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Art of Transformation: Celebrating the Society of African Diaspora Visual Artists in Miami

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Standy by Me
¿Estás listo para transformar tu forma de ver y, con ello, tu arte?

Art of Transformation: Celebrating the Society of African Diaspora Visual Artists in Miami

Miami, a city known for its dynamic cultural landscape and diverse artistic expressions, is home to a growing community of visual artists from the African Diaspora. Art of Transformation is among the leading forces in this cultural movement, a collective that brings together talented artists who use their work to explore identity, history, and social change. The society provides a platform for African Diaspora artists to showcase their creations and sparks important conversations about race, heritage, and the evolving role of art in society.

The society’s mission is to promote the rich cultural contributions of African-descended artists while fostering a deeper understanding of the African Diaspora’s influence on contemporary art. Their collective ethos is rooted in a desire to transform individual narratives and broader societal structures through creative expression. Art of Transformation encourages artists to draw from their heritage, incorporating cultural resilience, migration, social justice, and identity themes into their work. These themes resonate deeply with Miami’s multicultural demographic, where the impact of African culture is deeply ingrained, from music to dance to art.

The Power of Art in Transformation

The society’s vision is not merely to display works of art but to evoke transformation—both for the artists involved and the communities they engage with. By highlighting the voices of African Diaspora artists, Art of Transformation challenges the mainstream art world’s often narrow focus and opens the door for broader, more inclusive dialogues on global and local histories.

In Miami, a city that has long been a crossroads for the Caribbean, Latin American, and African Diasporas, the artists of Art of Transformation explore their multifaceted identities, seeking a sense of belonging while confronting the complexities of racial, cultural, and societal structures. Each piece in their exhibitions offers viewers a unique perspective on the triumphs and struggles defining the African experience worldwide. From mixed-media works that blend traditional African art forms with contemporary techniques to abstract pieces that challenge perceptions of race and identity, the society’s artists embrace diversity in their subjects and their approaches to art-making.

The Artists Behind the Movement

The collective features a dynamic range of visual artists, each bringing their style and voice to the table. Whether working in painting, sculpture, photography, or digital media, the members of Art of Transformation showcase a breadth of creativity that reflects both the diversity of the African Diaspora and the diversity within Miami itself.

One key element that sets this collective apart is its focus on storytelling. Many of the featured artists use their craft to tell stories that have been marginalized or forgotten by mainstream history. For instance, works that explore the legacy of African slavery, the ongoing struggle for civil rights, and the experience of immigrants within the African Diaspora offer personal and collective narratives that challenge dominant cultural norms.

In works like those by Wendell Patrick, whose mixed-media installations incorporate textiles, clay, and found objects, the themes of ancestral legacy and cultural continuity come to life. His art asks questions about belonging and displacement while providing a visual conversation about race and heritage. Similarly, Zahra Sulaiman, a multimedia artist, uses vibrant color schemes and innovative techniques to explore the intersections between African traditions and contemporary urban life, blending nostalgia with innovation.

Art as a Catalyst for Social Change

Beyond the exhibition space, Art of Transformation plays a crucial role in Miami’s cultural dialogue by positioning art as a tool for social change. The collective encourages critical thinking and dialogue about race, equity, and cultural visibility through panel discussions, workshops, and community outreach programs. Their events are not simply artistic showcases but spaces for reflection and social activism, where art functions as a mirror to the world we live in and as a catalyst for transformation.

The power of visual art to address societal issues is at the core of Art of Transformation’s mission. The group challenges both viewers and artists to reconsider their perceptions of race, identity, and belonging while celebrating the diverse experiences of the African Diaspora. Art of Transformation is a collective that presents art and fosters conversations that continue long after the exhibitions have closed.

A Future of Boundless Possibilities

As the collective grows, Art of Transformation promises to remain at the forefront of Miami’s art scene, contributing to the city’s global reputation as a vibrant cultural hub. The society’s commitment to showcasing the stories of African Diaspora artists will undoubtedly leave an indelible mark on the local and global art communities, proving that art, when harnessed for change, can transform not just individuals but entire societies.

In Miami, where the African Diaspora’s cultural influence is felt in every corner of the city, Art of Transformation is a testament to the enduring power of art as both a reflection of the world and a force for shaping it.

Funding Arts Broward (FAB) Launches Public Art Program in Broward County            

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Funding Arts Broward (FAB) Launches Public Art Program
Funding Arts Broward (FAB) Launches Public Art Program

Funding Arts Broward (FAB) Launches Public Art Program in Broward County     

Dynamic outdoor art light projection by Mad Arts kicks off in January at The Parker       

 Funding Arts Broward (FAB) announced the launch of a new public art program titled, FAB Goes Public,with a dynamic outdoor artistic light display on the exterior wall of The Parker in Fort Lauderdale from January through April.

Made possible with the support of Funding Arts Broward, the membership-based organization dedicated to championing the arts in Broward, in collaboration with the Broward Center for the Performing Arts and the Broward Performing Arts Foundation, The Parker and Mad Arts, FAB Goes Publicis FAB’s public art initiative designed to broaden appreciation for the arts within the community, reach a larger audience and benefit emerging artists by teaching them new skills and showcasing their work.

The impetus behind FAB Goes Publicoriginated from the nonprofit’s recently published “Enriching the Arts Opportunities in Broward County’s Arts Community” report which identified key needs within Broward County’s arts community. A signature public art event was a top priority.

“Public art enhances our cultural landscape, engages communities, contributes to economic vitality and celebrates diversity,” said FAB President Mary Riedel. “We are thrilled to be able to bring this multi-month outdoor light projection to the community and at the same time support our local artists.”

Miami native, Marc Aptakin, founder and acting CEO of Mad Arts, is a longtime supporter of local arts initiatives, providing complimentary space for artists exhibits and now includes education. “As a former artist and photographer, I support the arts and artists in any way that I can,” said Aptakin. “I’m delighted to partner with FAB and host instructive workshops for aspiring artists.”

FAB worked alongside Sofia Bastidas, Mad Arts Curator, to identify the artists that will be showcased for FAB Goes Public. TheartistsincludeRosanna KalisandMiguel Gonzalez,who are both local artists working at the intersection of arts and technology.The project seeks to empower and elevate local artists by expanding their digital expertise to enhance their visibility. An important part of the program was to implement an educational initiative at Mad Arts. This program hopes to educate participants to explore their creativity and develop new technical skills, such as 3D projection mapping.

“With this immersive lighting experience at The Parker, we have a unique opportunity to weave in the visual arts with the performing arts,” said Lisa Kitei, president of the Broward Performing Arts Foundation and longtime FAB member. “We look forward to lighting up the sky at The Parker to further engage our community in the arts.”

The Parker is located at 707 NE 8th St. in Fort Lauderdale.

About Funding Arts Broward (FAB)                                                                                                                                               

Funding Arts Broward (FAB) is a privately funded non-profit organization that provides visual arts and arts education grants to non-profit organizations in Broward. FAB funds an annual grant pool of up to $400k, through the support of its members, corporate partners, and allied foundations. FAB was founded by local artist and philanthropist Francie Bishop Good. More information about FAB can be found at fundingartsbroward.org. Follow us on Facebook at facebook.com/fundingartsbroward.

About Mad Arts                                                                                                                             

A non-profit organization founded in 2020, Mad Arts is a museum, community hub, and laboratory for art and technology. Facilitating visionary exhibitions and projects by individuals, collectives, and companies, Mad Arts operates out of its flagship headquarters, a 50,000-square-foot space in South Florida. More information about MAD can be found at yeswearemadarts.com.

About The Parker

The Parker is Fort Lauderdale’s iconic, heritage theater presenting concerts, comedy, dance, family fare and more. Beautifully renovated in 2021, The Parker offers audiences enhanced entertainment and hospitality experiences. The neo-classical Lillian S. Wells Hall features outstanding acoustics, unobstructed sightlines, wide rows and continental seating. The grand S. Donald Sussman Lobby, Bernie Peck’s Bar, the intimate Haller Club, and the private members’ lounge, The Place To Be, provide ample opportunities for audiences to enjoy culture, cocktails and conversation with every visit to the theater. For more information, visit ParkerPlayhouse.com

The American Museum of the Cuban Diaspora: A Hub for Cultural Exploration and Artistic Expression

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AMM
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The American Museum of the Cuban Diaspora: A Hub for Cultural Exploration and Artistic Expression
The American Museum of the Cuban Diaspora: A Hub for Cultural Exploration and Artistic Expression

The American Museum of the Cuban Diaspora: A Hub for Cultural Exploration and Artistic Expression

Located in the heart of Miami, the American Museum of the Cuban Diaspora stands as a beacon of history, art, and culture for the Cuban-American community. As a nonprofit, tax-exempt organization, the museum is dedicated to preserving and sharing the stories, struggles, and triumphs of Cuban exiles and their descendants. It offers visitors an immersive experience of the rich cultural heritage of Cuba and the Cuban diaspora while celebrating the resilience and spirit of the Cuban people.

The museum’s creation was made possible by the 2004 Building Better Communities Bond Program, enacted by the citizens of Miami-Dade County. This program, alongside the generous support from the Miami-Dade County Department of Cultural Affairs, the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners, facilitated the realization of a space where the stories of the Cuban diaspora could be told. The museum is located at 1200 Coral Way, Miami, FL 33145, and continues to serve as a vital cultural resource for locals and visitors alike.

Current Exhibits at The American Museum of the Cuban Diaspora

One of the museum’s most compelling exhibitions, “Liberty, Hunger, and Desperation,” features the powerful work of Cuban artist Fernando Prieto. Born in Coruña, Spain, Prieto showed an early aptitude for drawing and painting, participating in his first exhibition at 13. Although he pursued a career as a business expert, his passion for art never wavered, and he continued to hone his craft over the years.

The exhibition “Liberty, Hunger, and Desperation” transcends the traditional boundaries of a gallery show by connecting deeply with the emotional and psychological experiences of those who have fought for freedom, justice, and a better life. Prieto’s work goes beyond aesthetic beauty to challenge the viewer deeper, urging them to reflect on the global struggle for human rights and equality. Each piece in the exhibition explores themes of liberty, resistance, and the human desire for dignity. The works are imbued with raw emotion, and through evocative brushstrokes and vivid imagery, Prieto brings attention to the human struggle for freedom, peace, and the intrinsic right to live fully.

Through his art, Prieto not only witnesses these universal struggles but invites us to walk with him on a journey of resistance and hope. His paintings convey a narrative of perseverance, highlighting the resilience of the human spirit in the face of immense adversity. The exhibition captures the stark realities of exile, displacement, and the fight for a fairer, more accessible world.

The evocative power of “Liberty, Hunger, and Desperation” extends beyond visual storytelling—it calls upon each viewer to consider their role in fostering a world defined by justice and compassion. Prieto’s work serves as a poignant reminder of the importance of human rights and the need for collective action in the face of global challenges.

A Museum that Preserves History and Fosters Dialogue

In addition to its current exhibitions, the American Museum of the Cuban Diaspora plays a critical role in preserving the history and culture of the Cuban-American community. By offering a space for reflection, education, and cultural exchange, the museum provides an invaluable resource for understanding the experiences of those who have fled Cuba in search of freedom and a better life. Through its exhibits, the museum showcases the artistic expressions of Cuban diaspora artists. It encourages dialogue about the complex cultural, political, and social forces shaping the Cuban-American identity.

Whether you are drawn to Fernando Prieto’s emotionally charged works or interested in learning more about the history of the Cuban diaspora, a visit to the American Museum of the Cuban Diaspora is a must. It is a place where history, art, and culture converge, offering visitors a deeper understanding of the Cuban experience and the ongoing pursuit of freedom and justice.

For more information about the museum and its current exhibitions, visit [email protected] or visit the museum at 1200 Coral Way, Miami, FL 33145.

TANYA WEDDEMIRE GALLERY

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I AM WOMAN
GUY STANLEY PHILOCHE, SERRON GREEN "I AM WOMAN", 2024 | 48" x 60" | Mixed Media on Canvas $65,000 : SOLD

TANYA WEDDEMIRE GALLERY celebrated a MOMENTOUS DEBUT at SCOPE ART SHOW 2024 | MIAMI BEACH | MIAMI ART WEEK

Tanya Weddemire Gallery – Brooklyn based celebrated a momentous debut at SCOPE Art Show 2024, embodying a profound commitment to community and collaboration during Miami Art Week. The gallery showcased the dynamic works of two remarkable artists: GUY STANLEY PHILOCHE, a seasoned participant making his seventh appearance at the fair, and SERRON GREEN, whose inaugural exhibition captivated audiences. 

Green’s debut was a resounding success, with every piece exhibited selling out. The gallery achieved an impressive milestone, selling over ten works, which is a testament to the unwavering support of collectors who champion the talents of these exceptional artists.

This year’s fair, themed “Interdependence,” was curated by Director Hayley Smith to highlight the power of collaboration. The gallery aimed to emphasize the powerful synergy between established and emerging talents, which was masterfully illustrated in the collaborative centerpiece of the exhibition, “I Am Woman.” This mixed-media work on canvas, created by Philoche and Green, was sold for $65,000, exemplifying the strength of unity and representation by merging distinct artistic visions into a single, compelling narrative.

Reflecting on this significant achievement, Founder and CEO Tanya Weddemire stated, “I am very pleased with the gallery’s performance at the SCOPE Art Show. I am grateful to work with two amazing artists whose great talent and compelling narratives resonate so well with collectors.”

El Suprematismo: Una Revolución en la Forma y el Significado

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1-K-11-Rafael-Montilla-Arte-Neoconcreto- GEOMETRIC ABSTRACTION
1-K-11-Rafael-Montilla-Arte-Neoconcreto- GEOMETRIC ABSTRACTION

El Suprematismo: Una Revolución en la Forma y el Significado

El suprematismo (en ruso: супремати́зм) es un movimiento artístico del siglo XX que se centra en los fundamentos geométricos del arte: círculos, cuadrados y rectángulos, pintados en una paleta limitada de colores. El término “suprematismo” hace referencia al arte abstracto basado en “la supremacía del sentimiento artístico puro”, en lugar de la representación visual de objetos. En este sentido, el suprematismo se aleja de la tradición figurativa y abraza una visión del arte como un campo libre de restricciones externas, donde las formas y los colores se convierten en los vehículos de una experiencia estética pura, sin la necesidad de representar la realidad o cualquier cosa ajena a la propia obra.

Fundado por el artista ruso Kazimir Malevich en 1913, el suprematismo surge como una reacción contra las convenciones establecidas del arte tradicional y un intento de liberar al arte de las restricciones de la representación. Malevich, influenciado por el cubismo, buscaba despojar al arte de todo lo que pudiera prefigurar o predeterminar una estructura ideal de vida y arte. En sus palabras, la obra de arte debía trascender la imitación de la realidad, dejando de lado las figuras o los objetos para llegar a una experiencia directa con las formas geométricas más básicas, como el cuadrado, el círculo y la cruz.

Malevich y otros artistas de vanguardia rusos, como Aleksandra Ekster, Liubov Popova, Olga Rozanova, Ivan Kliun, y Nadezhda Udaltsova, entre otros, formaron un grupo de artistas que pretendía crear una nueva dirección artística en Rusia, completamente independiente del curso de la historia del arte ruso anterior. Su objetivo era, no solo desafiar las normas académicas, sino también fundar un movimiento ruso de vanguardia que se distanciara de las representaciones tradicionales y del pasado artístico de su país.

A través de la publicación de la revista Supremus (originalmente titulada Nul o Nada), Malevich intentó proporcionar una plataforma para difundir los principios del suprematismo. Sin embargo, debido a la Revolución Rusa, la revista no alcanzó a ser distribuida, y el proyecto nunca despegó. A pesar de este contratiempo, la influencia del suprematismo perduró, y su impacto en el desarrollo de las artes visuales fue fundamental para la evolución del arte abstracto en el siglo XX.

El suprematismo, como corriente artística, se fundamentaba en la liberación total del arte. Malevich concebía al artista como un creador libre de todas las ataduras que el arte tradicional le imponía. Al liberar al arte de cualquier referencia externa, el suprematismo apuntaba a una experiencia estética autónoma, en la que el espectador no debía buscar significados narrativos o representacionales, sino sumergirse en la pureza de las formas y los colores.

En sus obras más emblemáticas, como Cuadrado negro sobre fondo blanco (1915), Malevich muestra el fin de la representación, presentando un cuadrado negro flotando en el vacío del lienzo, sin ninguna referencia o significado aparte de su propia existencia visual. Este tipo de arte revolucionario propició una nueva forma de ver y experimentar la pintura: no como un medio para imitar la realidad, sino como un lenguaje visual autónomo y autónomamente significativo.

La teoría del suprematismo tuvo una fuerte influencia en el desarrollo de otros movimientos vanguardistas y en la historia del arte moderno. Malevich y sus seguidores no solo transformaron la pintura, sino que revolucionaron la concepción misma del arte, al liberarlo de la representación y centrarse exclusivamente en las formas abstractas y los colores puros como la verdadera esencia de la experiencia artística. Este enfoque sigue siendo una influencia esencial en el arte contemporáneo, y el suprematismo sigue siendo recordado como uno de los movimientos más radicales y fundamentales en la historia del arte moderno.

Ideas Clave y Logros del Movimiento Suprematismo Ruso

El suprematismo es uno de los movimientos más influyentes del arte moderno, y su impacto ha dejado una huella indeleble en la evolución del arte abstracto. A continuación se destacan las ideas clave y logros más significativos del movimiento suprematista:

1. Supremacía del Sentimiento Artístico Puro

  • El principio fundamental del suprematismo, planteado por Kazimir Malevich, es la supremacía del sentimiento artístico puro sobre la representación de objetos o figuras. Esto significa que la verdadera esencia del arte no radica en imitar la realidad o representar objetos del mundo, sino en explorar la experiencia visual y emocional directa a través de formas geométricas básicas.

2. Abstracción Geométrica

  • El suprematismo se caracteriza por el uso exclusivo de formas geométricas simples como cuadrados, círculos y rectángulos. Malevich consideraba que estas formas eran la expresión más pura y elemental del arte. Al eliminar cualquier referencia figurativa, los artistas suprematistas aspiraban a crear un lenguaje visual autónomo, despojado de las restricciones de la representación.

3. Rechazo de la Representación

  • Uno de los logros más radicales del suprematismo fue su rechazo total de la representación. Las obras de arte ya no debían contar historias o mostrar escenas de la vida real. En lugar de eso, el arte se convirtió en un medio para explorar el puro sentimiento artístico a través del color y la forma. Este rechazo de la representación influyó profundamente en el desarrollo de la abstracción pura en el arte moderno.

4. Creación de un Movimiento Independiente

  • Malevich y sus seguidores no solo propusieron una nueva forma de arte, sino que también fundaron un movimiento independiente en la Rusia de principios del siglo XX. El suprematismo representó un alejamiento de la tradición artística rusa y se constituyó como un intento de los artistas de la vanguardia rusa de romper con el pasado y crear algo completamente nuevo.

5. La Revista Supremus

  • Para difundir las ideas del movimiento, Malevich fundó la revista Supremus (originalmente titulada Nul o Nada). Aunque la revista nunca llegó a publicarse de manera regular debido a la Revolución Rusa, el esfuerzo por crear una plataforma teórica para el movimiento refleja su importancia no solo en lo visual, sino también en lo intelectual.

6. Innovación en la Pintura

  • Las obras más emblemáticas del suprematismo, como el “Cuadrado negro sobre fondo blanco” (1915) de Malevich, marcaron un antes y un después en la pintura. Malevich utilizó el cuadrado negro como símbolo de la eliminación total de lo representativo y como un medio para capturar la pureza del arte. Este tipo de arte abstracto, despojado de toda figura reconocible, abrió las puertas a una nueva era en la pintura.

7. Influencia en la Vanguardia Internacional

  • Aunque el suprematismo fue principalmente un movimiento ruso, sus ideas influyeron en muchos otros movimientos de la vanguardia internacional, como el constructivismo y el arte abstracto geométrico. La concepción de que el arte debía estar libre de representaciones figurativas y centrarse en lo formal y lo emocional se extendió a nivel mundial y dejó una marca en movimientos posteriores como el neoplasticismo y el arte minimalista.

8. Legado y Relevancia en el Arte Contemporáneo

  • El suprematismo sigue siendo una influencia crucial en el arte contemporáneo, especialmente en el ámbito de la pintura abstracta y el arte conceptual. Las ideas de Malevich sobre la autonomía del arte y la primacía de las formas geométricas siguen siendo relevantes en las prácticas artísticas actuales, y su legado ha perdurado como uno de los movimientos más radicales y liberadores en la historia del arte.

El suprematismo no solo redefinió las posibilidades del arte visual, sino que también planteó una nueva visión filosófica del arte como una experiencia puramente sensorial y emocional, alejada de cualquier necesidad de representar el mundo real. La supresión de la figuración y el énfasis en la abstracción radical ofrecieron una revolución estética que sigue influyendo en los artistas contemporáneos hasta el día de hoy.

CHROMA 2024 Illuminates the Miami Design District During Miami Art Week

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CHROMA 2024 Illuminates the Miami Design District During Miami Art Week
CHROMA 2024 Illuminates the Miami Design District During Miami Art Week

CHROMA 2024 Illuminates the Miami Design District During Miami Art Week
20 International Artists Celebrate Creativity and Diversity at Lucid Design District

Miami, FL – Lucid Design District proudly announces the successful VIP Opening of CHROMA 2024, held on December 2, 2024. The third annual group exhibition featuring the works of 20 international artists welcomed over 500 guests, offering an unforgettable evening of art, music, and performances. The exhibition, which runs through Tuesday, December 17, 2024, is free and open to the public.

Located in the heart of the Miami Design District—a globally recognized destination known for luxury retail shops, award-winning restaurants, museums, and public art installations—Lucid Design District transforms into an immersive art space during Miami Art Week. This year’s highlights include the completion of Kevin M. Fletcher’s mural “Echoes of Unity”, which now serves as a vibrant, Instagram-worthy backdrop for visitors exploring the neighborhood.

The VIP Opening Reception featured captivating performances by Navya Nataraj, whose rhythmic tabla music inspired lively dancing, and Rafael Montilla, who mesmerized the audience with his dynamic KUBE Man performance. These activations brought energy and interaction to the evening, creating a culturally rich and memorable experience.

“CHROMA 2024 is a celebration of the vibrancy and diversity within the global art community,” says Payal Tak, owner of Lucid Design District and participating artist. “We’re proud to present works from 20 incredible artists whose creativity inspires dialogue and connection.”

20 International Artists

Curated by Graciela Montich, CHROMA 2024 features a diverse array of mediums—including sculpture, mixed media, wall art, and wearable art. Participating artists include:

  • Alejandra Stier (Argentina)
  • Andres Lopez Del Castillo (Colombia)
  • Carina Adur (Argentina)
  • Dariana Arias (Washington D.C.)
  • Emilie Gosselin (Canada)
  • Graciela Durand Pauli (Argentina)
  • Graciela Montich, Curator (Argentina)
  • Heather Lynn (Washington D.C.)
  • Jeannie B. Cidel (Miami)
  • Kevin M. Fletcher (Miami)
  • Maria Boneo (Argentina)
  • Mónica Avayou (Miami)
  • Nelson Delgado (Houston)
  • Nimi Trehan (Potomac)
  • Paula Izzo (Brazil)
  • Payal Tak (Miami)
  • Raquel Chomer (Argentina)
  • Robert Frankel (Chicago)
  • Sandra de Souza-Peixoto (Miami)
  • Simi Bhandari (Germantown)

Kevin M. Fletcher’s “Echoes of Unity” Outdoor Mural:

Fletcher’s mural transforms the gallery’s outdoor wall into a vibrant masterpiece that celebrates inclusivity and unity. It invites visitors to capture their own moments while experiencing the Miami Design District’s unique mix of culture, art, and design during one of its most dynamic seasons.

About Lucid Design District
 
Established in 2021 as a studio and exhibition space for founder Payal Tak’s personal artwork, Lucid Design District opened to the public in 2022 during Art Basel Miami Beach (Miami Art Week). The gallery is located on Miami Design District’s “art corner” (10-12 NE 41 St. at Miami Ave.) next to Museum Garage and across the street from the Institute of Contemporary Art, Miami. The idea of Lucid Design District was born from Ms. Tak’s desire to connect with the community through collaborative art exchanges. She envisions hosting regular exhibitions, educational art talks, and artist networking events. The 3700-sf space is also an ideal environment for design-focused networking events and features a large reception or performance area; 8 curio-style ‘idea spaces’ for solo artist showcases or breakout sessions; a full-size kitchen; and 75’ long outdoor seating or parking area with lights; and a large wall for art installations.
 
“My goal is to make available a commercial platform for artists whose voices need to be heard. Lucid shares its walls with the objective to illuminate the viewers mind and allow artistic creations to become a force for good in the society.” ~ Payal Tak

Kevin M. Fletcher’s "Echoes of Unity" Outdoor Mural
Kube Man "We Are One" by Rafael Montilla
Kube Man “We Are One” by Rafael Montilla

Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards

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Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards
Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards

Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards

Miami Music Project was awarded a global 2024 Music Cities Award in the category “Best Initiative to Support Diversity & Inclusion in Music.” Miami Music Project President and CEO Anna Klimala personally accepted the award at the Music Cities Awards Ceremony on December 8th in Riyadh, Saudi Arabia, on the opening night of the Riyadh Music Cities Convention. This award represents global recognition of Miami Music Project’s extraordinary 16-year journey of transforming the lives of thousands of youth, promoting social change through music, and cultivating the necessary skills to contribute to Miami’s development at a regional scale. 

The Music Cities Awards is a global competition designed to acknowledge and reward the most outstanding applications of music for economic, social, environmental, and cultural development in cities and places worldwide. Miami Music Project was selected among 300 candidates from 19 countries and six continents, seeking recognition as the most consolidated global platform that rewards individuals and organizations using the power of music for social impact. In the words of President and CEO Anna Klimala: 

Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards
Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards

“This award is a testament to the impact and the power of collective action. It is a recognition of the role of music in building a brighter, more inclusive future for our youth and our community. This award is an incredible honor not only for Miami Music Project, but equally for our city and its youth. Through music education we are nurturing a future workforce which will not only meet the challenges of Miami’s growth but also inspire and lead our community.”.

Miami is growing in a truly unique way—much like Riyadh, and is currently one of the fastest-growing job markets in the US. With this growth comes the responsibility to prepare the next generation to lead with an achievement mindset. Miami Music Project believes music is a powerful instrument of transformation. Music instills confidence, discipline, and the essential skills children need to succeed in life. 

Miami Music Project’s extraordinary 16-year journey stands as a beacon of transformation, touching the lives of thousands of children and instilling a lifelong passion for music. This year marks a new milestone in its mission to uplift the Miami-Dade community with the inauguration of its Homestead Chapter. Building on its long-standing partnerships with seven partner public schools in Miami Gardens, Little Haiti, Liberty City, Miami Springs, Miami Beach, Little Havana, and Homestead, the intensive after-school program will reach over 1,000 students this year alone. The program is offered three hours a day, five days a week, providing free busing, homework help, snacks and over 30 performance opportunities annually.

In the last four years, Miami Music Project has deepened its commitment to fostering nationwide democratic access to music education by launching the Teaching Artists Training Institute (TATI), an innovative national program that leverages the advancement of music education by serving Teaching Artists, offering accessible training and furthering education opportunities. To date, TATI has engaged over 400 diverse Teaching Artists nationally, subsequently supporting 30,000 youth from underrepresented communities across the US, Canada, and Puerto Rico. Additionally, Miami Music Project sustains an international alliance with Partners for Strings Virgin Islands Youth Orchestra. 

The Music Cities Awards selection process was led by a high-level global jury of 10 music industry experts and creatives who work at the forefront of music and city development from around the world, including Hong Kong, UK, Argentina, Australia, United Arab Emirates, Kingdom of Saudi Arabia, Rwanda, and USA. 

Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards
Miami Music Project Earns Global Distinction as Winner of the 2024 Music Cities Awards

Miami Music Project President and CEO Anna Klimala poses with the Music Cities Award, representing “Best Initiative to Support Diversity & Inclusion in Music”  at the 2024 Music Cities Awards stage in Riyadh, Saudi Arabia. Eleven music initiative leaders from eight countries received awards in the categories ranging from of “Best Global Music City,”, to “Best Music Tourism Initiative,” “Best Initiative Using Music To Support Environmental Sustainability,” and “Best Use of Music In Real Estate or City Planning.”

ELCIELO WASHINGTON DEL CHEF JUAN MANUEL BARRIENTOS

Por
AMM
-
chef juan manuel barrientos

ELCIELO WASHINGTON DEL CHEF JUAN MANUEL BARRIENTOS RENUEVA POR CUARTA VEZ SU ESTRELLA MICHELIN.

Washington, D.C. Elcielo Washington, el destino de alta cocina del renombrado chef Juan Manuel Barrientos, ha sido galardonado con una estrella Michelin, renovándola por cuarta vez. Este honor marca un logro histórico, destacando la cocina colombiana al más alto nivel de excelencia culinaria.

La renovación por cuarta vez de la estrella Michelin de Elcielo Washington celebra la dedicación del chef Juan Manuel Barrientos a llevar la gastronomía colombiana más allá de las fronteras. Este logro resalta el creciente reconocimiento de la cocina colombiana en el ámbito global, con Barrientos a la vanguardia de esta evolución. Elcielo fusiona arte culinario, técnicas de vanguardia y una profunda conexión con las tradiciones culturales, ofreciendo un viaje sensorial inmersivo a través de los ricos sabores, historias y la herencia de Colombia.

“Recibir esta estrella Michelin en Washington es un honor profundo y un sueño hecho realidad”, expresó emocionado el chef Barrientos. “Este reconocimiento no es un logro personal, pertenece a mi equipo y a nuestra filosofía de resaltar los sabores de Colombia enfocándonos en los detalles, la excelencia gastronómica, la creatividad y el lujo. Mi sueño siempre ha sido llevar nuestra cultura al mundo con excelencia, y este proyecto es un testimonio de ese compromiso. En nombre de mi equipo, estamos realmente honrados de recibir nuevamente este prestigioso reconocimiento“. concluyó el chef.  

Juan Manuel Barrientos, considerado uno de los chefs más destacados de Latinoamérica y el mundo, continúa llevando la riqueza de los sabores y tradiciones colombianas a escenarios internacionales. Con su visión innovadora, ha convertido Elcielo en un homenaje a las raíces de su país. Juanma ha reinterpretado los sabores autóctonos con técnicas modernas y presentaciones impecables, creando experiencias sensoriales únicas que estimulan todos los sentidos.

Con sedes en Miami, Washington D.C., Medellín y Bogotá, Elcielo es el reflejo del firme compromiso de Juan Manuel Barrientos por llevar la cocina colombiana a nuevas alturas a nivel mundial, destacando el nombre de Colombia en la escena gastronómica internacional. Cada uno de sus restaurantes es una muestra del talento, la pasión y el esfuerzo de un equipo que ha logrado colocar la gastronomía colombiana entre las más reconocidas a nivel global.

chef juan manuel barrientos
Elcielo Washington del chef Juan Manuel Barrientos renueva Estrella Michelin por cuarta vez.

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Para más información sobre Elcielo Washington y Juan Manuel Barrientos visita:
 
Instagram: @juanmaelcielo
@elcielowashington 

Palapa at Upper Buena Vista Kicks Off the Holiday Season with Yemen Blues and Aaron Holder

Por
AMM
-
Credit - Yoav Erteschik
Credit - Yoav Erteschik

Palapa at Upper Buena Vista Kicks Off the Holiday Season with Yemen Blues and Aaron Holder

The internationally acclaimed band to perform at the open-air space on December 14 and December 15

Miami, Fla. Upper Buena Vista, the bohemian oasis located at 5040 NE 2nd Ave, is excited to kick off the holiday season with special performances by the acclaimed ensemble Yemen Blues and the soulful singer-songwriter Aaron Holder. Yemen Blues, known for their unique fusion of Yemenite, West African, Latin, and jazz influences, will perform songs from their latest album, Only Love Remains, released on August 28 through Kartel Music Group. Aaron Holder, celebrated for his genre-blending music that combines powerful vocal freestyling with uplifting lyrics, will also be performing.

As part of the festive celebration, Yemen Blues and Aaron Holder will host two exclusive intimate concerts, offering an unparalleled opportunity to experience the artists up close in a magical open-air setting:

  • Dates: Saturday, December 14, 2024 & Sunday, December 15, 2024
  • Time: 9:00 PM
  • Venue: Palapa at Upper Buena Vista
  • Address: 5040 NE 2nd Ave, Miami, FL 33137

These exclusive performances offer a unique opportunity to enjoy Yemen Blues and Aaron Holder in an intimate, open-air setting, complemented by light bites and drinks in a vibrant atmosphere surrounded by tropical beauty.

To purchase tickets, click HERE. Ticket prices start at $46 for general admission and $125 for VIP experiences. For more information about Palapa and Upper Buena Vista, visit our website www.upperbuenavista.com

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About Yemen Blues and Only Love Remains:

Only Love Remains, the new album by Yemen Blues, features eleven tracks that showcase the diverse talents of the band’s members. Each track reflects the group’s individual cultural influences, blending their sounds into a captivating musical tapestry. Created over two weeks in the studio, the album captures a range of emotions, from introspective moments to infectious rhythms. 

About Aaron Holder:

Aaron Holder is a soulful singer-songwriter known for his genre-blending music that combines powerful vocal freestyling with uplifting lyrics. His emotionally resonant compositions and authentic perspective have earned him a global following, as he uses music to create unity through the shared language of song.

About Palapa at Upper Buena Vista:

Palapa, the 3,500 square-foot open-air venue at Upper Buena Vista, is the heart of the community’s cultural events. Surrounded by lush tropical trees and a grand tiki, Palapa offers a vibrant and welcoming atmosphere, perfect for live performances. This season, it reopens as a premier destination for Miami’s holiday festivities, providing an enchanting space for music, food, and community.

Credit - Yoav Erteschik
Credit – Yoav Erteschik
Credit - Upper Buena Vista
Credit – Upper Buena Vista
Credit - Upper Buena Vista
Credit – Upper Buena Vista

XI International Biennial of Contemporary Textile Art 2025

Por
AMM
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XI World Textile Art Biennial The Four Elements
XI World Textile Art Biennial The Four Elements From the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA.

XI International Biennial of Contemporary Textile Art 2025

The Four Elements

For this new edition, the prestigious XI International Biennial of Contemporary Textile Art 2025 focuses on the elemental thread of our existence:

   ¿What could make more sense than to address our relationship to the substance of this world and that which penetrates the fiber of our reality? 

We are opening that path towards a singular and memorable event: The XI World Textile Art Biennial will take place from the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA. 

On this occasion, this prestigious international biennial of contemporary textile art focuses on the elemental filaments of our existence: The Four Elements, which activate, penetrate and constitute our being, giving life and nourishment. 

This is an invitation to reflect on the elements and to overflow with creativity – one element through a textile/fiber art work. 

The XI WTA Biennial calls out to artists of the world, to register in its three textile categories: Large Format Textile Art Salon, Small Format Textile Art Salon and Three-dimensional Textile Art Salon. 

Each artist may register multiple works to each of the thematic categories, but only one work per salon would be allowed to participate if it meets the jury’s criteria. Each work should develop only one of the four elements.  One element per work. 

A. CATEGORIES: THE SALONS

LARGE FORMAT Textile Art Salon

  • Minimum size: 47.2 inches (height) x 23.6 inches (width)
  • Maximum size: 78.7 inches (height) x 35.4 inches (width) x 11.8 inches (depth)
  • Maximum weight: 15.4 lbs
    These works are meant to be exclusively wall-mounted.

SMALL FORMAT Textile Art Salon

  • Dimensions: 11.8 x 11.8 x 11.8 inches
  • Maximum weight: 4.4 lbs
    These works must be self-standing and cannot be suspended or placed against a wall. They will be placed on a flat horizontal surface and are not to be framed or enclosed in glass/acrylic.

THREE-DIMENSIONAL Textile Art Salon

  • Minimum size: 19.7 x 19.7 x 19.7 inches
  • Maximum size: 59.1 x 59.1 x 59.1 inches
  • Maximum weight: 15.4 lbs
    These works must be self-standing and may either be suspended from above or set on the floor but cannot be wall-mounted. The given measurements are references, allowing flexibility within the height, width, and depth limits. It is recommended that the artwork be foldable, rollable, or easily assembled for transport. If an internal structure is required, it should be included and easy to assemble.


B. REQUREMENTS
 

Each work should address one sole element. That is, one element per artwork. (*Various elements in one work will be
disqualified.)
 

Works may not be older than 2022 and must not have been previously shown.
 

Each work requires its own individual registration form and registration payment (see table below).
 

Each artist may register in more than one salon, with up to 4 (four) artworks per salon through the corresponding registration
payment.
 

The Registration Form is available on WTA website as a downloadable Word Document: wta-online.org
 

The filled out Registration Forms per work should be sent as Word documents, together with the corresponding proof of payment
and the required images of each work.
 

The whole set of files should be sent together through WeTransfer to [email protected]
 

Although various works can be registered per category, only one work may be selected by the Jury for each Salon.
 

Registration payment is done online through PAYPAL: [email protected]
 

This proof of payment is to be annexed to the registration forms, agreement of conditions and images. 


The costs for registration are in US dlls and are paid in one sole transaction* according to the table below:
$80 for 1 work
$70 per work when registering 2 works.
$60 per work when registering 3 works.
$50 per work when registering 4 or more works. 


* This offer applies upon registering and paying the desired number of artworks in one go.
Further registrations will pay separately, according to the number of works.
 

Send in proof of payment (screen captures), along with the required files as laid out below. 

NOTE: Registration payment is not a guarantee that the artwork will be selected, as the independent jury will evaluate all the works autonomously. The results of their evaluation will be announced according the calendar below. 

C. ARTWORK FILES 

  • 2 (two) color images of the work: a general view and a detail, with a neutral background, 300 dpi (21.5 cm or 8.5 inches a s a base) in JPG or TIFF format. (Do take into account that the images will be those used by the jury in their assessment as well as for the catalog.)
     
  • These are to be sent via WeTransfer along with the Registration form, Agreement of Conditions and proof of payment.
     

D. SELECTION PROCESS


The artworks will be selected by a prestigious International Jury: Kinor Jiang (Hong Kong), Biret Tavman (Tukiye), Ewa Latkowska- Żychska (Poland), Ieva Krūmiņa (Latvia), Susan Taber Avila (USA) and Paulina Ortiz Stradtmann (Costa Rica). 

  • The results will be published at https://wta-online.org/ and https://mifamiami.com/biennial-textile
     
  • The selected artists will be notified to the email given in the Registration Form.
     

E. SENDING THE WORKS 

  • Works must be sent as SAMPLE OF NO COMMERCIAL VALUE to:
    XI WTA Biennial
    Miami International Fine Arts – MIFA 5900 NW 74th Ave,
    Miami, FL 33166
    United States


E-mail: [email protected]

Telephone: +1 786 546-8017
 

The packaging of the works must be resistant and reusable to be used or their return,
 

Works should arrive with the label of pre-paid return shipment with the company of your preference.
 

Each selected work must have its hanging device and instructions included, or diagram when necessary for hanging the work.
 

 The artist cedes the right of publication for the images, to be used in promoting the event.
 

The artworks should be scheduled to be delivered at MIFA only from the 24 to 28 of February 2025, from 9 a.m. to 5 p.m. 


F. RECEPTION OF THE ARTWORKS
 

Upon arrival at MIFA, the artworks will be carefully unpacked and checked. Any damage or anomality will reported to the artist.
 

The Biennial team will manage the works with utmost care.
 

For the duration of the Biennial in MIFA, the works will be insured. 


G. RETURN OF THE WORKS
 

The artworks will be returned to the address indicated in the prepaid label in the days following the closure of the Biennial.
 

It is highly advised that return prepayment be realized upon sending for an easy and prompt return of the artworks.
 

If this arrangement has not been resolved by the end of the exhibition, a storage fee per day will be charged as of the
7th of April. (See Regulations/Conditions document).
 

I. GENERAL CALENDAR 11/25/2024 

12/15/2024 01/24-28/2025 03/06/2025 03/29/2025 

as of 04/07/2025 as of 04/07/2025 

Deadline for online registration and reception of files Publication of results
Reception of selected works
Inauguration XI WTA Bienal 

Closure of XI WTA Biennial Biennial catalog and certificates Return of the artworks 

H. CATALOG 

WTA will give every selected artists a virtual catalogue and a Certificate of Participation. 

J. VENUE 

• Miami International Fine Art – MIFA. 

K. IMPORTANT:  Participation in this call implies acceptance of all the Biennial conditions.

L.  CONTACT NFORMATION 

[email protected] 

[email protected] 

[email protected]

XI World Textile Art Biennial

The Four Elements

From the 6th to the 29th of March 2025, at Miami International Fine Arts – MIFA, USA.

For this new edition, the prestigious XI International Biennial of Contemporary Textile Art 2025 focuses on the elemental thread of our existence: The Four Elements, which activate us, penetrate us, mold us, give us life and sustenance.

What could have more meaning but our relationship with what makes up this world and that penetrates the fiber of our reality?

The Four Elements

Earth Air Fire Water

The XI WTA Biennial will be held in the city of Miami, from March 6 to 29, 2025, at the Miami International Fine Arts – MIFA, and the call will have 3 categories: Large, Small and Three-Dimensional Format.

Participation is by call and prior registration. 120 works in total will be selected by a prestigious international jury (50 in Large Format, 50 in Small Format and 20 in Three-Dimensional Format).

Each artist may apply as many times as they wish in any of the thematic elements they choose, but they may only be selected to participate with a single work per salon. Each salon includes the options of the 4 elements to choose from, but each work must be worked around one of the four elements.

The works will be selected by an outstanding International Jury: Kinor Jiang (Hong Kong), Biret Tavman (Turkey), Ewa Latkowska-Żychska (Poland), Ieva Krūmiņa (Latvia), Susan Taber Avila (United States of America) and Paulina Ortiz Stradtmann (Costa Rica).

XI International Biennial of Contemporary Textile Art WTA 2025, is organized and directed by World Textile Art together with the International CuratorShip team (Yosi Anaya and María Ortega).

Crossing borders and combining disciplines, the artists participating in the XI WTA Biennial start from fibers to merge with new technologies and venture into various lines of research, hybridizing searches and questioning categories, but maintaining textiles as an integrative concept.

World Textile Art is one of the most respected contemporary textile art organizations in the world. In 2022, during its X Biennial, its twenty-fifth anniversary was celebrated.

Textiles have been a fundamental part of human life since the beginning of civilization. In 1997, inspired by the ancient traditions of textile art, adding a contemporary flair, Colombian textile artist Pilar Tobón founded WTA – Women in Textile Art. It later morphed into World Textile Art to include more artists regardless of gender.

The main objective of WTA is to support contemporary textile artists from around the world, promoting this important art form through biennials and special events. In the same way, develop different educational programs that foster their appreciation and practice.

Part of the great success of the organization is directly related to the support of the most important creators of this art form worldwide, not only for their participation as artists but also for their educational and public relations support, opening the doors of different important institutions and museums around the world.

In 2022, WTA celebrated its 25th anniversary with the X International Biennial “25 YEARS WTA”, held from October to December of 2022, where more than ten countries were interconnected to celebrate WTA history.

Directors of the XI WTA Biennial

Yosi Anaya

Pilar Tobon

María Ortega

JURY

Biret Tavman

Ewa Latkowska-Żychska

Ieva Krumina

Kinor Jiang

Paulina Ortiz

Susan Taber Avila

IMPORTANT INFORMATION

General Calendar:

  • Deadline for online registration, photos of the work 11/25/2024
  • Publication of results 12/15/2024
  • Reception of selected works 24 – 02/28/2025
  • Inauguration of the XI WTA Biennial 03/06/2025
  • Closing XI WTA Biennial 03/29/2025
  • Biennial catalog and certificates from 04/07/2025
  • Return of works from 04/07/2025

Credits:

  • Title: XI International Biennial of Contemporary Textile Art WTA 2025
  • Headquarters: Miami International Fine Arts, MIFA
  • Dates: from March 6 to 29, 2025.
  • Calls: Large Format, Small Format and Three-Dimensional
  • Selection of works of art: by international jury
  • Large format: 50 works
  • Small format: 50 works
  • Three-dimensional format: 30 works
  • Host: World Textile Art (WTA) / International CuratorShip (Yosi Anaya and María Ortega)
  • General Management: Pilar Tobón, Yosi Anaya and María Ortega

Address:

  • XI International Biennial of Contemporary Textile Art WTA 2025
  • Miami International Fine Arts – MIFA 5900 NW 74th Ave, Miami, FL 33166 United States
  • Email address:[email protected]Telephone: +1 786 546-8017
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