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CAF and Pinta announce a strategic alliance to strengthen Latin American art.

CAF y Pinta
CAF y Pinta anuncian alianza estratégica para el fortalecimiento del arte latinoamericano e iberoamericano.

CAF y Pinta anuncian alianza estratégica para el fortalecimiento del arte latinoamericano e iberoamericano

CAF – Development Bank of Latin America and the Caribbean– and Pinta, the largest international Latin American art promotion platform, have formalized a strategic alliance with the purpose of strengthening and promoting Latin American and Latin American art worldwide. This collaboration will promote different actions including an outstanding Art Week that will be held in Panama in May 2025, as part of the Pinta´s cultural programs that seeks to position regional culture in the global field.

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CAF is a multilateral institution that promotes sustainable development and regional integration in Latin America and the Caribbean, through financial products and services for governments, financial institutions and public and private companies in member countries. The institution has been key in supporting strategic sectors that include sustainability, social inclusion and the promotion of cultural identity. CAF represents 22 countries – 20 from Latin America and the Caribbean, Spain and Portugal – and 13 private banks in the region.

For its part, Pinta is recognized for its work in the creation of an interconnected artistic ecosystem that brings together curators, collectors, gallery owners, artists, public and private institutions, as well as art fans. Through its annual art fairs such as Miami, Pinta Lima and Pint Latin These initiatives allow generating a cultural dialogue in cities with great artistic potential, creating platforms for the exchange between international art and local scenes.

In 2024, Pinta received more than 52,000 visitors at their three fairs, expanding a network of 162 art galleries of more than 43 cities around the world. In 2025, with the expansion of its Art Weeks, Pinta seeks to incorporate new cities to strengthen connections between international art and local scenes, promoting a more dynamic and interconnected art market, and generating new opportunities for artists.

This strategic agreement aims to establish a framework of collaboration between CAF and Pinta to promote and preserve the art and cultural heritage of the region, with emphasis on strengthening key sectors such as creative industries and services. In addition, the alliance will pay special attention to transversal values ​​such as equality, inclusion and sustainability, supporting social integration and promotion of the country brand.

“This alliance marks a milestone in institutional collaboration to enhance cultural development and open the doors to a future full of opportunities. Together, our institutions are committed to enhancing the positive impact of arts and culture, working from our experience to face the challenges of the present, seeking to transform realities and create a legacy, ”said Diego Costa Peuser, global director of Pinta.

Alejandra Claros Borda, General Secretary of CAF, stressed that “CAF is committed to identifying the opportunities that foster creative economies in the countries of our region and, this alliance, with pint is essential to achieve these objectives and give visibility and promotion to our Latin American and Latin American culture and art. ”

With this approach, the alliance between CAF and paints not only will celebrate the cultural wealth of the region, but will also contribute to the strengthening of creative industries, generating a positive and sustainable impact on local communities and in the global art scenario.

LINA CERRONE GALLERY DEBUTS WINTER EXHIBITIONSBY INTERNATIONAL ARTISTS AND LOCAL TALENT 

Mystic Roots by Juliana Plexxo
Mystic Roots by Juliana Plexxo

LINA CERRONE GALLERY DEBUTS WINTER EXHIBITIONS BY INTERNATIONAL ARTISTS AND LOCAL TALENT 

Lina Cerrone Gallery, an international contemporary art gallery in the heart of Miami’s Wynwood Arts District, is celebrating its second anniversary this winter with multiple exhibitions, including Mystic Roots by Colombian artist Juliana Plexxo, whose work went to the moon; Quantum Painting by French artist Véronique Barrillot, the pioneer of quantum painting; Oh What Beautiful Flowers by local emerging talent Patrick Penkwitt; and Resonance by contemporary graffiti artist Cedric BouteillerThe exhibition calendar includes: 

  • Quantum Painting by Véronique Barrillot 
    Exhibition Dates:
    through January 5, 2026; exclusive quantum event on December 2 from 6-9 p.m.
Quantum Painting by Véronique Barrillot
Quantum Painting by Véronique Barrillot
Véronique Barrillot
Véronique Barrillot

French artist Véronique Barrillot, a self-taught pioneer of quantum painting, invites visitors to enter a world where art meets physics in her upcoming exhibition at Lina Cerrone Gallery during Miami Art Week. Through her signature “double-vision” technique — in which two superimposed states coexist in a single canvas, echoing quantum superposition and entanglement — Barrillot challenges the viewer’s perception: each movement, each change of distance, reveals a new dimension of the work. Her art is not a mere illusion but a dynamic experience in which the motion and engagement of the viewer become part of the piece itself. At this exclusive quantum event, guests will become active participants in a realm where visual art and scientific concept fuse, and where each glance, step or shift in perspective opens new layers of meaning and reality.

  • Mystic Roots by Juliana Plexxo
    Exhibition Dates:
    November 30 – December 31, 2025; artist event on November 30 from 6-8 p.m. 
Mystic Roots by Juliana Plexxo
Mystic Roots by Juliana Plexxo

Colombian artist Juliana Plexxo brings a deeply symbolic and emotionally charged practice to her upcoming exhibition at Lina Cerrone Gallery. Her work explores the essential duality of existence, the spiritual dimension of human life, and the profound reconnection between humanity and nature. 

Plexxo’s abstract work was included in the acclaimed exhibition Interplay: Contemporary Geometric Abstraction that was selected to be part of the Lunar Codex, an archive of contemporary art, books, music, poetry and film launched via NASA’s Artemis partners to the Moon. The exhibition was included in the Codex Polaris, which launched to the Lunar southern hemisphere in September 2025 aboard the SpaceX Falcon Heavy rocket. Interplay: Contemporary Geometric Abstraction is one of the few exhibitions in the world to have its works digitally archived and sent to the Moon as part of the Lunar Codex, a project initiated by Dr. Samuel Peralta. 

Plexxo’s visual language is anchored in metal engraving — a technique she transformed during her residency at Studio 46 in Barcelona, the historic workshop once used by Miró, Richard Hamilton, and Dalí. Her artistic process is intentionally radical: each plate is printed only once before being destroyed, rendering every piece a singular artifact embodying death, transformation, and rebirth. Raised in a taurine environment, Plexxo draws inspiration from her early confrontation with mortality, recalling her first encounter with bulls at age three. The bull remains her totemic muse, while the recurring eyes and profiles throughout her work trace back to intimate memories of her Colombian childhood. Guided by the mythic force of the bull, her work invites viewers beyond observation, urging them to feel, remember, and step into the eternal dance between life and death.

  • Oh What Beautiful Flowers by Patrick Penkwitt
    Exhibition Dates: Permanent exhibition. Artist event on December 4 from 6-8 p.m.  
Oh What Beautiful Flowers by Patrick Penkwitt
Oh What Beautiful Flowers by Patrick Penkwitt

Growing up in Stuttgart, Germany, in a family of photographers, it was only natural for Miami-based artist Patrick Penkwitt to become a photographer at 16 years old. His grandfather was a war photographer, and his parents met in photography school; hence, creativity was embedded in his DNA. His creative journey began by working for skateboarding and BMX freestyle magazines in Germany and California. After years of shooting extreme sports, such as mountain biking, snowboarding and skiing, he shifted to working with some of the world’s top fashion and advertising brands. 

Over time, Penkwitt’s artistic vision has expanded into painting, transforming his early influences into a lifelong project. Intuitively blending whimsy with seriousness, his vibrant paintings feature intricate, imaginative worlds that evoke a sense of play while offering layers of depth. His prints feature famous figures such as Lionel Messi and LeBron James. Penkwitt’s masterful use of color is both dynamic and unexpected, creating visual experiences that surprise and captivate the viewer. Now, as he explores his expanding practice, Penkwitt brings the same eye for detail and narrative composition that distinguished his photographic work into a new medium. His paintings showcase a unique interplay of surreal elements and vivid storytelling, capturing a spectrum of emotion and delight that resonates with viewers. Just like a pendulum, Penkwitt lets the pencil swing and move on its own to draw, making each painting one of a kind.  

  • Resonance by Cedric Bouteiller
    Exhibition Dates: through January 5, 2026; live art event on December 6 from 6-9 p.m.
Resonance by Cedric Bouteiller
Resonance by Cedric Bouteiller

Born in 1970 in Rognac, France, Cedric Bouteiller is a multidisciplinary artist whose work reflects a dynamic fusion of photography, contemporary painting, graffiti, digital art and collage. After studying plastic arts and philosophy at the University of Aix-en-Provence, his travels through major cities like New York, London, Paris, Tokyo and Shanghai shaped his visionary urban aesthetic. A pivotal moment came in 2009 during an exhibition at Galerie DX in Bordeaux, where he immersed himself in street art, developing his signature technique of combining printed images, stencils, graffiti and collaged elements on brushed aluminium, sealed with translucent resin. Influenced by Anthony Tàpies, Pierre Alechinsky, Picasso, and the literary spirit of Cocteau, Bouteiller also explores a mystic form of alchemy through material transformation and experimentation. You can experience his innovative work in person at the gallery on December 6 from 6-9 p.m. during a special live painting event celebrating his artistry.

Lina Cerrone Gallery is located at 2239 NW Second Ave., Miami, FL 33137. For more information, explore linacerronegallery.com or follow on Instagram @linacerronegallery.

About Lina Cerrone Gallery

Lina Cerrone Gallery, co-founded by Lina Cerrone and Fredric Lean, is a beacon of contemporary art in Miami’s Wynwood Art District. The gallery is a family endeavor rooted in a shared passion for art that transcends borders. It specializes in showcasing a diverse range of contemporary artists, with a focus on connecting people with the vibrant world of international creativity. For more information, visit linacerronegallery.com or follow on Instagram @linacerronegallery. 

The Container Project: What’s in Your Container?

The Container Project: What's in Your Container?
The Container Project: What's in Your Container?

The Container Project: What’s in Your Container?

OPENING RECEPTION: November 20, 2025, 6PM to 9PM

DVCAI at Barry University

Experience The Container Project, a curatorial initiative exploring the personal and collective histories of containment, memory, and resilience within Caribbean diasporic communities.

Curated by Rosie Gordon-Wallace and Breeana Thorne, this exhibition asks: What’s in Your Container? Through the lens of the shipping container—a vessel of movement, migration, and memory—19 artists transform grief, care, and cultural legacy into acts of preservation and renewal.

TONIGHT:  November 20 | 6:00 PM – 9:00 PM

Opening Reception with featured performance TUAPUTI by Asser Saint-Val and Jessica Freites at 7:00 PM

SATURDAY: Saturday, November 22 | 2:00 PM – 4:00 PM

Performance of Telegraph Valley by L.A. Samuelson, followed by conversation with Dr. Alix Pierre

Featured Artists: Rimaj Barrientos, Jevon Alexander Brown, Patricia Cooke, Michael Elliott, Natou Fall, Rosa Naday Garmendia, Miguel Keerveld, Shayla Marshall, Sydney Rose Maubert, Lance Minto-Strouse, Shawna Moulton, Kurt Nahar, Amarachi Odimba, Evelyn Politzer, L.A. Samuelson, Asser Saint-Val with Jessica Freites, Clara Toro, and Leandro Vazquez.

This exhibition is presented by Diaspora Vibe Cultural Arts Incubator (DVCAI) in partnership with the Barry University Institute of Immigration Studies and the Monsignor William Barry Library. Telegraph Valley is a National Performance Network Creation & Development Fund Project supported by the Doris Duke Foundation, the Mellon Foundation, and the National Endowment for the Arts. Special thanks to Victor Romano, PhD, Vice Provost for Student Success & Undergraduate Studies, Giselle Elgarresta Rios, PhD, Endowed Chair of the Monsignor Bryan O. Walsh Institute for Immigration Studies, and Vivica Smith Pierre, MLIS, PhD, Director of Library Services at the Monsignor William Barry Library.
Accessibility and Accommodation:
The exhibition venue is accessible. To request materials in an accessible format at least five days in advance, please contact Rosie Gordon-Wallace, DVCAI President |Curator at [email protected] or by phone at (305) 542-4277.
 
About The Monsignor William Barry Library at Barry University
Located in the center of Barry University’s Miami Shores campus, the Library is named in loving memory of Monsignor William Barry, one of its founders and an inspirational figure in the Catholic Church within the Archdiocese of Miami. Vivica Smith Pierre, MLIS, PhD, Director of Library Services, an accomplished educator, academic librarian, and researcher, leads the library’s administration and vision.
 
About Barry University Institute of Immigration Studies
A gift from Max and Ester Alvarez ’71 and family made it possible to endow the position of Giselle Rios, PhD, Founding Director, to guide and implement the vision of the Institute. As Rios, professor of music, assistant chair of fine arts, and now endowed chair of the Monsignor Bryan O. Walsh Institute for Immigration Studies, Though the institute isn’t a brick-and-mortar building, the ideas and research behind it give scholars and students the ability to study the immigration experience in South Florida and to identify ways to better that experience for the state’s roughly 4.5 million immigrants.
 
About DVCAI
Diaspora Vibe Cultural Arts Incubator, Inc. is a virtual artist space dedicated to promoting, nurturing, and cultivating the vision and diverse creativity of emerging artists from the Caribbean and Latin American Diaspora through experimentation, exhibitions, artists-in-residence programs, international cultural exchanges, and dialogue in contemporary art. www.dvcai.org. DVCAI partners with organizations to enhance residency experiences in the Caribbean region, nationally, and internationally. For more information, please visit www.dvcai.org and follow our activities at https://www.instagram.com/dvcai/  https://twitter.com/DiasporaVibe.
 
Our narrative embraces issues of race, gender, class, and all topics that are important to the Black Brown Divide. We have created safe places for the discussions, and practice transformative strategic entry points to the Contemporary narrative and create programmatic visual themes that contribute to racial healing in our communities. Your donation makes all of this possible.

RELIANCE by Maurice Mboa

RELIANCE by Maurice Mboa
RELIANCE by Maurice Mboa

RELIANCE by Maurice Mboa

opa projects is delighted to invite you to a private opening cocktail for the opening.

Private Opening Reception: Wednesday, November 26, 2025, 7-9 PM

Be among the first to discover the artist’s first US solo exhibition: a powerful series exploring spiritual connection, transformation, and the invisible energies that link us across borders.

Location: opa projects, 7622 NE 4th Ct, Miami 33138

Opa projects brings together artists with distinct approaches to question our perception of the everyday and the ability of art to transcend the obvious.

Opa projects artists:

Susanne Zagorni

Susanne Zagorni creates emotive, abstract compositions exploring memory, gesture, and the psychological resonance of color.

Emma Stone-Johnson

Emma Stone-Johnson works at the intersection of painting and installation, using layered materials to examine identity, intimacy, and shifting states of perception.

Frank Stella

Frank Stella, a pioneer of Minimalism and post-painterly abstraction, is known for his bold geometric forms, shaped canvases, and the continual reinvention of the pictorial plane.

Adam Parker Smith

Adam Parker Smith produces humorous yet philosophically charged sculptures that blend pop aesthetics with classical references, playing with desire, vanity, and material excess.

Alexander James

Alexander James explores light, shadow, and sensuality through photography and painting, often using ethereal atmospheres and dreamlike narratives.

Anner Cohen

Anner Cohen’s work weaves abstraction and figuration, focusing on gesture and texture to evoke emotional and spatial tension.

Karel Appel

Karel Appel, a leading figure of CoBrA, created expressive, energetic works marked by vivid color, raw spontaneity, and unrestrained experimentation.

Zoe Walsh

Zoe Walsh investigates visual perception through highly saturated, optical paintings rooted in queer gaze, architecture, and digital fragmentation.

Nicolas Shake

Nicolas Shake elevates discarded objects into sculptural forms, exploring impermanence, transformation, and the overlooked poetry of everyday urban debris.

Kenny Scharf

Kenny Scharf blends pop culture, graffiti, and surreal futurism in vibrant compositions that celebrate joy while critiquing consumer culture.

Jessica Taylor Bellamy

Jessica Taylor Bellamy’s multimedia work examines language, symbolism, and social power structures through richly layered imagery.

Emily Ferguson

Emily Ferguson creates atmospheric paintings where gesture and translucency dissolve the boundary between landscape and emotional states.

Kour Pour

Kour Pour reimagines cultural motifs—especially carpets and textile patterns—through labor-intensive painting techniques that question authenticity and global exchange.

Ed Ruscha

Ed Ruscha blends text, landscape, and conceptual clarity in works that capture the poetic, ironic, and cinematic spirit of American culture.

Cleon Peterson

Cleon Peterson’s stark figurative scenes explore power, violence, and morality through high-contrast compositions reminiscent of ancient myth and modern conflict.

Ho Jae Kim

Ho Jae Kim merges abstraction and figuration through fluid, layered brushwork that reflects emotional memory and psychological landscapes.

Tyrrell Winston

Tyrrell Winston transforms found objects—like basketball nets and cigarette stubs—into sculptural meditations on nostalgia, urban life, and American iconography.

Maurice Mboa

Maurice Mboa works across sculpture and mixed media, exploring identity, displacement, and cultural heritage through expressive, tactile forms.

Ben Arpéa

Ben Arpéa creates minimalist, Mediterranean-inspired compositions marked by serene geometry, soft color palettes, and architectural clarity.

Sofia Nifora

Sofia Nifora blends fantasy, mythology, and personal narrative in ethereal works that explore femininity and psychological transformation.

Aglaé Bassens

Aglaé Bassens paints atmospheric, contemplative scenes that reflect on everyday moments with quiet emotional intensity and cinematic sensitivity.

Alexander Calder

Alexander Calder, a master of kinetic art, revolutionized sculpture with his mobiles and stabiles—playful constructions that balance movement, form, and visual rhythm.

Fabien Conti

Fabien Conti uses photography and installation to investigate memory, illusion, and the relationship between time, space, and perception.

Camilla Marie Dahl

Camilla Marie Dahl explores nostalgia, rural identity, and the American landscape through sculpture and painting grounded in material sensitivity.

Pauline Guerrier

Pauline Guerrier works with sculpture and textile forms to explore ritual, cosmology, and the poetic tension between fragility and strength.

Ryan Schneider

Ryan Schneider creates vivid, tactile paintings and carved wooden sculptures inspired by desert landscapes, mysticism, and mythic storytelling.

Ryan Schneider (b. 1980, Indianapolis, USA) was born in Indianapolis, IN and holds a BFA from The Maryland Institute College of Art. He creates vibrant, expressionist paintings and sculptures infused with the mysticism of the natural world. Living in Joshua Tree, California, his practice draws from tree spirit mythology and German Expressionism, resulting in bold, textured works that celebrate primal energy.

In Dialogue With ColorMid-20th Century to Now

Opera Gallery_Roy Lichtenstein, Apple, Grapes, Grapefruit
Roy Lichtenstein, Apple, Grapes, Grapefruit, 1974, Acrylic, oil and graphite pencil on canvas, 40.2 x 54 x 1.1 in | 102.2 x 137.2 x 2.8 cm

In Dialogue With Color
Mid-20th Century to Now

November 30, 2025 – January 5, 2026 | Miami

Opera Gallery Miami is pleased to present In Dialogue with Color: Mid-20th Century to Now, an exhibition exploring the power of color in modern and contemporary art. Spanning eight decades, the exhibition showcases the infinite variety of artists’ use of color and how it shapes perception and meaning.

Curated chromatically—Green, Blue, Red, Black & White, Pink, and Orange—the exhibition presents works ranging from intimate portraits to monumental abstractions. Each piece invites viewers to reconsider how color functions not only as a visual element but also as a conceptual and emotional vehicle.

Exhibition Highlights

Highlights from the exhibition include:

  • Marc Chagall, L’âne vert (1978)
    Deep blues evoke mysticism and poetic symbolism, characteristic of Chagall’s visionary language.
  • Keith Haring, Untitled (1984)
    Dominated by vibrant neon orange, the work reflects New York City’s urban energy and the pulse of 1980s street culture.
  • Yayoi Kusama, Fire (1988)
    An omnipresent red anchors the work’s visual impact and intensity, emblematic of Kusama’s hypnotic and obsessive use of pattern and color.
  • Feng Xiao-Min, Composition No. 10.6.24 (2024)
    A serene composition where subtle gradations of pink create a meditative sense of space.
  • Claude Monet, Les Bords de l’Epte à Giverny (1887)
    Though painted in the 19th century, this landscape is a fitting addition to the exhibition. Monet’s rich yet delicate palette, dominated by green, captures the ephemeral beauty of changing light and underscores the Impressionist master’s profound influence on 20th-century art.

The exhibition also considers the power of color through contrast and duality, particularly black and white. Pierre Soulages uses this combination to explore black’s capacity to amplify light and construct space, as seen in Peinture 202 x 143 cm (1967). Amoako Boafo’s Embrace (2023)—depicting two Black figures on a stark white ground—approaches color through portraiture as a statement of cultural identity and pride.

“With this exhibition, we wanted to explore the artist’s engagement with color as a way to symbolize meaning, convey identity, and provoke thought,” says Dan Benchetrit, Director of Opera Gallery Miami. “The mediums and subject matter are diverse, but at its core, this exhibition explores the ways artists use color.”

Spanning figurative painting to abstract sculpture, In Dialogue with Color: Mid-20th Century to Now demonstrates how artists across eras and geographies continually expand the expressive and philosophical possibilities of color.

Dates & Location

In Dialogue with Color: Mid-20th Century to Now
November 30, 2025 – January 5, 2026

Opera Gallery Miami
151 NE 41st Street, Suite 131
Miami, Florida 33137
📧 [email protected]
📞 +1 305 868 3337

Hours:
Mon–Sat: 11 AM – 8 PM
Sun: 12 PM – 6 PM

More information: operagallery.com

Artists

Artists featured in the exhibition include:
Karel Appel, Ron Arad, Pablo Atchugarry, BANKSY, Georg Baselitz, Amoako Boafo, Mel Bochner, Fernando Botero, André Brasilier, Bernard Buffet, Alexander Calder, Marc Chagall, Cho Sung-Hee, Niki de Saint Phalle, Nicolas de Staël, Thomas Dillon, Feng Xiao-Min, Lucio Fontana, Sam Francis, Juan Genovés, Alfred Haberpointner, Keith Haring, Philippe Hiquily, Robert Indiana, Anish Kapoor, Alex Katz, Yves Klein, Willem de Kooning, Yayoi Kusama, Fernand Léger, Roy Lichtenstein, Marcello Lo Giudice, Tomokazu Matsuyama, Claude Monet, Pieter Obels, Julian Opie, Julien Rubat, Ed Ruscha, Richard Serra, Kazuo Shiraga, Pierre Soulages, Frank Stella, Manolo Valdés, Joana Vasconcelos, Andy Warhol, and Tom Wesselmann.

In Tandem with Art Miami

In conjunction with the exhibition, Opera Gallery will also be present at Art Miami, which runs from December 2–7, 2025, at One Herald Plaza (NE 14th Street & Biscayne Bay, Miami, FL 33132).

About Opera Gallery

Founded in Singapore in 1994, Opera Gallery has built a global network of galleries with locations in London, Paris, New York, Geneva, Madrid, Dubai, and Miami, establishing itself as one of the leading forces in the international art market.

Headed by Gilles Dyan, Chairman and Founder, Opera Gallery specializes in modern, post-war, and contemporary art. The gallery represents emerging international artists such as Andy Denzler, Pieter Obels, and Gustavo Nazareno, alongside internationally recognized names including Ron Arad, Manolo Valdés, and Anselm Reyle.

For more than 30 years, Opera Gallery’s mission has been to showcase dynamic, innovative, and diverse expressions of modern and contemporary art through ambitious exhibition programming and collaborations with private collections and major public institutions. Opera Gallery Miami is led by Dan Benchetrit

Detail of Anish Kapoor, Untitled, 2012, fiberglass and paint, 56 x 56 x 47.6 in | 142.2 x 142.2 x 121cm

Maestro Marturet at THE MOORE

Eduardo Marturet
Eduardo Marturet
Photo credit: Rafael Montilla

Maestro Marturet at THE MOORE

Maestro Marturet and his wife Athina at THE MOORE for the first event in the musical season with the Steinway and Sons Spirio at THE MOORE. Maestro Eduardo MarturetMusic Director of The Miami Symphony Orchestra, Steinway Artist and Cultural Ambassador of The Moore Club, will be joined by a group of guest artists for a performance that brings the magic of music to life. Expect an evening that lifts your mind and spirit as you sit back with a drink, enjoy food from the club and settle into the rhythm of the night. 

Event Details:

November 21, 2025

8:00 PM – 10:00 PM EST

THE MOORE 4040 NE 2nd Ave, Miami, FL 33137

RSVP by replying to this email or emailing [email protected]

Enjoy another MISO experience!

dc art foundation

Sonia Navarro
Sonia Navarro

dc art foundation tiene el placer de invitarlos a un coctel y conversación con nuestra actual artista en residencia, Sonia Navarro, y la curadora invitada Cristina Vives, el sábado 29 de noviembre de 2025, de 6:00 p. m. a 9:00 p. m.

Cristina Vives
Cristina Vives
Kicking off Miami Art Week, this event will showcase a selection of works created by Sonia during her residency at dc foundation, along with a presentation of her previous installations, conducted by Cristina Vives. Cristina Vives is a curator, researcher, and art critic. She has been a two-time fellow of the J. Paul Getty Center (Los Angeles) and is the founder of the independent Estudio Figueroa-Vives in Havana. She was the curator of the retrospective traveling exhibition of Belkis Ayón in the US, presented at the Fowler Art Museum (UCLA), El Museo del Barrio (New York), Chicago Cultural Center, Museum of Contemporary Art Houston, among others, and the Museo Reina Sofía (Madrid). She has lectured at Fundación Mapfre (Barcelona), the Ludwig Forum für Internationale Kunst (Germany), PhotoEspaña (Madrid), and the Museo Malba (Buenos Aires).
She is co-author of the book Memoria: Artes Visuales Cubanas del Siglo XX and has written monographs and essays on artists like Belkis Ayón, Flavio Garciandía, Alberto Korda, José A. Figueroa, Alejandro Campins, Tania Bruguera and Alexandre Arrechea.   She currently researches and promotes the work of international contemporary artists, with an emphasis on the current Spanish and Latin American art scene.
Para dar inicio a la Semana del Arte de Miami, este evento presentará una selección de obras creadas por Sonia durante su residencia en dc foundation, junto con una presentación sobre sus instalaciones anteriores, dirigida por Cristina Vives. Cristina Vives es curadora, investigadora y crítica de arte. Ha sido becaria en dos ocasiones del J. Paul Getty Center (Los Ángeles) y es fundadora del estudio independiente Estudio Figueroa-Vives en La Habana. Fue curadora de la exposición retrospectiva itinerante de Belkis Ayón en Estados Unidos, presentada en el Fowler Art Museum (UCLA), El Museo del Barrio (Nueva York), el Chicago Cultural Center, el Museum of Contemporary Art Houston, entre otros, así como en el Museo Reina Sofía (Madrid). Ha impartido conferencias en instituciones como la Fundación Mapfre (Barcelona), el Ludwig Forum für Internationale Kunst (Alemania), PhotoEspaña (Madrid) y el Museo Malba (Buenos Aires). Es coautora del libro Memoria: Artes Visuales Cubanas del Siglo XX y autora de monografías y ensayos sobre los artistas Belkis Ayón, Flavio Garciandía, Alberto Korda, José A. Figueroa, Alejandro Campins, Tania Bruguera y Alexandre Arrechea. En la actualidad investiga y promueve la obra de artistas contemporáneos internacionales con énfasis en la escena actual del arte español y latinoamericano.
Sonia Navarro
Sonia Navarro
Sonia Navarro’s work transcends the boundaries of painting and sculpture, expanding into immersive installations that intertwine memory, tradition, and identity. Her practice explores the dialogue between craftsmanship and contemporary art, reactivating ancestral techniques such as weaving, embroidery, and the use of esparto grass as both aesthetic and political gestures. Navarro has been recognized with the 2024 Premio Alfonso X de Pintura y Escultura and the 2023 BMW Painting Award, presented to her by Queen Sofía of Spain. She has also been the recipient of prestigious residencies such as the Real Academia de España en Roma and the Colegio de España at the Cité Internationale Universitaire de Paris. Her works are part of major public and private collections, including the Museo Nacional Centro de Arte Reina Sofía (Madrid), the IVAM, Institut Valencià d’Art Modern, and the Royal Collection of the Netherlands, among others. 
Sonia Navarro desarrolla un trabajo que trasciende los límites entre la pintura y la escultura, expandiéndose hacia instalaciones inmersivas que entrelazan memoria, tradición e identidad. Su práctica explora el diálogo entre la artesanía y el arte contemporáneo, reactivando técnicas ancestrales como el tejido, el bordado y el uso del esparto como gestos tanto estéticos como políticos. Su destacada trayectoria ha sido reconocida con varios premios, entre ellos el Premio Alfonso X de Pintura y Escultura 2024 y el Premio BMW de Pintura 2023, entregado por Su Majestad la Reina Sofía de España. También ha sido seleccionada para prestigiosas residencias como la Real Academia de España en Roma y el Colegio de España en la Cité Internationale Universitaire de Paris. Sus obras forman parte de importantes colecciones públicas y privadas, entre ellas el Museo Nacional Centro de Arte Reina Sofía (Madrid), el IVAM – Institut Valencià d’Art Modern, y la Royal Collection of the Netherlands, entre otras.
SONIA NAVARRO AND CRISTINA VIVES COCKTAIL AND TALKSATURDAY, NOVEMBER 29, 2025
6:00 P.M. – 9:00 P.M.
ARTIST TALK BEGINS AT 7:00 P.M. DC ART FOUNDATION
4255 SW 7TH ST, MIAMI, FL 33134
COMPLIMENTARY VALET PARKING
aqua Miami
aqua Miami

Aqua Art Miami Announces 2025 Exhibitors List For Its 19th Edition
Returning to the Aqua Hotel from December 3-7, Aqua Art Miami will showcase works by young, emerging, and
mid-career artists from galleries worldwide.

MIAMI (October 30, 2025) – Aqua Art Miami has announced its diverse list of exhibitors for the 19th edition of the
fair at the Aqua Hotel in Miami Beach. The fair, which is known for presenting vibrant and noteworthy art programs
by international breakout artists, will feature works from over 30 global galleries from 6 countries. Aqua Art Miami
will kick off with a VIP Preview on Wednesday, December 3, before opening the exhibition rooms to the public
from Thursday, December 4, through Sunday, December 7, 2025.

“As we celebrate our 19th edition, Aqua remains a dynamic launchpad for discovery where collectors, curators, and
art lovers encounter fresh voices and acquire works that resonate long after Miami Art Week,” says Cordelia de
Freitas, Director of Aqua Art Miami. “This year, we’re deepening the experience with new curatorial pairings and
daily programming that spotlight the artists shaping contemporary culture.”

This year’s program features fresh works from over 30 global galleries from AFPA Gallery (Analog Film Photography
Association), Alida Anderson Art Projects, SIA New York Gallery, and FLY MIAMI ART, complemented by standout
rooms from LAAP – Latin American Art Pavilion, and SHIM Art Network. Aqua will also present a focused solo by
Dean Zeus Colman (Zeus Art) and highlight contemporary presentations from Vertical Gallery and MAZLISH
GALLERY.

In the center of Miami Beach on Collins Avenue, Aqua Art Miami transforms the intimate rooftop and sunlit
courtyard of the Aqua Hotel into a buzzing art district. The surrounding Art Deco curves and sun-washed colors give
the setting its signature Miami essence.

2025 AQUA ART MIAMI EXHIBITOR LIST:
+GALLERyLABS Buenos Aires | AC Latin Art Ciudad de Buenos Aires | ACT CONTEMPORARY Istanbul | AFPA
GALLERY Orlando | A GREAT GALLERY Miami Beach | Alessandro Berni Gallery New York | Alida Anderson Art
Projects Washington DC | Arch Enemy Arts Philadelphia | ART LOVE GALLERY Provincetown | Colour Senses
Project Miami | CST GALLERY Sparta | Dean Zeus Colman London | Desert Valley Gallery Las Vegas | D FINE ART
GALLERY Miami | FLY MIAMI ART Miami Beach | Gallery KNOT Seoul | Gato Gordo Gallery Miami | Elenas Escape
Raleigh | House of Hues Atlanta | Irreversible Projects Miami | LAAP – Latin American Art Pavilion Miami | Lauren
Jane Clancy Art Miami Beach | MAZLISH GALLERY Brooklyn | MOOKJI ART Seoul | NISTICOVICH GALLERY Tel Aviv
| SAFDS St. Petersburg FL | SHIM Greenwich | SIA New York Gallery New York | STUDIO ART MAGIC Attleboro |
Tree Art Space Shanghai | VAN LEEUWEN ART Zurich | Venus Gallery Asan | VERTICAL GALLERY Chicago

HOURS AND LOCATION:
Fair Hours:
VIP Preview: Wednesday, December 3rd: 3 p.m. – 10 p.m.
General Admission: Thursday, December 4th: noon – 9 p.m.; Friday, December 5th – Saturday, December 6th: 11
a.m. – 9 p.m.; Sunday, December 7th: 11 a.m. – 6 p.m.

Location:
Aqua Art Miami takes place inside the Aqua Hotel at 1530 Collins Avenue, Miami Beach, FL 33139.
Tickets are available for purchase at www.aquaartmiami.com/tickets.
Please note that tickets are exclusively available online and cannot be purchased onsite.


About Aqua Art Miami:
Now in its 19th year, Aqua Art Miami is the premier destination for art aficionados to procure works by young,
emerging, and mid-career artists during Miami Art Week. The energetic preview has become the destination for
influential collectors and art professionals, many of whom migrate from Aqua’s sister fairs, Art Miami and CONTEXT,
conveniently nestled between the Venetian Causeway and the MacArthur Causeway. Throughout the years, the fair
has continued to solidify itself as a unique art fair, consistently staying true to its signature relaxed yet energetic
vibe. A roster of well-respected international galleries annually showcases fresh artists’ works in the intimate
exhibition rooms, which open into the beautiful courtyard of the classic South Beach hotel just a few short blocks
from the Miami Beach Convention Center.

Aqua Art Miami features hundreds of artists from numerous galleries during Art Miami Week 2025

A

  • Leda Almar
  • Juan Andereggen
  • Mercedes Armella Spitalier
  • J Amado
  • Sergio Artola
  • Ale Arroyo
  • Camilla Ancilotto
  • Adam Augustyn

B

  • Walter Brown
  • Andrea Borga
  • Eddy Bogaert
  • Kyne Bernstorff
  • Leo Blanchard
  • Andria Beighton
  • Alix Born
  • Mikael Boudakian
  • Annette Back

C

  • Maria Emilia Cunliffe
  • Denise Cooperman
  • Luis Cabrera
  • Laura Catherwood
  • CRAITR
  • Tatyana Chaar
  • Francesco Cusumano
  • Lauren Jane Clancy
  • Marcela Collazos
  • Florencio Lennox Campello
  • Jennifer Cronin
  • CABNOV
  • RMBR CHARLES
  • Leonardo Cavalcante
  • Pablo Cano
  • Marta Cueter
  • Maria Chavez
  • Ashley Cole
  • Ian Cohen
  • Monica Czukerberg

D

  • Michiyoshi Deguchi
  • Demet Barlas Dayı
  • Natalia Davydova
  • Monica Diaz
  • Kristin Dills
  • AUUDI DORSEY
  • Vanesa de Posada
  • Melina Di Salvo
  • Patricia Daher
  • Maayan Dee

E

  • Natan Elkanovich
  • Marta Echazarreta
  • Andrea Justine Encina Lopez

F

  • Cecilia Freire
  • Flog
  • Sergio Farfán
  • Natalya Freeman
  • Scott Fisher
  • Aggie Foster
  • Vasilisa Forbes
  • Sheila Fraga
  • Jean-Pierre Fleury
  • Michelle Flores

G

  • Erol Gunduz
  • Marcus Glitteris
  • Micky Goldstein
  • Molly Goldfarb
  • Michael Gitter
  • Roman Gulman
  • Luis Gomez
  • Eva B. Gorson
  • Paola Ines Gutierrez
  • Alena Gojak

H

  • Namkyu Hwang
  • Emily Hamel
  • Xine Hann
  • Roscoe Hall
  • Peshi Haas

J

  • Dr. Jeon Sur
  • Blake Jones
  • MinJung Jang
  • Harmony Jones
  • Jamie Jones
  • Itamar Joseph

K

  • Monica Kline
  • Hyun Jung Kim
  • Tae D. Kim-James
  • Hak Kyun Kim
  • Bon Koo
  • Kyung Tae Kim
  • Jungwuk Kim
  • Elena Kuki
  • Kadja Klarreich-Giglio
  • Deborah Kruger
  • Dominic King
  • Mykhailo Krasnyk
  • Lilian Kebudi
  • Shye Klein
  • Shirah Klein

L

  • Vesna Longton
  • Jen Llewellyn
  • Troy Lee
  • Laura Llamosas
  • Claudia Leonelli
  • Stephen Lee
  • B. Jaya Lakshmi

M

  • Caterina Mejia
  • John Mazlish
  • Evelina Meltser
  • Alys Paola Maquet
  • B. Robert Moore
  • James Macdonell
  • Matthew Marcot
  • Allison McCrady
  • Vilina Malka
  • Tirza Menkes
  • Roger Mari

N

  • Raisa Nosova
  • Julia Noble
  • Francesco NEO
  • Shayan Nazarian
  • Shyama Nadimpalli
  • Dar-Ya Naomi

O

  • Alina Obukhova

P

  • Maria Petroff
  • Felisa Prieto
  • Kahyun Park
  • Christoph Pauschenwein
  • Alegria Polit
  • Oleksandr Pysanyi
  • Anjale Perrault
  • Kevin Perrault
  • Carla Pivonski / The Black & White Gallery
  • Zoey Parsons
  • Dario Posada
  • Joaquin Ponzinibbio
  • Uiyeong Park

Q

(No entries provided)

R

  • Melis Ragusin
  • Jorge Rodriguez-Gerada
  • Max Reinhard
  • Jorge Ivan Rojas
  • Brittney Reid
  • Joseph Renda Jr.
  • RASTER
  • Dubi Ronen
  • Julia Rivera
  • Sofia del Rivero

S

  • Soyoung Shin
  • Jinmin Sung
  • Egor Shokoladov
  • Sana Shaw
  • Delphine Sellem
  • Ayşen Saltan
  • A. J. Springer
  • Diego Sanchez
  • Mitchell Schorr
  • Carrie Swim
  • Todd Serlin
  • Karina Salazar
  • Mircza Seiler
  • Yurii Syvyrin
  • Nazar Symotyuk
  • Anatol Stepanenko
  • Andriy Sajenko-Verhun
  • Petro Starukh
  • Ornella Saada

T

  • Tuncay Topcu
  • Liv Telivuo
  • Erwin Timmers
  • Jerome Tiunayan
  • Valerio Trigo
  • Maria Titan
  • Nikita Tsoi

U

  • Zhanna Urodovskikh
  • Selen Uğur

V

  • Emel Vardar
  • Collin van der Sluijs
  • Véronique Vigneron
  • Katy Volikas
  • Mariano Venditti
  • Juan Carlos Valencia
  • Shiko Vun

W

  • Felton Weller
  • John-Herbert Wright
  • Alex Z. Wang
  • Rachel Weiswasser
  • Michael Wallner
  • Steve Wanna

X

(No entries provided)

Y

  • Tuğba Yazıcı
  • Facundo Yebne

Z

  • Dina Zakmane

SORRY I’M A LADY

SORRY I'M A LADY
SORRY I'M A LADY

SORRY I’M A LADY

Nov 28 – Dec 31, 2025

A film by Jonathan Gonzalez featuring the paintings of Anna Vickers
On view November 28 – December 31, 2025
1212 Lincoln Road, Miami Beach

The Galbut Institute is pleased to present Sorry I’m A Lady, a film directed by Jonathan Gonzalez, with architecture and environments by Gonzalez and featuring the paintings of Anna Vickers. The film will be presented on the monumental, publicly facing video screen at the retail and cultural hub 1212 Lincoln Road on Miami Beach. The screen occupies the south façade of the building at the intersection of Alton Road and 16th Street, one of the city’s most active urban junctions. Sorry I’m A Lady will be shown exclusively on the screen from November 28 through December 31, 2025.

The title of the film is borrowed from Vickers’ seminal exhibition Sorry I’m A Lady, which took place at the Pavillon Davioud in Paris’s Jardin du Luxembourg in 2017— itself borrowing the title from the 1970s pop duet Baccara. The film features a broad selection of Vickers’ works made between 2004 and 2017.

The setting of the film is an idealized virtual museum digitally constructed by Gonzalez through close examination of Vickers’ paintings interrogating the female nude and its critique. This virtual museum is defined by immaculate minimalist architecture and immense, luminous galleries, forming the perfect embodiment of the contemporary art museum.

Perfection is also embedded in the historical category of the female nude—often interpreted by contemporary art institutions through the lens of critique. By exclusively displaying Vickers’ paintings of the nude in multiple corollaries with the film’s idealized galleries, Gonzalez brings institutional critique into focus. The critique of the nude melts into the critique of the institution, just as the paintings melt into their surrounding spaces as Gonzalez fades the camera from one gallery to the next.

Strikingly, institutional critique is inverted. Instead of using an art object that displaces the nude as a cipher for critique, Vickers’ reframed nudes become the catalyst for it. Rather than moving the art object outside the institution, Gonzalez reinstalls it within museum walls in exquisite display. And instead of closing off the institution—or leaving it behind when critique enters the public realm—Gonzalez brings the entire institution with him. Neither the art object nor the institution is dismantled; instead, both are depicted in states of curated perfection in direct interaction with the streets below.

This inversion is extended through a study of the grid—a motif recurring across the work’s architecture and display. The poured-in-place concrete wall supporting the 1212 Lincoln screen, the screen’s 1,500 LED modules, the curtain-wall glazing, the sawtooth roofs, and the gentle grate-like shadows falling diagonally across the figures all echo the rectilinear order of the modernist grid. These elements loosen the formal logic of the grid as a symbol of painting’s self-referential endgame through their dialogue with the pictorial forms of Vickers’ paintings. They draw attention to the self-referential nature of her figures, revealing new possibilities for painting through the most emblematic subject once displaced by the grid: the nude. The dazzling Miami Beach sun pours across the video screen, literally shedding light on this point.

The exterior landscaping expands these ideas. Zen gardens of fine sand contain bare, leafless trees—both upright and fallen. They suggest the cyclical nature of life, a theme core to Vickers’ exploration of new possibilities for the female nude after its “death” in postmodernism, and a way of thinking about a reborn, reframed art object presented on a gallery wall where both object and wall are publicly visible as a form of institutional critique.

Sorry I’m A Lady is produced by OOAI, with creative input from Anna Vickers and Michael J. Quiñones.


About the Artists

Jonathan Gonzalez

Jonathan Gonzalez is a Miami-based designer and artist. His work spans architecture, art, curation, and design. He is the founder of Office GA and OOAI (Office of Applied Ideas). His work has been widely exhibited in museums and galleries, including the Institute of Contemporary Art, Miami, Diverse Works, Guccivuitton, Tile Blush, Balice Hertling, Maison & Objet, Design Miami, and with Miami-Dade County Art in Public Places.
He holds a Master of Architecture from Columbia University’s Graduate School of Architecture, Planning and Preservation. Gonzalez grew up in Key West, Florida.

Anna Vickers

Anna Vickers is originally from London and is now based in Paris. She has exhibited internationally, with recent solo exhibitions at The Galbut Institute in Miami, Olivia Edwards Gallery in New York and Paris, and Tile Blush in Miami. Her paintings have also been included in group exhibitions at Triangle Space (Chelsea College of Arts, London), Camberwell Space (London), and at the Pavillon Davioud in the Jardin du Luxembourg, Paris.
She holds a PhD from University of the Arts London and a BA from the Slade School of Fine Art, where her 2002 degree show was featured on the front page of The Independent, one of the UK’s leading newspapers. In 2017, she coauthored the book Sorry I’m A Lady with artist Jason Galbut, with a second edition published in 2022.

The Galbut Institute was established in 2024 by Jason Galbut to display his body of work and works from his collection of paintings by the artist Anna Vickers. It is located in a warehouse in the Little River district of Miami, which also houses Galbut’s studio. The Institute seeks to provide an inspiring context in which to enjoy viewing art. It welcomes members of the public during opening hours and by appointment.

The Institute is open Saturdays 12-2pm and by appointment.=
email: [email protected]
255 NE 69th St. Unit D
Miami, FL 33138
+786-566-0542

Woody De Othello: coming forth by day

Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.
Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.

Woody De Othello: coming forth by day

Exhibition Reimagines Domestic Forms
As Vessels of Ancestral Memory and Sacred Introspection

—On View Throughout Miami Art Week—

Pérez Art Museum Miami (PAMM) is thrilled to present artist Woody De Othello‘s first museum solo exhibition in his hometown, coming forth by day, on view throughout Miami Art Week, until June 28, 2026. The exhibition showcases an entirely new body of work featuring hand-built sculptures, mosaic wall works, and a large-scale bronze sculpture. In exploring the primordial relationship between body, earth, and spirit, the immersive installation incorporates grounding materials such as clay-painted walls and subtle herbal scents.

“Recognizing the artist’s personal ties to Miami, we are particularly delighted to host Woody De Othello’s first significant museum presentation and to share his striking sensibility with our audiences near and far,” said Franklin Sirmans, Sandra and Tony Tamer Director at PAMM. “The artist’s work is a powerful reminder of how organic materials in the present can have a deep resonance with vernacular and folk cultures throughout the world in different eras of time.”

Known for his distinctive anthropomorphic forms, Othello’s practice is rooted in animating the inanimate and infusing everyday domestic objects—such as fans, faucets, phones, and televisions—with emotional and spiritual charge. These assemblages and vessels are playful—often sprouting spindly legs, elongated arms, and outsized ears—yet also take on a quiet vitality, appearing to lean, rest, and embrace as if shaped by the weight of memory and emotion.

Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.

Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.

coming forth by day marks an evolution in Othello’s practice, deepening his engagement with diasporic spiritual traditions and metaphysical symbolism. The exhibition’s title references the ancient Egyptian funerary text “Egyptian Book of the Dead: The Book of Coming Forth by Day”—a guide for the soul’s passage through the afterlife. Othello invokes this mythology as a metaphor for transformation and renewal, constructing a sacred space of introspection, bridging the mundane with the spiritual, the earthly with the divine. 

At the emotional apex of the exhibition stands a large-scale bronze sculpture of two embracing figures. Towering yet tender, the figures’ exaggerated proportions suggest the gravity of grief, longing, or surrender. one becomes two, two becomes one (2025) creates a culminating moment of communion and invites viewers into spaces of protection and collective emotional experience.

Surrounding the central sculpture, the gallery walls are painted in clay-colored hues and dotted with a constellation of wall-mounted ceramics and vibrantly glazed mosaics. These two-dimensional tableaux—framed in intricately carved wood—draw from Othello’s intuitive drawings, a medium he has embraced with great focus in recent years.

Across the gallery stands one of the show’s most striking elements: a freestanding wooden pyramid structure fitted with shelves that hold crystals, incense, and ceramic objects created by Othello. This altar-like installation channels a wide range of diasporic cosmologies, from Egyptian funerary architecture to Afro-Caribbean rituals and New Age mysticism. This culmination of works invites contemplation and conjures a liminal space between life, death, and rebirth—spiritual concepts that are deeply embedded in Othello’s sculptural vocabulary. Informed by his Haitian heritage and a deep engagement with African spiritual traditions, Othello treats clay not only as a medium but as a vessel for memory, breath, and becoming. His practice acknowledges the material’s ceremonial roots and positions each object as an agent of spiritual presence.

Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.
Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.\
Installation view: Woody De Othello: coming forth by day, Pérez Art Museum Miami, 2025-26. Photo: Lazaro Llanes.
Presented with deep intentionality, coming forth by day offers more than an exhibition. It is an invitation into a space of quiet transformation and communion, where the ordinary becomes sacred, the familiar becomes metaphysical, and the act of looking becomes a form of care.  

“Woody’s return to Miami for his first major solo exhibition is profoundly meaningful,” said PAMM Curator Jennifer Inacio. “coming forth by day transforms the gallery into a space of spiritual presence—where clay, bronze, and wood carry palpable emotional weight, and viewers are invited to slow down, reflect, and experience the sacred in the everyday. More than a presentation of objects, I hope visitors experience this exhibition as a ritual space where tenderness is honored, the material becomes metaphysical, and transformation quietly unfolds.” 

Woody De Othello: coming forth by day is organized by Jennifer Inacio, PAMM Curator, with the support of Fabiana A. Sotillo, Curatorial Assistant. The exhibition is presented with lead support from The Andy Warhol Foundation for the Visual Arts and supporting sponsorship from Simi Ahuja and Kumar Mahadeva, and Goldman Sachs. Additional support from Wagner Foundation, Leslie and Greg Ferrero, and Rona and Jeff Citrin is gratefully acknowledged.

Following its debut at PAMM, the exhibition will travel to the Manetti Shrem Museum of Art at the University of California, Davis in the fall of 2026.

ABOUT WOODY DE OTHELLO
Woody De Othello (b. 1991, Miami; lives in Oakland) holds a Master of Fine Arts from the California College of Arts, San Francisco, and a Bachelor of Fine Arts from Florida Atlantic University. His work is in the permanent collections of the Whitney Museum of American Art; Pérez Art Museum Miami; ICA, Miami; SFMOMA, San Francisco; Seattle Art Museum; LACMA, Los Angeles; Museum of Fine Arts, Boston; Carnegie Museum of Art, Pittsburgh; San José Museum of Art, CA; John Michael Kohler Arts Center, Sheboygan, WI; and MAXXI National Museum of 21st Century Art, Rome, and many more. Othello has exhibited widely in group exhibitions at the Museum of Arts and Design, New York; SFMOMA, San Francisco; Hayward Gallery, London; The Met, New York; Smithsonian American Art Museum and Renwick Gallery, Washington D.C.; Whitney Museum of American Art, New York; Fabric Workshop, Philadelphia; FRONT International: Cleveland Triennial; 33rd Ljubljana Biennial, Slovenia; and Center for Craft in Asheville, NC, among others.

ABOUT PAMM
Pérez Art Museum Miami (PAMM), led by Franklin Sirmans, Sandra and Tony Tamer Director, promotes artistic expression and the exchange of ideas, advancing public knowledge and appreciation of art, architecture, and design, and reflecting the diverse community of its pivotal geographic location at the crossroads of the Americas. The 41-year-old South Florida institution, formerly known as Miami Art Museum (MAM), opened a new building, designed by world-renowned architects Herzog & de Meuron, on December 4, 2013, in Downtown Miami’s Maurice A. Ferré Park. The facility is a state-of-the-art model for sustainable museum design and progressive programming and features 200,000 square feet of indoor and outdoor program space with flexible galleries; shaded outdoor verandas; a waterfront restaurant and bar; a museum shop; and an education center with a library, media lab, and classroom spaces.###

Accredited by the American Alliance of Museums, Pérez Art Museum Miami (PAMM) is Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Support is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. Additional support is provided by the City of Miami and the Miami OMNI Community Redevelopment Agency (OMNI CRA). Pérez Art Museum Miami is an accessible facility. All contents ©Pérez Art Museum Miami. All rights reserved.
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