Yasmil Raymond Takes the Helm of Meridians: A New Vision for Art Basel Miami Beach
Art Basel Miami Beach is poised for a dynamic shift as Yasmil Raymond steps in as the new curator of Meridians, the sector dedicated to showcasing large-scale installations and performance art that push the boundaries of the traditional art fair booth. Raymond, an independent curator and the outgoing Director of Portikus and Rector of the Hochschule für Bildendende Künste-Städelschule in Frankfurt, brings a wealth of experience and a fresh curatorial vision to this prominent platform.
Known for her sharp eye and commitment to artistic experimentation, Raymond is set to transform Meridians into a site of groundbreaking encounters. Her curatorial approach emphasizes a dialogue between diverse artistic practices, fostering a space for established and emerging artists to engage with challenging and thought-provoking works.
This year, under Raymond’s guidance, Meridians promises to explore scale, form, and concept. Visitors can expect to encounter monumental sculptures, immersive installations, and performance pieces that challenge conventional notions of art and its presentation. Raymond’s selection will undoubtedly highlight the transformative power of art to engage with contemporary issues and spark critical dialogue.
Raymond’s appointment signals a new chapter for Meridians that embraces a more expansive and inclusive vision of artistic expression. Her expertise and passion for fostering artistic innovation will undoubtedly shape the sector into a vital destination for those seeking to experience the cutting edge of contemporary art at Art Basel Miami Beach.
This shift in leadership marks an exciting moment for both Art Basel and the art world. As Raymond takes the reins, Meridians is poised to become an even more vital platform for showcasing ambitious and boundary-pushing works, solidifying its position as a must-see destination for art enthusiasts and collectors alike.
Yasmil Raymond is Associate Curator in the Department of Painting and Sculpture at The Museum of Modern Art. From 2009 to 2015, she served as a curator at Dia Art Foundation. Before that, she was an associate curator at the Walker Art Center in Minneapolis. Her exhibitions include, among others, Allora & Calzadilla: Puerto Rican Light (with Manuel Cirauqui); Carl Andre: Sculpture as Place, 1958-2010 (with Philippe Vergne); Thomas Hirschhorn: Gramsci Monument; Jean-Luc Moulène: Opus + One; and Koo Jeong A: Constellation Congress. Ms. Raymond is a senior critic at the University of Pennsylvania.
