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Painting classes in Fleeting Light

ABSTRACCIÓN GEOMÉTRICA
ABSTRACCIÓN GEOMÉTRICA

Learn to Paint in Fleeting Light

Get Torian’s Smile Today for Only $65

Daniel Gerhartz began his art education at the American Academy of Art in Chicago where he studied in the classical tradition and immersed himself in applications of technique and design. Daniel’s direct approach to working with the figure and landscape allowed him to see and attempt to capture the infinite nuances of light, color, and form. Daniel has taught workshops for over 25 years and is excited to share his knowledge with many artists from around the world.

What You’ll Learn:
-Learn valuable tips as Daniel works with the model outdoors amidst changing light conditions and has to make critical decisions as to continue or begin a new work to make the most of the moment.
-Daniel thoroughly explains how to read the values on your subject for tonal accuracy within your paintings to create the most convincing illusion of light and form.
-Daniel’s accessible and easy to understand approach in building solid form and capturing light can be easily implemented into your painting style, bringing your paintings even greater strength.
-You will see how every brushstroke is applied and gain a knowledge as to why it was applied.
-and much more…

Video Length: 01:29:04

Streaming access

PRICE: $65.00

What You’ll Learn

  • Learn valuable tips as Daniel works with the model outdoors amidst changing light conditions and has to make critical decisions as to continue or begin a new work to make the most of the moment.
  • Daniel thoroughly explains how to read the values on your subject for tonal accuracy within your paintings to create the most convincing illusion of light and form.
  • Daniel’s accessible and easy to understand approach in building solid form and capturing light can be easily implemented into your painting style, bringing your paintings even greater strength.
  • You will see how every brushstroke is applied and gain a knowledge as to why it was applied.
  • Your creativity will come alive as you experience Daniel’s enthusiasm as he shares his excitement that draws him to the essence of the subject.
  • Daniel will teach you how to see edges accurately and shares His concepts that help you create the most variety in your edge work, bringing visual power to your paintings.
  • In this painting, Daniel specifically explains how to look for warm and cool tones while maintaining value simplicity to achieve the greatest form and luminosity in your subjects.
  • While Dan demonstrates these principles in portrait painting, these same techniques apply to any other subject matter or medium as well, including landscape and still life painting.

Full Video Length: 01:29:04

Painting classes in Miami
Dan Gerhartz paint teacher

About Dan Gerhartz

Daniel Gerhartz was born in Wisconsin in 1965 where he now lives with his wife Jennifer and their five children. His interest in art piqued at an early age when a teenage friend suggested they spend one dreary afternoon drawing. It was at that moment that he discovered his life work. Daniel began his art education at the American Academy of Art in Chicago where he studied in the classical tradition and immersed himself in applications of technique and design. After a brief stint in commercial art, he began pursuing fine art; visiting museums to study master works and painting alongside contemporary master artists. Daniel found his passion in painting from life. This direct approach to working with the figure and landscape allowed him to see and attempt to capture the infinite nuances of light, color, and form. This continues to drive his enthusiasm today. Since then he has been featured in solo and group shows across the country and has won numerous awards at prominent national invitational exhibitions and his work has been collected both nationally and internationally.

His subjects evoke a timelessness and idealism, yet for the most part Dan has drawn upon his home and community, including family and friends, for subject matter.

In addition to painting, Daniel has taught workshops for over 25 years and is excited to share his knowledge with many artists from around the world.

Daniel Gerhartz has established himself as an important American painter among the leading talents of our time. About his work Dan has said, “ My goal is to effectively record the richness of our human experience, the contrasts between life and death, the dance and dirge, the beautiful and common, joy and sorrow, hope and despair, while in the end, offering a message that points the viewer to an eternal hope”. In addition Dan states, “ As I paint my subjects from life and have the privilege of studying the awe inspiring breadth and depth of the beauty of the created world, it is humbling to ponder the greatness of our Creator.”

Learn to Sketch Figures in Oil with Susan Lyon

ARMANDO-REVERÓN
ARMANDO-REVERÓN

Sketch Figures in Oil classes

Learn to Sketch Figures in Oil with Susan Lyon.

Get Figure Sketching in Oil Today for Only $25!
What You’ll Learn

  • The supplies used for figure sketching in oil
  • Completing quick gesture paintings in 45 minutes
  • Premixing basic flesh tones in light and dark values
  • Simplifying large patterns for more dynamic compositions
  • What to leave out of a painting to create a center of interest

Video Length: 2h:01m:48s

You will be provided with streaming video access.

Susan Lyon: Figure Sketching in Oil

Miami Art Galleries

Miami Art Galleries

Art Angels
David Castillo
Galeries Bartoux
Kerr Gallery
Markowicz Fine Art
Mora Studio + Gallery
Opera Gallery
Piero Atchugarry Gallery


Brickell / Downtown Art Galleries

Avant Gallery
Fredric Snitzer Gallery
Nina Torres Fine Art
Zenith Art & Fashion

Little Haiti / Little River Art Galleries

Emerson Dorsch Gallery
Emerson Dorsch is a contemporary art gallery with two complementary roles: to represent a core group of select South Florida-based artists, to host and represent excellent emerging and mid-career visiting artists. The gallery’s name reflects the partnership in art and life between the husband and wife team Brook Dorsch and Tyler Emerson-Dorsch. We believe in the joys of an artful life, of experiencing art close to the source. Through all the gallery’s activities, we foster art patronage and artistic community. Location: 5900 NW 2nd Ave Miami, FL 33127, telephone: 305-576-1278 website: https://emersondorsch.com/

Pan American Art Projects
Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions concurrently. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper. Location: 274 NE 67th Street, Miami, FL 33138 , telephone: 305-573-2400, website: https://panamericanart.com/


Bill Brady Gallery
Diana Lowenstein Gallery
Dot Fiftyone Gallery
Emerson Dorsch
Irazoqui Art Gallery
Laundromat Art Space
Mindy Solomon Gallery
Nina Johnson
Pan American Art Projects
Primary.

Little Havana Art Galleries
Agustin Gainza Art & Tavern
La Galeria Fine Art
Latin Art Core


Wynwood Art Galleries
Art Fusion Galleries
Ascaso Gallery
Espace Expression
Gary Nader Art Centre
Harold Golen Gallery
N’Namdi Contemporary
Sammer Gallery LLC
Spinello Projects
Tresart
Waltman Ortega Fine Art
WYN 317 Gallery


Art Organizations & Other Art Spaces
Bakehouse Art Complex
Center for Visual Communication
Cisneros Fontanals Art Foundation
Edge Zones Art Space
The Margulies Collection at the Warehouse
Rubell Family Collection (Allapattah)
Dimensions Variable
Diaspora Vibe Cultural Arts Incubator
Fountainhead Studios
Little Haiti Cultural Complex
Yo Space

Viernes Culturales (Cultural Fridays)

Miami Art Galleries
Alfa Gallery (North Bay Village)
Durban Segnini Gallery

Miami Beach Art Galleries
The Bass Museum of Art
Oolite Arts
Wolfsonian Florida International University

Coconut Grove Art Galleries
GroveHouse Artist
Midori Gallery

Coral Gables Art Galleries
The Americas Collection
ArtSpace Virginia Miller Galleries
Jorge M. Sori Fine Art


Miami Art Galleries  & Art Organizations
Alfa Gallery (North Bay Village)
Durban Segnini Gallery
Frost Art Museum
Museum of Contemporary Art, North Miami
Cuban American Phototheque Foundation
Vizcaya Museum & Gardens
National YoungArts Foundation

Fairchild Tropical Botanic Garden
Lowe Art Museum

The Bass Museum of Art
Oolite Arts
Wolfsonian Florida International University

Bakehouse Art Complex
Center for Visual Communication
Cisneros Fontanals Art Foundation
Edge Zones Art Space
The Margulies Collection at the Warehouse
Rubell Family Museum (Allapattah)
Dimensions Variable
Diaspora Vibe Cultural Arts Incubator
Fountainhead Studios
Little Haiti Cultural Complex
Yo Space

Viernes Culturales (Cultural Fridays)


Art Consultants, Art Advisors, Art Brokers and Private Dealers

Rafael Montilla Queen Nandi 2020 acrylic on canvas 45x40 inches
Rafael Montilla Queen Nandi 2020 acrylic on canvas 45x40 inches

Art Consultants, Art Advisors, Art Brokers and Private Dealers

1PERCENT GALLERY

AC Fine Art

Adamar Fine Arts

Alfa Gallery – Art Advisory

The Americas Collection (Coral Gables)

Art Code Space

Collection Privee Gallery

Evelyn Aimis Fine Art

InterFlight Studio Gallery

KIWI Arts Group

Sienna Fine Art

Spanierman Modern

Art Services: Appraisers, Framing and Other Services

MGF Appraisals, LLC

Monica Fidel, ISA CAPP

Certified Member of the International Society of Appraisers

Insurance coverage, Insurance claims, Estate and Probate, Divorces, Charitable donations, Bankruptcy.

Furniture, fine art, antiques, collectibles, glass, silver, porcelain, residential contents.

1018 SW 43rd Avenue, Miami, FL 33134, telephone: (305) 776-6481

[email protected]

Tara Ana Finley, ISA, AM

Anubis Appraisal & Estate Services, Inc.

Appraisals of Antiques, Paintings, Prints, Decorations, Silver, Jewelry, Latin American Art, Collectibles, Tribal Art, and Antiquities for Insurance, Donation, Divorce and Estate and Probate Purposes. Auctions and Estate Sales of Antiques and Personal Tangibles. Art Brokerage of specific art works. Art Consultant. Credentials: 30+ years experience with Sotheby’s, Christie’s and Phillips, Accredited member ISA, USPAP 2006 Certified. Past Antiques Roadshow Appraiser. 3500 Ponce de Leon Blvd. Suite 2, Coral Gables, FL 33134, telephone: (305) 446-1820

[email protected]

AA Fine Art (Appraisals & Collection Management)

Anubis Appraisal & Estate Services, Inc.

E. Linda Poras, Fine Arts Appraiser

FAAM – Fine Art Auctions Miami

Susana Falconi Art Inc. (Art Restoration)

MGF Appraisals, LLC

Penelope Dixon & Associates

Timothy Gordon Appraisals & Brokerage – Gappraisals.com

United Appraisal Group, Inc.

Zatista Contemporary and Fine Art

Is the leading destination to buy original art online, giving you unrivalled access to exclusive collections from all over the world. With over 4000 highly curated works from the most talented emerging and established artists, Zatista provides access to the types of works previously only available to seasoned collectors. Buying online with Zatista is easy with their complimentary art consultation, certificates of authenticity and a buyer guarantee that allows you to try art in your home with free returns (as well as free shipping within the US for all purchases). Their platform makes it fun to discover art you love, with an experience so unique it’s like you are right there in front of it. Browse the collections

Performance Art Workshop Monique Yim

Monique Yim "Nice to Meet You", Performance Art,
Monique Yim "Nice to Meet You", Performance Art,

Introduction of Performance Art Workshop & Education Programme instructed by Monique Yim

WORKSHOP, TEACHING & TALK

Instructor’s Profile: Monique Yim

Monique Yim is a performance artist and educator based in Hong Kong and worked internationally. Engaged in performance art for 12 years, she has been invited to present her works in Hong Kong and almost 30 cities in Asia and Europe, in over 150 international exhibitions and festivals. She has curated the “Performance Art Marathon” in the West Kowloon Cultural District. She has actively given workshops or lectures at many overseas and local universities, primary and secondary schools and institutions. She has also collaborated with many arts and cultural institutions such as MAD Asia, Hong Kong Gallery Association, CULTaMAP, Hong Kong Literature House, Renaissance Foundation Hong Kong, K11, etc. In 2018, she won the second prize of the “International Award for Visual Art Performance in Public Space” at Kassak Art Centre, Central Europe.

Monique’s students included local, China and overseas young artists, arts graduates, arts master students, arts degree students, HKDSE visual arts students and people without art background, ranging from kids, teenagers, adults to people of different races, people come from different communities, disabled and people with special needs. She has worked with Brno University of Technology (Czech Republic), Xiamen University (China), Hong Kong University, Chinese University of Hong Kong, City University of Hong Kong, Polytechnic University of Hong Kong, Hong Kong Baptist University, Hong Kong University of Science and Technology, Hong Kong Academy for Performing Arts, Hong Kong School of Creativity, Diocesan Boys’ School, Diocesan Girls’ School, St. Mary’s Canossian College, South Island International School, Tseung Kwan O Government Secondary School, Choi Hung Estate Catholic Secondary School, Caritas Lok Jun School (Special Education), Precious Blood Children’s Village, Hong Kong Youth Arts Foundation (YAF), etc.

In 2017 she presented a breakthrough cross-disciplinary arts production of performance art, music, film, installation and theatre, named “Searching for Stillness” in KUC Space, themed on life and death. She also did many pioneering works on local performance art education, such as performance crossover interdisciplinary arts education programmes she provided to “The Hong Kong Jockey Club Community Performing Arts Biennale 2016”, named “We Are Unique”, and “Renaissance Foundation Summer Camp 2017”, named “Wasteland”, both themed on life education.

Introduction of Performance Art Education, written in 2018:

What is performance art as an art form?

  • Performance art is a form of contemporary visual art. It uses concept and body/action as the medium of creation. It has a live nature and is composed of the present interaction of time, space, people and materials.
  • Performance art is about authentic, and the presentation and representation of reality.
  • Body, material, environment, relationship and interaction of artist and audience of the present time and space… are all media of creating performance art. Artworks are without boundaries, whatever on the concept and form, time and duration, art media or even interdisciplinary.

Who can do performance art? Who can experience, learn, explore and try to create performance art?

  • It is an art form that could be done by everyone, that could be created without any visual or performing art background.
  • Through this performance art workshop, everyone can try to break through the frame of thinking, to explore life and living, express their inner feelings, find themselves, and discover infinite possibilities. People could create their own piece, express their true selves out of the frame, also could collaborate, interact and communicate with the others and the other pieces.

What is the possibilities of performance art?

  • The possibilities of cross-media art creations can be explored and experimented, such as performance x music, performance x literature, performance x installation, performance x theatre, performance x video, performance x photography, etc.
  • The theme and perspective could be ranged from the self, life, live, past experience, incident, to social and public issue, reflection, feeling, or critique.
  • Defining performance art, Monique Yim stated that, “It is an art form that uses body as a medium. The subject content, media, and material involved in the creation are very diversified yet finest. It can be social and public. It can be about oneself and self-contemplation. It can be thoughts about life, living, and existence. It is inward and outward at the same time, microscopically and macroscopically. It is sometimes a process, sometimes a result. It is the softest yet toughest. It is honest, real and virtual. It can be easy, unlike painting, sculpture, architecture and so on, performance art does not necessarily require certain skills and training, it requires perception and instinct, concept and transformation; it can be difficult, it should be driven from mind and spirit, and is the synthesis of present time, space, people (artist and audience), and objects (material and environment). In the art history, it is probably the most marginal and avant-garde, the most floating and controversial, however, for humans, it is possibly the most ordinary, natural, and secluded.” – Published in the book “Performance Art Laboratory Project 2014: International Performance Art Festival”, supported by Hong Kong Arts Development Council.

What special topics could Monique’s performance art (and interdisciplinary art) education programme or workshop provide according to her teaching experience?

Topics of Life Education, Positive Education and Civil Education, like

  • Self Development and Problem Tackling
  • Meaning of Life, Life Planning & Life Goals
  • Family & Inter-Generation
  • Life & Death Education
  • Value & Social Responsibility
  • Community and Society Concerning
  • Nature and Conservation
  • Body, Mind and Soul / Religion
  • Cultural Studies, like Globalization, Gender, Minorities, etc
IN SITU: NATURE ACTION. Negative Cube 2

Human Dimension in Latin American Art

The human dimension in latin american art
The human dimension in latin american art

Human Dimension in Latin American Art is a group show featuring Top Latin American figurative artists.

This exhibition will take place at MIFA Gallery Miami. We are pleased to invite you to this group show that is featuring Top Latin American figurative artists all with a common subject, the ‘Human Body’ from their own point of view.

Due to social distancing measures only 30 people will be allowed to visit the show at a time. Masks are required to enter and must show the ticket at the entrance. We have created 3 different entrancing hours that you could choose from.

The human dimension in latin american art
The human dimension in latin american art

Bill Viola Interview: Cameras are Keepers of the Souls

Bill Viola
Bill Viola

Bill Viola Interview: Cameras are Keepers of the Souls

“The real things are under the surface.” When video artist Bill Viola was 6 years old he fell into a lake, all the way to the bottom, to a place which seemed like paradise. “There’s more than just the surface of life,” Viola explains. American Bill Viola (born 1951) is a pioneer in video art. In this interview, Viola talks about his development as an artist and his most important breakthroughs. As a child, Bill Viola felt that the world inside his head was more real than the outside world. Viola discovered video in 1969. The blue light from the first camera he experienced reminded him of the water in that beautiful lake he almost died in when he was 6 years old. The first video piece Viola did on his own was “Tape I” from 1972 when he was still at university. Viola replaced the university art theories with his own secret underground path, through Islamic mystics, to Buddhism, to Christianity and finally to St John of the Cross. It was a very liberating experience for him when he first started calling his artworks what they actually were to him. Viola once felt that home videos should be kept separate to his artwork, but the sorrow of his mother’s death, and the difficulty of understanding this transition from life to “disappearance”, slowly changed his point of view. He realized that things could not be kept separate. Viola now sees the cameras as keepers of the soul, he explains. The medium holds onto life, a kind of understanding of feelings, keeping them alive. Bill Viola was interviewed by Christian Lund, Louisiana Museum of Modern Art, in London, 2011. Camera: Marie Friis Grading: Honey Biba Beckerlee Edited by Martin Kogi Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2013 Supported by Nordea-fonden

Understanding What Is Video Art

video art
video art

This week in Art Insider, we are going to take you through the genre known as video art, which is a new type of contemporary art, and a medium of expression commonly seen in Installations, but also as a stand-alone art form. Watch as we discover what is video art, a medium which continues to confound viewers and challenge artists to think differently.

Cover photo: Teresa Cabello.

Video Art

video art
video art

Video became an excitingly immediate medium for artists after its introduction in the early 1960s. The expensive technology, which had been available prior only within the corporate broadcasting arena, experienced an advent when Sony first created an economical consumer piece of equipment that allowed everyday people access to vast new possibilities in documentation. Understandably, this produced huge interest for the more experimental artists of the time, especially those involved with concurrent movements in Conceptual artPerformance and experimental film. It provided a cheap way of recording and representation through a dynamic new avenue, shattering an art world where forms such as painting, photography, and sculpture had been the long-held norm. This expanded the potential of individual creative voice and challenged artists to stretch toward new plateaus in their careers. It has also birthed an unmistakable population of artists who may never have entered the fine art field if stifled by the constraints of utilizing traditional mediums. With warp speed over the last half century, video has become accessible by the populous, spawning a continual evolution of its use; we live in an age where even your everyday smartphone has the ability to create high caliber works of art through the use of an ever increasing assortment of applications.

We now consider Video art to be a valid means of artistic creation with its own set of conventions and history. Taking a variety of forms – from gallery installations and sculptures that incorporate television sets, projectors, or computer peripherals to recordings of performance art to works created specifically to be encountered via distribution on tape, DVD or digital file – video is now considered in rank equal to other mediums. It is considered a genre rather than a movement in the traditional sense and is not to be confused with theatrical cinema, or artists’ (or experimental) film. Although the mediums may sometimes appear interchangeable, their different origins cause art historians to consider them distinct from each other. So popular a medium, many art schools now offer video as a specialized art major.Report Ad

Key Ideas & Accomplishments

  • With the introduction of the television set in the second half of the 20th century, people gained a new all-consuming pastime. Many artists of the era used video to make works that highlighted what they saw as TV’s encroaching and progressively insidious power by producing parodies of advertising and television programs. They pointed provocative fingers at the way society had become (passively) entranced with television or had succumbed to its seductive illusions. By co-opting the technologies of this medium, artists brought their own perspectives to the table, rounding out the brave new world of broadcasting ability to include creative, idiosyncratic, and individualized contributions.
  • Some artists have used video to make us think more critically about, and oftentimes look to dissect, Hollywood film conventions. By eschewing the typical templates of formulaic narration, or by presenting intensely personal and taboo subjects on screen as works of art, or by jostling our ideas about how a film should look and feel, these artists use the canvas borrowed from the cinema to eradicate preconceived ideas of what is suitable, palatable, or focus-group-friendly.
  • Looking beyond video’s recording capabilities, many artists use it as a medium for its intrinsic properties with work that mimics more traditional forms of art like painting, sculpture, collage, or abstraction. This might emerge as a series of blurred, spliced scenes composed as a visual image. It may take the shape of a recording of performance meant as a reflection on movement or the perception of space. It may consist of actual video equipment and its output as objects in a work. Finally, it may be a work that could not exist without the video component such as art pieces that utilize video signals, distortion and dissonance, or other audiovisual manipulations.
  • Because Video art was radically new for its time, some artists who were trying to push limits in contemporary society felt video an ideal format for their own work. This can be seen in the Feminist art movement in which many women, who hoped to distance and distinguish themselves from their male artist forebears, chose the medium for its newness, its sense of progression, and its opportunities that had not been widely tapped or established yet. We saw this politically, too, as many artists with a cause began using video as a means to spread their message. It appeared socially as well, as many people working to expose or spread important, underexposed information, felt the medium was conducive to both grass roots affordability and yet very broad distribution capabilities.

Report Ad

Overview of Video Art

Video Art Image
Artwork Images

Although artists have been creating moving images in some form since the early-20th century, the first works to be widely labeled as ‘Video art’ are from the 1960s. The first nationalities to pick up on the Portapak as an artistic tool – and therefore those who made the earliest pieces of Video art – were, unsurprisingly, from those countries where it first became commercially available (the US and the UK were the early practitioners).

Key Ideas & Accomplishments

  • With the introduction of the television set in the second half of the 20th century, people gained a new all-consuming pastime. Many artists of the era used video to make works that highlighted what they saw as TV’s encroaching and progressively insidious power by producing parodies of advertising and television programs. They pointed provocative fingers at the way society had become (passively) entranced with television or had succumbed to its seductive illusions. By co-opting the technologies of this medium, artists brought their own perspectives to the table, rounding out the brave new world of broadcasting ability to include creative, idiosyncratic, and individualized contributions.
  • Some artists have used video to make us think more critically about, and oftentimes look to dissect, Hollywood film conventions. By eschewing the typical templates of formulaic narration, or by presenting intensely personal and taboo subjects on screen as works of art, or by jostling our ideas about how a film should look and feel, these artists use the canvas borrowed from the cinema to eradicate preconceived ideas of what is suitable, palatable, or focus-group-friendly.
  • Looking beyond video’s recording capabilities, many artists use it as a medium for its intrinsic properties with work that mimics more traditional forms of art like painting, sculpture, collage, or abstraction. This might emerge as a series of blurred, spliced scenes composed as a visual image. It may take the shape of a recording of performance meant as a reflection on movement or the perception of space. It may consist of actual video equipment and its output as objects in a work. Finally, it may be a work that could not exist without the video component such as art pieces that utilize video signals, distortion and dissonance, or other audiovisual manipulations.
  • Because Video art was radically new for its time, some artists who were trying to push limits in contemporary society felt video an ideal format for their own work. This can be seen in the Feminist art movement in which many women, who hoped to distance and distinguish themselves from their male artist forebears, chose the medium for its newness, its sense of progression, and its opportunities that had not been widely tapped or established yet. We saw this politically, too, as many artists with a cause began using video as a means to spread their message. It appeared socially as well, as many people working to expose or spread important, underexposed information, felt the medium was conducive to both grass roots affordability and yet very broad distribution capabilities.

CONTEXT ART MIAMI

context art miami
context art miami
context art miami

CONTEXT ART MIAMI SPECIAL ONLINE EDITION | EXCLUSIVELY ON ARTSY | DEC 2-20

We are pleased to announce that in lieu of a physical event, CONTEXT Art Miami and Art Miami will take place exclusively on Artsy. From December 2-20, we invite you to explore booths, experience our online event, and buy work directly from our roster of 150+ premier galleries on the largest and leading global online marketplace for fine art.

We look forward to seeing you online!

Participating Galleries:532 Gallery Thomas Jaeckel
AHA Fine Art
Anthony Brunelli Fine Arts
ArtLabbé Gallery
Aurora Vigil-Escalera Art Gallery
Bel Air Fine Art
Blink Group Fine Art Gallery
Contemporary Art Projects USA
Cube Gallery
ELKA BRONNER GALLERY
Evan Lurie Gallery
Everard Read
Fabrik Projects
FREDERIC GOT
Galeria Animal
Galería Casa Cuadrada
Galeria Contrast
Galerie Barrou Planquart
GALERIE BENJAMIN ECK
Galerie Koo
Galerie LeRoyer
GALLERY SU:
JoAnne Artman Gallery
K+Y Gallery
Kostuik Gallery
Liquid art system
Metroquadro
Oliver Cole Gallery
Retrospect Galleries
Samuel Owen Gallery
September Gray Fine Art Gallery
Steidel Contemporary
ten|Contemporary
The Light Gallery

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