Tuesday, May 6, 2025
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ARTISTAS POR MOVIMIENTO

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AMM
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Yellow
Yellow

Los historiadores del arte emplean diversas maneras de agrupar el arte mundial, dentro de un sistema de clasificación, donde la producción permanente de obras de arte a través del tiempo y el espacio se subdividen en grupos. Cada agrupación, es definida bajo la percepción de que las obras de arte incluidas comparten una calidad específica o un conjunto de cualidades, que resultan significativas. Por significativo, se considera el enfoque específico de un artista; ya sea aspectos formales, estilísticos, iconográficos, temáticos u otros aspectos del arte. En tanto, la definición de agrupación refleja la evaluación realizada acerca de la naturaleza de las conexiones significativas entre las obras de arte, y a la vez, entre el arte y su contexto más amplio. Las artes occidentales, en general se estructuran por movimientos artísticos signados por criterios culturales y estéticos, mientras que las artes orientales se subdividen en períodos, definidos por marcadores político- dinásticos.

Arte del Antiguo Egipto
Early Dynastic Period (3150 – 2686 BC)
Old Kingdom (2686–2181 BC)
1st Intermediate Period (2181–2055 BC)
Middle Kingdom (2055–1650 BC)
2nd Intermediate Period (1650–1550 BC)
New Kingdom (1550–1069 BC)
Amarna Period (1351 - 1334 BC)
3rd Intermediate Period (1069–664 BC)
Late Period (664–332 BC)
Ptolemaic Period (332–30 BC)
Roman Period (30 BC - 640 AD)

Arte de la Antigua Grecia
Periodo geométrico
Archaic Period (700-480 BC)
Classical Period (480 - 323 BC)
Hellenistic Period (323-31 BC)

Arte medieval
Arte Bizantino
Arte Prerrománico
Arte Románico
Arte Gótico
Arte medieval
Arte copto

Arte del Renacimiento
Proto Renacimiento
Bajo Renacimiento
Alto Renacimiento
Manierismo (final del Alto Renacimiento)
Renacimiento del Norte

Western Post Renaissance Art
Barroco
Pintura del Siglo de oro neerlandés
Rococó
Neoclasicismo
Romanticismo
Orientalismo
academicismo
Realismo

Arte moderno
Naturalismo
Simbolismo
Impresionismo
Arte Naíf (Primitivismo)
Arts and Crafts
Tonalismo
Neoimpresionismo
Posimpresionismo
Nuevo Realismo (Realismo Americano)
Expresionismo
Realismo Social
Arte Nuevo
Sezession
Esteticismo
Cubismo
Arte Abstracto
Suprematismo
Vanguardismo
Futurismo
Dadaísmo
Constructivismo
De Stijl (Neoplasticismo)
Pintura Metafísica
Modernidad
Realismo Mágico
Rayonismo
Art Decó
Sincromismo
Vorticismo
Surrealismo
Purismo
Precisionismo
Renacimiento de Harlem (Nueva Negro Movimiento)
Las Artes Incoherentes
Indigenism
Regionalismo
Realismo Social
Pictorialismo
New Medievialism
Muralismo
Neoromanticismo
Existencialismo
Letrismo
Joven Polonia
Expresionismo Abstracto
Pintura Espacial de la India
Orfismo (Simultanismo)
Informalismo
Tachisme
Haute Pâte (Matter Painting)
Cubo-Futurismo
Neo-Concretism
Accionismo vienés
Performance
Neosurrealismo
Transautomatismo
Sots Art
Abstracción pospictórica
Abstract Illusionism
Arte feminista
Modernismo
Fiber Art
Realismo Analítico
Arte postal
Nueva Objetividad (Neue Sachlichkeit)
Arte Marginal (Art Brut)
Art Singulier
Arte concreto
Neoexpresionismo
Neodadaísmo
Neofiguración
Arte Cinético
Espacialismo
Arte povera
Arte Disidente Soviético
Op Art
Arte Pop
Nuevo Realismo
New Generation Sculpture
Classical Realism

Arte contemporáneo
Arte Conceptual
Excessivism
Minimalismo
Posminimalismo
Light and Space
arte ambiental
Junk Art
Kitsch
CyberArt
Arte relacional
Funk art
Fotorrealismo (Super-Realismo, Hiperrealismo)
Poster Art Realism
Neo-Conceptualism
Realismo Contemporáneo
P&D (Pattern and Decoration)
New Image Painting
Transavantgarde
Pittura Colta
Arte Confessional
Nueva Pintura Europea
Neo-pop Arte
Neominimalismo (Neo-Geo)
Maximalism
Neo-Orthodoxism
Arte Urbano
Arte Lowbrow
Stuckismo
Provisional Painting (New Casualism)
Fantasy Art
Internet art (Net art)
Futuretech Art
Net-Art
Arte digital
Arte de los nuevos medios
Postcolonial art
Institutional Critique
Postinternet
Arte contemporáneo
Chicano art movement
Black Arts Movement

Arte de China
Dinastía Tang
Five Dynasties and Ten Kingdoms (907–960)
Northern Song Dynasty (960–1126)
Southern Song Dynasty (1127–1279)
Dinastía Yuan
Dinastía Ming
Dinastía Qing
República de China
Movimiento de la Nueva Cultura
People's Republic of China (1949-present)
New Ink Art

Arte coreano
Joseon Dynasty
Korean Informel
Dansaekhwa (Korean Monochrome Painting)

Arte de Japón
Muromachi period (1392–1573)
Azuchi-Momoyama period (1573–1603)
Período Edo
Meiji Period (1868–1912)
Era Taishō
Era Shōwa
Ero-guro

Arte islámico
Abbasid Period (750–1258)
Ilkhanid Period (1256–1353)
Timurid Period (c.1370–1507)
Ottoman Period (before 1600)
Süleyman the Magnificent Period (1520–1566)
Mughal Period (after 1600)
Ottoman Period (after 1600)
Safavid Period (before 1600)
Safavid and Qajar Periods (after 1600)
Native Art
Native Art
Yoruba Art
Arte folclórico
Arte precolombino
Post-classic (c.900-1580)
Perez Art Museum PAMM
Pérez Art Museum Miami

Art of Black Miami (AOBM) Podcast Series 3

Por
AMM
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GMCVB Launches Art of Black Miami Podcast Series 3
GMCVB Launches Art of Black Miami Podcast Series 3

Greater Miami Convention and Visitors Bureau (GMCVB) launches Art of Black Miami (AOBM) Podcast Series 3

With a new lineup of guests, the podcast continues to amplify emerging and established artists’

voices in Greater Miami and Miami Beach

The Greater Miami Convention and Visitors Bureau (GMCVB) unveils the third installment of its Art of Black Miami (AOBM) Podcast Series which was created by its Multicultural Tourism & Development Department (MTDD). The Podcast Series 3 is an extension of the GMCVB’s AOBM programming and amplifies and celebrates the rich cultural heritage of Greater Miami and Miami Beach’s diverse communities, while providing emerging and experienced artists with a growing platform to share their creative expression.

From now until September, listeners can expect a monthly release of new, 20- to 25-minute episodes, hosted by curator and arts advocate, Rosie Gordon-Wallace, and produced by Fresh Art International.

“We’re stepping into new, thought-provoking territory with our lineup of guests for the third season of the AOBM Podcast Series as we continue our commitment to promoting diversity and inclusivity in the arts,” said Connie Kinnard, senior vice president of the GMCVB’s MTDD. “Miami-Dade County’s diverse communities are melting pots of creativity, and our podcast provides a powerful platform for artists to share their stories, inspirations and artistic journeys.”

Organized by Petra Brennan, director of tourism business enhancement programs for the GMCVB’s MTDD, the AOBM Podcast Series 3 guest line-up includes a diverse group of artists bringing awareness to the contributions of Black, Hispanic, Afro-Latinos, LGBTQ+ and multi-generational artists from local, national and international notoriety. Some of the artists include Nate Dee, Carl-Philippe Juste, Thom Wheeler Castillo and more. 

“The AOBM Podcast Series allows us to shine a positive light on those in our community who continue to innovate, create and pave the way for Miami’s artists and creatives,” said Yvette N. Harris, GMCVB board member and chair of the multicultural committee.

First introduced in 2021, the AOBM Podcast has gained popularity among art enthusiasts and cultural aficionados in Miami and beyond. Delivering engaging and thought-provoking conversations, the in-depth interviews with artists from various disciplines share their unique perspectives on the creative process, their inspirations and how their experiences throughout Greater Miami and Miami Beach have influenced their artwork.

To listen to the AOBM Podcast Series 3, visit GMCVB’s website at www.MiamiandMiamiBeach.com or subscribe on major podcast platforms, including Spotify. A line-up of the 2023 AOBM Podcast Series 3 schedule is included below.

For more information about the Art of Black Miami, please visit www.ArtofBlackMiami.com

2023 Podcast Schedule:

●  April 17, Nate Dee − Born and raised in South Florida, Nathan Delinois (aka Nate Dee) recognizes numerous influences on his art, including his Haitian background and the use of color in Haitian art, as well as street art. The design quality of the Art Nouveau movement and the drama of Greek art from the Hellenistic period can be seen in his work.

●  May 15, Carl-Philippe Juste − Under the threat of persecution, Haitian-born Juste and his politically active family were forced to flee their homeland in 1965, eventually settling in Miami’s Haitian community. Since 1991, Juste has worked as a photojournalist for The Miami Herald. He is a recipient of the prestigious Knight Foundation Arts Challenge grant to support work on his book and exhibit of photographs and essays about Cubans’ and Haitians’ lives and shared humanity.

●  June 20, Thom Wheeler Castillo − Living and working in Miami, Castillo explores an interdisciplinary approach, entwining art history, earth science, Queer politics and anthropology. Castillo produces works through experimentation and partnerships that nurture his studio practice. He is currently an artist-in-residence Studio Fellow with the Diaspora Vibe Cultural Arts Incubator (DVCAI) and a 2023 recipient of DVCAI’s Catalyst award.

●  July 17, Anthony Reed − Anthony Renelle Reed II, better known in the art community as ‘Mojo,’ is a professional contemporary artist based in Miami. His upbringing in St. Louis, Missouri, grounds his perspective on making art – inspiring him to bring uplifting awareness to his community through his paintings and murals. Since he moved to Miami in 2018, a series of residencies, commissions and partnerships have supported his vibrant depictions of Black American culture.

●  August 21, Shawna Moulton − Moulton is a multi-disciplinary artist and art educator based in South Florida. She was born in Freeport, The Bahamas, raised in Kingston, Jamaica, and then migrated to the United States. Ever since she discovered the magic of art, she has been manifesting her creativity in drawings, paintings, sculptures and paper making. Her art reflects her search for identity through her heritage as an immigrant in America with deep connections to the Caribbean and the African diaspora.

●  September 18, Marjaries Marmolejos − Born in the Dominican Republic, Marmolejos has lived in the United States since he was eight years old. The hip-hop influence in his work comes from growing up in the South Bronx as a child and loving hip-hop culture. A professional artist for more than 10 years, he has worked in Wynwood, Allapattah and Liberty City.

GMCVB Launches Art of Black Miami Podcast Series 3

About the Greater Miami Convention and Visitors Bureau (GMCVB):

The Greater Miami Convention & Visitors Bureau (GMCVB) is an accredited, independent not-for-profit sales and marketing organization whose mission is to attract visitors to Greater Miami and Miami Beach for leisure, business, meetings and conventions. For additional information, visit www.MiamiandMiamiBeach.com/About-GMCVB or call 305-539-3000. Stay connected with the GMCVB by following us on our corporate communications and external affairs social media channels: Twitter.com/GreaterMiamiCVB and LinkedIn.com/GreaterMiamiConvention&VisitorsBureau.

Perez Art Museum PAMM
Pérez Art Museum Miami

Megafauna Land Dwellers

Por
AMM
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Exhibition Opening: Megafauna Land Dwellers
Exhibition Opening: Megafauna Land Dwellers

Exhibition Opening: Megafauna Land Dwellers

Megafauna Land Dwellers featuring works by 27 YoungArts award winners

Curated by Naomi Fisher (1994 Visual Arts)

With the exhibition Megafauna Land Dwellers, YoungArts presents an exploration of pressing environmental issues through art created by 28 dancers, designers, photographers, visual artists and writers. Curated by Naomi Fisher (1994 Visual Arts), artist, curator and co-founder of Bas Fisher Invitational (BFI), the group exhibition highlights works that respond to vital topics such as eco-feminism, nature and wildlife conservation, artificial landscapes, activism and biodiversity. 

Fisher’s artistic and curatorial practices are defined by humanity’s interaction with nature and its’ impact on the planet, as well as the inspiration natural forms have on how humans build and decorate dwellings, design functional objects and inspire art. For Megafauna Land Dwellers, these considerations are expanded into a larger and more textured dialogue through interdisciplinary and intergenerational voices. 

“We are at a critical time on planet earth, the urgency to change our lifestyles to combat climate change is clear based on many scientific reports, yet not enough action to reduce carbon in the necessary timeline is underway,” says Naomi Fisher. “Sometimes there is despair, and art brings us back to a place of contemplation through visual explorations of ideas rooted in many mediums. Art enlightens our awareness of how we perceive, interact with, and rely on nature.”

YoungArts’ annual spring exhibition provides a space for an intergenerational group of artists across disciplines to present work that contemplates pressing issues from our past and present that affect our future. Invited guest artists or curators expand on the idea of conventional exhibition-making to embrace the idea of mentorship and peer-to-peer exchange between artists that are part of the YoungArts community and beyond. 

Participating artists, who are all YoungArts award winners from the last 40 years are:

  • Priscilla Aleman, 2009 Visual Arts & U.S. Presidential Scholar in the Arts
  • Lizette Avineri, 2007 Visual Arts
  • Andie Aylsworth, 2018 Visual Arts
  • Marcus Bui, 2023 Photography
  • Liza Butts, 2012 Visual Arts
  • Catherine Camargo, 2017 Visual Arts
  • Michelle Chen, 2016 Writing
  • Juan Jose Cielo, 2015 Visual Arts
  • Zoe Dorado, 2023 Writing
  • Mackenzie Duan, 2023 Writing
  • Nicole Eisenman, 1983 Visual Arts
  • Charlotte Gagliardi, 2023 Design Arts
  • Ava Tiye Kinsey, 2004 Writing & U.S. Presidential Scholar in the Arts
  • Smriti Krishnan, 2012 Dance
  • Olivia Le, 2023 Writing
  • Michael Loveland, 1991 Visual Arts
  • Jonathan Lovett, 2019 Photography
  • Lilly Mitrani, 2023 Photography
  • Zora Nooks, 2023 Photography
  • Isabel Oliva, 2017 Visual Arts
  • Lee Pivnik, 2014 Visual Arts
  • Coralina Rodriguez Meyer, 2000 Visual Arts
  • Vinicius de Aguiar Sanchez, 2007 Visual Arts
  • Nicole Salcedo, 2006 Visual Arts
  • Zoe Schweiger, 2018 Visual Arts
  • Nadir Souirgi, 1994 Visual Arts
  • Cornelius Tulloch, 2016 Design Arts & Visual Arts & U.S. Presidential Scholar in the Arts
  • Gabrielle Vitollo, 2008 Visual Arts

This exhibition, and all YoungArts programming, is made possible with the generous support of numerous corporations, foundations, and individuals. Please visit youngarts.org/donor-recognition for a complete list of donors.

About Naomi Fischer

Naomi Fisher, born and based in Miami, graduated with a BFA in Photography from the Maryland Institute College of Art, and since, her medium has expanded to include painting, drawing, sculpture, performance, video and site-specific installation, often in collaboration with dancers. 

Since 2015 Fisher has completed a number of major public art sculptures including five permanent artworks integrated into the architecture at 2020 Salzedo for Codina Partners in Coral Gables, as well as projects for Givenchy, the Oslo Kommunes Kunstsamling, the Henry, Fairchild Tropical Botanic Gardens, and the Underline Park.

Since 2004, Fisher has directed the W.A.G.E. certified 501c3 exhibition platform BFI (Bas Fisher Invitational). She has been the chair of the Visual Arts panel awarding and mentoring top high school art students with YoungArts; lectures and does studio visits in schools like Princeton’s architecture program, Rogaland Kunstsenter, Norway; the University of Florida’s Visual Arts Program, and the CUNY photography program.

Fisher’s work has been exhibited internationally at the Palais de Tokyo, Paris; Halle für Kunst, Luneburg; Kemper Museum, Kansas City; Kunsthalle Wien, Vienna; Kunsthaus Baselland, Basel; Vizcaya Museum & Gardens, Miami; and the Deste Foundation, Athens. Her work is included in the collections of the Hirshhorn Museum & Sculpture Garden, San Francisco Museum of Modern Art, the Museum of Fine Art Boston, the Rubell Family Museum, ICA Miami, PAMM, and more. 

About YoungArts

Established in 1981 by Lin and Ted Arison, YoungArts identifies exceptional young artists, amplifies their potential, and invests in their lifelong creative freedom. YoungArts provides space, funding, mentorship, professional development and community throughout artists’ careers. Entrance into this prestigious organization starts with a highly competitive application for talented artists ages 15–18, or grades 10–12, in the United States that is judged by esteemed discipline-specific panels of artists through a rigorous blind adjudication process. 

Perez Art Museum PAMM
Pérez Art Museum Miami

FRESCO Art Exhibition Opening at Lucid Gallery

Por
AMM
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FRESCO Art Exhibition Opening at Lucid Gallery
FRESCO Art Exhibition Opening at Lucid Gallery

FRESCO Art Exhibition VIP Opening at Lucid Gallery, Miami Design District

@LucidDesignDistrict

Thu May 4, 2023.

Following a highly successful grand opening during Art Basel Miami 2022, Lucid Design District announces its second group exhibition, “Fresco” curated by Graciela Montich. The Opening Reception will take place on Thursday, May 4, 2023, from 6:00-8:00 pm, at Lucid Design District, 10-12 NE 41st St, Miami, FL, 33137. All are welcome and the event is free with RSVP via Eventbrite or at [email protected].

12 international artists combine young, daring, agile expressions, alive in themselves and a refined purity that materializes a sense of freshness in the soul. View a great diversity of artistic media such as traditional painting, textile art, sculptures, digital animation using abstract techniques, collage, pointillism, paper, fabrics, wool, and more. Participating artists are Alejandra Stier (Argentina), Anne Beatriz (Brazil), Emilie Gosselin (Canada), Graciela Montich (Argentina, Curator), Hiba Alyawer (Washington D.C.), Payal Tak (Miami, Director), Robert Frankel (Chicago), Sandra De Souza (Peru), Silvina Chialva (Argentina), Simi Bhandari (Washington D.C.), Tanja Ličina (Serbia), Victoria Lopez (Argentina). FREE!

Fresco examines, through a wide and diverse body of works, the idea of a ‘fresh start’. For the thirteen participating artists, ‘fresh start’ could mean the simple thrill of applying paint on a blank canvas, or it can infer a life change, career move, or a traumatic turn of events. These life experiences are fundamental components of the artistic process and metaphysical journey.

No matter the circumstances, what binds these artists together is the incessant need to create and communicate. They bring their inner world outside, and make subconscious, conscious. The exhibition is the embodiment of fresco, an ideal world accessible to all who wish to find it.

Lucid Design District aims to be a conduit of communication between emerging and mid-career artists and collectors and art lovers. As both artists and gallerists, owner Payal Tak and curator Graciela Montich can help potential collectors find their perfect match. The collector should first love the work and then learn the story behind the work and the artist’s intent. The art collector can then evaluate the investment potential or art enthusiast find the style that fits interior design scheme.

Interior design trends come and go, but art is timeless. If decorating the home or office is the primary goal, Fresco will be an exhibition of over 75 works to choose from.

Maximalist Interior Design:

Art can be playful and bold with a mix of patterns, colors, and textures.

Marianela Pérez is a visual artist who has developed her voice in painting, photography, and digital art. Photography is pivotal in all of her work in which she transforms the apparently visible (i.e., urban landscapes and everyday objects) into abstract and unique outcomes.

Simi Bhandari borrows from the visual vocabulary that surrounds us. Form and color play an intense role, as they seek to provide meaning and purpose to these works. Using spatial patterns and color shifts, her process is constantly evolving.

Hiba Alyawer, Epic Dream, 2022. Acrylic.
Hiba Alyawer, Epic Dream, 2022. Acrylic.

Hiba Alyawer’s mental refuge as a child as she waited out bomb attacks during Desert Storm with her family. She drew and painted skies in bullet colors, on whatever scraps of paper and cardboard her father could find. Alwayer’s bold and colorful personality are evident in all her work. Her acrylic paintings such as “Epic Dream”, mixed media works and sculptures are infused with vivid and bright colors and varied textures. Scratches and splashes of paint represent life’s unexpected surprises.

Anne Beatriz is a Brazilian abstract artist who creates vibrant art to brighten up any spot. Beatriz often incorporates lace and thread in her style, thus invoking the sense of touch in her art. Leveraging spray paints, oil chalk, acrylic inks and much more, she creates color rich art.

Emilie Gosselin is a French-Canadian artist from Quebec who loves art and colors and finds inspiration in women. Gosselin works her paintings in successive layers. She mixes dripping, knife technique and brushes in her work. She loves working with epoxy resin to complete her works.

Sandra De Souza’s Peruvian roots are a strong influence on her style, characterized by unique, organic textures and bold, bright colors. After relocating to Miami, she was inspired to try new styles and techniques and creates mostly larger-scale pieces, from abstract to surrealist-inspired mixed media paintings.

Robert Frankel is an abstract artist who lives and works in Chicago. His artwork is intuitive and non-conceptual. Many of Frankel’s paintings feature contrasting bright colors along with unusual shapes and patterns.

Sustainable Interior Design:

Not a trend, but a commitment and something that has been embraced by artists since the beginning of time such as upcycle and textile art.

Silvina Chialva’s art is based on imperfection — she is a finder of beauty of the imperfect. Her pieces are done entirely on wool felt, which is cut, dyed, and knitted by hand piece by piece. Each piece is an eternal journey to Patagonian fields. The use of color and the imperfection of manual intervention, makes each object unique and different.

Graciela Montich works with oils on pure linens from Chile. Managing the linen gives freedom to her work and lets her brushes go everywhere with no ends. Montich expresses her interest for the natural world, which she defines as the physical and material world that remains in its original state without the intervention of human beings, as opposed to their artificial world.

Participating artists include: Alejandra Stier (Buenos Aires), Anne Beatriz (Sao Paulo), Emilie Gosselin (Quebec, CA), Graciela Montich (Córdoba, AR), Hiba Alyawer (Washington D.C.), Marianela Perez (Miami), Payal Tak (Miami), Robert Frankel (Chicago), Sandra De Souza (Lima), Silvina Chialva (Córdoba, AR), Simi Bhandari (Washington D.C.), Tanja Ličina (Croatia), Victoria Lopez (Córdoba, AR).

 Payal Tak who is also a participating artist states, “I don’t create art to produce a masterpiece that is written up in magazines or published in art books. I have been designing my art journey to keep propelling me towards new discoveries and new ideas through which I can discover the hidden personalities of color and form. My art is a reflection of my free mind.”

In “To the Core” Tak’s technique mirrors pointillism. Seven rings filled with textural dots are like tree rings that graduate from dark to light with the core being white. When speaking about her diverse art styles Tak explains, “I use un-textured paint to develop textures without mixing external mediums but by simply placing layers upon layers on each other; I use kitchen tools to give shapes to my works.”

Victoria Lopez, Motion.
Victoria Lopez, Motion.
Alejandra Stier, Fly with Nature and Gratitude. 80cm x 50cm or 32”x20”.
Alejandra Stier, Fly with Nature and Gratitude. 80cm x 50cm or 32”x20”.
Tanja Ličina, Tree Leans on Tree. 90cmx120cm. Oil on Canvas.
Tanja Ličina, Tree Leans on Tree. 90cmx120cm. Oil on Canvas.

Tanja Ličina has developed her unique approach to abstract drawing and oil paintings on canvas. She examines different concepts and norms within contemporary societies as well as her own inner worlds mainly focusing on subconscious, absurdity, nothingness, fluidity of time and concept of death/endings, sexual orientation, and gender roles. These concepts are conveyed in works such as “Tree Leans on Tree” – minimal and clear constructivist forms and she accomplishes voluminosity with a valerian sequence of intensive, frequently warm shades.

About Lucid Design District:

Established in 2021 as a studio and exhibition space for founder Payal Tak’s personal artwork, Lucid Design District opened as an art gallery during Art Basel Miami 2022. The gallery is located on Miami Design District’s “art corner” next to Museum Garage and across the street from the de la Cruz Collection and the Institute of Contemporary Art, Miami. The idea of Lucid Design District was born from Tak’s desire to connect with the community through collaborative art exchanges. Lucid Design District will host group exhibitions, educational art talks, and artist networking events. The 3700-sf space is also an ideal environment for design-focused networking events and features a large reception or performance area; 8 curio-style ‘idea spaces’ for solo artist showcases or breakout sessions; a full-size kitchen; and 75’ long outdoor seating or parking area with lights; and a large wall for art installations.

Opening Reception: Thursday May 4 2023 | 6-8pm| Free with RSVP

Gallery Hours: 11 am – 5 pm Tuesday through Saturday. Additional hours by appointment.

Closing Date: Sunday August 13 2023

Perez Art Museum PAMM
Pérez Art Museum Miami

¿Qué es un Podcast?

Por
AMM
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Miami Podcasts Studio
Miami Podcasts Studio

Estudios de grabación y producción Podcast en Miami, FL.

¿Qué es un Podcast?

Un podcast es un programa de audio digital que se puede descargar o transmitir en línea. Los podcasts suelen ser episódicos y están disponibles en una amplia variedad de temas, desde noticias y política hasta deportes, entretenimiento y educación. 

A diferencia de la radio tradicional, los podcasts se pueden escuchar en cualquier momento y lugar; y los oyentes pueden suscribirse a sus programas favoritos y recibir actualizaciones automáticamente. 

Los podcasts también suelen contar con una mayor libertad creativa, lo que permite a los presentadores hablar de manera más informal y explorar temas más a fondo. En resumen, un podcast es una forma de contenido en audio digital que ofrece una experiencia de escucha personalizada y conveniente.

¿Qué tipo de podcast existen?

Existe una gran variedad de temas que se pueden desarrollar en un podcast, estos incluyen:

Entrevistas a personas interesantes o expertas en un tema específico o que revistan interés para la comunidad. 

Noticias y actualidad, donde se comentan y discuten las noticias o los acontecimientos recientes de mayor interés. 

Comedia, utilizando chistes y humor para entretener al público. 

Historias y narraciones, donde se cuentan historias, anécdotas o narraciones interesantes.

Educación: donde se debaten diferentes temas educativos o se brinda información útil.

Tecnología: donde se comentan y discuten noticias, novedades y temas de actualidad relacionados con la tecnología.

Deportes: donde se comentan y se conversa sobre diferentes noticias y acontecimientos deportivos.

Cultura y sociedad: donde se debaten aquellos temas relacionados con la cultura, actividades culturales, la sociedad y las ciencias sociales.

Ficción: donde se presentan historias ficticias y dramatizaciones.

Religión y espiritualidad: donde se intercambian temas relacionados con la religión y los diferentes puntos de vista de la espiritualidad.

Podcast para latinos en Miami

Existen varios podcasts dirigidos a latinos en Miami, algunos de los más populares son:

“No Seas Bobo” Es un podcast divertido y educativo sobre cultura, noticias y entretenimiento en Miami y el mundo latino.

“Hablemos de Dinero” Este  podcast en español  ofrece consejos y estrategias financieras para la comunidad latina en Miami.

“Loca por la Moda”  Tal como su nombre lo indica, es un podcast de moda y estilo de vida para mujeres latinas en Miami.

“En la Jugada Radio” – Un podcast de deportes para los amantes del fútbol y otros deportes populares en Miami.

“El Show de Carlucho” Podcast de entretenimiento que incluye entrevistas con celebridades, noticias, comedia y mucho más, para la comunidad latina en Miami.

“Let’s Talk”, de Rafael Montilla. Este podcast se enfoca en entrevistas con líderes y personalidades influyentes en la comunidad de arte de Miami, cubriendo amplios temas sobre arte, cultura, negocios y más.

Estos son solo algunos ejemplos de los muchos podcasts disponibles para latinos en Miami.

¿Qué se requiere para tener un podcast?

Para tener un podcast, se necesitan algunos elementos clave; estos son:

  • Un tema o tema central: Decide sobre qué tema quieres hablar en tu podcast. Puede ser cualquier cosa, desde deportes hasta noticias, comedia, tecnología, negocios, literatura, música, entre otros.
  • Equipo de grabación: Necesitas un micrófono de buena calidad para grabar tu voz y la de tus invitados, una interfaz de audio y software de grabación en tu computadora. También puedes usar un teléfono inteligente si tienes una buena calidad de grabación en tu dispositivo
  • Hosting de podcast: Necesitarás una plataforma de alojamiento de podcast para cargar y alojar tus episodios de podcast. Hay varias opciones disponibles, bien sea gratuitas o pagas.
  • Edición de audio: Para que tu podcast suene bien, necesitarás editar los archivos de audio, eliminar los errores y agregar música y efectos de sonido.
  • Diseño de portada: Crea una imagen de portada llamativa para tu podcast que atraiga a tus oyentes potenciales.
  • Estrategia de promoción: Una vez que tengas tu podcast, debes promocionarlo a través de las redes sociales, publicidad en línea, colaboraciones y otras tácticas de marketing y así llegar a un público más amplio.
  • Con estos elementos en su lugar, estarás en camino de lanzar y mantener un exitoso podcast.

En cuanto a los requerimientos del estudio para el podcast

Para tener un estudio de grabación para un podcast se requiere lo siguiente:

  • Un espacio adecuado: El espacio debe ser lo suficientemente grande para acomodar el equipo necesario y proporcionar una buena acústica para la grabación.
  • Equipo de grabación: Esto es, un micrófono de alta calidad, una mezcladora de audio, una interfaz de audio, un computador y software de edición de audio; ingredientes esenciales para la grabación y producción del podcast.
  • Auriculares: Se necesitan auriculares para monitorear el audio durante la grabación y asegurarse de que todo suene bien.
  • Conexión a internet: La conexión a internet es necesaria para subir y descargar archivos, colaborar con invitados y promocionar el podcast
  • Iluminación: Es importante tener buena iluminación en el estudio para la grabación de video y fotografías que puedan ser utilizados para la promoción del podcast.
  • Muebles y accesorios: Es recomendable tener sillas cómodas y una mesa para los participantes, así como estanterías para almacenar el equipo y otros accesorios de grabación.
  • Aislamiento acústico: Para tener una mejor calidad de sonido es recomendable tener paredes aislantes de sonido o utilizar materiales que puedan mejorar la acústica del espacio.
  • Planificación: Es importante tener un plan de producción y un calendario de grabación para mantener una frecuencia regular en la publicación de los episodios y una planificación adecuada de los contenidos.

Podcast con audio y video 

Si deseas producir un podcast con audio y video, necesitarás algunos elementos adicionales, además de los requisitos básicos mencionados anteriormente; estos son los siguientes:

1. Cámara: Necesitarás una cámara para grabar el video de tu podcast. Pero si estás en un presupuesto limitado, incluso una cámara web o la cámara de tu smartphone puede ser suficiente para empezar.

2. Micrófono de calidad: Para asegurarte de que el audio de tu podcast sea claro y de alta calidad, necesitarás un micrófono de calidad. Si estás grabando tanto audio como video, es importante que el micrófono pueda capturar ambos sin comprometer la calidad.

3. Software de edición de video: Para editar y publicar el video de tu podcast, necesitarás un software de edición de video. Hay muchas opciones disponibles, desde programas gratuitos hasta opciones profesionales.

4. Iluminación adecuada: La calidad de la iluminación es importante para crear un buen video. Si estás grabando en un estudio, puedes invertir en luces de estudio profesionales. No obstante, si estás en un presupuesto limitado, podría ser suficiente una buena iluminación natural.

5. Espacio adecuado: Si planeas grabar un podcast con video, necesitarás un espacio adecuado para hacerlo. Esto podría ser un estudio dedicado a este fin o simplemente un espacio en tu hogar que puedas acondicionar para grabar.

Con estos elementos en su lugar, estarás listo para grabar y producir un podcast con audio y video de alta calidad.

Precios de estudio de podcast

Los precios de un estudio de podcast pueden variar dependiendo del lugar donde se encuentre y de los servicios que se ofrezcan. En general, se puede esperar pagar entre $50 y $150 por hora de uso de estudio, y algunos estudios también ofrecen paquetes que incluyen la producción y edición del podcast por un precio adicional.

Además del costo del uso del estudio, también se debe tener en cuenta el costo del equipo necesario para grabar el podcast, como micrófonos, mezcladores de audio y software de edición. Estos costos pueden variar dependiendo de la calidad y la cantidad de equipo que se necesite.

En resumen, el precio de un estudio de podcast dependerá de muchos factores diferentes, pero se puede esperar pagar varios cientos de dólares por sesión si se incluyen servicios adicionales como la producción y edición.

Perez Art Museum PAMM
Pérez Art Museum Miami

Gabriela Casanova

Por
AMM
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Gabriela Casanova
Gabriela Casanova

Gabriela Casanova lidera uno de los mejores restaurantes de Miami

A paso lento pero seguro, hay un restaurante que se ha posicionado como uno de los mejores de Miami. Con una comida de primera y una atención de igual calidad Miami To Brasil Rodizio es el favorito de muchos desde que se inauguró, hace dos años. Su propietaria es una digna inmigrante cubana, que en su país era química industrial, pero aquí llegó a esforzarse a buscar oportunidades donde las hubiera. Su nombre es Gabriela Casanova y es un nombre que hay que grabarse en la mente porque amaga con dejar una gran huella en la gastronomía de la ciudad y del país. Paradójicamente, Gabriela, con el apoyo incondicional de su familia, dio forma a la idea de crear Miami To Brazil Rodizio al salir de una crisis económica que la había llevado a vender hot dogs en un puesto en la calle. Tras un diluvio que la empapó decidió hacer una apuesta más grande. Ahora Miami To Brasil Rodizio es un espléndido local dividido en dos, en pleno corazón de Kendall. Como su nombre da a entender, el restaurante se especializa en carnes servidas al estilo brasileño, con meseros (llamados “gauchos”) que ofrecen distintos cortes constantemente a los comensales. Todo, más diversos acompañantes, por un único precio. La propuesta resulta atractiva para los paladares y los bolsillos, y la prueba está en que Miami To Brazil Rodizio no da abasto, está constantemente al tope, en especial los jueves, viernes, sábados y domingos. Gabriela reconoce que es adicta a las buenas carnes, por lo cual pone un cuidado extra a lo que se sirve en su local. “Fusionamos las carnes y técnicas de cocción propias de los brasileños con la sazón de la comida cubana”, reconoce la empresaria. La carne al estilo rodizio implica que los diferentes cortes de carne se elaboran al grill, o se cocinan al carbón. En Miami To Brazil Rodizio el buen comer está garantizado. En general, el buen rato está garantizado ya que, inclusive, hay un área a la vista de los padres donde los niños pueden jugar. “He creado un ambiente para que padres e hijos se puedan relajar por igual”, asegura.

Perez Art Museum PAMM
Pérez Art Museum Miami

Gabriela Casanova, cubana emprendedora

Por
AMM
-
Gabriela Casanova
Gabriela Casanova

Gabriela Casanova es un buen ejemplo de cubana emprendedora

A paso lento pero seguro, hay un restaurante que se ha posicionado como uno de los mejores de Miami. Con una comida de primera y una atención de igual calidad Miami To Brasil Rodizio es el favorito de muchos desde que se inauguró, hace dos años. Su propietaria es una digna inmigrante cubana, que en su país era química industrial, pero aquí llegó a esforzarse a buscar oportunidades donde las hubiera. Su nombre es Gabriela Casanova y es un nombre que hay que grabarse en la mente porque amaga con dejar una gran huella en la gastronomía de la ciudad y del país. Paradójicamente, Gabriela, con el apoyo incondicional de su familia, dio forma a la idea de crear Miami To Brazil Rodizio al salir de una crisis económica que la había llevado a vender hot dogs en un puesto en la calle. Tras un diluvio que la empapó decidió hacer una apuesta más grande. Ahora Miami To Brasil Rodizio es un espléndido local dividido en dos, en pleno corazón de Kendall. Como su nombre da a entender, el restaurante se especializa en carnes servidas al estilo brasileño, con meseros (llamados “gauchos”) que ofrecen distintos cortes constantemente a los comensales. Todo, más diversos acompañantes, por un único precio. La propuesta resulta atractiva para los paladares y los bolsillos, y la prueba está en que Miami To Brazil Rodizio no da abasto, está constantemente al tope, en especial los jueves, viernes, sábados y domingos. Gabriela reconoce que es adicta a las buenas carnes, por lo cual pone un cuidado extra a lo que se sirve en su local. “Fusionamos las carnes y técnicas de cocción propias de los brasileños con la sazón de la comida cubana”, reconoce la empresaria. La carne al estilo rodizio implica que los diferentes cortes de carne se elaboran al grill, o se cocinan al carbón. En Miami To Brazil Rodizio el buen comer está garantizado. En general, el buen rato está garantizado ya que, inclusive, hay un área a la vista de los padres donde los niños pueden jugar. “He creado un ambiente para que padres e hijos se puedan relajar por igual”, asegura.

Perez Art Museum PAMM
Pérez Art Museum Miami

Book on 15 Latin American artists is presented in Miami

Por
AMM
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Kube Man performance series
Kube Man performance series

Book on 15 Latin American artists is presented in Miami

May 9, 2023 at 7:30 p.m., 15 Flourishing Latin American Artists in Miami will be presented at the Coral Gables Museum in Florida. It is the first volume of the book series 15 Latin American Artists in South Florida, conceived with the purpose of publicizing the work of creators from different Latin American countries living in South Florida.

Under the conception and editorial coordination of Venezuelan art curator and critic Katherine Chacón and Pan Paniscus Art Services, with graphic design by Olga Kelbic, this volume compiles the work of a group of artists from Argentina, Cuba, Peru, Puerto Rico, the Dominican Republic, and Venezuela. American curators Megan Carnrite, Jared Christensen, and Kelly Zhong―all MICA graduates―contributed critical essays on the work of the artists in this publication. The artists featured are: Juan Abuela (Cuba), Luis Altieri (Argentina), Morela Avilán (Venezuela), Julio Figueroa Beltrán (Cuba), Astolfo Funes (Venezuela), Maria Andreina Gonzalez (Venezuela), Luis La Rosa (Venezuela), Leonardo Moleiro (Venezuela), Rafael Montilla (Venezuela), Marianela Pérez (Venezuela), Ileana Rincón-Cañas (Venezuela), Felix Carmelo Rios (Puerto Rico), Rosario Rivera-Bond (Dominican Republic), Wuilfredo Soto (Venezuela), and Sandra Szkolnik (Peru).

According to Katherine Chacón “South Florida, and particularly the city of Miami, is an extraordinary culturally-rich community formed by the gathering of dozens of diverse groups that hail from all corners of the globe. In the art field, the confluence of creators who different traditions, styles and narratives is notable. However, these artists―whether beginning or re-starting their careers―must be inserted into a new cultural environment. They need platforms that allow them to show and discuss their work, as well as engage with professionals conversant with current critical approaches. Exhibitions, publications, talks, and other vehicles are some of the ways that artists can become integrated into the dynamic and plural cultural environment of the United States. The book series 15 Latin American Artists in South Florida was conceived to contribute to this task”.

15 Flourishing Latin American Artists in Miami is fully English-Spanish bilingual and will have an institutional distribution for public libraries, curators and interested critics. It will also be available in digital format through the ISSUU platform. For additional information, email: [email protected]

     Trina Oropeza, vice president of the non-profit organization Imago x las artes, will provide opening remarks to introduce the title.

Photo Cover: Edwar Simal Chang

Perez Art Museum PAMM
Pérez Art Museum Miami

Miami Visual Artist Studios

Por
AMM
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Mary Magdalene
Mary Magdalene

Miami Individual Artist Studios

Alette Simmons-Jiménez
345 NE 80th Street, No.236
Miami, FL 33138
Accessibility:
ADA Compliant
Free Street Parking

Brigette Hoffman
6932 NE 3rd Ave
Miami, FL 33138
Accessibility:
ADA Compliant
Free Street Parking

Brooke Frank
290 NW 73rd Street
Miami FL 33150
Accessibility: ADA Compliant
Free street parking

Carlos Betancourt
115 NW 73st
Miami Fl 33150
Accessibility: Not ADA Compliant
Free street parking

Carlos Rigau and Jessica Gispert
730 NE 79th Street
Miami Fl 33138
Accessibility: ADA Compliant
Free street parking

Carolina Sardi
260 NE 60th St.
Miami, FL 33137
Accessibility:
ADA Compliant
Free Street Parking

Chris Hausbeck
591 NW 71st street
Miami, FL 33150
Accessibility:
ADA Compliant
Free Street Parking

Ernesto Kunde
6952 NE 3rd Ave
Miami, FL 33137
Accessibility:
ADA Compliant
Free Street Parking

Gabriela Ayza Aschmann
6932 NE 3rd Ave
Miami, FL 33138
Accessibility:
ADA Compliant
Free Street Parking

Gamayuna
6947 NE 3rd ave
Miami, FL 33138
Accessibility:
ADA Compliant
Free Street Parking

Gonzalo Fuenmayor
165 NE 64th St
Miami, FL 33138
ADA Compliant
Free Street Parking

Heloisa Maia
7010 NE 4th Ct
Miami, FL 33138
Accessibility: ADA Compliant
Parking Lot

Ingrid Schindall
290 NW 73rd Street
Miami FL 33150
Accessibility: ADA Compliant
Free street parking

Igor Montoya Laske
180 NE 75th Street
Miami FL 33138
Accessibility: ADA Compliant
Free street parking

Johanna Boccardo
252 NE 68th St. Miami, FL 33138
Accessibility:
Ground Floor
Parking Lot

Juan Raul Hoyos
6940 NE 4th Ave. #103 Miami, FL 33138
Accessibility:
ADA Compliant
Parking Lot

Kandi Stirman
201 NW 73rd St
Miami, FL 33150
Accessibility:
Non-ADA Compliant
Free Street Parking

Leslie Gabaldon
7269 NE 4th Ave, #103
Accessibility:
Not ADA Compliant
Free Street Parking

Lila Lopez
294 NE 62nd St
Miami, FL 33138
Accessibility:
ADA Compliant
Free street parking

Lucia Maman
1344 NW 22nd St.
Miami, FL 33142
Accessibility:
ADA Compliant
Free Street Parking

Marielle Plaisir
165 NE 64th St
Miami, FL 33138
ADA Compliant
Free Street Parking

Paloma Teppa- Plant The Future
8484 NE 2nd Ave
Miami, FL 33131
ADA Compliant
Parking Lot

Nick Gilmore
7264 NW Miami Ct,
Miami, FL 33150
ADA Compliant
Free Street Parking

Nirvana Sherman
201 NW 73rd Street
Miami, FL 33150
ADA Compliant
Free Street Parking

Yuval Ofir
294 NE 62nd St
Miami, FL 33138
Accessibility:
ADA Compliant
Free street parking

Perez Art Museum PAMM
Pérez Art Museum Miami

Duo Show:The emptiness that is not

Por
AMM
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Duo Show:The emptiness that is not
Duo Show:The emptiness that is not

Duo Show:The emptiness that is not

“The Emptiness That Is Not” showcases the artistic endeavors of Marisa Telleria and Andres Michelena in this quest. By challenging conventional notions of materiality and form in artistic creation, and art history, these two artists emphasize emptiness, invisibility, deconstruction, and disrupting established norms pushing the boundaries of artistic expression by delving into the hidden depths within the void. Through their innovative approaches, these works dig into sensory perception itself, inviting the viewers to reconsider preconceived notions about the meaning of art, transcendence, and truth. 

Renowned for her poetic and ethereal works as well as immersive installations, Marisa Telleria navigates the void as a realm brimming with potential and metamorphosis. Drawing from her own autobiographical experiences, she imbues her artwork with profound depth and emotional resonance, exploring themes of loss and renewal. Telleria seamlessly melds traditional and ephemeral materials in her work, evoking a delicate yet mysterious aura. Her art beckons viewers to contemplate the interconnectedness of existence and the enigmatic nature of life and art itself. Through the interplay of light, color, and symbolic imagery, Telleria constructs temporary immersive environments that dissolve the boundaries between the tangible and intangible, the seen and the unseen. In doing so, she fosters an experience that transcends ordinary perception, encouraging exploration into the recesses of the subconscious.

Marisa Telleria, “Untitled”, (horizon), 2023, Fabric, wood, 30”x40”x2”

Born in Managua, Nicaragua. Moved with her family to Miami, Florida, in 1978, where she grew up and went to college, receiving a BFA in sculpture from Florida International University in Miami, FL. She holds an MFA in sculpture from Virginia Commonwealth University in Richmond, VA. Solo shows of her work have been held among others at Patrick Heide Contemporary, London, UK; Frost Art Museum, Miami, FL; Baumgartner Galleries in New York, Fusebox Gallery, in Washington DC, and Fredric Snitzer Gallery in Miami, FL. She was included in biennials at Instituto de Cultura Puertorriqueña in San Juan, Puerto Rico, El Museo del barrio, in New York, the Museo de Arte Contemporáneo in Santo Domingo, Dominican Republic and the Nicaragua Biennal in Managua, Nicaragua, as well as in group shows at the Perez Art Museum in Miami, Fl and the Albright Knox Gallery in Buffalo, NY. Her work is in several private and public collections such as the Frost Art Museum, Miami, FL; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; National Museum of Women in the Arts, Washington, DC; Weatherspoon Museum, Greensboro, NC; Brown University’s David Winton Bell Gallery, Providence, RI; Fundación Ortiz-Gurdián, Nicaragua; Fundación Rozas-Botrán, Guatemala.

Andres Michelena. Born in 1963 in Caracas, Venezuela, he studied Architecture at the Universidad Central de Venezuela from 1981 to 1986 and then in 1992 he received a Bachelor in Fine Arts at the Federico Brandt Institute of Fine Arts in Caracas. In 2000 he moves to Miami, Florida, marking a turning point on his career. He went from painting to explore new medias, installations and Video Art. In 2006 he won the 4th Prize with his piece No-Thing at the MoLAA Awards, (Museum of Latin American Art, Long Beach, California). In 2015 received an Honorable Mention at the Rozas-Botrán Awards. He has also participated in special projects as “Planair d’Ete Randezvous de Tableaux des Caribes”, Germany, 2004; VISION: A, Instituto Cervantes (around the world) 2007-2008; 1ra Trienal del Caribe, Santo Domingo República Dominicana, 2010-2011; 1ra Bienal Internacional de Arte Contemporáneo, Merida, Venezuela, 2010; REMEMBERING / PROVIDING / RESISTING, a tandem project with Eugenio Espinoza at Centro Cultural Español in Miami; El dibujo fuera de si, in Tenerife, Canary Islands, Spain, (with Magdalena Fernandez and Alejandro Otero). In 1987 he was the recipient of the Corpbanca Grant. His works are present in many private and public collections like Estrellita Brodsky’s Collection, Brillembourg-Capriles Collection, Arturo Filio, Arturo Mosquera, Lothar Muller, Miami Dade College’s Collection, JCMAC, and MoLAA’s Permanent Collection, to name a few.

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Pérez Art Museum Miami
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