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Pérez Art Museum Miami Announces Partnership with the Green Family Foundation, Expanding the Caribbean Cultural Institute

Shannon Alonso
2023 CCI Fellow Shannon Alonso. Photo: Lazaro Llanes.

Pérez Art Museum Miami Announces Partnership with the Green Family Foundation, Expanding the Caribbean Cultural Institute

The $5 million gift creates new collaborations with The Kimberly Green Latin American and Caribbean Center at Florida International University and Green Space Miami.

Additional support from the Mellon Foundation brings Miami benefactors together to sustain the accessibility and impact of CCI.

(MIAMI, FL — December 4, 2025) — Pérez Art Museum Miami (PAMM) is honored to announce a significant gift totaling $5 million from the Green Family Foundation (GFF) in support of the museum’s Caribbean Cultural Institute (CCI), a program aimed at advancing the study of Caribbean art while providing opportunities for exchange and collaboration across the region and its diasporic communities. This transformative investment, part operating support, part endowment, will ensure the long-term sustainability of CCI while expanding its mission across Miami-Dade County. With this gift, CCI will be renamed The Green Family Foundation Caribbean Cultural Institute.

“The Green Family Foundation has always championed access, equity, and cultural exchange,” said Dr. Kimberly Green, President of GFF. “Since 1991, GFF—founded by Ambassador Steven J. Green and Dorothea Green—has been committed to education in Miami-Dade County. Our deepened partnership with PAMM strengthens the creative collaborations, research, and documentation of the cultures that define the region. Supporting CCI means investing directly in the next generation of thinkers, scholars, and artists shaping our future.”

This $5 million multi-year gift deepens the foundation’s partnership with PAMM and establishes new collaborative pathways with Florida International University (FIU) and Green Space Miami, GFF’s platform for supporting Miami artists, co-founded by Dr. Kimberly Green and Michelangelo Bendandi. Through this partnership, CCI Fellows will gain access to FIU’s extensive Caribbean and Latin American research collections, archives, and libraries. FIU will also publish fellows’ research, expanding its reach across academic and international audiences.

The gift will also support paid undergraduate internships for FIU students, connecting emerging scholars to CCI’s research and curatorial initiatives. Green Space Miami will additionally host co-programmed public forums, exhibitions, and annual gatherings that bring together artists, advocates, creatives, and educators from across the Caribbean and Miami-Dade County.

“We are honored by the Green Family Foundation’s extraordinary commitment to the Caribbean Cultural Institute,” said Franklin Sirmans, Sandra and Tony Tamer director at PAMM. “Our collaboration with GFF is built on decades of trust, shared purpose, and a mutual commitment to Miami-Dade County. The foundation’s support ensures that CCI can continue to expand its long-term research, programming, and community initiatives—work that reflects Miami’s identity and deep ties to the Caribbean.”

In addition to the GFF gift, the Mellon Foundation has committed a new $2 million gift to PAMM to continue its support of CCI, further strengthening its programs and impact.

“We are proud to deepen this work with PAMM, FIU, and Green Space Miami,” said Dorothea Green, PAMM trustee. “Extending CCI’s reach means strengthening the cultural and intellectual ties that connect Miami to the Caribbean. These collaborations open doors for students, for artists, and for communities across the county.”

Andrew W. Mellon Caribbean Cultural Institute Curatorial Associate.
2025 CCI + WOPHA Fellow Celia Irina González & Iberia Pérez González, Andrew W. Mellon Caribbean Cultural Institute Curatorial Associate. Photo: Lazaro Llanes.

The current cohort of CCI Fellows exemplifies the vision this gift will sustain, spanning art, research, scholarship, and cross-disciplinary inquiry. Artist M. Florine Démosthène, this year’s CCI artist fellow, draws on her upbringing between Port-au-Prince and New York to explore Black female subjectivity and myth, creating lush, mixed-media works informed by ancestral memory and human–nonhuman relationships. Research Fellow Rianna Jade Parker, a writer, critic, historian, and curator, is advancing her ongoing investigations into under-recognized Caribbean and diasporic legacies while contributing essays and programming for institutions from Tate Britain to Somerset House. Meanwhile, the CCI + Women Photographers International Archive (WOPHA) Fellow Celia Irina González, a Mexico City-based visual anthropologist, is delving into archival gaps and migratory memory, building on her participation in international exhibitions including the Venice Biennale, Lyon Biennale, and Kochi-Muziris Biennale.

ABOUT THE GREEN FAMILY FOUNDATION
Established in 1991 by Steven J. Green, former United States Ambassador to Singapore, the Green Family Foundation (GFF) is a private nonprofit organization committed to advancing arts, culture, education, and healthcare initiatives that promote global well-being and reduce poverty. The Green Family Foundation drives meaningful change by funding initiatives that prioritize access and innovation. Through strategic grants, the foundation supports organizations committed to fostering sustainable solutions and empowering diverse communities.

For more than three decades the foundation has also played a significant role in Miami-Dade County’s cultural and educational landscape, particularly in areas connected to the Caribbean and Latin America. This includes long-standing partnerships with Florida International University through the Steven J. Green School of International and Public Affairs, the Kimberly Green Latin American and Caribbean Center, the Digital Library of the Caribbean, the Green Emerging Artists Fund at the Frost Art Museum, and the Green Library, as well as support for community organizations such as Miami Book Fair, WOPHA, and O, Miami. These efforts reflect the foundation’s continued commitment to access, education, and cultural exchange throughout the region.

ABOUT THE CARIBBEAN CULTURAL INSTITUTE
The Caribbean Cultural Institute (CCI) is a curatorial and research platform at Pérez Art Museum Miami dedicated to promoting and supporting the artistic and cultural production of the Caribbean and its diasporas through exhibitions, research, fellowships, public programs, and collection development.

ABOUT PAMM
Pérez Art Museum Miami (PAMM), led by Franklin Sirmans, Sandra and Tony Tamer Director, promotes artistic expression and the exchange of ideas, advancing public knowledge and appreciation of art, architecture, and design, and reflecting the diverse community of its pivotal geographic location at the crossroads of the Americas. The 41-year-old South Florida institution, formerly known as Miami Art Museum (MAM), opened a new building, designed by world-renowned architects Herzog & de Meuron, on December 4, 2013, in Downtown Miami’s Maurice A. Ferré Park. The facility is a state-of-the-art model for sustainable museum design and progressive programming and features 200,000 square feet of indoor and outdoor program space with flexible galleries; shaded outdoor verandas; a waterfront restaurant and bar; a museum shop; and an education center with a library, media lab, and classroom spaces.

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Accredited by the American Alliance of Museums, Pérez Art Museum Miami (PAMM) is Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Support is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. Additional support is provided by the City of Miami and the Miami OMNI Community Redevelopment Agency (OMNI CRA). Pérez Art Museum Miami is an accessible facility. All contents ©Pérez Art Museum Miami. All rights reserved.

NADA Miami 2025: Friday, December 5

Proxyco Gallery
Proxyco Gallery, New York at NADA Miami. Photo credit: Kevin Czopek/BFA.com

Your Daily Guide to NADA Miami 2025: Friday, December 5

Proxyco Gallery, New York at NADA Miami. Photo credit: Kevin Czopek/BFA.com

NADA Miami 2025 continues today, Friday, December 5, from 11–7pm at Ice Palace Studios, located at 1400 North Miami Avenue.

Discover the best of contemporary art from nearly 140 international galleries and art spaces, and join us for a lively series of conversations and performances throughout the week as part of ECOLOGIES, presented in partnership with the Knight Foundation.

Purchase Tickets

Now Live: Online Viewing Rooms

Jamiu Agboke
Jamiu Agboke, Incantation, 2025, Oil on copper, 8 × 10 × 1 inches. Presented by Sea View, Los Angeles.

View hundreds of artworks from NADA Miami exhibitors online, learn more about the presentations on view, and engage directly with NADA Miami participants.

Explore Viewing Rooms

Today at ECOLOGIES

Omar Clemetson (Metatronix) and Romulo Del Castillo (Schematic Records)
Omar Clemetson (Metatronix) and Romulo Del Castillo (Schematic Records)

Caribbean Ecologies: A Cultural Looking Glass

Friday, December 5

1pm

A nexus of water, land, and post-colonial culture, the Caribbean holds clues to the future of artistic communities across the world.Join local philanthropist Kimberly Green (President, Green Family Foundation), Diana Eusebio (Artist), and Iberia Pérez González (The Andrew W. Mellon Caribbean Cultural Institute Curatorial Associate, PAMM) as they discuss what a regional lens means for Miami, and beyond.

It started with bass …

Friday, December 5

2–6pm

Join us in the courtyard garden for a two-day musical journey hosted by Miami’s electronic music pioneers Omar Clemetson (Metatronix) and Romulo Del Castillo (Schematic Records), where they play the sounds of the past that inspired the present. Expect special guests and unreleased music from Miami’s innovators.

The Murky Middle

Friday, December 5

3pm

What do artists, curators, and institutions stand to gain (or lose) when they define themselves as nonprofit or for-profit? As the boundaries between philanthropy, commerce, and cultural production continue to blur, new hybrid structures are emerging that challenge long-held ideas of value and impact. This conversation brings together cultural leaders, founders, and funders experimenting at the edges of both systems to ask: in a moment when social values and cultural norms are being rewritten, why does the illusion of separation between commerce and the institutional persist?

Featuring Abby Pucker (Founder, Gertie), Stephen Reily (Founding Director, Remuseum), Anna Raginskaya (Vice President, Financial Advisor, Blue Rider Group), and Neil Hamamoto (Artist).

Visit Friends of NADA at NADA Miami 2025

Marius Steiger
Marius Steiger, Mushroom (series), 2024–2025, oil and acrylic on linen, variable dimensions.

NADA is pleased to present Mushrooms, a limited-edition series of ten paintings by London-based Swiss artist Marius Steiger, produced for Friends of NADA in collaboration with Blue Velvet, Zurich.

Both poisonous and alluring, mushrooms occupy a space where childhood wonder meets adult enchantment, existing at the threshold between the real and the imaginary. The mushroom becomes more than a motif; it is a metaphor for transformation. Each painting seems to migrate, to sprout, as if feeding on its environment, and in doing so, the individual works grow into a collective organism: a vast, immersive still life constructed from smaller, autonomous still-life paintings.

Complimentary Shuttle Service

NADA Miami is offering complimentary shuttles to and from the Miami Beach Water Taxi at the Venetian Marina.

View Miami Beach Art Week Transportation Map

Visit NADA Miami

NADA Miami

December 2–6, 2025

Ice Palace Studios

1400 North Miami Avenue

Miami, FL 33136

Dates & Times

Ticket Information

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New Art Dealers Alliance

The New Art Dealers Alliance (NADA) is the definitive non-profit arts organization dedicated to the cultivation, support, and advancement of new voices in contemporary art.

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El Museo de Arte Moderno de Nueva York Presenta la Retrospectiva Más Completa de Wifredo Lam en Estados Unidos

Wifredo Lam

El Museo de Arte Moderno de Nueva York Presenta la Retrospectiva Más Completa de Wifredo Lam en Estados Unidos

Wifredo Lam: When I Don’t Sleep, I Dream Explora Seis Décadas de la Obra de uno de los Artistas Transnacionales Más Significativos del Siglo XX

El Museo de Arte Moderno (MoMA) anuncia la apertura de Wifredo Lam: When I Don’t Sleep, I Dream (Wifredo Lam: Cuando no duermo, sueño), una exposición histórica que se inaugurará el 10 de noviembre de 2025 y permanecerá en exhibición hasta el 11 de abril de 2026. Esta muestra representa la primera retrospectiva completa dedicada al gran artista cubano en Estados Unidos, ofreciendo un examen sin precedentes de una de las figuras más fascinantes del modernismo internacional que, paradójicamente, no había recibido hasta ahora—a diferencia de Londres, París o Madrid—una exhibición de esta magnitud en territorio estadounidense.

Abarcando seis décadas de la prolífica trayectoria de Lam, la exposición propone a los visitantes un viaje por el universo onírico, mestizo e intensamente original del pintor de La Jungla. La muestra reúne más de 130 obras creadas entre los años veinte y setenta del siglo pasado, incluyendo pinturas, obras en papel a gran escala, dibujos colaborativos, libros ilustrados, grabados, cerámicas y material de archivo, con préstamos fundamentales generosamente cedidos por el Estate of Wifredo Lam, París. Esta presentación integral revela cómo Lam—nacido en Sagua la Grande, Las Villas, Cuba, y habiendo vivido la mayor parte de su vida trabajando entre España, Francia e Italia—llegó a encarnar la figura del artista transnacional por excelencia del siglo XX.

Wifredo Lam (1902–1982) ocupa una posición única en la historia del arte moderno. Como señala The New York Times, “siempre un forastero allá donde iba, Lam era muy consciente de la política colonialista europea que lo había creado, pero también estaba profundamente en sintonía con la espiritualidad afrocubana que era su herencia”. Habiendo desarrollado un lenguaje visual que sintetizó las tradiciones espirituales afrocaribeñas, los movimientos de vanguardia europeos y una profunda crítica al colonialismo, su obra dialogó con el surrealismo y el cubismo al tiempo que desafiaba el eurocentrismo de estos movimientos. Es precisamente “la sensibilidad espiritual de su arte—su visión de un mundo en el que los animales, las plantas y los seres humanos son inseparables—lo que lo diferencia del surrealismo convencional”.

La estética híbrida de Lam—con sus enigmáticas figuras que fusionan formas humanas, animales y vegetales—continúa resonando en los debates contemporáneos sobre identidad, diáspora e hibridación cultural. Como acertadamente señalan los curadores, “la obra de Wifredo Lam amplió los horizontes del modernismo, creando un espacio significativo para la complejidad y belleza cultural de la diáspora afrodescendiente”.

Su trayectoria vital definió un doble compromiso, estético y político, durante el periodo de entreguerras en una Europa animada por las vanguardias artísticas y amenazada por el fascismo. “Su exilio y posterior regreso al Caribe tras dieciocho años en el extranjero lo llevaron a reimaginar radicalmente su proyecto artístico a través de las historias afrocaribeñas”, explican los organizadores. Para Lam, de ascendencia africana y china, dar forma a su nuevo imaginario era mucho más que un medio de autorreflexión. Como declaró célebremente, su arte buscaba ser un “acto de descolonización”.

When I Don’t Sleep, I Dream traza el arco completo de la evolución artística de Lam, desde su formación académica temprana hasta sus obras maduras que consolidaron su posición como figura crucial del modernismo internacional. La exposición ilumina sus significativas relaciones con grandes artistas e intelectuales, incluyendo Pablo Picasso, André Breton y Aimé Césaire, al tiempo que enfatiza cómo Lam mantuvo su visión distintiva a lo largo de estos encuentros.

La curaduría pone acento en el ADN inventivo, genuinamente vanguardista de su arte como clave para sobreponerse a toda subalternidad, real o simbólica: “Sus experimentos formales, sus figuras y paisajes en transformación, y su afinidad por la poesía y la colaboración le permitieron interrumpir y superar las estructuras coloniales que encontró en el arte y en la vida”. Como el propio Lam reflexionó: “Sabía que corría el riesgo de no ser comprendido ni por el hombre de la calle ni por el resto del público, pero una verdadera obra de arte tiene el poder de hacer trabajar a la imaginación, aunque ello lleve tiempo”.

Los organizadores subrayan para un público global el envite inherente al trabajo de Lam: su invitación a “ver el mundo de una manera nueva”.

La exposición está organizada por Christophe Cherix, The David Rockefeller Director, y Beverly Adams, The Estrellita Brodsky Curator of Latin American Art; junto con Damasia Lacroze, Curatorial Associate, Department of Painting and Sculpture, y Eva Caston, Curatorial Assistant, Department of Drawings and Prints.

El apoyo principal para la exposición es proporcionado por el Sandra and Tony Tamer Exhibition Fund, la Eyal and Marilyn Ofer Family Foundation, The International Council of The Museum of Modern Art, Sue and Edgar Wachenheim III, y el Dian Woodner Exhibition Endowment Fund.

Generoso financiamiento es proporcionado por The Black Arts Council of The Museum of Modern Art.

Apoyo adicional es proporcionado por Roberto S. y Elizabeth T. Goizueta.

La experiencia digital Bloomberg Connects es posible gracias al apoyo de Bloomberg Philanthropies.

El apoyo principal para la publicación es proporcionado por el fondo para Investigación y Publicaciones Académicas de The Museum of Modern Art establecido gracias a la generosidad de The Andrew W. Mellon Foundation, la Edward John Noble Foundation, Mr. and Mrs. Perry R. Bass, y el National Endowment for the Humanities’ Challenge Grant Program. Generoso financiamiento es proporcionado por el Jo Carole Lauder Publications Endowment Fund of The International Council of The Museum of Modern Art.

Fechas de la exposición: 10 de noviembre de 2025 – 11 de abril de 2026

Ubicación: The Museum of Modern Art, 11 West 53 Street, New York, NY 10019

Para consultas de prensa, contactar: [Información de Contacto de la Oficina de Prensa]

Acerca de The Museum of Modern Art

The Museum of Modern Art es un espacio que impulsa la creatividad, enciende mentes y proporciona inspiración. Con exposiciones extraordinarias y la mejor colección de arte moderno y contemporáneo del mundo, MoMA se dedica al diálogo entre el pasado y el presente, lo establecido y lo experimental.Retry

Explore Painting & Art-Making Techniques

Explore Painting & Art-Making Techniques
Explore Painting & Art-Making Techniques

Explore Painting & Art-Making Techniques

Welcome to our Techniques section—your guide to the vast and expressive world of artistic practice. Whether you’re discovering art for the first time or refining a lifelong craft, this collection of techniques will help you expand your creative vocabulary. Each method highlights its essential materials, foundational steps, and the unique visual language it brings to contemporary and historical art.

Below you’ll find a curated index of both traditional and modern techniques, each offering its own possibilities for experimentation, mastery, and personal expression.

ACRYLIC PAINTING

A vibrant, fast-drying medium known for its versatility and bold color. Learn foundational brushwork, layering approaches, blending methods, glazing, and textural applications using gels, pastes, and mediums.

AIRBRUSHING

A precision technique that uses compressed air to apply mist-like paint. Ideal for smooth gradients, hyperrealism, automotive art, murals, and illustration. Master control, masking, stenciling, and surface prep.

ALLA PRIMA PAINTING

Also known as “wet-on-wet,” this technique involves completing a painting in a single session. Explore dynamic brushwork, confident color mixing, and spontaneous mark-making used by masters from Constable to contemporary portraitists.

ALCOHOL INK PAINTING

A fluid, luminous technique using dye-based inks on nonporous surfaces. Learn how evaporation, tilt, and additives create marbled effects, blooms, and cascading color movements.

ARTISTS & WORKSHOPS

A space dedicated to artistic insight. Discover professional demonstrations, step-by-step lessons, and interviews with leading painters, printmakers, and multidisciplinary creators.

BOTANICAL PAINTING

An exacting and elegant art form focused on the accurate depiction of plants. Learn observational drawing, watercolor layering, botanical structure, and methods for rendering texture and translucency.

CALLIGRAPHY

A tradition of expressive writing where rhythm and gesture define form. Learn pen angles, ink flow, pressure control, and how to develop your own lettering style.

CANVAS STRETCHING

Master the craft of building your own painting surface. Learn how to stretch, secure, and prime canvas for long-term stability and professional presentation.

CHINESE PAINTING

Rooted in centuries-old philosophy and technique, Chinese painting emphasizes harmony, brush rhythm, and expressive line. Explore ink preparation, calligraphic brushstrokes, and freehand painting styles.

COLD WAX PAINTING

A tactile and atmospheric technique blending oil paint with cold wax medium. Learn how to build layers, incise marks, embed textures, and create velvety, matte surfaces.

COLLAGE

The assembly of diverse materials—from paper to textiles—to create unified visual compositions. Learn cutting, layering, adhesive choices, and conceptual approaches.

DECORATIVE ARTS

A category focused on specialized surfaces such as ceramic, glass, silk, and wood. Explore paints and methods tailored for applied arts, craft traditions, and design objects.

DIGITAL PRINTING

Combine digital technology with fine art. Learn how to create archival prints, manage color profiles, prepare files, and integrate digital elements with traditional media.

DOODLING

A spontaneous drawing practice that nurtures creativity and visual thinking. Explore mark-making, pattern development, and idea generation through playful sketching.

ENCAUSTIC PAINTING

A luminous technique using heated beeswax mixed with pigment. Learn fusing methods, layering, incorporating collage, and achieving sculptural surfaces.

ETCHING & INTAGLIO

A historic printmaking discipline where lines are incised into metal plates. Learn plate preparation, acid baths, inking, wiping, and printing on fine art papers.

GILDING

The art of applying precious metal leaf—gold, silver, copper—onto surfaces. Learn traditional sizing, burnishing, and decorative techniques for luminous finishes.

GLASS PAINTING

A transparent and reflective medium requiring specialized colors. Learn outlining, layering, firing options, and techniques for decorative or fine art applications.

GLAZING (PAINTING)

A method of applying translucent layers over dry paint to enhance depth and luminosity. Ideal for oils, acrylics, and watercolors; learn pigment selection and controlled layering.

GOUACHE PAINTING

An opaque water-based medium loved for its velvety finish. Learn layering, reactivation techniques, flat color fields, and methods for illustration and fine art.

GRAFFITI ART

Rooted in street culture and mural traditions. Learn spray-can control, caps and pressure variations, stenciling, letterforms, and large-scale wall techniques.

GRANULATION TECHNIQUE

A watercolor phenomenon where pigment particles separate, creating textured, mineral-like effects. Explore granulating pigments, specialty papers, and techniques to amplify the effect.

HARD EDGE PAINTING

A genre emphasizing sharp lines and geometric clarity. Learn masking, taping, layering, and color theory for crisp, high-impact compositions.

HOW TO MAKE WATERCOLOR PAINT

Explore the craft of hand-making watercolor using pigment, binder, and precise ratios. Learn grinding, mul­ling, and palette-making for custom colors.

ILLUSTRATION

A broad practice encompassing traditional drawing, digital art, narrative imagery, and stylized expression. Explore linework, shading, composition, and stylistic development.

IMPRESSIONIST PAINTING

Focus on color, light, and atmosphere through broken brushwork and optical blending. Learn outdoor color mixing, loose strokes, and capturing fleeting moments.

MOKUHANGA (JAPANESE WOODCUT)

A water-based woodblock technique rich in texture and tradition. Learn carving, inking, registration, and hand printing using natural materials.

LIFE DRAWING

The study of the human form through live models. Learn gesture drawing, anatomy, proportions, shading, and observational accuracy.

LITHOGRAPHY

A printmaking process based on the interaction of grease and water. Learn drawing on the stone or plate, chemical processing, and hand or press printing.

BLOCK & LINO PRINTING

A relief method where raised surfaces are inked and pressed. Learn carving, inking, rolling, proofing, and printing bold graphic designs.

MODELING & SCULPTURE

Explore three-dimensional creation through clay, plaster, wood, wire, and mixed materials. Learn additive and subtractive techniques, armatures, and casting.

MONOPRINT

A spontaneous, one-of-a-kind printmaking process. Learn direct drawing, subtractive methods, stenciling, and press-based experiments.

MURAL & SCENE PAINTING

Large-scale work created on walls, ceilings, or architectural surfaces. Learn scaling, surface prep, scaffolding safety, and durable outdoor materials.

OIL PAINTING

A foundational technique in fine art known for richness and slow drying. Learn underpainting, glazing, scumbling, impasto, solvents, mediums, and color harmony.

PAINT MAKING

Craft your own paints by combining pigments, binders, and additives. Learn safe handling, longevity considerations, and how to tailor paints to your technique.

PAPER STRETCHING

Prepare watercolor paper for wet techniques by stretching it taut. Learn soaking, taping, drying, and board preparation for flawless washes.

PASTEL PAINTING

Soft pastels offer immediate color and velvety texture. Learn blending, layering, fixing, and using textured papers to create luminous imagery.

PLEIN AIR PAINTING

Outdoor painting focused on natural light and atmosphere. Learn portable setup, quick color mixing, and capturing shifting conditions.

POUR PAINTING

A fluid technique where paint is mixed with mediums and poured for marbled effects. Learn cells, tilting, layering, and drying techniques.

PRIMING

The essential first step for preparing surfaces. Learn about acrylic gesso, oil ground, traditional gesso, and how to choose the right primer for each medium.

PRINTMAKING

A broad category including relief, intaglio, lithography, silkscreen, and monoprint. Learn plate preparation, inking, paper selection, and press techniques.

SILK PAINTING

A delicate art using dyes and resist techniques on silk. Learn gutta application, color flow, and methods for wearable or framed artworks.

RELIEF & LINO PRINTING

One of the oldest printing methods where raised surfaces produce the image. Learn carving patterns, rolling ink, and hand printing.

SCREEN PRINTING

A stencil-based technique for printing imagery onto paper, fabric, or other surfaces. Learn screen prep, emulsion, exposure, and multi-color registration.

SILVERPOINT

A Renaissance drawing method using a metal stylus on prepared grounds. Learn subtle shading, mark-making, and archival surface preparation.

SKETCHING

The foundation of visual thinking. Learn gesture, contour, shading, composition, and how sketchbooks support creative development.

TEXTILE PAINTING

Explore paints and dyes designed for fabric. Learn heat-setting, stenciling, stamping, and techniques for both fashion and fiber art.

THE ZORN PALETTE

A minimal palette of just four colors—yellow ochre, vermilion (or cad red), ivory black, and white. Learn how to create harmony and subtlety through limited choices.

URBAN SKETCHING

Capture city life on location. Learn fast drawing, perspective, atmosphere, and storytelling through observational sketching.

WATERCOLOR PAINTING

A luminous medium celebrated for transparency and flow. Learn washes, wet-on-wet, glazing, drybrush, and color layering.

WOOD ENGRAVING

A meticulous relief process using fine tools and end-grain wood blocks. Learn engraving techniques for creating delicate, high-contrast prints.

YOUNG ARTISTS

A playful introduction to art-making for children and beginners. Discover safe materials and activities that nurture creativity, imagination, and early skill development.

La crítica de arte atrapada entre el mercado y la integridad

La crítica de arte atrapada entre el mercado y la integridad
La crítica de arte atrapada entre el mercado y la integridad

La crítica de arte atrapada entre el mercado y la integridad

El libro La crítica de arte en la actualidad de Marisol Salanova

En un momento en que el arte contemporáneo se ha convertido en un activo financiero más, donde las obras se valoran en subastas millonarias y las ferias internacionales dictan tendencias, surge una pregunta incómoda: ¿puede existir todavía una crítica de arte independiente? El libro La crítica de arte en la actualidad de Marisol Salanova aborda precisamente esta tensión fundamental que atraviesa el mundo del arte contemporáneo.

Un sector al descubierto

Salanova se propone una tarea valiente: descorrer el velo sobre un ámbito que tradicionalmente se ha mantenido hermético y endogámico. La autora desmantela sistemáticamente los mitos y las “auras mágicas” que rodean tanto a la creación artística como a la crítica especializada, exponiendo los mecanismos reales que determinan qué arte se considera relevante y quién tiene la autoridad para decirlo.

El análisis parte de una premisa provocadora pero difícil de refutar: la crítica de arte actual se encuentra subordinada a los dictados del capitalismo y la industria cultural. Los críticos, que en teoría deberían actuar como mediadores independientes entre las obras y el público, fomentando el debate y la reflexión, se encuentran atrapados en una red de dependencias económicas e institucionales. Galerías, museos, casas de subastas, ferias de arte y coleccionistas configuran un ecosistema donde la supervivencia profesional del crítico depende, en gran medida, de no morder la mano que le da de comer.

El dilema del crítico contemporáneo

Salanova plantea el conflicto de manera descarnada: el crítico de arte se enfrenta a una disyuntiva entre plegarse a las dinámicas del mercado o convertirse en lo que la autora denomina un “kamikaze cultural”, condenado progresivamente al ostracismo profesional. Esta alternativa binaria refleja la realidad de un sector donde mantener posiciones críticas genuinas puede significar la exclusión de los circuitos institucionales, la pérdida de acceso a eventos relevantes y, en última instancia, la imposibilidad de ejercer la profesión.

Las consecuencias de esta situación no se limitan al ámbito profesional. Según el análisis de Salanova, este sometimiento generalizado de la crítica al mercado genera efectos devastadores que se extienden en múltiples direcciones: desprestigia el propio arte al reducirlo a mercancía, deslegitima la función crítica al convertirla en mera publicidad encubierta, e imposibilita tanto el fomento genuino de la producción cultural como la formación y el disfrute reflexivo del público.

Cómo se fabrican las tendencias

Uno de los aspectos más reveladores del libro es su análisis sobre los mecanismos mediante los cuales se generan y destruyen tendencias artísticas y reputaciones. Salanova muestra cómo la fama de artistas y movimientos no surge necesariamente de méritos estéticos o intelectuales intrínsecos, sino de estrategias de marketing, inversiones especulativas y redes de influencia que operan frecuentemente en la opacidad.

Este esclarecimiento resulta especialmente valioso para el público general, que suele enfrentarse al arte contemporáneo con una mezcla de fascinación y desconcierto, sin comprender los códigos que determinan por qué ciertas obras o artistas alcanzan reconocimiento masivo mientras otros permanecen en la invisibilidad.

¿Cuál debería ser la labor del crítico?

Frente al panorama desalentador que describe, Salanova no se limita al diagnóstico. El libro también reflexiona sobre cuál debería ser la auténtica función de la crítica de arte: no actuar como agente comercial ni como guardián elitista de un conocimiento arcano, sino ejercer como mediador crítico que estimule el debate público, promueva la reflexión y ayude a formar criterios estéticos informados en la audiencia.

Esta visión implica recuperar una noción de crítica como práctica intelectual independiente, capaz de señalar tanto logros como carencias, de contextualizar históricamente las propuestas artísticas y de resistir las presiones comerciales que buscan convertir cada texto crítico en una herramienta de promoción.

Relevancia en el contexto actual

La crítica de arte en la actualidad resulta especialmente pertinente en un momento donde las redes sociales han multiplicado las voces que opinan sobre arte, pero también han intensificado la confusión entre crítica fundamentada y simple reacción emocional. En un ecosistema saturado de información donde los influencers culturales pueden tener más alcance que los críticos especializados, el libro de Salanova invita a reflexionar sobre qué distingue una crítica rigurosa de una mera opinión, y por qué esa distinción importa.

La obra constituye una lectura esencial no solo para profesionales del sector artístico, sino para cualquier persona interesada en comprender cómo funciona realmente el mundo del arte contemporáneo, más allá de las apariencias glamurosas de las inauguraciones y las cifras espectaculares de las ventas. Al hacer accesible un ámbito tradicionalmente opaco, Salanova contribuye a democratizar el conocimiento sobre el arte y, quizás, a imaginar formas alternativas de producción, circulación y valoración cultural que no estén completamente subordinadas a la lógica del mercado.

Homenaje al legado de Débora Arango

Débora Arango
Débora Arango

A 20 años de su fallecimiento, se le rinde un homenaje al legado de Débora Arango con una exposición de su obra

‘La huida del convento’, en el Museo Santa Clara de Bogotá, expondrá 18 cuadros de la maestra antioqueña a partir del jueves 4 de diciembre.

Por Sofía Gómez

Después del escándalo que generó la frustrada venta de varios cuadros de Débora Arango por parte del Museo de Arte Moderno de Medellín (MAMM) al Banco de la República, la obra de la maestra colombiana volverá a exhibirse como parte de un homenaje a su legado al conmemorarse 20 años de su fallecimiento, este 4 de diciembre.

‘La huida del convento’ es el nombre de la exposición que se llevará a cabo en el Museo Santa Clara (ubicado en la antigua iglesia del Real Convento de Santa Clara), de Bogotá, del 4 de diciembre de 2025 hasta el primero de marzo de 2026. La muestra presenta 18 obras provenientes del MAMM, organizadas en cuatro núcleos temáticos que abordan, la relación de Débora con la educación religiosa y la vida conventual; sus reinterpretaciones del imaginario católico; la crítica a la Iglesia como institución; su mirada a la familia, la desigualdad social y las maternidades no idealizadas. Es auspiciada por el Ministerio de las Culturas, las Artes y los Saberes.

La huida del convento: Débora Arango en el Museo Santa Clara, instalación de las obras
Instalación de las obras de Débora Arango en el Museo Santa Clara. Foto:Ministerio de las Culturas

La exposición se acompañará con actividades pedagógicas y culturales, como recorridos comentados, talleres y espacios de reflexión, sobre el panorama de las mujeres en Colombia.

​El legado de la maestra

Débora Arango, nacida en Envigado, en 1907, fue una de las artistas más importantes en la historia de Colombia; transgresora para su época, su pintura abordó la crítica social y política además de ser la primera pintora colombiana en hacer desnudos femeninos.

Su voz fue incómoda y necesaria en un país marcado por la hegemonía conservadora de las décadas de 1940 y 1950. Su producción artística confrontó el autoritarismo patriarcal, la moral católica tradicional y las estructuras de poder que normaron el comportamiento social, especialmente el de las mujeres. Su obra fue rechazada, censurada y ridiculizada durante buena parte del siglo XX. En su arte, su crítica no se dirige a la religión, ni a las prácticas devocionales, sino a los modelos, imaginarios y estructuras de control que, utilizando su investidura eclesiástica, reprimían y coartaban la libertad de expresión femenina. Los cuadros de Débora Arango se ubican en el expresionismo, debido a la alteración y distorsión de la realidad para transmitir un significado subjetivo.

DEBORA CON SUS CUADROS, MEDELLIN DIC 3 DE 2007
Débora Arango con sus cuadros. Foto:Archivo EL TIEMPO

En 1986, Arango donó 233 piezas de su obra de arte al Museo de Arte Moderno de Medellín, y en el 2005 recibió la Orden de Boyacá, el homenaje más importante que se concede en Colombia. Antes de morir, le legó a su discípulo, el pintor y escultor colombiano Mateo Blanco (hoy radicado en Estados Unidos) sus conocimientos. La maestra murió el 4 de diciembre de 2005, a los 98 años de edad.

La historia detrás de la frustrada venta de los cuadros de Débora Arango al Banco de la República

NADA Announces 23rd Edition of NADA Miami During Miami Art Week 2025

New Art Dealers Alliance (NADA)
New Art Dealers Alliance (NADA)

NADA Announces 23rd Edition of NADA Miami During Miami Art Week 2025

Nearly 140 galleries, project spaces, and nonprofits from 30 countries to exhibit at Ice Palace Studios | December 2–6, 2025

MIAMI, FL — The New Art Dealers Alliance (NADA), the definitive nonprofit organization dedicated to the cultivation, support, and advancement of new voices in contemporary art, is pleased to announce the 23rd edition of NADA Miami, returning to Ice Palace Studios from December 2–6, 2025, during Miami Art Week.

This year’s edition will bring together nearly 140 international galleries, art spaces, and nonprofit organizations from 30 countries and 65 cities, marking one of the most diverse and globally representative presentations in the fair’s history. With 58 returning NADA Members and 47 first-time exhibitors, NADA Miami 2025 underscores the organization’s mission of nurturing new talent, fostering collaboration, and elevating emerging and experimental practices within contemporary art.

A portion of ticket proceeds will fund the eighth annual NADA Acquisition Gift for the Pérez Art Museum Miami (PAMM), supporting the expansion of the museum’s permanent collection with works by underrepresented and emerging artists.

A Platform for New Ideas in Contemporary Art

Founded in 2002, NADA is a nonprofit alliance comprising galleries, nonprofit spaces, curators, and art professionals committed to expanding access, strengthening cultural ecosystems, and supporting innovative artistic voices. With members across the United States, Europe, Asia, and Latin America, NADA centers experimentation, collaboration, and community-building through exhibitions, public programs, and year-round platforms, including fairs in New York, Miami, Paris, and Warsaw, as well as its Lower East Side exhibition space, LUNCH.

Heather Hubbs, NADA Executive Director, stated:

“We are delighted to present the exhibitor list for this year’s Miami fair—an extraordinary showcase that reflects the full breadth, depth, and vitality of our community. At the core of our mission is an unwavering commitment to supporting galleries, non-profits, and artist-run spaces year-round, and Miami provides a unique platform to amplify those voices on the global stage.”

Curated Spotlight: Organized by Kate Wong

The 2025 edition will feature the return of the TD Bank Curated Spotlight, organized by curator, writer, and researcher Kate Wong. The program highlights galleries that challenge traditional commercial models, investing in artist support through resources, community-building, and experimental programming.

In Wong’s words:

“These spaces remind us that the most vital cultural work is often rooted in the local—built through proximity, responsiveness, and shared purpose. The artists presented in this section speak to renewal and transformation, giving form to the tension between what is ending and what is yet to come.”

2025 Participants in the Curated Spotlight

Devin N. Morris — EFA Robert Blackburn Printmaking Workshop (New York)
Ana Alenso & Alessandro Balteo-Yazbeck — El Consulado (New York)
Faith Icecold — ROMANCE (Pittsburgh)
Huey Lightbody & Mahari Chabwera — Southside Contemporary Art Gallery (Richmond, VA)
Marissa Delano — Spill 180 (New York)

Expanding Programming Citywide

In addition to the fair, NADA will present ECOLOGIES, a week-long series of public programs, performances, and private convenings, presented in partnership with the Knight Foundation, PAMM, and CULTURED. The initiative reinforces NADA’s commitment to nurturing conversations around art-making, community engagement, and sustainable cultural infrastructures.

Exhibitors Across Six Continents

This year’s fair features artists and galleries from cities including:
Buenos Aires, Shanghai, Lagos, Honolulu, Caracas, Seoul, Tokyo, Paris, London, New York, Pittsburgh, Tbilisi, Toronto, Milan, Denver, Istanbul, and Miami.

New exhibitors include:
Brigitte Mulholland (Paris), FOUNDRY SEOUL (Seoul), Post Times (New York), McLennon Pen Co. (Austin), CASTLE (Los Angeles), AKIINOUE (Tokyo), and Chilli (London).

Returning exhibitors include:
PRIMARY. (Miami), Tomas Redrado Art (Miami / José Ignacio), ANDREW RAFACZ (Chicago), EMBAJADA (San Juan), KDR (Miami), and more.

A full list of exhibiting galleries is available at NADA.art.

FAIR INFORMATION

NADA Miami 2025

December 2–6, 2025
Ice Palace Studios
1400 North Miami Avenue
Miami, FL 33136

Schedule

VIP Preview (Invitation Only)
• Tuesday, December 2: 10AM–4PM

Open to the Public
• Tuesday, December 2: 4PM–7PM
• Wednesday, December 3: 11AM–7PM
• Thursday, December 4: 11AM–7PM
• Friday, December 5: 11AM–7PM
• Saturday, December 6: 11AM–6PM

Transportation

Complimentary shuttle service will connect Ice Palace Studios with the Miami Beach Water Taxi at the Venetian Marina.

About NADA

The New Art Dealers Alliance (NADA) is the leading nonprofit arts organization supporting contemporary art spaces, emerging galleries, and innovative cultural practitioners worldwide. As a consortium of galleries, nonprofit spaces, and art professionals, NADA facilitates open exchange, shared resources, and access to opportunities that elevate artists and enrich the cultural landscape. Founded on principles of collaboration, inclusion, and transparency, NADA strives to enhance public engagement with contemporary art and nurture new artistic voices that shape the future.

Membership is by invitation only, following nomination by an existing member and approval by the Board.

Learn more at NADAart.org

Six exhibits. Four venues. Two city blocks. All designed to move you.

Jamaica On Our Mind
Jamaica On Our Mind - Ten North Group in partnership with the City of Opa-locka.

Six exhibits. Four venues. Two city blocks. All designed to move you.

Jamaica On Our Minds: A Night for Recovery is happening today, and we’re inviting you to join us in supporting Capt Barrington Irving’s mission to bring real relief to communities in Jamaica impacted by the recent hurricane.
Tonight is all about giving back while celebrating the strength, culture, and spirit of Jamaica. Enjoy live performances from Reggae Artist Matthew and vibes from DJ Jazzy T, along with exclusive raffles, a silent art auction, and a vibrant community gathering that directly supports Experience Aviation’s recovery efforts led by Capt. Irving.
As the evening unfolds, we invite you to continue experiencing Art of Transformation across the campus. Art and culture will carry into the night (9-12 pm) at the Historic Opa-locka Train Station, where an elegant late-night lounge experience will offer music, community, and space to explore even more of the festival’s programming.
Your presence truly makes a difference. Be part of a night filled with purpose, unity, and Caribbean pride.

Experience the Art of Transformation

Now in its 13th year, the Art of Transformation (AOT) stands as a premier showcase of world-class art from across Africa and the African Diaspora. Set in the heart of historic Opa-locka, this vibrant cultural experience transforms two city blocks into an open-air museum of exhibitions, performances, and community celebration. 

Immerse yourself in six dynamic exhibitions across five unique venues, featuring a full schedule of artist talks, panel discussions, live performances, and social gatherings that capture the spirit of innovation and unity in the Diaspora.

As an official Miami Art Week destination and affiliate event of Art Basel Miami Beach, AOT continues to spotlight the power of art to transform spaces, minds, and communities.Presented by Ten North Group in partnership with the City of Opa-locka.

All exhibitions are free and open to the public daily from 9 AM to 9 PM, with special programs, panels, and live moments throughout the week.

At the Edge of Entanglement
13th Annual Art OF TRANSFORMATION
December 3-6, 2025
The ARC | 675 Ali Baba Ave. Opa-locka, Fla. (Main Check-in)

LORENZO PACE MICKALENE THOMAS
KIMBERLY M. BECOAT LAMEROL A. GATEWOOD
VANTABLACK
MR. STARCITY ARSIMMER MCCOY
AMY ARAUJO
REGINALD JACKSON
CHARISSE PEARLINA WESTON

Looking Forward to the Florida Museum of Black History
Ten North Group
R4 R4 CAPITAL
www.tennorthgroup.com/aot
OPBLOKKA

The Poetry & Literature of Nicaragua: from Rubén Darío to Ernesto Cardenal

Museum of Central American Art
Museum of Central American Art Delray Beach, Florida

The Poetry & Literature of Nicaragua: from Rubén Darío to Ernesto Cardenal – readings & talk by Jorge Eduardo Argüello at our Sunday Speaker Series

Sunday, January 11, 2026 
2:00 pm

Delray Beach, Florida – Jorge Eduardo Argüello is a distinguished Nicaraguan poet and writer known for his extensive work in literature. He is a corresponding member of the Nicaraguan Academy of Languages. 

Jorge has a prolific writing career, with 9 novels, 5 plays and 11 books of poetry; his poetry style influenced by the Beat Generation (titles include Marbeck, Signos Arqueológicos, El sueño de un Vaquero and Invitación a una Realidad Simple). His poems have been translated and featured in international literary magazines.

Born in León, Nicaragua, Argüello pursued higher education internationally. He earned a Doctorate in Law from the University of Barcelona, Spain and obtained a Master’s in Hispanic American Literature from the University of California, Los Angeles (UCLA).  He has lived extensively in Europe and the United States and taught internationally. 

Alejandro Arostegui & PRAXIS exhibit continues through Jan 2026.

MoCAArt at the Annex
290 SE 2nd Avenue, Delray Beach, Florida
Open by appointment Wed-Sat 12 noon to 5:00pm.

RSVP 
Email [email protected]. Or call 561-808-8587.

Buy Canvas in Miami

Where to Buy Professional Canvas in Miami
Where to Buy Professional Canvas in Miami

Where to Buy Professional Canvas in Miami

The City’s Best Sources for Artists, Galleries & Art Institutions

Miami has become one of the most relevant art capitals in the world. From Art Basel Miami Beach to the year-round programming at PAMM, ICA, Rubell, and dozens of galleries, the city holds an immense concentration of working artists. With so many painters—professional and emerging alike—quality canvas is not just a material; it’s a core investment.

Whether you’re preparing for a museum exhibition, a gallery opening, a commission, or producing works for Miami Art Week, choosing the right canvas can influence texture, longevity, and the final impact of the piece. Fortunately, Miami offers excellent options for purchasing artist-grade canvas, stretcher bars, panels, and custom builds.

Here is a refined guide to the top destinations for canvas in Miami and what makes each unique.

1. Local Fine-Art Supply Stores

Miami has a handful of professional shops that understand the industry and sell canvas trusted by working artists.

Blick Art Materials

Address: Wynwood & South Beach
Blick is one of the most reliable sources for cotton and linen canvas—from economy rolls to Belgian-woven museum grade. You’ll also find stretched canvas in dozens of sizes, canvas pads, panels, custom cutting, and a variety of weights for acrylic or oil.

Artists choose Blick because:

  • consistent quality
  • access to top brands: Fredrix, Claessens, Arteina, Masterpiece
  • bulk ordering options

It’s also a great stop for primers, gesso, stretching tools, and varnishes.

2. Professional Framers & Canvas Fabricators

Many Miami artists prefer to stretch their own canvas—or have it stretched professionally.

South Florida Framing Studios

Well-established framing studios in Midtown, Coral Gables, and Doral offer:

  • custom stretched linen
  • museum-grade mounting
  • large-format canvas builds
    Ideal for oversized commissions, diptychs, hotel and corporate installations, or gallery-ready works.

Services may include kiln-dried stretcher bars, reinforced corners, gallery wrap, cradled panels, and sealing methods to protect against humidity—essential in Miami’s climate.

3. Industrial Print Shops and Large-Format Fabricators

Some professional print studios also provide raw canvas and roll stock for artists.

These suppliers sell:

  • canvas by the meter
  • heavy cotton duck
  • marine-grade outdoor canvas
  • premium linen rolls

Many can also cut full rolls to any custom length, ideal for muralists or conceptual installations.

4. Online Canvas Distributors with Miami Delivery

If specific brands or museum grades are required, specialists online ship canvas directly to studios in Miami:

  • Claessens (Belgium linen)
  • Arteina
  • Fredrix
  • ArtFix
  • Belle Arti
  • Winsor & Newton

Many ship rolls in various weights for acrylic, mixed media, watercolor priming, or oil traditional sizing.

This option is preferred by artists who need precise technical specifications—grain tightness, warp resistance, or historic accuracy.

5. Atelier-Level Linen for Museums & Galleries

Miami galleries preparing for exhibitions often require:

  • pure linen canvas
  • portrait-grade surface
  • archival priming
  • anti-yellowing foundations

Local providers and importers offer:

  • oil-primed Claessens linen
  • universal-primed cotton duck
  • unprimed raw linen for traditional rabbit-skin glue sizing
  • double-primed surfaces

Many artists in Miami’s top institutions use European linen for works intended for collectors, museum acquisitions, or long-term stewardship.

6. Tips for Choosing Canvas in Miami’s Climate

Miami humidity demands careful selection.

Look for:

✔ kiln-dried stretcher bars
✔ triple-primed professional canvas
✔ anti-warp construction
✔ marine-grade coatings for outdoor works

If you produce oil paintings, choose a heavier weave linen or cotton duck for strength. For acrylic, universal-primed cotton may be sufficient. Mixed media artists often favor medium grain surfaces with flexible priming.

7. Supporting Miami’s Local Art Economy

By purchasing canvas locally, artists contribute to the same creative ecosystem that supports their exhibitions, collectors, and art communities. Local suppliers provide:

  • same-day availability
  • personalized technical guidance
  • reduced shipping cost
  • stronger relationships with Miami’s cultural network

For emerging artists, many stores offer student and member discounts.

Top Art-Supply Stores in Miami

Store / ShopWhat They Offer / Why Go
Blick Art MaterialsFull-service art store: canvases, stretched linen, paints, brushes, papers, framing materials. A go-to for professional artists and students alike. Blick Art Materials+2Waze+2
Jerry’s Art Supply & Framing Wholesale ClubWholesale-style pricing, large selection: canvases, paints, drawing supplies, framing & wholesale discounts — good for bulk buying or frequent makers. Jerry’s Wholesale Stores+1
i.d. Art Supply and Custom FramingSmaller, local-oriented supply store + custom framing. Useful for custom canvas stretching or framing projects. i.d. Art Supply
MTN Shop MiamiSpecialized in spray paints, street art, graffiti tools — great for muralists, graffiti artists, mixed-media creators. Montana Colors
MichaelsCommercial chain with broad reach — useful for general supplies, crafts, mixed media, framing basics and craft-level materials. Michaels

What to Consider When Buying Art Supplies in Miami

  • Professional-grade vs Hobby-grade: For fine art, stretched linen canvas, quality primers and artist-grade paints (oil, acrylic, mixed media) make a big difference. Stores like Blick, Jerry’s or i.d. Art Supply cover those needs.
  • Custom framing and canvas stretching: Local shops offering custom services are ideal for large works or commissions needing museum-type finishes.
  • Spray paint & street-art supplies: For murals, urban art, installations or mixed media, specialized shops like MTN Shop Miami are worth visiting.
  • Convenience & accessibility: Large chains and well-located shops (near Wynwood, Design District or South Miami) help save time — useful if you need supplies quickly.
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