprises and divergent artworks.
The selected artists come from diverse and rich cultural backgrounds: Eliana Barbosa (Brazil/USA), Magaly Barnola-Otaola (Venezuela/USA), Ricardo Carbonell (Venezuela), Sergio Cesario (Brazil/USA), Sylvia Constantinidis (Venezuela/USA), Clark Medley (USA), Meg Cogburn (USA), Alfredo Esposito (Argentina), Laura Marmol (Venezuela/USA), Milagros Nunez (Venezuela/USA), Alexis Rivero (Venezuela/USA), Alfredo Sandoval (Venezuela/USA).
SOME ANALYTICAL APPROACHES
Eliana Barbosa (Brazil/USA) —Proposes images created on ephemeral photography that comes from captures taken over shapes delineated by the artist on a liquid surface. They are images of intense concerns about the current sociopolitical crisis on ecology, racism, and human delving.
Magaly Barnola-Otaola (Venezuela/USA)—With sophisticated technology, the artist scopes superhuman archetypes as a hope of Civilization. The artist uses a technique of reversed photography mounted on light boxes, made through intervened drawings reworked and transposed to digital imagery.
Ricardo Carbonell Roman Numbers
Ricardo Carbonell (Venezuela)— Ricardo Carbonell approaches drawing as an autonomous production. The work “Roman Numerals” is constructed through strokes and rectilinear lines in geometric rhythms united in numerical orders and positional systems. Using different papers, the artist, with monochromatic markers, builds in each one linear systemic sets that are then assembled into a single large format unit as a gigantic numerical board that evokes the intangible movements of the universe.
Francisco Ceron (Colombia)—Proposes intertextual images of social content intercrossed over a visual turbulent visual scene capturing a socio-political revolt in Medellin. The work “Puerto Resistencia,” produced through digital images in collage, sets a broader perspective of the violent realities of Latin America.
Sergio Cesario (Brazil/USA) — Proposes contemporary photography, a series of transformative images in dense combustion and transitions from reality/objectivity to fictional realms of reverie. In his Transhuman series, the artist reflects on the dissolution of Humanity and its implicit redemption.
Meg Cogburn (USA) —Her paintings, departing from the power of the subconscious, delve into the realms of dreams and the metaphysical, revealing profuse imagery interconnected to civilization symbols and iconic cultural references. Inner and societal sources inform the work.
Sylvia Constantinidis (Argentina/USA) is a music composer, pianist, and visual artist. The artist superimposes and connects pictorial creation to aural and video compositions, creating meaningful passages of time and space through the fusion of sounds, music, and images.
Alfredo Sandoval untitled 2022
Alfredo Esposito (Argentina)— envisions a prosthetic nature, where organic entities have disappeared, and nature has transformed into artificial blossoming of plastic branches made out of pieces of hose defined in pop colors as celebrating a posthuman dystopian future.
Clark Medley (USA) —Creates an imaginary fusional alphabet of cultural and social meta-referential realms as a paraphrasing of inner dialogues, captures of human experiences, sounds of the environment, and transcription of the world around. His pictorial shapes evoke a compendium of complex connections to the social graffiti lineage and calligraphies of Japan, China, Hebrew, and Islam.
Milagros Nunez (Venezuela/USA)—Her Immigrant Series is a visual critical narrative of the turbulent process of displaced humans. Women and children are her protagonists in constant life ordeals and unsettled territories, looking for hope and salvation. Her digital intertextual images emphasize this crucial human issue’s restless changes and constant fractures.
Laura Marmol Untitled(Corals), 2020, glazed ceramic
Primary Colors – A Dynamic Symphony of Simplicity and Harmony
In the mesmerizing world of art, there exists a phenomenon that captivates the senses and lays the foundation for all visual expression. Primary colors, the fundamental building blocks of the artistic palette, are an exquisite symphony of simplicity and harmony. With an unrivaled power to evoke emotion and ignite imagination, these colors stand at the very core of artistic creation, beckoning us to explore their profound allure.
Bold and unapologetic, primary colors – red, blue, and yellow – are the essence of visual communication. Each hue carries a unique energy, a distinct voice, and a story waiting to be told. In their purest form, they radiate an unyielding confidence that demands attention. As an art critic, I find myself endlessly drawn to the vibrant intensity they bestow upon a canvas, a testament to their indomitable presence.
Red, the passionate firebrand, stirs the depths of the human soul. Its warmth and ardor evoke sensations of love, desire, and raw emotion. On the canvas, it commands attention, stealing glances from even the most subdued hues. As I observe its captivating dance, I am reminded of the human heart, beating with fervor and life.
Blue, the tranquil dreamer, whispers of boundless skies and infinite oceans. With its soothing embrace, it invites contemplation and introspection. The calming aura it exudes can both lull one into serenity and ignite a spark of curiosity. It represents the vastness of possibilities, mirroring the expansive nature of the human spirit.
Yellow, the radiant sunbeam, illuminates the world with its radiant glow. Symbolizing joy and optimism, it infuses a burst of energy into any composition. Like the sunflowers turning their faces towards the light, yellow beams positivity and hope. Its presence is akin to a beacon, guiding the viewer’s gaze with an infectious sense of happiness.
Yet, as an artist, I have come to realize that the magic of primary colors does not solely lie in their individual brilliance. It is in their harmonious interplay that true enchantment is born. When red, blue, and yellow converge, an orchestra of visual delight unfolds. The mastery of artists lies in their ability to blend these primary notes into an array of harmonies, creating an artistic symphony that resonates with the human spirit.
Primary colors are more than mere pigments on a canvas; they are the soul of art. Their timeless allure and ability to speak a universal language make them a foundational cornerstone of artistic expression. As we immerse ourselves in their captivating world, let us not forget that from these three simple colors, an entire universe of artistic beauty can bloom. Primary colors – a testament to the profound and enduring power of simplicity and harmony.
The Enchanting Allure of Primary Color Blue: Unleashing the Mystique in Artistic Expression
In the vast canvas of artistic expression, primary color blue emerges as a potent hue, captivating artists with its enigmatic allure and multifaceted possibilities. From serene skies to the depths of the ocean, blue reigns as the hue of boundless expanse, inviting artists to explore its mystique in various painting styles and unleash its evocative power upon the canvas.
Realism: In realistic paintings, primary color blue finds its voice in landscapes, seascapes, and celestial scenes. Artists can masterfully capture the subtle shifts in hue to render the skies with a sense of infinite vastness. With meticulous brushwork, they recreate the shimmering reflections of the ocean, and with precision, they breathe life into the tranquil depths of a clear blue lake.
Impressionism: In the impressionist realm, blue dances with light and atmosphere. Artists employ shimmering strokes of blue to capture the fleeting moments of natural splendor. As if suspended in a fleeting dream, blue lends itself to portray the play of light on water, the whispering breeze through leaves, and the gentle ripples on a pond.
Abstract: Within the abstract domain, primary color blue takes on a life of its own, inviting artists to venture into the realm of emotions and metaphors. Artists embrace the emotive qualities of blue, using its cool and calming nature to evoke introspection and contemplation. Through bold brushstrokes and fluid lines, blue paints a symphony of feeling, giving form to the intangible.
Expressionism: In the emotional world of expressionism, blue emerges as a conduit for profound sentiment. Deep, cobalt blues can represent melancholy or sorrow, while bright, electric blues ignite feelings of joy and vitality. Artists unleash the power of blue to communicate the depths of their souls and awaken a visceral response in the viewer.
Cubism: In the realm of cubism, blue plays with the dimensions of space and time. Artists fragment and reconstruct forms, using varying shades of blue to create a complex interplay of angles and shapes. As the eye dances across geometric patterns, blue adds an element of harmony to the interwoven planes.
Surrealism: In the surrealistic realm, blue serves as a portal to the surreal and the unconscious. Artists employ ethereal shades of blue to create dreamlike landscapes and otherworldly realms. Amidst the surreal swirls, blue hints at secrets and unveils the mysterious within the mundane.
Mixed Media: Within the realm of mixed media, artists fuse primary color blue with diverse materials, textures, and techniques. They embrace its versatility by combining blue with collages, textures, and metallic accents. Through the interplay of blue with varied elements, artists craft multidimensional artworks that invite tactile exploration.
In conclusion, primary color blue emerges as a captivating muse, inviting artists from diverse painting styles to weave its enchanting allure into their masterpieces. Whether embracing its serene tranquility, exploring its emotive depths, or unraveling its enigmatic mysteries, artists can effectively use blue to add depth, emotion, and visual richness to their art. In the hands of the artist, blue becomes an emotive symphony on the canvas, beckoning the viewers to immerse themselves in its ever-evolving magic.
The Ethereal Symphony of Tranquility: Unveiling the Enigma of Primary Color Blue
Among the myriad hues that grace the artist’s palette, none possesses the ethereal allure and profound sense of serenity quite like the primary color blue. As an art critic, I am endlessly captivated by the enigmatic charm and emotional depth this captivating hue bestows upon the canvas. Blue, with its vast range of shades, dances with the soul and beckons us to explore its mesmerizing secrets.
In its myriad manifestations, blue envelops the viewer like a gentle embrace, inviting them into a world of tranquility and introspection. As if dipped in the essence of the boundless sky and the infinite ocean, it exudes a timeless quality that transcends cultural boundaries and resonates with the human spirit on a universal level. It is the color of dreams, contemplation, and introspection – a visual lullaby that soothes the senses and nourishes the soul.
Like a serene symphony of emotions, blue evokes a kaleidoscope of feelings. Its calming presence brings forth a sense of peace and security, akin to the embrace of a trusted friend. It represents the uncharted territories of the mind, opening doorways to introspection and the pursuit of knowledge. From the melancholic navy that weeps with sorrow to the vibrant azure that sings with joy, blue’s emotional repertoire is vast and all-encompassing.
The psychology of blue is equally fascinating. Its cool demeanor can elicit feelings of tranquility, stability, and a sense of dependability. In the hands of a skilled artist, blue can create a sense of spatial depth, conjuring visions of vast landscapes and infinite horizons. Paired with contrasting colors, it adds a sense of balance and harmony, like a guiding star in the night sky.
Blue’s versatility is a testament to its allure, for it can evoke both the subtle beauty of the natural world and the grandeur of the human spirit. From the celestial azure in religious frescoes that hints at the divine to the harmonious interplay of blue hues in impressionist masterpieces, it leaves an indelible mark on the artistic landscape.
However, blue is not without its complexities. Too much blue can give rise to feelings of cold detachment or melancholy, and in some cases, it can convey a sense of loneliness and isolation. As an art critic, I have encountered instances where the excessive use of blue has diluted the impact of a composition, numbing its emotional resonance.
Yet, when wielded with mastery, blue becomes an artistic alchemist, conjuring masterpieces that stir the soul and inspire introspection. It is the color of poets, visionaries, and dreamers, offering a window into the human heart’s deepest recesses.
Blue is an ethereal symphony of tranquility and introspection, an enigmatic hue that dances with the emotions and nourishes the spirit. Its timeless allure and emotional depth make it an indispensable tool in the artist’s palette. As an art critic, I find myself continuously mesmerized by the multifaceted nature of blue, a color that transcends mere pigment to become a portal to the vast expanse of human emotions and the enigmatic wonders of the universe.
Blue is a captivating and versatile hue that holds a special place in the world of art and beyond. As one of the three primary colors, along with red and yellow, blue plays a fundamental role in color theory and serves as a cornerstone of artistic expression.
Emotional Impact: Blue is often associated with a sense of calm, tranquility, and introspection. Its cool and serene nature evokes feelings of peace, stability, and contemplation. Blue has a unique ability to soothe the soul and create a sense of emotional balance.
Symbolism and Meanings: Blue carries diverse symbolic meanings across different cultures and contexts. It is frequently associated with elements of nature such as the sky and the ocean, symbolizing vastness, infinity, and the boundless expanse. Blue is also linked to spirituality and is sometimes associated with qualities like trust, loyalty, and sincerity.
Psychological Effects: Studies have shown that blue can have psychological effects on individuals. It is believed to have a calming effect and can reduce stress and anxiety levels. Hospitals and healthcare facilities often incorporate blue in their design to create a soothing and healing environment.
Complementary and Contrasting Colors: In color theory, blue is considered complementary to orange. When placed side by side, these colors create a striking contrast that enhances their individual impact. This complementary relationship is frequently used by artists to create vibrant and visually engaging compositions.
Variations and Tones: Blue offers a broad spectrum of shades and tones, from the deep and majestic navy to the vibrant and vivid cerulean. Each variation of blue conveys its own unique mood and atmosphere, providing artists with a rich palette to explore and express a wide range of emotions.
Cultural Significance: Blue has significant cultural and historical importance in various traditions and artistic styles. It has been a prominent color in art across different periods, from the vivid blue used in ancient Egyptian art to the iconic blue of the Dutch Delftware ceramics and the mesmerizing ultramarine pigment employed by Renaissance masters.
Use in Art History: Artists throughout history have harnessed the power of blue to create evocative and iconic artworks. From Vincent van Gogh’s swirling blue skies in “The Starry Night” to Pablo Picasso’s blue period paintings, artists have employed blue to convey a sense of emotional depth and introspection in their works.
Blue is a captivating and multifaceted hue that holds both emotional and symbolic significance. Its calming nature, cultural richness, and visual appeal make it a vital element in artistic expression. Whether used to depict serene landscapes, evoke emotions, or add visual harmony to a composition, blue continues to inspire artists and captivate viewers with its timeless allure.
How can artists effectively use primary color yellow in different styles of painting?
Artists can effectively use primary color yellow in different styles of painting by harnessing its vibrant and radiant nature to create a wide range of effects and moods. Here are some ways artists can utilize yellow in various painting styles: . Realism: In realistic paintings, yellow can be used to depict natural elements such as sunlight, flowers, fruits, and golden landscapes. Artists can use various shades of yellow to capture the play of light and create realistic highlights and reflections. Yellow can also be employed in portraits to render warm skin tones and to add depth to natural light sources. . Impressionism: In impressionist paintings, yellow can be employed with short brushstrokes or dabs to capture the luminous qualities of light. By using yellow alongside complementary colors like purple or blue, artists can create vibrant and visually engaging compositions that evoke a sense of spontaneity and
movement.
. Abstract: In abstract paintings, yellow can be used to create energetic and dynamic compositions. Artists can use bold swaths of yellow to add a focal point or to create a sense of contrast and balance with other colors. Yellow can also be mixed with other colors to create intriguing gradients and textures. . Expressionism: In expressionist paintings, yellow can be used to evoke strong emotions and convey the artist’s inner state of mind. Artists can use intense and vibrant shades of yellow to represent energy, passion, and even anxiety or turmoil. The boldness of yellow can intensify the emotional impact of the artwork. . Cubism: In cubist paintings, yellow can be incorporated into fragmented and geometric forms to add vibrancy and a sense of movement to the composition. By juxtaposing yellow with other colors in angular shapes, artists can create a visually dynamic and harmonious artwork. . Surrealism: In surrealistic paintings, yellow can be used to create dreamlike and otherworldly atmospheres. Artists can employ yellow to represent imaginary landscapes, mysterious creatures, or elements with symbolic meanings. Yellow can add a touch of the surreal and create a sense of enchantment in the artwork. . Mixed Media: In mixed media artworks, artists can experiment with different materials and techniques to incorporate yellow effectively. Yellow acrylic paints, watercolors, or even metallic pigments can add a luminous quality to the artwork. By combining yellow with various textures and materials, artists can create visually rich and intriguing pieces. The key to effectively using primary color yellow in different painting styles is to understand its emotional impact and versatility. By strategically incorporating yellow into their compositions, artists can infuse their artwork with warmth, energy, and a sense of optimism. Whether used to create realistic light effects, evoke powerful emotions, or add an element of surprise in abstract compositions, primary color yellow is a valuable tool in an artist’s palette that can enhance the visual impact and storytelling of their artwork.
Experience an exclusive event presented by the Young Associates of the Coral Gables Museum! Discover the Museum like never before with an open bar and special activities. This event serves as a fundraiser, supporting the Young Associates’ mission and charitable initiatives with the Coral Gables Museum, in partnership with the Coral Gables Community Foundation.
Live DJ, Open Bar, Live Artworks featuring Matthew Ryan Herget, Comedy Lounge by the Culture Can, Wine Tasting by Caná Wine Shop, and more!
Live art activation featuring Matthew Ryan Herget.
Artworks by Matthew Ryan Herget (www.MRHerget.com)
Artworks by Matthew Ryan Herget (www.MRHerget.com)
Featuring The Culture Can Comedy Lounge:
Sessions at 7:00 P.M., 8:00 P.M., and 9:00 P.M.
Sponsored by Joe Roque
Wine tasting experience hosted by Caná Wine Shop
Delicious, organic green bowls provided by SweetGreen during event!
After Party Hosted by Bay 13 Brewery and Kitchen from 9:30 P.M. to 11:00 P.M. with light bites and drink specials.
The primary colors are red, yellow, and blue. They are called “primary” because they cannot be created by mixing other colors. Instead, all other colors can be created by mixing these three colors together.
Primary colors are incredibly powerful. They can be used to create a wide range of emotions and effects. Red is often associated with passion, anger, and danger. Yellow is associated with happiness, optimism, and energy. Blue is associated with calmness, peace, and tranquility.
In art, primary colors are often used to create a sense of excitement or drama. They can also be used to create a sense of harmony or unity. For example, a painting that uses only primary colors can be very striking and eye-catching. However, a painting that uses primary colors in a balanced and harmonious way can be very calming and serene.
The primary colors have been used by artists for centuries to create beautiful and effective works of art. Some of the most famous paintings in the world, such as Vincent van Gogh’s “The Starry Night” and Henri Matisse’s “The Dance,” use primary colors to great effect.
In recent years, primary colors have also become popular in fashion and design. They are often used to create bold and eye-catching looks. For example, primary colors are often used in sportswear, children’s clothing, and graphic design.
The primary colors are a powerful tool that can be used to create a wide range of emotions and effects. They are a versatile and timeless color palette that can be used to create beautiful and effective works of art.
As an artist, I believe that the primary colors are essential for any artist’s palette. They are the building blocks of color, and they can be used to create a wide range of effects. I encourage artists to experiment with the primary colors and see how they can be used to create their own unique and personal style.
LA PRIMERA EDICIÓN INTERNACIONAL DE EXPOARTESANO, LA FERIA DE ARTESANÍAS MÁS IMPORTANTE DE COLOMBIA, ESTARÁ EN MIAMI DEL 21 AL 23 DE JULIO.
¿QUÉ? Por primera vez en su historia, Expoartesano, la feria de artesanías más importante de Colombia, tendrá su primera edición internacional en Miami desde este viernes 21 a domingo 23 de julio de 2023. Miami International Fine Arts –MIFA– acogerá este encuentro, gracias a la gestión de Artesanías de Colombia y Plaza Mayor Medellín ante el Consulado de Colombia en Miami.
Este espacio les permitirá a los colombianos residentes de la Florida, reconectar con sus orígenes, y todo el público en general, para propiciar encuentros y conocer el trabajo artesanal de Colombia. Además, para los artesanos será una oportunidad de sacarle provecho a esta plataforma de negocios que los conectará con el mercado estadounidense, que es el que demanda sus productos en el mundo.
La inauguración de Expoartesano Miami 2023 se realizará el viernes 21 de julio, desde las 7:30pm en MIFA Gallery, en un acto privado presidido por Luis Gilberto Murillo, Embajador de Colombia en Estados Unidos. La noche tendrá demostraciones en vivo de varios artesanos, las cuales se repetirán en el transcurso de la feria, durante el fin de semana.
Este sábado 22 y domingo 23 de julio de 10am a 8pm, el público puede asistir gratuitamente a presenciar una mezcla de culturas, una mirada al sur del continente y al trabajo noble de maestras y maestros que dan vida a cada artesanía y que llevan el alma de Colombia, un país de regiones, en el mes de la colombianidad.
La feria contará con la participación presencial de 21 artesanos colombianos, pero habrá productos elaborados por más de 50 artesanos en representación de todo el país, con oficios como tejeduría, cestería, marroquinería, lutería, talla en piedra, talla en madera, joyería, entre otros.
How the hotelier built a Cretan retreat for artists from Anish Kapoor to Lynda Benglis
Through her unstinting support for artists over the years, the hotelier and art patron Gina Mamidaki has created an extraordinary oasis of contemporary art in Agios Nikolaos, Crete.
Mamidaki has cultivated artistic production through a sculpture garden with more than 70 site-specific artworks, a program of symposiums and residencies, and an annual art prize. She also supports the community by using local products and promoting traditional artisans through cultural platforms and educational programs. Next in the works is a museum of contemporary art, scheduled to open in 2026.
On the occasion of this year’s G. & A. Mamidakis Foundation Art Prize, Art Basel caught up with Mamidaki and the art historian and curator Sotirios Bahtsetzis, who oversees art acquisitions and development for the foundation.
Portrait of Gina Mamidaki.
Gina Mamidaki: Art and beauty go hand in hand. When we started the G. & A. Mamidakis Foundation, I was trying to find something to make Minos Beach Hotel different and give it a competitive edge. I believe that art and hospitality are very close to each other, so this is the reason why we started the exhibitions and inviting artists to come and build in-situ art pieces. I believe that clients should be surrounded by art all of the time. All hotels should accommodate art, and not as a dead thing but as something alive. Having a few paintings means nothing.
I believe very much in art, and I love artists. I was a Communist when I was younger, which means I love to help people, from my employees to the local community. I give a certain amount of my profits to these sectors, including the residency program on our premises. This is why I see things more holistically than other hoteliers. And this is how I see art as well. Artists have to speak; people have to see their work. We don’t have so many opportunities for artists here in Greece.
Sotirios Bahtsetzis: Since the early 1990s, Gina Mamidaki has invited artists to participate in the creation of the Sculpture Garden at Minos Beach Hotel. She hosted residencies before the trend of residencies existed. Some of the artists are very well known today, like Anish Kapoor and Joseph Kosuth, along with other emerging artists. What’s important is the instructions they were given when they were invited to make an artwork: here is this landscape, here is the location, choose simple materials, choose what you find around you, and create an interesting piece. So it was not about overproduction. That’s why there are some beautiful works like Drawing (1988) by Lynda Benglis, which is one of my favorites because it’s a very simple gesture that seems to grow out of the landscape. On the other hand, The Painful Pyramids are impressive barbed-wire structures that were created by Magdalena Abakanowicz during the 3rd Art Symposium, ‘Art in Politics’, in 1993.
Installation view of The Painful Pyramids (1993) by Magdalena Abakanowicz. Photography by Loukianos Arnaoutakis.
GM: Minos Beach is placed down in the earth, so as you go through the gardens you have a series of apokalipseis (revelations) through the artworks. A good example of this is Come with the Wind, by Theodoros Zafeiropoulos and Yorgos Rimenidis, winners of our inaugural art prize in 2019. Their work takes viewers on a journey to eight different parts of the world through sound recordings that are activated by both the wind and human presence. Another striking work is the sculptural installation Lost Ears of Agios Nikolaos and its accompanying sound installation, Hanging Gardens, by Kostas Ioannidis: While swimming near the hotel, you may stumble upon eight large cement ears placed in the seabed, after which you will encounter sounds of nature, like wind and birdsong, in an immersive experience stirring an appreciation of the surrounding natural beauty.
Our family hotel, Candia Park, is like a traditional Cretan village and all about what we celebrate together: happiness. We are building a 1,000 m² museum, which will open in 3 years. It will function as the contemporary art museum of Eastern Crete, and we will program a lot of happenings – art, dance, theater – everything is going to be there. The architects, Alexandros Kapsimalis and Marianna Kapsimali, are based in Santorini, where they do lots of work with cave dwellings. They seek to preserve the environment with buildings that are in harmony with the landscape, and part of the structure will be under the earth, with only a hole of light. It will be very mystical.
SB: Jumping forward to now with the residency program we started in October 2022, we have had 2 years of discussions and workshops, collaborating with artists and other institutions to focus on the theme of care, a recurring art world topic. For the Mamidakis Foundation as well as the hotels, this notion of care in its essential holistic understanding – care for others, for the community, for the landscape, and the environment, all in a communal way – is a leading philosophy. There has been a lot of discussion in the last 20 years or so about socially engaged art. And there’s an understanding that big collecting has to do with blue-chip art, and socially-engaged art doesn’t have to do with collectors. And I think it’s wrong. Here we have a very clear case that those things can go together, and they should go together actually.
To that end, we have an open call every year for the G. & A. Mamidakis Foundation Art Prize. This is the first time we’ve had an international open call, and we got more than 700 applications. There are specific criteria: first of all the quality of the work, secondly an understanding of the concept and the hotel exhibition spaces, and thirdly a theme. This year’s theme is inspired by the residency’s theme of care – so all the works are related to that in one way or another. It is not about who is known; we choose the artist for the work they want to produce. That’s why you find works here by people with high-profile careers alongside newcomers.
GM: We are starting to produce art for the Minos Palace Hotel, which is just across the cove. It is located on a big peninsula with a kind of rocky terrain and a 360-degree view, so the aim is to have a lot of land art, which will suit it beautifully. This is an ambitious project for the near future. This year we focused on artworks for major corridors in the hotel, awarding three equal prizes instead of one for the first time. The winners are: Nomadic Murals by Maro Fasouli, who reintroduces traditional practices in a series of woven ensembles; Day by Alexandros Laios, who captures successive color hues from various stages of the day using theater filters; and Ami Yamasaki’s Whispers travel and whisper to you again, a sculptural installation made entirely of paper that rustles to the touch, emitting a ‘symphony of whispers’ meant to weave together sensations and sounds from Japan and Crete.
SB: For the art prize, the foundation gives money for production, and this is not something that happens commonly in Greece, if at all. So aside from the award, we support a big part of the production of a unique site-specific work. The selection committee is comprised of five people who come from museums, landscape design, visual arts, and academia. There is an intense engagement and discussion with the artist. An important aspect is Gina’s direct involvement in the whole process. When we met for the first time, I was amazed by her astute, very clear views regarding the quality of art. Sometimes I have the feeling that we pamper artists, but to produce something interesting they have to get out of their comfort zone and be confronted with a curator, collector, or institution with an interesting vision. Gina says, ‘Trust my eye, trust the way I look at things. It is different from yours, and it may be different also from the way artists look at things, but only with this synergy can great art be produced.’
It’s important for artists to find their way back to a community of people learning and living together that involves critics, curators, collectors, and other artists. Whenever great art was produced in the history of Modernism, this kind of connection existed. I have met very few collectors that understand the notion of teamwork, and Gina is one of them. It is important to embrace everybody, including the people who work at the hotel. I have seen them asking interesting questions and sitting together with us, with the curators and artists and visitors, discussing the work. As Gina has said, it’s not about taking, it’s about giving, about inspiring.
Cathryn Drake is a freelance writer and editor who has contributed to Artforum, e-flux Criticism, Kathimerini, and Wall Street Journal, among other publications.
Published on July 18, 2023.
Caption for full-bleed image, from top to bottom: 1. Gina Mamidaki. 2. Reception of Minos Beach Hotel. 3. Installation view of Come with the Wind (2019) by Theodoros Zafeiropoulos and Yorgos Rimenidis. 4. Installation view of Nomadic Murals (2023) by Maro Fasouli. 5. Installation view of Day (2023) by Alexandros Laios. All artwork photography by Loukianos Arnaoutakis.
