The Role of the Art Critic

Por

-

The Role of the Art Critic: Shaping Perception and Dialogue in the Art World

Art criticism is an integral, often misunderstood, aspect of the art world. While artists create art, art critics play a crucial role in shaping how the public perceives, interprets, and appreciates these works. They are the intellectual mediators between the artist’s vision and the audience’s understanding, offering perspectives that help elevate art beyond the gallery walls and into broader cultural conversations.

The art critic’s job is not merely to judge or label artworks but to engage with them meaningfully—exploring their technical mastery, emotional depth, and cultural significance. In doing so, critics guide audiences toward a deeper, more informed appreciation of art, serving as essential voices in the complex network of the contemporary art world.

Art Critics as Cultural Interpreters

Art critics are more than just observers; they are cultural interpreters who contextualize and articulate the significance of artworks within the larger framework of society, history, and trends. Through their writing, they decode the visual language of art, making it more accessible to diverse audiences. They consider an artist’s intent, the medium and technique employed, the socio-political context of the work, and its potential impact on cultural discourse.

A well-informed critic can draw connections between a specific work and broader art movements, historical events, or philosophical concepts. This allows them to place an artwork within a larger narrative, helping the audience to see it not as an isolated piece but as part of a larger cultural conversation. In this way, art criticism becomes a tool for understanding the artwork and the world in which it was created.

For emerging artists, the input of a knowledgeable art critic can be invaluable. A thoughtful review can lend credibility, introduce the artist to new audiences, and help situate their work within ongoing cultural debates. Critics also help contextualize new art forms, especially when artists challenge traditional notions of beauty, technique, or subject matter. In doing so, critics validate innovation and open the door for more experimental and avant-garde practices.

The Responsibilities of an Art Critic

Art critics are responsible for interpreting, analyzing, and evaluating works of art, but this comes with significant responsibility. Their role is not simply offering an opinion but providing a reasoned and nuanced perspective that adds depth to the public’s understanding. Here are some of the key responsibilities of an art critic:

Interpreting Art: The primary role of the critic is to provide a thoughtful analysis of the artwork, offering insights into its meaning, technique, and cultural relevance. They decode the imagery, symbolism, and intent behind a work, making it more comprehensible for a wider audience. A critic’s interpretation can offer valuable layers of understanding that the average viewer might not immediately grasp.
Evaluating Technique and Craft: A good critic doesn’t only assess the visual impact of a work but also the technical aspects. This includes the materials used, the mastery of the medium, the composition, and the execution. Critics have the expertise to identify subtle techniques and nuances that might escape the untrained eye, providing a deeper appreciation of an artist’s skill and craft.
Providing Context: Context is vital to art criticism. A critic must place the artwork within the more extensive cultural, historical, or political framework in which it was created. Whether it is an analysis of an artist’s body of work or an exploration of the broader artistic movement the work belongs to, understanding the context enhances the value of the artwork and helps shape the dialogue surrounding it.
Encouraging Dialogue: Art criticism is a catalyst for conversation. Critics don’t just analyze art in isolation—they invite the public to discuss the artwork’s meaning, its significance in the present day, and its broader impact. Critics create a platform for ongoing dialogue between artists, collectors, and the public through their writing.
Championing Emerging Artists: A critic’s review can be a form of validation, especially for new and emerging artists. By recognizing the significance of fresh voices in the art world, critics provide artists with much-needed exposure and credibility. These reviews can introduce lesser-known works to a broader audience and may help launch an artist’s career by establishing their relevance in the larger cultural landscape.

The Impact of Art Criticism on the Art Market

Art critics also play a significant role in the art market. Though their work is not purely financial, their reviews can have tangible effects on an artist’s commercial success. A well-regarded critic’s endorsement—whether in a thoughtful review of a major publication or a detailed analysis of an exhibition—can spark interest from collectors, curators, and galleries. This can lead to increased sales, exhibition opportunities, and overall recognition.

Conversely, art criticism can also shape trends and determine which art movements or artists are given visibility. Through their writing, critics have the power to influence the market’s direction, whether they are championing a new movement or revisiting overlooked historical figures. Therefore, the influence of art critics extends beyond cultural circles and into the financial aspects of the art world.

The Evolution of Art Criticism in the Digital Age

With the rise of digital platforms and social media, the role of art critics has expanded beyond traditional print media. Art criticism is no longer confined to newspapers, magazines, and journals; it has become accessible to a global audience through online platforms, blogs, podcasts, and YouTube channels. This democratization of art criticism allows for a broader range of voices and perspectives, making it easier for independent critics and art enthusiasts to contribute to the conversation.

While the internet has led to a proliferation of content, the demand for well-researched, thoughtful criticism remains strong. In an age of quick consumption and viral content, critics who can offer depth, expertise, and insight into an artwork’s meaning stand out. Their role remains as vital as ever, guiding audiences through the noise and helping them navigate an increasingly crowded art landscape.

The Art Critic’s Legacy

Art critics are more than just commentators on individual works of art; they contribute to the broader cultural narrative. Through their writing, they help shape art history, offering valuable perspectives that influence public taste, historical records, and the art market. An art critic’s legacy often endures long after the artwork itself is created, helping future generations understand and appreciate the value of contemporary art.

For artists, art critics provide a mirror in which their work can be reflected and interpreted. These critical voices provide context, validation, and sometimes even a challenge—leading artists to evolve and grow in response to constructive criticism. Whether offering praise or presenting critique, art critics play a crucial role in developing the artist and the art world.

In an ever-changing art world, the art critic remains essential in fostering dialogue, shaping cultural narratives, and enriching the public’s engagement with art.

The Essential Role of Artist Commission Contracts

Por

AMM

-

Public Art Liberty City of Miramar Art Scape Rafael Montilla

The Essential Role of Artist Commission Contracts: Safeguarding Art, Expectations, and Professional Relationships

In contemporary art, commissions are a powerful avenue for emerging and established artists to expand their portfolios, establish valuable connections, and achieve financial stability. They represent an opportunity for creative expression and a crucial step in an artist’s career—allowing them to gain exposure and build a professional reputation in a competitive market. Yet, as with any professional endeavor, commissions come with their own set of challenges. Without clear, formal agreements, misunderstandings are inevitable, potentially leading to conflicts over expectations, payment disputes, and intellectual property issues. For this reason, an artist commission contract is not only necessary; it is indispensable for maintaining the integrity of both the creative process and the professional relationship.

Why an Artist Commission Contract Matters

An artist commission contract is a formal agreement outlining the terms and conditions between the artist and the client. It defines the project scope, payment structure, timeline, and intellectual property rights, offering a clear framework for the process. While this contract is a legal safeguard, its value extends beyond mere protection—it fosters trust, professionalism, and transparency between both parties. A well-crafted contract minimizes the risk of disputes and sets expectations on both sides, ensuring that the artist’s and the client’s interests are respected throughout the commissioning process.

In an increasingly fast-paced and transactional art world, where commissions can be both a significant financial opportunity and a platform for creative growth, these agreements also reflect the artist’s professional approach. By formalizing the terms, artists protect their innovative work and establish themselves as reliable, trustworthy professionals, which is key to building long-term relationships with clients and collectors. Ultimately, an artist commission contract is more about securing future business and fostering positive working relationships than legal protection.

Key Elements of an Artist Commission Contract

To create a clear and comprehensive contract, the following key components should be included:

1. Parties Involved:

The contract should explicitly identify both the artist and the client. This is important to prevent confusion or ambiguity, especially in cases where a third party or agent manages the commission.

2. Project Description:

The scope of the project should be outlined in detail. This includes dimensions, materials, techniques, style, and client preferences. A thorough description ensures that both parties are on the same page and reduces the risk of misunderstandings about what is expected from the artwork.

3. Timeline:

Clearly define the project timeline, including the start date, interim milestones (if applicable), and the final delivery date. This helps keep the artist and client accountable and ensures that both parties manage their expectations around deadlines.

4. Payment Terms:

Payment structures should be explicit—detailing the total agreed fee, the payment schedule (such as deposit, progress payments, and final balance), and the accepted forms of payment. Including a breakdown of payments avoids potential financial misunderstandings and clarifies when funds will be exchanged.

5. Copyright and Reproduction Rights:

An essential element of any contract, the copyright clause outlines who retains the intellectual property rights of the artwork and specifies the client’s rights to reproduce or use the work. If the client intends to use the piece commercially or reproduce it for any purpose, this section must outline whether such uses are allowed and under what conditions.

6. Delivery and Shipping:

The contract should specify who is responsible for the delivery and shipping of the artwork, including costs, packaging, and logistics. This section helps prevent any potential disagreements about who bears the burden of transportation or damages during shipping.

7. Amendments and Revisions:

Clients often request changes or revisions during the commission process. A well-structured contract should state how many revisions are included in the original price and what constitutes an additional charge. This ensures that the artist is fairly compensated for any additional work and that the client’s requests do not become an unforeseen burden.

8. Cancellation and Refund Policy:

This section is essential if the client wishes to cancel the commission or unforeseen circumstances arise. The terms should specify whether deposits are refundable or non-refundable and the financial implications of a cancellation for both parties.

9. Signatures:

Finally, the artist and the client must sign and date the contract to formalize their agreement. The signatures indicate mutual understanding and consent to the outlined terms, effectively binding both parties to the contract’s conditions.

Advice for Emerging Artists

While the specifics of each artist commission contract may vary based on the nature of the project or the individual artist’s working methods, professionalism is always key. Emerging artists, in particular, should be mindful of the following:

Always Use a Contract:
Even when working with friends or family, a contract helps establish professional boundaries and ensures a mutual understanding of expectations. This approach minimizes the chance of misunderstandings, especially when it comes to timelines, payments, and revisions.
Define Your Style:
Use the project description section to clarify your artistic approach and aesthetic. Ensure the client understands your style and what they can expect from the final work. By aligning expectations from the start, you reduce the likelihood of dissatisfaction.
Seek Legal Guidance:
While it may seem daunting, seeking the advice of a legal professional to review your contract—especially for larger commissions—is well worth the investment. It ensures that your rights are adequately protected and that the terms of the agreement are clear and enforceable.

The Artist’s Professional Future

Securing commissions is just one part of an artist’s career journey. Beyond the immediate benefits, a clear and professional commission contract sets the foundation for long-term success. It builds trust with clients, establishes boundaries, and provides both the artist and the client with a clear sense of security.

As the art world evolves, artists must navigate an increasingly complex market. Those who formalize their commission agreements will stand out not only for their creativity but also for their professionalism. By recognizing the importance of legal safeguards and transparent communication, artists can foster stronger client relationships, grow portfolios, and ensure a stable and successful career.

An artist commission contract is much more than a document—it’s a commitment to professionalism, an essential tool in an artist’s business strategy, and a framework that supports a flourishing, long-term career in the competitive art world.

Vera Molnár

Por

AMM

-

Vera Molnár: A Pioneer of Computational Art and Abstract Geometry

Vera Molnár (1924-2023) was an influential Hungarian-born French artist whose pioneering work in abstract and early computational art set her apart as one of the most significant figures in developing digital and geometric art. With a career spanning over seven decades, Molnár’s contribution to visual art was revolutionary, blending mathematical precision with artistic creativity.

Early Life and Influences

Born in Budapest in 1924, Molnár began her artistic journey early, showing a keen interest in drawing and painting. She studied at the Academy of Fine Arts in Budapest before relocating to Paris in 1947. In the French capital, she immersed herself in the vibrant artistic community and was exposed to the most prominent movements of the time, including Surrealism, Cubism, and Abstract Expressionism.

Her early works were heavily influenced by figurative abstraction, but during her time in Paris, Molnár began exploring new ways to express her artistic vision. In the 1950s, her focus shifted towards geometric abstraction, which became the foundation for the innovative and groundbreaking works she would produce later in her career.

The Transition to Computation and Digital Art

Molnár’s work evolved significantly as she embraced using computational processes to create her artwork. In the early 1960s, she became fascinated with the potential of machines, specifically computers, to assist in generating visual art. At the time, the idea of using algorithms and mathematical formulas as tools for creating art was still in its infancy. Molnár was among the first artists to explore this intersection of technology and creativity.

Molnár’s transition to digital art was not abrupt but gradual. She gradually shifted toward using machines to create structured, geometric compositions. She started experimenting with mathematical grids and systems, developing intricate patterns and visual structures. The precision of her work was derived from algorithms fed into computers, making her one of the earliest practitioners of what would later be called “generative art.”

Her approach to digital art was unique in that it combined her fascination with geometry, minimalism, and abstraction with a strong belief in the potential of machines to create art. Using computers allowed her to explore complex structures and iterations in ways that were not possible through traditional methods of painting or drawing. This interest in computational art also aligned with the broader avant-garde movement of the time, which sought to challenge the boundaries of traditional art and integrate new technologies into artistic practice. Vera Molnár’s visionary spirit in embracing these new technologies is genuinely inspiring.

Exploring Geometry and Abstraction

Molnár’s fascination with geometry and abstraction is evident in her vast work. She is best known for her “Algorithmic Paintings,” which employ systematic algorithms and geometrical shapes to create mesmerizing visual compositions. These works often feature grids, circles, lines, and squares, forming complex arrangements that maintain a sense of order while allowing for moments of unexpected visual chaos.

A signature feature of Molnár’s art is her ability to balance structure and spontaneity. Despite the mathematical underpinnings of her work, there was always an element of unpredictability and innovation. She often manipulated the algorithms to introduce small changes, creating visual effects that were as organic as they were precise.

In her later years, Molnár also explored the concept of “automated drawing,” creating works using hand-drawn lines and machine-generated elements. This hybrid approach further emphasized her belief that machines and human creativity could coexist, with technology as a tool for artistic exploration rather than replacing the artist’s role.

Legacy and Recognition

Vera Molnár was celebrated for her groundbreaking contributions to abstract art, geometric design, and computational art. Her work has been featured in major exhibitions worldwide, including at the Centre Pompidou in Paris, the Tate Gallery in London, and the Museum of Modern Art (MoMA) in New York. Molnár pioneered the digital art movement, and her work continues to influence contemporary artists working in generative and algorithmic art. Her influence on future generations of artists is a testament to the impact of her work on the art world.

Molnár’s commitment to pushing the boundaries of art and technology helped pave the way for future artists to experiment with digital media. Her influence is felt in visual art and the intersections between art, science, and technology. As a woman in a male-dominated field, she also set an example for other women artists to embrace new mediums and approaches without fear of being limited by tradition.

A Visionary Until the End

Vera Molnár passed away in 2023, leaving behind a remarkable legacy of work that has transcended time and technological advancements. Her ability to blend art with computation, geometry with abstraction, and tradition with innovation will continue to inspire and shape the world of contemporary art for years to come.

Her visionary approach to art, particularly in the realm of computational creativity, secured her place as a true pioneer in the history of modern art. Molnár’s works reflect her deep understanding of geometry and abstraction and her foresight into the future of art-making, where technology and human creativity converge to explore new frontiers of visual expression.

In remembering Vera Molnár, we honor a trailblazer who embraced the digital age before it was fully realized and whose work continues to challenge our understanding of what art can be in a rapidly changing technological landscape.

Rainerne Istvanffy Gabriella (1875 – 1964) | Verso Arts. https://versoarts.com/artists/Rainerne%20Istvanffy%20Gabriella/0644fa5e-e36a-4811-b2e3-1c7bb1629228

Charles Joseph Biederman

Por

AMM

-

charles-joseph-biederman-charles-biederman

Charles Biederman: Innovador de la Abstracción Geométrica y Puente entre Arte, Ciencia y Naturaleza

Charles Biederman (1906-2004) fue un destacado artista estadounidense cuyas exploraciones en la abstracción geométrica lo posicionaron como uno de los pioneros más influyentes de la vanguardia del siglo XX. Nacido en Cleveland, Ohio, hijo de inmigrantes checos, Biederman se desarrolló dentro del panorama artístico estadounidense, influyendo profundamente en la evolución de la abstracción y consolidándose como una figura central en el arte moderno.

En la década de 1950, creó el término “Estructuralismo” para diferenciar sus obras del Constructivismo y el De Stijl. Muchas colecciones prominentes alrededor del mundo contienen Relieves Estructuristas similares a la obra ofrecida aquí, incluyendo el Museo de Arte Whitney, el Museo Metropolitano de Arte y la Tate en Londres.

Los Primeros Años y Formación Artística

Biederman comenzó su formación artística en el Cleveland Art Institute y en la School of the Art Institute of Chicago (SAIC), pero abandonó sus estudios para mudarse a Nueva York, donde entabló relaciones con artistas influyentes de la época como Alexander Calder, John Ferren, George L.K. Morris y Charles Green Shaw. Durante su breve estancia en París (1936-1937), Biederman entró en contacto con las vanguardias artísticas europeas y se vio profundamente influenciado por artistas como Picasso, Mondrian y Miro. Fue en París donde Biederman dio un giro radical en su estilo, alejándose de su inicial influencia por el cubismo y el surrealismo hacia la abstracción geométrica.

Abstracción Geométrica y la Visión Filosófica del Arte

Biederman desarrolló una forma única de abstracción geométrica, convencido de que tanto el arte como la ciencia compartían el propósito común de explorar y expresar las leyes fundamentales que rigen el universo. Su enfoque artístico no se limitaba a la estética superficial; para él, el arte debía ser un lenguaje visual que reflejara las estructuras subyacentes de la realidad, similar al trabajo científico que intenta desentrañar los misterios del cosmos. Este concepto lo llevó a una búsqueda constante por expresar la verdad mediante geometría y formas puras, alejándose del formalismo y la pintura figurativa.

La Influencia de la Ciencia y la Correspondencia con David Bohm

Una de las características que distingue a Biederman es su interacción con la ciencia, específicamente con la física cuántica. Mantuvo una correspondencia de nueve años con el físico cuántico y filósofo David Bohm, quien influyó profundamente en su concepción de la interconexión entre arte y ciencia. Ambos compartían la idea de que tanto la ciencia como el arte eran medios para visualizar las estructuras invisibles que subyacen al universo. Esta relación intelectual fue clave en el desarrollo de sus ideas filosóficas sobre el arte como medio de conocimiento profundo.

El Concepto de “Structurismo” y las Esculturas en Relieve

A lo largo de su carrera, Biederman desarrolló una serie de relieves escultóricos, especialmente hechos de aluminio pintado, en los que elementos rectangulares sobresalían de una superficie plana vertical, en ángulos variables. Estas piezas multicolores, que combinaban la estética de Mondrian con la tridimensionalidad de la escultura en bajo relieve, llegaron a ser definidas como parte de su movimiento personal, el “Structurismo”. Su escultura reflejaba su deseo de hacer visible la estructura profunda del universo a través de la geometría. A pesar de que sus primeros trabajos fueron principalmente bidimensionales, para la década de 1937 Biederman dio el paso hacia la escultura, utilizando el relieve como una forma más directa de expresar la geometría y la abstracción.

La Relación con la Naturaleza y el Arte

Biederman consideraba que la naturaleza no era solo una fuente de inspiración, sino la raíz última del arte. Su visión no se limitaba a la simple reproducción visual de la naturaleza, sino que perseguía una traducción abstracta de los elementos naturales. Su trabajo se basaba en la transformación de lo natural en representaciones puras de las estructuras fundamentales de la realidad, utilizando la geometría como medio para explorar las leyes subyacentes que rigen tanto el arte como el mundo natural.

Legado y Filosofía del Arte

A lo largo de su vida, Biederman escribió y autopublicó una serie de tratados filosóficos sobre el arte, como El arte como evolución del conocimiento visual (1948), El nuevo Cezanne: de Monet a Mondrian (1958) y Búsqueda de nuevas artes (1979), en los que profundizó en sus ideas sobre la abstracción, la ciencia y la naturaleza. Su obra quedó plasmada en importantes colecciones, como las del Museo Whitney de Arte Americano, el Museo Metropolitano de Arte y el Tate de Londres. En el Museo de Arte Frederick R. Weisman de la Universidad de Minnesota se conserva un archivo de obras y documentos de Biederman, testimonio de su amplia influencia.

La Mística de la Geometría: Relieves y Abstracción

En sus obras, como Structurist Relief, New York #7 (1938), Biederman exploró formas geométricas como círculos, triángulos, cuadrados y líneas rectas, las cuales no solo eran representaciones visuales sino vehículos para acceder a una comprensión más profunda del mundo. La abstracción geométrica se convirtió en un lenguaje universal para él, un medio para comunicar verdades universales. Estas esculturas, en particular, muestran cómo Biederman logró fusionar la simplicidad de las formas geométricas con una complejidad en su disposición y relación que sugería un orden intrínseco en el universo.

Últimos Años y Muerte

Biederman vivió en Red Wing, Minnesota, desde 1942, tras casarse con Mary Moore Biederman. Durante los últimos años de su vida, continuó desarrollando su trabajo, manteniendo su creencia en la interconexión entre arte y ciencia. A pesar de haberse alejado de la pintura tradicional, su trabajo siguió evolucionando, tanto en escultura como en sus escritos. Biederman falleció en 2004 a los 98 años. Su legado perdura, no solo a través de sus obras sino también en su filosofía del arte, que sigue siendo una fuente de inspiración para artistas contemporáneos interesados en la abstracción y el vínculo entre arte y ciencia.

El legado de Charles Biederman es el de un artista que transformó la abstracción geométrica en una forma de arte moderno profundamente enraizada en las leyes fundamentales del universo. Su obra y su visión de arte como una herramienta para explorar la naturaleza, la ciencia y el orden cósmico siguen siendo relevantes, inspirando tanto a artistas como a pensadores que buscan representar lo invisible y lo fundamental en nuestras vidas.

Artist-in-Residence Program at Altis Grand Kendall in Miami

Por

AMM

-

Altman Living Selects Hector Prado for Artist-in-Residence Program at Altis Grand Kendall in Miami

Altman Living, a leading multifamily real estate company and operating platform of Altman, announced today it has selected internationally acclaimed pop artist Hector Prado as its artist-in-residence at the recently opened Altis Grand Kendall community in Miami. This is the second time Prado, who is known for his signature POP Style, experimental and award-winning graphic design, has been selected for the artist program.

The Artist-in-Residence program provides a practicing South Florida artist with a one-year, rent-free apartment complete with den space to practice and fine-tune his or her craft. Artists are selected for the residency program based on the quality, originality, creativity, workmanship and artistic distinction of their portfolio.

“When we first launched the Artist-in-Residence program, our hope was that this initiative would provide a novel opportunity to shine a spotlight on how art is a vital part of the community,” said Seth Wise, CEO of Altman. “We couldn’t be more thrilled to be partnering with Hector again at one of our newest communities in Kendall. His aesthetic and visionary approach fit perfectly with the kind of ambiance and exeptional living experience we want to curate throughout our properties.”

Born and raised in Colombia, Prado knew from an early age he was destined to become an artist. While his professional career initially took off in the world of marketing and graphic design, over the past decade he has been able to transform his passion for art into a successful business. Today, Prado’s works have earned him recognition at high-profile events worldwide such as the Cannes Festival, One Show, London Awards, Clio Awards, New York Festivals, Emmy Awards, and a special award for his artwork for Steven Spielberg’s HBO series “The Pacific.” In Fall 2023, he was chosen to exhibit at the Louvre in Paris as part of the museum’s “New Emerging Masters” Carrousel exhibit.

In addition to a home and studio space, Prado will now have the opportunity to create and display his art at the Altis Grand Kendall community and engage with residents through monthly creative activities and experiences – from pet fashion shows to art exhibitions.

In December, Prado helped lead an art walk and open house at Altis Grand Kendall featuring community tours through the lavish development, complemented by an exclusive art exhibition showcasing works from over ten renowned artists. According to Prado, who is known to partner with premier brands rather than individual galleries, Altman was the first developer to believe in his vision and help transform the residential experience.

“I have always said that art is a feeling and I am fortunate to collaborate with a company like Altman that shares a passion for my craft and has afforded me the opportunity to create a culture of art inside its communities,” said Prado. “The Artist-in-Residence program is more than just a concept; it’s about creating a space where art, creativity and community can intersect and thrive. In addition to this art exhibition event, I plan to lead additional unique artistic programming at Altis Grand Kendall that will blend lifestyle with art and creativity, offering residents more than a a place to live but an inspirational space to connect and create.”

Altis Grand Kendall was developed by Altman Living, which has a history of developing and investing in the multifamily real estate market for 57 years. The mid-rise apartment community features 342 luxury apartment homes in Miami’s vibrant Kendall neighborhood. The property, centrally located at 9455 SW 137th Ave., offers one-, two-, and three-bedroom apartment units with modern design elements and efficient floor plans to meet the demands and desires of today’s discerning renters.

Residents enjoy a robust selection of indoor and outdoor amenities including the 24/7 fitness center along with a yoga and cycling studio, an Indulge spa lounge with a sauna and treatment room, an interactive sports simulator with virtual sports experiences, a movie lounge and a game room with shuffleboard, billiards, and pinball. The Plunge heated pool offers private cabanas, lounge seating, and oversized daybeds for ultimate relaxation. Altis Grand Kendall also has an outdoor pavilion with grills and a fireplace, and a children’s playground perfect for families. The community also features an enclosed dog park and a dog spa with washing stations for residents who are pet owners.

To learn more about the Altis Grand Kendall community, please visit www.altisgrandkendall.com.

About Altman Living

Altman Living, an operating platform of Altman, is engaged in the development, construction, and management of multifamily apartment communities. Since 1968, Altman Living and its predecessors have developed, constructed, acquired, and managed over 27,000 multifamily units throughout the United States, including communities in Florida, Michigan, Illinois, Tennessee, Georgia, Texas, and North Carolina. The company has distinguished itself by creating boutique mid-rise and garden-style communities under its Altís and Altra brands with resort-style amenities and high-touch services, delivering with it ‘Exceptional Living Experiences’ for its residents. For more information on Altman Living, visit www.altmancos.com.

About Altman

Altman is a real estate company engaged in the acquisition, development, and sale of multifamily rental apartment communities, warehouse and logistics facilities, and single-family master-planned housing communities primarily located in Florida and the Eastern United States. Altman is a wholly-owned subsidiary of BBX Capital, Inc.

Eli Bornstein

Por

AMM

-

Eli Bornstein: A Pioneering Force in Structurist Art

Eli Bornstein’s contributions to abstract art, particularly his innovative approach to Structurist art, have firmly established him as one of Canada’s most prominent and inventive artists. His work, a fusion of geometric abstraction and a profound engagement with Nature creates a vibrant, three-dimensional exploration of color, form, and environmentalism. His pioneering approach to abstraction, reshaping the abstract art landscape, and establishing a lasting connection between art and the natural world is a testament to his unique artistic vision that would define his long and prolific career.

The Evolution from Representation to Abstraction

Bornstein’s journey into the abstract world was neither sudden nor accidental. His early experiences with representational art laid the groundwork for his transition into abstraction, which occurred gradually over the 1950s. Initially inspired by the light and color dynamics of Impressionism, Bornstein gravitated toward more formal compositions influenced by the likes of Cézanne and Cubism. Works such as his 1952 Boats at Concarneau and the splintered cityscapes of Paris and Saskatoon from 1954 demonstrate his fascination with light and fractured forms. However, by the late 1950s, Bornstein realized that representational art no longer offered him the challenges or depths he sought.

His shift toward abstraction was inspired by the revolutionary developments of European modernists, mainly Dutch painter Piet Mondrian. Mondrian’s move to the strict geometry of De Stijl provided Bornstein with a new path: abstraction devoid of any imitative naturalism. However, Bornstein was not content with mimicking Mondrian’s retreat from reality. Instead, he sought a way to adapt the geometric vocabulary of Mondrian’s style into a more dynamic, organic form that resonated with Nature.

Structurist Art: A New Language of Abstraction

Bornstein coined the term Structurist to define his evolving practice, emphasizing that his approach was not a style or school of art but a way of ‘building’ form, similar to how a sculptor constructs a relief. This term reflected his belief that art should not simply exist as a set of static visual arrangements but should engage with its environment more immersive, three-dimensionally, inviting the audience to be part of the art.

The resulting Structurist Reliefs, developed in the 1950s and 1960s, were monumental in the evolution of abstract sculpture. Bornstein’s reliefs combined sharp angles, vivid colors, and geometric configurations to produce works that demanded an active engagement with the viewer. Unlike traditional flat paintings, Bornstein’s works protrude from the wall, altering their appearance depending on the angle of light or the viewer’s perspective. These were not static objects but ever-changing compositions, much like Nature itself.

Bornstein’s reliefs explore the mutable quality of the natural world, employing a strategy that he termed ‘organic.’ His work re-imagines Nature’s processes through abstraction, where the forms do not replicate Nature but evoke it through color, shape, and light. By the 1960s, his reliefs had grown more sophisticated, incorporating a wider range of colors and shapes that mirrored the natural world’s vibrancy and dynamism, connecting the audience to the ever-changing essence of Nature.

Nature and Transcendentalism: The Heart of Structuralism

While Bornstein’s technique draws heavily on European modernist movements like De Stijl and Cubism, his subject remains deeply rooted in North American Transcendentalism. This philosophical movement, which emerged in the 19th century, emphasized a deep spiritual connection with Nature and profoundly shaped Bornstein’s approach to art. Writers like Ralph Waldo Emerson and Henry David Thoreau, as well as artists such as Marsden Hartley, had long championed Nature as a spiritual force that transcended individual ego and connected all living things.

For Bornstein, this philosophy provided the underpinning for his Structuralist work. While he firmly rejected Expressionism’s emotionalism and the subjectivity it often embraced, Bornstein believed that art should be an extension of Nature’s Nature’s processes—objective yet alive with dynamic movement and energy. Much like the Transcendentalist writers, his works look to Nature not as a subject to be imitated but as an active, organic force to be interpreted.

Bornstein articulates his vision in a journal entry: “The creation of art in its deepest sense is like an act of worship, like a prayer. It is a communion with Nature and other human beings.” Through his art, Bornstein sought not only to represent the beauty of the natural world but also to participate in it and find a language that could reflect its ever-changing essence while remaining rooted in reality.

Structuralism and Ecological Awareness

In addition to his philosophical and artistic contributions, Bornstein was a pioneering voice in ecological and environmental discussions within the art world. Through his internationally influential periodical, The Structurist, founded in 1960, he created a platform for discussing art’s connection to the natural world. Bornstein’s writing and artwork resonated with ecological concerns, advocating for a return to natural forms of life in an increasingly industrialized and alienated world. As he noted, art could serve as a refuge—a space that counteracts the “inhuman environments” of modern cities.

This ecological perspective was ahead of its time, anticipating the rise of environmental consciousness in the late 20th century. As early as the 1960s, Bornstein recognized that humanity’s increasing detachment from Nature could be alleviated by art, which could serve as a “green space” in itself. His reliefs, with their tactile, interactive forms, encourage viewers to reconnect with their surroundings—offering a direct, physical engagement with Nature’s dynamics.

Legacy and Influence

Bornstein’s Structuralist art continues to inspire artists and environmental thinkers. His innovative approach to abstraction, blending geometry with naturalism, has set a new standard for how art can engage with human perception and the natural world. Bornstein’s In a career that spanned decades, works have been shown across Canada and internationally. His periodical The Structurist remains a key contribution to the intellectual and artistic dialogue of the 20th and 21st centuries.

Today, Eli Bornstein stands as a towering figure in the development of Canadian abstract art. His Structuralist works, with their powerful integration of Nature, abstraction, and geometry, reflect his lifelong dedication to exploring new ways of seeing and experiencing the world. In an age increasingly concerned with environmental issues, Bornstein’s art offers a spiritual connection to Nature and a call to action—a reminder of the importance of preserving the living, breathing world around us.

Alfredo Hlito

Por

AMM

-

Alfredo Hlito and the Chromatic Rhythms: A Revolutionary Approach to Abstract Art and the Influence of De Stijl

Alfredo Hlito (1923–1993) was a pivotal figure in developing abstract art in Latin America, mainly known for his groundbreaking exploration of geometric abstraction, color, and rhythm. His Chromatic Rhythms series, created in the late 1950s and early 1960s, represents one of his most important contributions to modern art. This series, showcasing his innovative approach to abstract painting, combined visual art with a dynamic sense of movement and sound, transforming the boundaries of abstraction and establishing him as a significant figure in Latin American modernism.

The Birth of Chromatic Rhythms

Hlito’s Chromatic Rhythms was born out of his interest in the rhythmic qualities of visual art—how colors and shapes could be arranged to convey a sense of movement akin to music or dance. In this series, Hlito introduced a fluid, almost musical composition where color, form, and space seemed to pulse with energy. His carefully orchestrated use of geometric shapes such as circles, squares, and lines created patterns that visually mimicked the fluidity of rhythm, inviting the viewer to perceive a beat or pulse in the work. This ability to use color as a visual component and a driving force that added to the composition’s dynamism set Hlito apart from his contemporaries in the Argentine avant-garde movement.

The Use of Color as a Visual Rhythm

Color was crucial in Chromatic Rhythms as a visual tool for expressing rhythm. Hlito’s color choices were deliberate, employing bold primary hues—reds, blues, yellows, and greens—in rhythmic sequences that created a sense of flow and movement. The placement of these colors was not random; it was a calculated orchestration akin to how a composer arranges musical notes to form a melody. This careful arrangement gave the impression that the colors were moving, forming dynamic sequences that could almost be heard.

Through his use of color and form, Hlito’s paintings transcended the visual realm to evoke a multi-sensory experience, where the viewer could feel the rhythm embedded within the composition. The titles of his works in Chromatic Rhythms often drew on musical metaphors, reinforcing the connection between the visual and the auditory. The combination of color and geometric shapes in his paintings not only engaged the viewer’s eyes but also invited an emotional and intellectual response, making these works stand out in the context of Latin American modernism.

De Stijl and Its Key Principles

Hlito’s Chromatic Rhythms is similar to the De Stijl movement, a revolutionary abstract art movement founded in the Netherlands in the early 20th century. De Stijl, led by artists like Piet Mondrian and Theo van Doesburg, focused on geometric abstraction, primary colors, and harmony through simplicity. The movement emphasized reducing form to basic geometric shapes—rectangles and squares—and a restricted color palette, often consisting of primary colors (red, blue, yellow), black, white, and gray.

De Stijl’s artists believed that abstraction could communicate universal truths, transcending individual expression to create a harmonious, spiritual language that connected all viewers. This idea of abstraction as a unifying, universal force is a central tenet of De Stijl’s aesthetic, and its influence can be seen in Hlito’s work.

Alfredo Hlito and De Stijl: A Shared Vision of Order and Rhythm

While Hlito’s Chromatic Rhythms emerged several decades after De Stijl’s heyday, it aligns closely with the movement’s principles. Like Mondrian’s work, Hlito’s compositions focus on geometric precision, with meticulously arranged rectangles, squares, and lines. His use of primary colors alongside black and white evokes the De Stijl palette, and his work emphasizes balance and harmony through these elements.

However, one distinctive difference in Hlito’s approach is his interpretation of rhythm. While static compositions often characterized De Stijl, Hlito injected a sense of dynamism into his work. His geometric shapes shift and vibrate, creating a sense of movement and rhythm akin to music. This rhythmic quality in his paintings elevates the De Stijl principles, infusing them with energy and flow, and reflects a more fluid approach to abstraction. His work is less about static harmony and more about an unfolding, continuous visual rhythm that carries the viewer through the composition.

Geometric Structure and Rhythmic Patterns

In Chromatic Rhythms, Hlito adhered to De Stijl’s focus on geometry, using shapes like rectangles, squares, and lines to construct his compositions. However, his arrangements often felt less rigid and more fluid than De Stijl’s controlled static compositions. The repetition of geometric forms and dynamic color placement led to rhythmic patterns that guided the viewer’s eye across the canvas in a lively, almost musical flow.

The controlled, methodical use of geometry in Hlito’s works recalls the precision of De Stijl, but his application of these forms to create a sense of movement and rhythm set his work apart. The repetition and variation of shapes and colors suggested an unfolding sequence, as if the painting were in constant motion, resonating with the principles of color theory and visual rhythm.

Music and Dance as Influences

Hlito’s deep connection to rhythm can be traced to his interest in music and dance. He often described his paintings as visual compositions, where color and form were arranged to create a visual “melody.” The interplay between geometric shapes and color rhythms in Chromatic Rhythms can be compared to a dance’s choreography or musical performance’s cadence. This connection between visual art and music was central to Hlito’s process, allowing him to create works that transcended the purely visual and engaged the viewer emotionally.

Like a composer arranging notes to form a melody, Hlito arranged color and shapes to form a visual rhythm. His compositions could be interpreted as a form of visual music—where the structure of the canvas allowed the viewer to feel the rhythm as they experienced the interplay of colors and shapes.

Impact and Legacy

Alfredo Hlito’s Chromatic Rhythms redefined the role of color and rhythm in modern abstract art. Where color had once been an element of decoration or background, Hlito’s work elevated it to the forefront, making it the driving force of the composition. His ability to merge color with geometric abstraction in such a dynamic, rhythmic way helped to expand the possibilities of abstract art.

Hlito’s exploration of geometric abstraction and his innovative use of color and rhythm placed him at the forefront of the Latin American modernist movement. His work resonated with the international avant-garde movements, like De Stijl, and contributed to the evolution of Argentine and Latin American abstraction. His Chromatic Rhythms continue to be celebrated as some of the most significant works in Latin American modernism, bridging the gap between European abstraction and the unique aesthetic languages of the region.

In summary, Alfredo Hlito’s Chromatic Rhythms is a fusion of De Stijl principles and modern Argentine abstraction. While his work draws heavily from the geometric precision and use of primary colors championed by De Stijl, Hlito infuses it with movement and rhythm, creating dynamic and engaging compositions. Through his innovative approach, Hlito helped to redefine the potential of abstraction, leaving a lasting legacy in the history of modern art.

El Miami Film Festival y la Lynn & Louis Wolfson II Family Foundation

Por

AMM

-

Gina Ann Margillo_previous film_Overtown's Living Legacy

El Miami Film Festival y la Lynn & Louis Wolfson II Family Foundation Anuncian a los Ganadores de The Louies, Otorgando $100,000 a Seis Cineastas Locales

Documentales Ganadores Explorarán a la Primera Comentarista Deportiva Femenina, una Querida Pista de Patinaje y Legados Generacionales

Seis cineastas de Miami traerán a la vida historias inéditas del sur de Florida como los ganadores inaugurales de The Louies, una iniciativa del Miami Film Festival patrocinada por la Lynn & Louis Wolfson II Family Foundation. Estos cineastas recibirán un total combinado de $100,000 para crear documentales que exploran la historia, la identidad cultural y los personajes y lugares icónicos del sur de Florida. Dos de los documentales se estrenarán en el Miami Film Festival de 2025, mientras que los otros debutarán en futuras ediciones.

“Estamos emocionados de celebrar a estos talentosos cineastas y las extraordinarias historias que contarán”, dijo James Woolley, director ejecutivo del aclamado Miami Film Festival de Miami Dade College. “Los ganadores de The Louies reflejan la diversidad, la resiliencia y la creatividad del sur de Florida. Sus documentales destacarán la historia y la cultura que hacen de esta región un lugar tan especial”.

Los ganadores y sus proyectos incluyen:

Ganador de Documental de Largometraje ($50,000)

Margaret Cardillo – Jane Chastain: La Historia No Contada de la Primera Comentarista Deportiva Femenina del País, un documental sobre Jane Chastain, quien hizo historia como la primera comentarista deportiva femenina de Estados Unidos mientras capturaba la creciente cultura deportiva de Miami en los años 60 y 70 para la primera estación de televisión de Miami, WTVJ.

“Esta historia [la de Jane] no solo es una parte inédita de la historia de Estados Unidos, sino también de la historia de Miami”, dijo Cardillo. “Este documental explorará por qué, de todos los mercados del país, fue la ciudad de Miami la que fomentó este talento pionero”.

Ganadores de Documental Corto ($10,000 cada uno)

Symone Titania Major – Bajo el Árbol de Mango, explorando la profunda conexión de una familia con un árbol de mango en Goulds y sus vínculos con la rica herencia agrícola de la zona.

Gina Ann Margillo – Night Train Last Stop, un perfil de Ted Grossman, cuyo programa de radio Night Train ha preservado la conexión de Miami con el jazz y la música de big band durante casi 50 años.

Jayme Kaye Gershen – Adult Night: Un Documental de Super/Hot Wheels, un film que captura la cultura de esta icónica pista de patinaje de Miami y su impacto duradero en la comunidad.

“Como una habitual de los lunes por la noche, comencé a documentar el latido de este lugar y su gente”, dijo Gershen. “Este documental captura la alegría, la cultura y el alma de un preciado punto de referencia de Miami mientras evoluciona, dejando su huella en generaciones de miamenses”.

Ganadores de Fondos de Finalización ($10,000 cada uno)

Rachelle Salnave – Ciudadana Dual, una exploración divertida y emotiva de la identidad haitiano-estadounidense y el viaje para recuperar la ciudadanía haitiana.

Emilio Oscar Alcalde – El Sonido de Miami, que traza la evolución del sonido musical latino característico de Miami, una fusión de influencias cubanas y estadounidenses.

“El Sonido de Miami es una historia que solo podría haberse desarrollado en el sur de Florida. Es una carta de amor a los inmigrantes cubanos que buscaban su lugar en Miami”, dijo Alcalde.

Menciones Especiales del Jurado

Además, cuatro cineastas—Gaspar González, Kareem Tabsch, Matt Deblinger y Sasha Wortzel—recibieron Menciones Especiales del Jurado por sus propuestas y recibirán un estipendio y el uso gratuito de los Archivos Wolfson para completar sus proyectos.

Una piedra angular de The Louies para todos los cineastas ganadores es el acceso a los Archivos Wolfson en Miami Dade College, que albergan más de 35,000 horas de video y filmaciones que documentan la historia de Florida. El abundante material de los archivos ayudará a los ganadores a dar vida a sus historias, desde los lugares culturales de Miami hasta momentos históricos cruciales.

The Louies, nombrados en honor a Louis Wolfson II, cuya familia fundó la primera estación de televisión de Miami, WTVJ, fueron reinventados en 2024 para apoyar a los cineastas de documentales del sur de Florida. Establecida en colaboración con el Miami Film Festival y la Lynn & Louis Wolfson II Family Foundation, esta iniciativa amplifica las voces locales financiando proyectos que celebran la vibrante cultura e historia de la región. Los ganadores fueron seleccionados por un distinguido jurado.

“Nos complace continuar el legado de mi familia en educación y preservación de la historia”, dijo Randi Wolfson Adamo, fideicomisaria de la Lynn & Louis Wolfson II Family Foundation. “The Louies asegurará que las historias del sur de Florida sean contadas, recordadas y atesoradas”.

Para más información sobre The Louies, visita www.miamifilmfestival.com/thelouies.

Sobre el Miami Film Festival de Miami Dade College
Celebrando el cine en dos eventos anuales, Miami Film Festival y GEMS, el Miami Film Festival de Miami Dade College es considerado el principal festival de cine para exhibir cine iberoamericano en EE. UU. y una importante plataforma de lanzamiento para el cine internacional y documental. El festival anual recibe a más de 45,000 asistentes y más de 400 cineastas, productores, talentos y profesionales de la industria. Es el único gran festival alojado dentro de una universidad. En los últimos cinco años, el festival ha proyectado películas de más de 60 países, incluidas 300 premieres mundiales, internacionales, norteamericanas y de la costa este. El festival también ofrece oportunidades educativas inigualables para estudiantes de cine y la comunidad en general. Para más información, visita www.miamifilmfestival.com o llama al 305-237-FILM (3456).

Sobre la Lynn & Louis Wolfson II Family Foundation
Establecida por Lynn Wolfson en 2014, la misión de la Lynn & Louis Wolfson II Family Foundation tiene dos partes: proporcionar apoyo a la educación que fomente vocaciones en cine, video y transmisión, así como financiar las artes en el sur de Florida. El éxito de la familia fundadora en los medios impulsó el interés en apoyar la educación para el mejoramiento de todas las industrias relacionadas. Louis Wolfson II fue vicepresidente senior de Wometco Enterprises, un modelo a seguir en la comunidad empresarial e industria de medios en el sur de Florida y a nivel nacional hasta su fallecimiento. Lynn Wolfson inició los Archivos Wolfson de Imágenes en Movimiento de Florida, ahora alojados en Miami Dade College, y apoyó todas las formas de arte en el sur de Florida. Ahora, guiada por las siguientes generaciones de la familia Wolfson, la fundación se complace en asociarse con el Miami Film Festival en The Louies.

Contactos de Prensa de The Louies:
Debbie Ramirez, 786-877-2295, [email protected]; Rachel Pinzur, 305-725-2875, [email protected]

Contactos de Prensa de MDC:
Nikki Whiting, vicepresidenta asistente de comunicaciones, 305-237-3920, [email protected]; Sue Arrowsmith, directora de relaciones con los medios, 305-237-3710, [email protected]; o Norma Ardila, 305-237-3607, [email protected].

Este y otros comunicados de MDC están disponibles en news.mdc.edu.

Miami Film Festival and Lynn & Louis Wolfson II

Por

AMM

-

Symone Titania Major Miami Film Festival

Miami Film Festival and Lynn & Louis Wolfson II Family Foundation Announces Winners of The Louies, Awarding $100,000 to Six Local Filmmakers

Winning Documentaries to Explore Miami’s Trailblazing Female Sportscaster, Beloved Roller Rink and Generational Legacies

Six Miami-based filmmakers are set to bring South Florida’s compelling untold stories to life as the inaugural winners of The Louies, an initiative of the Miami Film Festival sponsored by the Lynn & Louis Wolfson II Family Foundation. These filmmakers will receive a combined $100,000 to create documentaries exploring South Florida’s history, cultural identity and iconic people and places. Two of the films will premiere at the 2025 Miami Film Festival, with the others debuting at future editions.

“We are thrilled to celebrate these talented filmmakers and the extraordinary stories they will tell,” said James Woolley, executive director of Miami Dade College’s acclaimed Miami Film Festival. “The Louies winners reflect the diversity, resilience, and creativity of South Florida. Their films will shine a spotlight on the history and culture that make this region so special.”

The winners and their projects include:

Feature-Length Documentary Winner ($50,000)

Margaret Cardillo – Jane Chastain: The Untold Story of the Nation’s First Female Sportscaster, a documentary about Jane Chastain, who made history as America’s first female sportscaster while capturing Miami’s growing sports culture of the 1960s and 70s for Miami’s first TV station WTVJ.

“This [Jane’s] story is not just an untold piece of American history but of Miami history,” said Cardillo. “This documentary will explore why, of all the markets in the country, it was the city of Miami that fostered this pioneering talent.”

Short Documentary Winners ($10,000 each)

Symone Titania Major – Under the Mango Tree, exploring a family’s deep connection to a mango tree in Goulds and its ties to the area’s rich agricultural heritage.
Gina Ann Margillo – Night Train Last Stop, a profile of Ted Grossman, whose Night Train radio show has preserved Miami’s connection to jazz and big band music for nearly 50 years.
Jayme Kaye Gershen – Adult Night: A Super/Hot Wheels Doc, a film capturing the culture of this iconic Miami roller rink and its enduring community impact.

“As a Monday night regular, I started documenting the heartbeat of this place and its people,” said Gershen. “This film captures the joy, culture, and soul of a treasured Miami landmark as it evolves, leaving its mark on generations of Miamians.”

Finishing Funds Winners ($10,000 each)

Rachelle Salnave – Dual Citizen, a humorous and heartfelt exploration of Haitian-American identity and the journey to reclaim Haitian citizenship.
Emilio Oscar Alcalde – El Sonido de Miami, tracing the evolution of Miami’s signature Latin music sound, a fusion of Cuban and American influences.

“El Sonido de Miami” is a story that could only have taken place in South Florida. It is a love letter to the Cuban immigrants who were trying to find their place in Miami,” said Alcalde.

Special Jury Mentions

In addition, four filmmakers, Gaspar González, Kareem Tabsch, Matt Deblinger and Sasha Wortzel, received Special Jury Mentions for their submissions and will each receive a stipend and complimentary use of the Lynn & Louis Wolfson II Florida Moving Image Archives to complete their projects.

A cornerstone of The Louies for all the winning filmmakers is access to the Lynn & Louis Wolfson II Florida Moving Image Archives at Miami Dade College, housing over 35,000 hours of video and film chronicling Florida’s history. The archives’ robust footage will help winners bring their stories to life, from Miami’s cultural landmarks to pivotal historical moments.

The Louies, named for Louis Wolfson II, whose family started Miami’s first TV station WTVJ, were reimagined in 2024 to support South Florida’s documentary filmmakers. Established in collaboration with the Miami Film Festival and the Lynn & Louis Wolfson II Family Foundation, this initiative amplifies local voices by funding projects that celebrate the region’s vibrant culture and history. Winners were selected by a distinguished jury.

“We are thrilled to continue my family’s legacy of education and preservation of history,” said Randi Wolfson Adamo, trustee of the Lynn & Louis Wolfson II Family Foundation. “The Louies will ensure that South Florida’s stories are told, remembered and cherished.”

For more information about The Louies, visit www.miamifilmfestival.com/thelouies.

About Miami Dade College’s Miami Film Festival

Celebrating cinema in two annual events, Miami Film Festival and GEMS, Miami Dade College’s Miami Film Festival is considered the preeminent film festival for showcasing Ibero-American cinema in the U.S., and a major launch pad for all international and documentary cinema. The annual Festival welcomes more than 45,000 audience members and more than 400 filmmakers, producers, talent and industry professionals. It is the only major festival housed within a college or university. In the last five years, the Festival has screened films from more than 60 countries, including 300 World, International, North American, U.S. and East Coast Premieres. The Festival also offers unparalleled educational opportunities to film students and the community at large. For more information, visit www.miamifilmfestival.com or call 305-237-FILM (3456).

About Lynn & Louis Wolfson II Family Foundation

Established by Lynn Wolfson in 2014, the Lynn & Louis Wolfson II Family Foundation’s two-part mission provides support for education that furthers vocations in film, video, and broadcasting, as well as funds the arts in South Florida. The founding family’s success in media propelled interest in supporting education for the betterment of all related industries. Louis Wolfson II served as senior vice president of Wometco Enterprises, a paragon of the business community and media industry in South Florida and nationally until his passing. Lynn Wolfson initiated the Wolfson Florida Moving Image Archives now housed at Miami Dade College and supported all forms of arts in South Florida. Now guided by the next generations of the Wolfson family, the foundation is pleased to partner with the Miami Film Festival on The Louies.

The Louies Media Contacts: Debbie Ramirez, 786-877-2295, [email protected]; Rachel Pinzur, 305-725-2875, [email protected]

MDC Media Contacts: Nikki Whiting, assistant vice president of communications, 305-237-3920, [email protected]; Sue Arrowsmith, director of media relations, 305-237-3710, [email protected]; or Norma Ardila, 305-237-3607, [email protected].

This and other MDC releases are available at news.mdc.edu.

Homenaje a Malevich de Victor Vasarely

Por

AMM

-

Victor Vasarely. Homenaje a Malevich 1954-1958

Homenaje a Malevich de Victor Vasarely: Una Geometría en Movimiento

La obra Homenaje a Malevich (1954-1958) de Victor Vasarely, creada en óleo sobre lienzo, es una pieza fundamental que destaca por su exploración de la geometría y el movimiento. Con una medida imponente de 120 × 195 cm, esta obra se encuentra en la colección de Louis Bogaerts y está considerada una de las representaciones más destacadas de la corriente del arte óptico (Op Art), un movimiento en el cual Vasarely se consagró como uno de los principales exponentes.

La influencia de Kazimir Malevich

El título de la obra ya deja clara la reverencia del artista húngaro hacia el pintor ruso Kazimir Malevich, creador del suprematismo, un movimiento abstracto que se centraba en lo esencial: el uso del cuadrado y el círculo como formas puras. Malevich llevó el cuadrado negro a la máxima expresión en su pintura, mientras que Vasarely, en su Homenaje a Malevich, recrea esa forma, pero dándole un giro innovador. Vasarely no solo presenta el cuadrado en su versión bidimensional, sino que introduce una dimensión de movimiento.

Al observar su entorno, Vasarely se dio cuenta de que la luz que entraba a través de la ventana de su casa en Gordes formaba un contorno cuadrado similar al que él había percibido en negativo en el exterior. De este fenómeno, nació la idea de su Homenaje a Malevich, donde reinventa esa forma cuadrada y la coloca en constante cambio. El cuadrado que, en la obra de Malevich, se mantenía inmóvil y absoluto, se convierte en un rombo giratorio que se desplaza, alterando su forma original. Este giro transformacional del cuadrado refleja la interpretación de Vasarely de la geometría como algo dinámico, en constante evolución y afectado por el movimiento.

Geometría Relativista

Uno de los aspectos más fascinantes de esta obra es la introducción de una geometría relativista que se manifiesta en el constante cambio de las formas. Vasarely muestra cómo un cuadrado puede ser transformado en un rombo al girar sobre su punta, o cómo el círculo puede devenir en una elipse. La obra invita a los espectadores a percibir un universo visual en el que las formas no son fijas, sino fluidas, y las fuerzas que las originan las modifican continuamente. El espacio se vuelve mutable y no sujeto a una única lectura estática.

Este enfoque refleja la influencia de la teoría de la relatividad y la física moderna, que comenzaron a tener una fuerte repercusión en la vanguardia artística de la época. Al presentar las formas de esta manera, Vasarely demuestra cómo el arte puede reflejar las complejidades de las percepciones visuales y la naturaleza dinámica del mundo. La luminosidad que entra en su estudio y las tensiones de la luz y la oscuridad también se perciben como elementos que modifican la percepción visual, un concepto esencial que Vasarely explora a través de las variaciones geométricas.

La evolución del Op Art

La obra Homenaje a Malevich es representativa de la fase inicial del arte óptico de Vasarely, cuando se limitaba al uso de blanco y negro. Sin embargo, a lo largo de su carrera, el artista expandiría este vocabulario y comenzaría a incluir colores vibrantes que aumentaban la sensación de movimiento y profundidad en sus composiciones. A pesar de los altibajos en el mercado del arte en las décadas siguientes, el Op Art de Vasarely sigue siendo una parte esencial del legado artístico del siglo XX.

En la década de 1950, Vasarely ya había establecido su particular estilo visual y conceptual, jugando con la ilusión de la tridimensionalidad y las formas que parecían desplazarse o vibrar frente a los ojos del espectador. El uso de patrones geométricos complejos y de efectos visuales fue un avance importante, influenciado no solo por Malevich, sino también por otros artistas y movimientos vanguardistas, como el Constructivismo y el Futurismo, que también buscaban experimentar con la percepción visual.

Legado y vigencia del Op Art

A pesar de su influencia en las décadas de 1960 y 1970, y de la popularidad alcanzada por el Op Art, la producción de Vasarely fue, en algunos aspectos, demasiado prolífica y, con el tiempo, esto jugó en contra de su valoración en el mercado. En los años 80, la repetición de sus patrones y la saturación de su obra en el mercado hicieron que la relevancia de su estilo comenzara a decaer. Sin embargo, la reciente exposición del Centre Pompidou, que rinde homenaje a su obra, ha hecho que se revalore su legado artístico y su contribución al arte del siglo XX.

Aunque la obra de Vasarely ha sido subestimada por muchos en el ámbito comercial, es innegable su impacto en la historia del arte moderno. El Homenaje a Malevich no solo es una reverencia a un maestro del arte abstracto, sino también una declaración de la intención de Vasarely de redefinir la relación entre arte, percepción y movimiento. Su influencia sigue viva en los movimientos contemporáneos que buscan explorar la interacción del espectador con el arte, y el Homenaje a Malevich continúa siendo una obra esencial que demuestra cómo la geometría puede ser una puerta hacia nuevas dimensiones perceptivas.

Art Miami MagazineArt Miami Magazine