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Palapa at Upper Buena Vista Kicks Off the Holiday Season with Yemen Blues and Aaron Holder

Credit - Yoav Erteschik
Credit - Yoav Erteschik

Palapa at Upper Buena Vista Kicks Off the Holiday Season with Yemen Blues and Aaron Holder

The internationally acclaimed band to perform at the open-air space on December 14 and December 15

Miami, Fla. Upper Buena Vista, the bohemian oasis located at 5040 NE 2nd Ave, is excited to kick off the holiday season with special performances by the acclaimed ensemble Yemen Blues and the soulful singer-songwriter Aaron Holder. Yemen Blues, known for their unique fusion of Yemenite, West African, Latin, and jazz influences, will perform songs from their latest album, Only Love Remains, released on August 28 through Kartel Music Group. Aaron Holder, celebrated for his genre-blending music that combines powerful vocal freestyling with uplifting lyrics, will also be performing.

As part of the festive celebration, Yemen Blues and Aaron Holder will host two exclusive intimate concerts, offering an unparalleled opportunity to experience the artists up close in a magical open-air setting:

  • Dates: Saturday, December 14, 2024 & Sunday, December 15, 2024
  • Time: 9:00 PM
  • Venue: Palapa at Upper Buena Vista
  • Address: 5040 NE 2nd Ave, Miami, FL 33137

These exclusive performances offer a unique opportunity to enjoy Yemen Blues and Aaron Holder in an intimate, open-air setting, complemented by light bites and drinks in a vibrant atmosphere surrounded by tropical beauty.

To purchase tickets, click HERE. Ticket prices start at $46 for general admission and $125 for VIP experiences. For more information about Palapa and Upper Buena Vista, visit our website www.upperbuenavista.com

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About Yemen Blues and Only Love Remains:

Only Love Remains, the new album by Yemen Blues, features eleven tracks that showcase the diverse talents of the band’s members. Each track reflects the group’s individual cultural influences, blending their sounds into a captivating musical tapestry. Created over two weeks in the studio, the album captures a range of emotions, from introspective moments to infectious rhythms. 

About Aaron Holder:

Aaron Holder is a soulful singer-songwriter known for his genre-blending music that combines powerful vocal freestyling with uplifting lyrics. His emotionally resonant compositions and authentic perspective have earned him a global following, as he uses music to create unity through the shared language of song.

About Palapa at Upper Buena Vista:

Palapa, the 3,500 square-foot open-air venue at Upper Buena Vista, is the heart of the community’s cultural events. Surrounded by lush tropical trees and a grand tiki, Palapa offers a vibrant and welcoming atmosphere, perfect for live performances. This season, it reopens as a premier destination for Miami’s holiday festivities, providing an enchanting space for music, food, and community.

XI International Biennial of Contemporary Textile Art 2025

XI World Textile Art Biennial The Four Elements
XI World Textile Art Biennial The Four Elements From the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA.

XI International Biennial of Contemporary Textile Art 2025

The Four Elements

For this new edition, the prestigious XI International Biennial of Contemporary Textile Art 2025 focuses on the elemental thread of our existence:

   ¿What could make more sense than to address our relationship to the substance of this world and that which penetrates the fiber of our reality? 

We are opening that path towards a singular and memorable event: The XI World Textile Art Biennial will take place from the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA. 

On this occasion, this prestigious international biennial of contemporary textile art focuses on the elemental filaments of our existence: The Four Elements, which activate, penetrate and constitute our being, giving life and nourishment. 

This is an invitation to reflect on the elements and to overflow with creativity – one element through a textile/fiber art work. 

The XI WTA Biennial calls out to artists of the world, to register in its three textile categories: Large Format Textile Art SalonSmall Format Textile Art Salon and Three-dimensional Textile Art Salon

Each artist may register multiple works to each of the thematic categories, but only one work per salon would be allowed to participate if it meets the jury’s criteria. Each work should develop only one of the four elements.  One element per work. 

A. CATEGORIES: THE SALONS

LARGE FORMAT Textile Art Salon

  • Minimum size: 47.2 inches (height) x 23.6 inches (width)
  • Maximum size: 78.7 inches (height) x 35.4 inches (width) x 11.8 inches (depth)
  • Maximum weight: 15.4 lbs
    These works are meant to be exclusively wall-mounted.

SMALL FORMAT Textile Art Salon

  • Dimensions: 11.8 x 11.8 x 11.8 inches
  • Maximum weight: 4.4 lbs
    These works must be self-standing and cannot be suspended or placed against a wall. They will be placed on a flat horizontal surface and are not to be framed or enclosed in glass/acrylic.

THREE-DIMENSIONAL Textile Art Salon

  • Minimum size: 19.7 x 19.7 x 19.7 inches
  • Maximum size: 59.1 x 59.1 x 59.1 inches
  • Maximum weight: 15.4 lbs
    These works must be self-standing and may either be suspended from above or set on the floor but cannot be wall-mounted. The given measurements are references, allowing flexibility within the height, width, and depth limits. It is recommended that the artwork be foldable, rollable, or easily assembled for transport. If an internal structure is required, it should be included and easy to assemble.


B. REQUREMENTS
 

Each work should address one sole element. That is, one element per artwork. (*Various elements in one work will be
disqualified.)
 

Works may not be older than 2022 and must not have been previously shown.
 

Each work requires its own individual registration form and registration payment (see table below).
 

Each artist may register in more than one salon, with up to 4 (four) artworks per salon through the corresponding registration
payment.
 

The Registration Form is available on WTA website as a downloadable Word Document: wta-online.org
 

The filled out Registration Forms per work should be sent as Word documents, together with the corresponding proof of payment
and the required images of each work.
 

The whole set of files should be sent together through WeTransfer to [email protected]
 

Although various works can be registered per category, only one work may be selected by the Jury for each Salon.
 

Registration payment is done online through PAYPAL: [email protected]
 

This proof of payment is to be annexed to the registration forms, agreement of conditions and images. 


The costs for registration are in US dlls and are paid in one sole transaction* according to the table below:
$80 for 1 work
$70 per work when registering 2 works.
$60 per work when registering 3 works.
$50 per work when registering 4 or more works. 


* This offer applies upon registering and paying the desired number of artworks in one go.
Further registrations will pay separately, according to the number of works.
 

Send in proof of payment (screen captures), along with the required files as laid out below. 

NOTE: Registration payment is not a guarantee that the artwork will be selected, as the independent jury will evaluate all the works autonomously. The results of their evaluation will be announced according the calendar below. 

C. ARTWORK FILES 

  • 2 (two) color images of the work: a general view and a detailwith a neutral background, 300 dpi (21.5 cm or 8.5 inches a s a base) in JPG or TIFF format. (Do take into account that the images will be those used by the jury in their assessment as well as for the catalog.)
     
  • These are to be sent via WeTransfer along with the Registration form, Agreement of Conditions and proof of payment.
     

D. SELECTION PROCESS


The artworks will be selected by a prestigious International Jury: Kinor Jiang (Hong Kong), Biret Tavman (Tukiye), Ewa Latkowska- Żychska (Poland), Ieva Krūmiņa (Latvia), Susan Taber Avila (USA) and Paulina Ortiz Stradtmann (Costa Rica). 

  • The results will be published at https://wta-online.org/ and https://mifamiami.com/biennial-textile
     
  • The selected artists will be notified to the email given in the Registration Form.
     

E. SENDING THE WORKS 

  • Works must be sent as SAMPLE OF NO COMMERCIAL VALUE to:
    XI WTA Biennial
    Miami International Fine Arts – MIFA 5900 NW 74th Ave,
    Miami, FL 33166
    United States


E-mail[email protected]

Telephone: +1 786 546-8017
 

The packaging of the works must be resistant and reusable to be used or their return,
 

Works should arrive with the label of pre-paid return shipment with the company of your preference.
 

Each selected work must have its hanging device and instructions included, or diagram when necessary for hanging the work.
 

 The artist cedes the right of publication for the images, to be used in promoting the event.
 

The artworks should be scheduled to be delivered at MIFA only from the 24 to 28 of February 2025, from 9 a.m. to 5 p.m. 


F. RECEPTION OF THE ARTWORKS
 

Upon arrival at MIFA, the artworks will be carefully unpacked and checked. Any damage or anomality will reported to the artist.
 

The Biennial team will manage the works with utmost care.
 

For the duration of the Biennial in MIFA, the works will be insured. 


G. RETURN OF THE WORKS
 

The artworks will be returned to the address indicated in the prepaid label in the days following the closure of the Biennial.
 

It is highly advised that return prepayment be realized upon sending for an easy and prompt return of the artworks.
 

If this arrangement has not been resolved by the end of the exhibition, a storage fee per day will be charged as of the
7th of April. (See Regulations/Conditions document).
 

I. GENERAL CALENDAR 11/25/2024 

12/15/2024 01/24-28/2025 03/06/2025 03/29/2025 

as of 04/07/2025 as of 04/07/2025 

Deadline for online registration and reception of files Publication of results
Reception of selected works
Inauguration XI WTA Bienal 

Closure of XI WTA Biennial Biennial catalog and certificates Return of the artworks 

H. CATALOG 

WTA will give every selected artists a virtual catalogue and a Certificate of Participation. 

J. VENUE 

• Miami International Fine Art – MIFA. 

K. IMPORTANT:  Participation in this call implies acceptance of all the Biennial conditions.

L.  CONTACT NFORMATION 

[email protected] 

[email protected] 

[email protected]

XI World Textile Art Biennial

The Four Elements

From the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA.

For this new edition, the prestigious XI International Biennial of Contemporary Textile Art 2025 focuses on the elemental thread of our existence: The Four Elements, which activate us, penetrate us, mold us, give us life and sustenance.

What could have more meaning but our relationship with what makes up this world and that penetrates the fiber of our reality?

The Four Elements

Earth Air Fire Water

The XI WTA Biennial will be held in the city of Miami, from March 6 to 29, 2025, at the Miami International Fine Arts – MIFA, and the call will have 3 categories: Large, Small and Three-Dimensional Format.

Participation is by call and prior registration. 120 works in total will be selected by a prestigious international jury (50 in Large Format, 50 in Small Format and 20 in Three-Dimensional Format).

Each artist may apply as many times as they wish in any of the thematic elements they choose, but they may only be selected to participate with a single work per salon. Each salon includes the options of the 4 elements to choose from, but each work must be worked around one of the four elements.

The works will be selected by an outstanding International Jury: Kinor Jiang (Hong Kong), Biret Tavman (Turkey), Ewa Latkowska-Żychska (Poland), Ieva Krūmiņa (Latvia), Susan Taber Avila (United States of America) and Paulina Ortiz Stradtmann (Costa Rica).

XI International Biennial of Contemporary Textile Art WTA 2025, is organized and directed by World Textile Art together with the International CuratorShip team (Yosi Anaya and María Ortega).

Crossing borders and combining disciplines, the artists participating in the XI WTA Biennial start from fibers to merge with new technologies and venture into various lines of research, hybridizing searches and questioning categories, but maintaining textiles as an integrative concept.


World Textile Art is one of the most respected contemporary textile art organizations in the world. In 2022, during its X Biennial, its twenty-fifth anniversary was celebrated.

Textiles have been a fundamental part of human life since the beginning of civilization. In 1997, inspired by the ancient traditions of textile art, adding a contemporary flair, Colombian textile artist Pilar Tobón founded WTA – Women in Textile Art. It later morphed into World Textile Art to include more artists regardless of gender.

The main objective of WTA is to support contemporary textile artists from around the world, promoting this important art form through biennials and special events. In the same way, develop different educational programs that foster their appreciation and practice.

Part of the great success of the organization is directly related to the support of the most important creators of this art form worldwide, not only for their participation as artists but also for their educational and public relations support, opening the doors of different important institutions and museums around the world.

In 2022, WTA celebrated its 25th anniversary with the X International Biennial “25 YEARS WTA”, held from October to December of 2022, where more than ten countries were interconnected to celebrate WTA history.

Directors of the XI WTA Biennial

Yosi Anaya

Pilar Tobon

María Ortega

JURY

Biret Tavman

Ewa Latkowska-Żychska

Ieva Krumina

Kinor Jiang

Paulina Ortiz

Susan Taber Avila

IMPORTANT INFORMATION

General Calendar:

  • Deadline for online registration, photos of the work 11/25/2024
  • Publication of results 12/15/2024
  • Reception of selected works 24 – 02/28/2025
  • Inauguration of the XI WTA Biennial 03/06/2025
  • Closing XI WTA Biennial 03/29/2025
  • Biennial catalog and certificates from 04/07/2025
  • Return of works from 04/07/2025

Credits:

  • Title: XI International Biennial of Contemporary Textile Art WTA 2025
  • Headquarters: Miami International Fine Arts, MIFA
  • Dates: from March 6 to 29, 2025.
  • Calls: Large Format, Small Format and Three-Dimensional
  • Selection of works of art: by international jury
  • Large format: 50 works
  • Small format: 50 works
  • Three-dimensional format: 30 works
  • Host: World Textile Art (WTA) / International CuratorShip (Yosi Anaya and María Ortega)
  • General Management: Pilar Tobón, Yosi Anaya and María Ortega

Address:

  • XI International Biennial of Contemporary Textile Art WTA 2025
  • Miami International Fine Arts – MIFA 5900 NW 74th Ave, Miami, FL 33166 United States
  • Email address:[email protected]Telephone: +1 786 546-8017

Alexandre Arrechea: Bare Tool (Herramienta desnuda)

Alexandre Arrechea: Herramienta Desnuda (Bare Tool)
Alexandre Arrechea: Herramienta Desnuda (Bare Tool)

“Bare Tool (Herramienta desnuda)” by Alexandre Arrechea at Locust Projects

Alexandre Arrechea’s latest immersive exhibition, Bare Tool (Herramienta desnuda), currently on view at Locust Projects during Miami Art Week, explores the subtle yet profound metaphor of a stone skipping across the water as a symbol of social sculpture. The artist delves into the ripple effect created by this simple action, guiding us through a narrative in three acts: “The Tool,” “The Action,” and “The Implications.” The result is a dynamic multimedia experience that transforms the gallery into a site of reflection on the power and impact of individual gestures.

Visitors enter the Main Gallery and are enveloped by a carefully crafted environment where seemingly insignificant movements reverberate. Sculptures suspended from the ceiling and interactive floor elements invite engagement, while video projections and ambient lighting complete the immersive atmosphere. Arrechea’s manipulation of form, space, and media turns what might appear as a simple gesture—a stone skipping across a body of water—into a compelling metaphor for the social repercussions of human actions. This kinetic and visual exploration underscores that small, intentional acts can create lasting, meaningful change.

The gallery space becomes an active participant in the exhibition, serving as both a site for artistic exploration and a venue for social activations. The debut of Bare Tool aligns with key events such as the Locust Projects Benefit Dinner and the Miami Art Week Meet the Artist Party, where visitors can interact directly with the work, extending its reach and impact. In this context, Arrechea’s installation invites dialogue within the gallery walls and with the broader community, opening a conversation about how individual actions ripple outward, shaping the cultural and social fabric.

An especially poignant moment within Bare Tool is Arrechea’s integration of personal elements into the piece, adding depth and intimacy to the metaphor. The artist employs digital video footage of his son, Arturo, playing in a park to highlight the relationship between movement and consequence. This familial gesture enhances the cause-and-effect narrative, emphasizing the cyclical nature of influence in both personal and social spheres. The projections of Arturo’s playful movements, interwoven with the sculptural elements and lighting, echo the fluidity of the ripples and accentuate the metaphysical connection between action, consequence, and impact.

Through Bare Tool, Arrechea weaves physical and digital components together, transforming the space into an evocative exploration of interconnectedness and social impact. His work speaks to the potential for small acts to generate vast ripples within ourselves and the larger cultural landscape. It is a powerful reminder of how personal decisions and gestures can reverberate far beyond their initial moments, shaping communities and histories.

As Locust Projects opens its doors to the public, Bare Tool offers a unique opportunity to witness a profoundly reflective and interactive artistic experience. Arrechea’s thought-provoking installation invites us to consider how we, too, are part of this ongoing ripple effect—challenging us to reflect on our actions and their collective implications.

Untitled Art 2024

Untitled Art 2024
Untitled Art 2024

Untitled Art 2024 Miami Beach

Founded in 2012, Untitled Art is a leading contemporary art fair taking place annually on the sands of Miami Beach and in 2025, will expand to Houston. Guided by a mission to support the wider art ecosystem, Untitled Art offers an inclusive platform for discovering contemporary art that prioritizes collaboration within each aspect of the fair.

Each year, new and long-standing exhibitors are selected by Untitled Art’s evolving curatorial team for their artistic integrity and international reach, with several galleries based outside of mainstream art hubs. Emerging artists, young galleries, and non-profit organizations are supported through its ‘Nest’ sector, an initiative offering subsidized booths developed in response to traditional entry barriers posed by art fair participation. The first to launch an online art fair, Untitled Art continually invests in new technologies to make contemporary art collecting more accessible to new audiences, and it proactively advances responsible culture by using its platform to amplify diverse voices.

Through critical and educational programming, from a robust on-site podcast series focusing on relevant industry topics and artist talks to events and community activations outside of the fair itself, Untitled Art attracts contemporary art collectors, art professionals, curators, art historians, and critics, among other enthusiasts. It also celebrates the context in which the fair is held by promoting leading galleries from Miami and engaging with local institutions. To reduce its environmental impact, Untitled Art has joined the Gallery Climate Collation and works closely with the City of Miami Beach to ensure zero environmental impact. Untitled Edit, commissioned essays intended to spark debate and dialogue, also continues to further the critical advancement of art criticism while cultivating the next generation of writers.

Team

Jeffrey Lawson
Founder

Clara Andrade Pereira
Executive Director

Omar López-Chahoud
Artistic Director at Large

Cailin Sung
Exhibitor Relations and Communications

Katrina Robelo
Head of VIP Relations

Romina Jiménez Álvarez
VIP Relations and Programming

Locust Projects’ Miami Art Week Party and Immersive New Exhibitions in Miami’s Coolest Neighborhood

alexandre-arrechea-herramienta-desnuda-bare-tool-installation-view-at-locust-projects-by-pedro-wazza

[Little River, FL] Locust Projects’ Miami Art Week Party and Immersive New Exhibitions in Miami’s Coolest Neighborhood

Locust Projects’ new space – double the size of our previous Design District space – offers expanded space for local, national and international artists at all career stages to build ambitious-scaled, site-specific new work, as well as artist studios and work spaces and place to gather for artist talks, performances and events. 

Founded in 1998, Locust Projects is the only space in Miami providing space, time and resources for artists to experiment, take risks and realize boundary-pushing new work on a large-scale.

WHAT
Miami Art Week – Meet the Artists Party

WHEN
Saturday, December 7, 2024 | 7–10pm

WHERE
Locust Projects
297 NE 67th Street, Miami, FL 33138
Free street parking available

WHY YOU CAN’T MISS IT
Celebrate major immersive installations by internationally-acclaimed artists Alexandre Arrechea and Alba Triana at an unforgettable Miami Art Week wrap up!

  • Meet the Artists: Talk with Arrechea and Triana to learn about the inspirations behind their groundbreaking new work.
  • Explore the Exhibitions:
    • Alexandre Arrechea: Bare Tool (Herramienta desnuda)
      Suspended sculptures, moveable floor elements, and video projections converge to explore the ripple effects of individual actions.
    • Alba Triana: Dialogue with the Primordial Sea
      A multisensory installation featuring levitating magnetic spheres that respond to invisible natural forces.
  • Cocktails by Helix Vodka and Live Music by Afrobeta: Miami’s beloved electro-pop duo will perform two live sets featuring their signature blend of electronic, funk, and Latin rhythms. Known for igniting dance floors with their eclectic sounds, Afrobeta promises a night of irresistible grooves.

The Spanish Moss Sanctuary by Paloma Teppa at Art Basel Miami Beach

The Spanish Moss Sanctuary by Paloma Teppa at Art Basel Miami Beach
The Spanish Moss Sanctuary by Paloma Teppa at Art Basel Miami Beach

The Spanish Moss Sanctuary by Paloma Teppa at Art Basel Miami Beach

Presented by Plant The Future
Miami Art Week, December 2024

Miami, FL – Plant The Future, a biophilic art and design studio based in Miami, is thrilled to announce its collaboration with Art Basel Miami Beach to present The Spanish Moss Sanctuary, a live plant art installation created by co-founder, creative director, and lead artist Paloma Teppa. This serene and immersive experience offers visitors a tranquil retreat from the bustling energy of Art Basel Miami Beach, inviting them to reconnect with the natural world.

On display at Art Basel Miami Beach through December 8, The Spanish Moss Sanctuary features a series of mid- to large-scale, multi-tiered floating gardens crafted from live Spanish moss. These gardens will hang elegantly from the ceiling, visible as visitors descend the escalator between the second and first floors of the Miami Beach Convention Center. The installation’s soft, ethereal presence creates a visual meditation, offering guests a moment of peaceful reflection.

The floating gardens will be complemented by organic-shaped ceramic seating resembling river stones, located on the show floor. This combination of elements creates a harmonious visual representation of nature, blurring the lines between art and the natural world, and inviting visitors to experience a deeper connection to the environment.

The Spanish Moss Sanctuary aims to foster a sense of calm and reflection through biophilic design. Teppa’s work highlights the spiritual connection between humans and nature, offering a moment of introspection amidst the high-energy surroundings of the fair.

“Through my work with plants, I create opportunities for humans to reconnect with the natural environment, and thus with the essence of nature itself,” explains Paloma Teppa. “In doing so, we can all become a little more conscious of how entwined we are in the interworking of Mother Earth. All living beings—humans, animals, and plants—we are all children of the same mother.”

Visit The Spanish Moss Sanctuary in the North Wing of the exhibition floor at Miami Beach Convention Center during Art Basel Miami Beach. The installation will be open daily through December 8.

About Plant The Future
Founded by Paloma Teppa, Plant The Future is a biophilic art and design studio based in Miami. The studio specializes in creating living art installations that merge nature, art, and design. By incorporating plants into architectural and design spaces, Plant The Future seeks to promote a deeper connection to nature and foster wellness, beauty, and sustainability in the built environment.

The Collective 62 Presents Disturbances in the Field Curated by Michelle Weinberg

The Collective 62 Presents Disturbances in the Field Curated by Michelle Weinberg MIAMI ART WEEK
The Collective 62 Presents Disturbances in the Field Curated by Michelle Weinberg MIAMI ART WEEK

The Collective 62 Presents Disturbances in the Field Curated by Michelle Weinberg

MIAMI ART WEEK

Miami, FL – [Insert Date] – The Collective 62 is proud to announce the opening of Disturbances in the Field, an exciting group exhibition curated by Michelle Weinberg, featuring a selection of works from nine innovative contemporary artists. The exhibition opens during Miami Art Week 2024, showcasing works that explore themes of sampling, glitches, noise, static, feedback, forking paths, and rogue signals.

The opening reception will take place on Sunday, December 1, 2024, from 11:00 AM to 2:00 PM at The Collective 62, located at 901 NW 62nd St, Miami, FL 33150. The exhibition will be on view through Saturday, January 18, 2025.

Participating Artists:

  • Daniel Arturo Almeida
  • Dimitry
  • Saïd Chamy
  • Karen Combs
  • Marina Font
  • Ai Kijima
  • Alex Nuñez
  • Hettler.Tüllmann
  • Michelle Weinberg
  • Natalie Zlamalova

Disturbances in the Field assembles the diverse works of these nine artists, whose practices embrace the improvisatory and chaotic forces that often shape our environments. Each artist’s process involves harnessing or responding to disruptions such as glitches, noise, and feedback, creating pieces that explore the ways these disturbances inform perception, identity, and our relationship to the world around us.

The exhibition invites viewers to reflect on the improvisational energies that disrupt systems and expectations, offering an immersive experience of visual stimuli that are at once unpredictable and deeply engaging. By embracing such uncharted pathways, the artists create new spaces where meaning can emerge from chaos, making the exhibition a true reflection of the dynamic, ever-evolving forces at play in contemporary art.

Exhibition Details:

  • What: Disturbances in the Field – Organized by Michelle Weinberg
  • When: Opening Reception on Sunday, December 1, 2024, from 11:00 AM – 2:00 PM
  • On View: Sun, Dec 1, 2024 – Sat, Jan 18, 2025
  • Where: The Collective 62, 901 NW 62nd St, Miami, FL 33150
  • Parking: Available on-site

Join us for the opening reception of Disturbances in the Field and experience a unique exploration of disruption, creativity, and improvisation in contemporary art. This exhibition is a must-see during Miami Art Week 2024.

Mia Curatorial Projects Presents Art Matters

Art Matters/Art Basel Season curated by Milagros Bello
Miami art Week Art Matters/Art Basel Season curated by Milagros Bello

Mia Curatorial Projects Presents Art Matters

Miami art Week

Mia Curatorial Projects Presents Art Matters/Art Basel Season Curated by Milagros Bello

Mia Curatorial Projects is proud to present Art Matters/Art Basel Season, an exciting group exhibition curated by Milagros Bello, during Miami Art Week 2024. This exclusive exhibition will feature a dynamic selection of contemporary works from renowned artists, including Eliana Barbosa, Magaly Barnola Otaola, Eumelia Castro, Ricardo Carbonell, Sergio Cesario, Francisco Ceron, Meg Cogburn, Matt Jacobs, Karina Matheus, Clark Medley, Rafael Montilla, and many others.

The opening reception will be held this Sunday, December 1st, from 11:30 AM to 4:00 PM at the Mia Curatorial Projects space, located at 6945 NE 3rd Ave, Miami, FL 33138 in the Little River District. The exhibition is free to attend and open to all art enthusiasts and collectors. Free street parking is available for guests.

Art Matters/Art Basel Season explores a broad spectrum of themes through a diverse array of mediums, from painting and sculpture to photography and mixed media. With this exhibition, Bello invites viewers to reflect on the ever-evolving conversation between contemporary art and its cultural context. The exhibition features an impressive group of artists whose works challenge conventions, expand boundaries, and explore the intersection of personal narrative and universal truths.

Exhibition Details:

  • What: Art Matters/Art Basel Season – Curated by Milagros Bello
  • When: Opening Reception on Sunday, December 1st, 11:30 AM – 4:00 PM
  • Where: Mia Curatorial Projects, 6945 NE 3rd Ave, Miami, FL 33138, Little River District
  • Parking: Free street parking available

Join us for a captivating afternoon of art, conversation, and celebration during one of the most anticipated weeks in the global art calendar. Art Matters/Art Basel Season is a must-see exhibition for collectors, curators, and art lovers alike.

“God Made Bob, Bob Made Rock”

"God Made Bob, Bob Made Rock" Primary Project
"God Made Bob, Bob Made Rock" Primary Project

“God Made Bob, Bob Made Rock”

Primary Project

“God Made Bob, Bob Made Rock”: A Solo Installation by Robert Lorie at Primary’s Outdoor Sculpture Garden

Miami-based artist Robert Lorie presents his latest solo installation, God Made Bob, Bob Made Rock, an evocative exhibition that will be unveiled during Miami Art Week. This immersive installation, exploring the intersection of identity, culture, and creativity, will be on view at Primary’s outdoor sculpture garden at 7410 NW Miami Court, Miami, FL 33150. The exhibition opens at 5:00 PM and will be on display through March 2025.

God Made Bob, Bob Made Rock invites viewers into Lorie’s unique conceptual space where the influence of music, personal history, and urban life converge. Through innovative materials and striking visuals, Lorie challenges traditional ideas of art-making, utilizing sculpture, sound, and interactive elements to create a multisensory experience that resonates deeply with audiences.

In addition to Lorie’s solo installation, Blank Space, a group exhibition will also be held at Primary. This show features a dynamic selection of works by artists including Srijon Chowdhury, Robert Crumb, Dustin Emory, David-Jeremiah, Graham Krenz, Elberto Muller, Angela Anh Nguyen, Luna Palazzolo-Daboul, Santiago Alexis Rubino, Paula Santomé, Philip Smith, and Wade Tullier. The exhibition explores diverse themes through various mediums, highlighting the collective creativity and varied perspectives of these contemporary artists. Blank Space will be on view through January 18, 2025.

Event Details:

  • What: God Made Bob, Bob Made Rock – Solo Installation by Robert Lorie
  • When: Opens at 5:00 PM, on view through March 2025
  • Where: Primary’s Outdoor Sculpture Garden, 7410 NW Miami Court, Miami, FL 33150
  • What: Blank Space – Group Exhibition featuring Srijon Chowdhury, Robert Crumb, Dustin Emory, and more
  • When: Opens at 5:00 PM, on view through January 18, 2025
  • Where: Primary Gallery, 7410 NW Miami Court, Miami, FL 33150

Join us for a memorable evening celebrating both individual and collective creativity during Miami Art Week. Robert Lorie’s installation and Blank Space offer a unique opportunity to engage with innovative works from some of today’s most exciting contemporary artists.

Colour Senses Project + Miami Art Week 2024

Colour Senses Project + Miami Art Week 2024
Colour Senses Project + Miami Art Week 2024

Colour Senses Project + Miami Art Week

Colour Senses Project: A Group Show by International Artists during Miami Art Week

The highly anticipated Colour Senses Project will open its doors during Miami Art Week, showcasing a curated group exhibition that celebrates the dynamic intersection of color, perception, and artistic expression. Hosted at 3414 NW 7th Ave., Miami, FL 33127, the event will take place on [insert date] from 6:00 PM to 10:00 PM.

This immersive group show features international artists who have come together to explore the sensory power of color. Through diverse mediums and innovative techniques, the artists aim to engage viewers in a multisensory experience that challenges the boundaries of visual art. From vibrant abstracts to evocative portraits, each piece invites contemplation on the emotional and psychological effects of color in our lives.

As a key event during Miami Art Week, the Colour Senses Project offers a unique opportunity for art lovers, collectors, and industry professionals to engage with global perspectives and emerging trends. The exhibition emphasizes inclusivity, diversity, and the universal impact of color as a tool for communication and connection.

Event Details:

  • What: Colour Senses Project – A Group Show by International Artists
  • When: Saturday November 30 2024, 6:00 PM – 10:00 PM
  • Where: 3414 NW 7th Ave., Miami, FL 33127

Join us for an unforgettable evening of art, conversation, and celebration of creativity during one of the world’s most exciting cultural events. The Colour Senses Project promises to be a highlight of Miami Art Week.

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